Notes from Boston Series

Trevor Davidson has everything going for him. He’s just moved out on his own with three friends, and he’s landed a job as music director at a large Boston church. He has high hopes for marrying his long-term girlfriend and settling into a comfortable, devout lifestyle. Andre Cole has spent the past few years throwing himself into a dead-end job at a Cape Cod-based call center. When an opportunity to move back to Boston arises, Andre believes it will be the do-over he needs to put his past behind him. A chance meeting in a club on New Year’s Eve brings Trevor and Andre together for a brief but steamy encounter. Both assuming that’s the end of it, they are unexpectedly thrown back into each other’s lives when Trevor’s church hires Andre for their website design. While Andre is content at first to move on, Trevor’s conflicted feelings bubble over into his songwriting. Before he can stop it, his ode to Andre becomes an inadvertent Christian radio hit. Unfortunately for Trevor, he isn’t the only one who knows the song’s hidden meaning. Someone has leaked the story and upended Trevor’s life. In order to put the pieces back together, he needs to learn to be honest with his girlfriend, with Andre, and especially with himself.

Nate Kingsley is a master at messing up. Out of jealousy, he outed his best friend in a public and embarrassing way. Now he’s doing his best to make up for his crimes, but it’s left him empty and frustrated, unfulfilled even by his career as an opera singer and creative director. He enters an unsatisfying relationship he keeps hidden from his closest friends. When that ends on a disappointing note, he seeks solace in his crush on one of the drag queens performing at his favorite club. Izzy Kaplan is an EMT by day, a drag queen named TaTa Latke by night. He hasn’t been in a relationship since his divorce from his wife, despite the best efforts of his mothers and his work partner. He avoids their suggestions in favor of attending the opera alone to see the gorgeous baritone who’s caught his eye. He knows it’s just a fantasy, but it’s easier than starting over. A charity performance to benefit a local youth shelter and clinic puts them in each other’s lives in an unexpected way. They begin to emerge from their relationship disasters, slowly building trust. But unknown to themselves or each other, they are facing separate health crises that might be enough to send them both running the opposite way. It will take drawing on the love and strength of their friends and families to bring them back together again. Notes from Boston is a series about four friends navigating the ups and downs of life, relationships, and their music careers in the historic city. Book Two follows Nate in the aftermath of Trevor Davidson’s messy coming out as a bisexual Christian singer in Notes From Boston #1: Anthem.

A.M. Leibowitz's conclusion to the intricate Notes from Boston series is here! When it comes to love, Mack Whitman prefers to limit it to writing songs and poetry. Aromantic, he’s content to have quality friendships and people who sometimes also share his bed. He’s never considered himself the jealous type. But when he sees everyone in his life, from his best friends to his occasional partners, moving toward more settled lives, it leaves him frustrated, disappointed, and worried he’ll be left behind. Amelia Roberts doesn’t care about the genders of her partners as long as she follows her one rule: Don’t ever fall in love. It’s worked out well for her, since that’s a line she knows she’ll never cross with Mack. He’s as happy as she is to keep things as they are. The only trouble with her philosophy is that she didn’t count on meeting the one person who might change her mind. Jomari O’Brien’s supportive family made it smooth for him to transition several years ago. Since then, he’s been in and out of love, and other people’s beds, plenty of times, and he has no regrets. Each one is a small part of a larger symphony. Becoming involved with two people at once is a more complicated harmony, but it’s one he’s willing to learn as long as they are. Their individual melodies become discordant as they struggle to make them fit together. But if all three can learn to play with each other instead of against, they may yet hit all the right notes.