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Paddling Out The Stars
Paddling Out The Stars
Paddling Out The Stars
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Paddling Out The Stars

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Paddling Out The Stars is a poetic, bi-level—left-brain/right-brain—mid-summer kayak-cruise on a semi-wilderness, Northern Ontario lake. Its basic framework is a factual, observational cruise around that lake beginning in the early evening of a clear, hot day, and continuing, with many stops—one long one at a small beach for a read-snooze-and-swim—that extends what was intended to be a short, evening cruise, deep into the ensuing night. The poet describes the lake and his kayak-cruise on it in close, left-brained detail; he as well describes the numerous birds and animals he encounters.
However, lying lightly atop that factual, left-brained framework is an unfolding array of philosophical observations and ponderings of a mystical, spiritual, and holistic nature, particularly once darkness has enveloped the lake and the stars are being "paddled out." This kayak-cruise can be thoroughly left-brain enjoyed just for its observational, descriptive aspects, but it also provides much right-brain sustenance for any readers with right-brained inclinations who also like to "feed their Spirits" when they are reading.

LanguageEnglish
PublisherGregory
Release dateJun 3, 2018
ISBN9780463438626
Paddling Out The Stars
Author

Gregory

Gregory is, foremost, a mystic and a shaman, and only secondarily a writer. In becoming a mystic and a shaman he has, in the parlance of Carlos Castaneda's shaman/teacher, Don Juan, he has lost his shields, has lost his normal human defences against the psychic, telepathic, and emotional emanations—positive and negative—of those with whom he interacts. Because of this, he lives in solitude and accordingly must remain anonymous. * * * * * Since the Internet has become, quite literally, an incomprehensibly vast and complex Indra's Web, not only of billions of computers and exabytes of electronic information, but an equally vast and complex Indra's Web of psychic, telepathic and emotional information, not all of it positive and healthy, and against which he lacks the shields to protect himself, Gregory spends very little time enmeshed in that Web and is not entangled in any social media sub-webs. * * * * * The Muse and Man Press logo installed here in lieu of a picture of Gregory, represents a vision manifested 40 years ago to Gregory by his Muse, the wise and knowledgeable, non-physical Being who inspires all his written works. It is a stylised representation of a large bird enfolding within its wings a smaller bird. Symbolically, on a basic level, this represents that non-physical Being embracing Gregory's spirit-being and inspiring his writing, while on a more expansive level, it represents a family of such Beings embracing Humanity and inspiring its spiritual evolution. The visionary inspiration for it was given in conjunction with the refrain from John Denver's song, The Wings That Fly Us Home: And the spirit fills the darkness of the heavens. It fills the endless yearning of the soul. It lives within a star too far to dream of. It lives within each part and is the whole: It's the fire and the wings that fly us home . . .

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    Paddling Out The Stars - Gregory

    Paddling Out The Stars

    by

    Gregory

    Copyright 2018 by:

    Gregory

    Published by

    Muse & Man Press

    Smashwords Edition, License Notes

    This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to your favorite ebook retailer and purchase your own copy. Thank you for respecting the hard work of this author.

    * * * * *

    Cover and publisher logo designed by

    Geoff Morton

    www.geoffmorton.ca

    Table Of Contents

    Prologue

    First Leg

    Second Leg

    Third Leg

    Fourth Leg

    Fifth Leg

    Sixth Leg

    Seventh Leg

    Epilogue

    About the Author

    Other titles by Gregory

    Prologue

    There was a child went forth every day,

    And the first object he looked upon, that object he became,

    And that object became part of him for the day or a certain part

    of the day,

    Or for many years or stretching cycles of years.

    Walt Whitman

    Yet there is a way in which physical and mental events merge and influence each other. A change of world view can change the world viewed.

    Joseph Chilton Pierce

    How do you know but every bird

    That wings the airy way

    Is an immense world of delight,

    Closed to your senses five?

    William Blake

    A human being is part of the whole, called by us the Universe, a

    part limited in time and space. He experiences himself, his

    thoughts, and feelings as something separated from the rest—a

    kind of optical delusion of his consciousness. This delusion is a

    kind of prison for us, restricting us to our personal desires and

    affection for a few persons nearest to us. Our task must be to free

    ourselves from this prison by widening our circle of compassion

    to embrace all living creatures and the whole of nature in its

    beauty.

    Albert Einstein

    Connecting means paying attention to what is going on around

    you and not screening everything out to such a degree that you

    miss the magic.

    José Stevens

    Holy: venerated as, or as if, sacred. From Middle English, from

    Old English hālig; akin to Old English hāl –whole.

    Merriam-Webster Dictionary

    First Leg

    It is late in the afternoon

    of a

    hot, blue-sky, Sol-blazing summer day,

    and as I am finishing up my day's work on a long poem

    I have been working on for months,

    and I can feel,

    rising

    from deep, deep within

    the glowing depths of my

    True Self, my Spirit,

    a pressing need to go for a kayak-cruise

    on the nearby semi-wilderness lake,

    and though the relentless heat of the day has

    enervated these old bones and their weary flesh,

    and I do not feel like braving the relentless attacks

    of Sol's phalanxes of hot, blazing beams, my

    True Self, my Spirit,

    persists in Its demands,

    and ever-wanting to stay on the good side of my

    True Self, my Spirit,

    I decide to comply,

    and after making a thermos of tea, some

    sandwiches, filling a half dozen bottles with water,

    I load my kayak onto my car and drive

    to the launch point on the western edge of

    the small beach on the southern shore

    of this vibrant, clear-watered,

    northern wilderness lake,

    and after unloading my kayak and dragging it

    across a swath of grass to the shore,

    I stop beside it and gaze out over the lake's

    delightful, sparkling, soft-wind-rippled expanse of

    brilliant, dark-blue beauty.

    And as is my custom,

    I conscientiously and intently take in

    the bright, broad, beautiful blue expanse of this

    Living Lake,

    while first saying hello to It as I give It a

    a subtle bow and a subtler,

    hands-clasped-at-heart Namaste,

    since I am not living in India, where such a

    gesture would hardly be noticed, I make it subtle

    enough so as not to attract any undue attention

    from the crowd of bathers to my right—

    then asking its permission for my taking a cruise on

    its living waters, a query that I immediately

    sense is answered with the immediate,

    "Of course—it’s been a while! . . .

    Where have you been?"

    For if there is one thing I know with certainty,

    all bodies of water are living, supremely

    Conscious Beings,

    and nothing guarantees a good paddle

    in Their

    Living Beingness,

    like extending to them their due respect

    by first saying hello,

    then asking their permission to enter their Being,

    and after those necessary rituals are over,

    I gaze up in equal reverence at the vast dome of the

    pristine blue sky overhead, forcing myself

    to circle full-round in the cool, wet sand

    so I can take in,

    and be keenly aware of,

    its over-arching beauty and vastness,

    thinking, as I inevitably do,

    after performing this so essential ritual,

    about all the money and labor and resources

    expended by those institutional religions

    who have constructed enormous stone structures

    with massive domes designed to create

    vast and impressive spaces intended to fill

    the spirits and imaginations of their faithful

    with the requisite awe and wonder

    over the limitless glory and vast majesty

    of their Supreme Deity,

    all possible,

    because these somnambulant people have lost the

    natural, essentially-human ability

    to step outside

    at least once each day, look up,

    circle around, and

    gaze in conscientious, jaw-gaping wonder

    at the vast and awe-some dome of the sky overhead,

    especially if they live on the prairies, as I once did,

    where it is easier to ignore a nail in your shoe than

    that vast, horizon-circling sky—

    which even on a heavy-clouded day,

    makes the largest, most-impressive,

    most-expensive, human-built

    cathedral-topping dome,

    look like the inside of a thimble,

    while the act of gazing up

    at the vast-beyond-fathoming dome

    of a clear, star-sparkling,

    night sky,

    especially when the

    Milky Way

    arcs gloriously and awe-somely across it,

    is to reduce even the most impressively massive of

    human-built domes, to something smaller and

    even less impressive than the husk

    of a millet seed.

    And though there are those who would

    counter with comments about

    the unparalleled mastery, complexity and beauty

    of the artwork on the inside surfaces of those

    questionably magnificent and sacred cathedral-domes,

    all I can say is that a habit of conscientious

    sky-gazing will yield panoramas of

    complexity and living beauty,

    that are not only dynamic, but

    often beyond breathtaking and awe-some,

    whether it be—

    the vast, high-drifting feathers of ice crystals

    constantly being shaped

    and re-shaped by stratospheric winds,

    officially named

    cirrus clouds,

    but called by many by their more poetic name of

    mares' tails;

    or—

    a bright, warm, sunny summer-afternoon sky

    full of those slow-drifting, constantly-changing,

    fluffy white cotton balls of

    cumulus clouds,

    sporting the quaint, Latin name of

    Cumulus humilis;

    or—

    one of those clear, sparkling, high-pressure days

    of any season when the air is dry and not

    a blemish mars the depthless blue

    of a sky that looks like some gargantuan chef,

    after washing his favorite,

    bright blue salad bowl,

    has placed it upside down over the world

    for it to dry, though sometimes,

    as an afternoon wanes and Sol's wearying

    stallions are legging it to their western horizon stable,

    the ghost-pale gibbous Luna can be seen,

    haunting the eastern reaches of that

    otherwise flawless expanse of

    the living blue Akasha;

    or—

    the massive, towering phalanxes

    of cumulonimbus clouds that often fill the sky on

    hot, muggy summer afternoons, and either blitz across

    it in a wild fury while flashing

    great arcs of lightning and booming out

    deafening blasts of thunder,

    or taking ponderous, day-long strolls, such that

    when tired Sol slow-slumps to his north-reaching,

    summer-horizon bed,

    he paints them in gaudy and glorious shades

    of gold and red and bright purple, or soft hues

    of rose and amethyst and indigo;

    or—

    on clear nights, the vast star-scape of the night sky

    being slowly and regally traversed by

    the full and bright-beaming

    Goddess Luna;

    or—

    on clear, gelid winter nights, sky panoramas gloriously alive

    with the multi-hued maidens of

    Aurora Borealis,

    dancing and cavorting in their filmy, iridescent,

    green and blue and sometimes red, costumes;

    or—

    a languid and lingering summer's eve, when

    Sol dips into his paint box and splashes,

    first, a splendid and varied array of bright

    reds and oranges across a vast and spreading array

    of altocumulus clouds lingering in the

    northwestern sky, then

    when He tires of those gaudy hues,

    he slowly repaints that vast, dynamic canvas with

    muted, swift-changing pastel shades of

    rose, amethyst, and indigo.

    And on thinking about the many, varied, stupendous,

    natural, and

    free-for-the-looking-right-out-your-door

    sky-scapes,

    the thought comes to me

    that aeons after—

    humankind has ingloriously exited from

    the stage of this planet, from this

    Living Goddess Gaia;

    that aeons after all its mighty,

    power-and-wealth-obsessed, religious institutions

    have long faded from cosmic memory,

    and all their mighty domes have collapsed

    back to the earth out of which they arose,

    relentless Time reducing them to naught

    but dirt-covered ruins overgrown with

    the eternally reincarnating grasses,

    wildflowers, shrubs, bushes, and trees,

    those glorious sky-panoramas and cloudscapes

    will continue to manifest in all

    their living, conscious splendor,

    not one bit perturbed or disappointed

    that not even a single pair of

    human eyes

    any longer exists to gaze at them in

    all their magnificence and glory . . .

    But enough of all this drear philosophizing!

    And with my hellos having been said

    to the

    Living Lake,

    and to the no less alive

    Sky,

    I love

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