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The Valancourt Book of Victorian Christmas Ghost Stories
The Valancourt Book of Victorian Christmas Ghost Stories
The Valancourt Book of Victorian Christmas Ghost Stories
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The Valancourt Book of Victorian Christmas Ghost Stories

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The first-ever collection of Victorian Christmas ghost stories, culled from rare 19th-century periodicals

During the Victorian era, it became traditional for publishers of newspapers and magazines to print ghost stories during the Christmas season for chilling winter reading by the fireside or candlelight. Now for the first time thirteen of these tales are collected here, including a wide range of stories from a diverse group of authors, some well-known, others anonymous or forgotten. Readers whose only previous experience with Victorian Christmas ghost stories has been Charles Dickens’s “A Christmas Carol” will be surprised and delighted at the astonishing variety of ghostly tales in this volume.

“In the sickly light I saw it lying on the bed, with its grim head on the pillow. A man? Or a corpse arisen from its unhallowed grave, and awaiting the demon that animated it?” - John Berwick Harwood, “Horror: A True Tale”

“Suddenly I aroused with a start and as ghostly a thrill of horror as ever I remember to have felt in my life. Something—what, I knew not—seemed near, something nameless, but unutterably awful.” - Ada Buisson, “The Ghost’s Summons”

“There was no longer any question what she was, or any thought of her being a living being. Upon a face which wore the fixed features of a corpse were imprinted the traces of the vilest and most hideous passions which had animated her while she lived.” - Walter Scott, “The Tapestried Chamber”

LanguageEnglish
Release dateNov 30, 2018
ISBN9781943910571
The Valancourt Book of Victorian Christmas Ghost Stories

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  • Rating: 5 out of 5 stars
    5/5
    Bravo, Valancourt, you've outdone yourselves with this collection. Editor Tara Moore, author of Victorian Christmas in Print, should also be given major pats on the back for her outstanding work here. Each story begins with a brief introduction to the author, along with a brief note or two as to where his or her story first appeared in print. And for people like me who are afflicted with full-on geekiness, every now and then there's the added bonus of footnotes providing references for further study. According to the editor's introduction, "The season of Christmas coincides with the shortest days of the year, and for middle-class Victorians, a chance for families to reconnect in story-telling circles. Urban dwellers, disconnected from village legends, simply picked up a magazine specially made to lace children's dreams with terror. The bleak, shadow-filled walk from the story circle to one's dark bedroom presented an uncomfortably eerie space to reflect on the mental images conveyed by those grisly tales."The 1820s and the 1830s saw the rise in popularity of the Christmas literary annual, and special periodicals began to appear, their publishers either printing "special Christmas numbers or simply tailoring their December and January numbers for Christmas reading, and that meant ghosts." As to the thirteen (!) stories included here, while a few are listed as having been from "anonymous" authors, true-blue fans of the Victorian ghost story will definitely recognize the names of most of these writers: 1. "The Tapestried Chamber," by Sir Walter Scott2. "The Old Nurse's Story," by Elizabeth Gaskell 3. "Horror: A True Tale," by John Berwood Harwick4. "Bring Me a Light!" by Anonymous5. "Old Hooker's Ghost," by Anonymous6. "The Ghost's Summons," by Ada Buisson7. "Jack Layford's Friend," by Anonymous8. "How Peter Parley Laid a Ghost," by Anyonymous9. "A Mysterious Visitor," by Ellen Wood10. "The Haunted Rock," by W.W. Fenn11. "The Lady's Walk," by Margaret Oliphant12. "The Captain of the Pole-Star," by Arthur Conan Doyle13. "The Doll's Ghost," by F. Marion CrawfordMy advice: snuggle up with a cup of your favorite hot brew, wrap up in a cozy blanket, light a fire in the fireplace, and prepare to be transported out of this world and back through time. While it is a perfect book for Christmas reading, it's also ideal for any other time of the year. It is a lovely book, and most definitely now a treasured part of my own personal collection. beyond recommended, especially to people who share my unquenchable ardor for Victorian ghost stories.
  • Rating: 3 out of 5 stars
    3/5
    The Captain of the “Pole-star” by Sir Arthur Conan Doyle I love me some Conan Doyle, but not this one. I’m not a fan of Arctic settings, nor of stories that take place at sea, so this was a double whammy against me liking it. Add to that, it isn’t really a spooky ghost story, so much as a second hand account of ghost sightings and their results.In my opinion, Conan Doyle’s The Haunted Grange of Grosthorpe is a far superior ghost story.How Peter Parley Laid a Ghost by Anonymous My first thought as I started reading this – a story aimed at Victorian children – was that the writing shines a sorry light on the state of today’s education. I doubt many children today would be able to pass a reading comprehension quiz based on this story, purely based on the vocabulary. I could be wrong, but the writing here is certainly more sophisticated than that of most of today’s books aimed at adults.This story was better than Conan Doyle’s Captain of the Pole-Star; more interesting, amusing, and frankly, better written. But it’s still not a true ghost story; it’s a morality tale aimed at the folly of superstition. In this context, it’s a brilliant story; in the context of a spooky ghost story … not so much.

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The Valancourt Book of Victorian Christmas Ghost Stories - Tara Moore

THE VALANCOURT BOOK OF

VICTORIAN CHRISTMAS

GHOST STORIES

Edited with an introduction by

TARA MOORE

VALANCOURT BOOKS

Richmond, Virginia

2016

The Valancourt Book of Victorian Christmas Ghost Stories

First published December 2016

Introduction © 2016 by Tara Moore

This compilation copyright © 2016 by Valancourt Books, LLC

All rights reserved. In accordance with the U.S. Copyright Act of 1976, the copying, scanning, uploading, and/or electronic sharing of any part of this book without the permission of the publisher constitutes unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher.

Published by Valancourt Books, Richmond, Virginia

http://www.valancourtbooks.com

Cover by Henry Petrides

INTRODUCTION

How to Read a Victorian Christmas Ghost Story

Imagine a midwinter night, an early sunset, a long, drafty evening spent by candlelight. The season of Christmas coincides with the shortest days of the year and, for middle-class Victorians, a chance for families to reconnect in story-telling circles. Urban dwellers, disconnected from village legends, simply picked up a magazine specially made to lace children’s dreams with terror. The bleak, shadow-filled walk from the story circle to one’s dark bedroom presented an uncomfortably eerie space to reflect on the mental images conveyed by those grisly tales.

To capture the Victorian ghost story experience is to whisper it by candlelight, to feel the tendrils of December’s chill reaching from the darkness outside the hearth’s glow. While our culture associates the summer campfire with this type of tale, the Victorians looked to Christmas fires instead. Walter Scott, at the opening of his ghostly tale The Tapestried Chamber, bemoans how his written words will strip the story of its most satisfying chills. Read it aloud, he urges his readers. Read it at night.

The History of Ghosts at Christmas

Ghosts had been a staple of both periodicals and Christmas for a century before the Victorian Christmas publishing boom, but the nineteenth century offered as a nexus for these two cultural icons. Eighteenth-century periodicals concerned with enlightenment had recognized that ghosts were a problem to be solved (Handley 113). While these periodical essays did confer a level of distinction on ghosts, they failed to fully harness the Christmas reading experience. When taxation on periodicals raised prices and circulations dropped, ghosts resorted to starring in oral accounts. The midwinter tradition of telling ghostly tales around the long evening fire satisfied both the poor and the rich. This tradition became entrenched in the printed accounts of Christmas. For example, when Washington Irving sought to capture the dignified glamour of the English country Christmas for his readers in 1820, he included the comfortable thrill of the ghost story circle as well as the boar’s head and the wassail bowl.

The first literary genre to capitalize on this oral tradition, the Christmas literary annual, became especially popular in the 1820s and 1830s. Dozens of titles popped up to fill the desire of middle-class Victorians to present or display these lushly illustrated, gilded volumes. The gothic ghost story commonly featured in the table of contents of these decorative books. Literary annuals predated the mid-century Christmas book trend, but they further established the place of the ghost story in printed reading matter intended for Christmas use (Moore 81-82). By 1843, a young author would grasp at this genre when he needed some extra cash.

Charles Dickens did not invent the Victorian Christmas, but he did come to represent its commercial potential for publishing profit. Of his five small Christmas novellas, two contained outright ghosts, and another hinged on a supernatural scene. When Dickens found the work of publishing an annual Christmas book too exhausting (and not as profitable as he could have wished), he turned to preparing frame tales populated by the stories of some of the most popular writers of his day. These appeared as special Christmas numbers in the weekly magazines he edited: Household Words and, later, All the Year Round. Other magazines would follow suit, most of them soliciting authors to contribute ghost stories to add to the mix.

The real wellspring of Victorian Christmas spectres was the magazine. Periodicals began printing special Christmas numbers or simply tailoring their December and January numbers for Christmas reading, and that meant ghosts. Women contributed a large portion of these stories, and scholars have estimated that perhaps between fifty and seventy percent of all ghost fiction from the nineteenth century was written by women (Carpenter and Kolmar xvi). Readers wanted to read ghosts at Christmas, so that meant that authors dreamed up midwinter ghosts over the summer and into the early fall, preparing the way for those spooky holiday chills.

Why Did the Victorians Love Ghost Stories?

Cultural elements contributed to the success of this transformed oral tradition. Authors who wrote about ghosts could have easily participated in the fad for séances that pervaded certain spheres of society. Nineteenth-century spiritualism shaped a language of spectrality which then influenced the production of ghosts in literature (Smith 97). Victorians, who enjoyed increasing levels of leisure and technology, devoted a portion of each to developing a robust culture of death and mourning, including photography of deceased children and picnicking in cemeteries (Carpenter and Kolmar xix). With their fascination with death and the afterlife, the Victorians appreciated when literature roamed into the realm of the uncanny. The following ghostly selections represent the style of ghost stories the Victorians could expect to find in the pages of their periodicals.

Most Victorian ghosts fail to provide the fright that modern audiences have come to expect. Horror fiction and films have no doubt desensitized us to the simple thrill of local ghost lore. The Victorians themselves were dealing with a debate over spiritualism and spirits which severely limited their ability to fully enjoy the ghostly horror story. Authors frequently wrote cautionary anti-ghost stories, the type that open with a sinister suggestion of a ghost, only to end with characters recognizing the foolishness of such a fear. For example, the bang in the night that caused the young bride to panic for five pages ends up being the fallen kitchen clock (The Mystery). Dickens used the pages of his periodicals to question the premise that ghosts had any basis in fact (Smajic 60). Disgusted with his culture’s belief in ghosts, Dickens produced an entirely ghost-less Christmas number, The Haunted House (1859), in which a party of friends collect in a so-called haunted house to experience its thrill or demystify its reputation.

This volume gives preference to the eerier tales from the period, but several included here do hinge on an entirely rational explanation. It is as if authors knew that their readers demanded ghost stories, but the same authors simply could not bring themselves to further confirm the reality of ghosts. Looking back on the late-nineteenth-century ghost trend, one critic wrote, story-writers found it as much as their place was worth to introduce any element of the apparently supernatural which was not capable of a severely practical explanation (Berlyn). One story contained here, How Peter Parley Laid a Ghost: A Story of Owl’s Abbey, takes a highly didactic tone. Since Peter Parley’s Annual was entrusted with teaching Victorian children the realities of their world, readers could be certain from the outset that the tease of a ghost would end with a very human lesson.

Several trends in Victorian ghost narratives rest on the premise that ghosts are real, at least in fiction. The emigrant’s return is one such variety. In this brand of tale, the émigré’s form appears to his lover or friend, typically at the moment of his death. These spectral visitants are nearly always male, and their appearance signifies their deep devotion to home and place of origin, no matter where in the Empire they have sought their fortune. In one tale, a press gang kidnaps a young man and drags him off to work on a navy vessel; his ghost appears to his fiancée three years later, conveying to her the instantaneous knowledge of his death (Sheehan). While this type of tale appeared throughout the year, the strong sentimentality regarding Christmas family unity made it especially fitting for holiday reading; at that time of the year, families of émigrés would have wanted to feel that they were still the focal point in the lives of their distant loved ones.

Another type of real ghost story involved laying the ghost, a British phrase for releasing the ghost from whatever past crimes force it to roam the earth. Sometimes the ghost’s crimes bind it to this plane, but, more often, the ghost wishes to help its relatives establish financial stability or peace. The ghost may continue to haunt until a particular wrong is righted, and then it is free to drift away. Several of the stories contained here deal with laying the ghost, either by solving a mystery or establishing financial security for the living.

While working-class ghosts rarely haunt anyone over a will, the spectres of the gentry carry the burden of seeing that their bequests are carried out. This otherworldly responsibility plays out in many country house hauntings, a subgenre well represented in this anthology. While working-class ghosts could be found in Victorian periodicals, their wealthier counterparts certainly received more attention. Indeed, readers seemed to idealize the country house Christmas, even though more and more readers celebrated the holiday in an urban setting, and few could boast of such a leisured lifestyle (Moore 89). Perhaps the idea of a haunted estate satisfied the voyeuristic middle class; after all, a haunting is certainly a disruption of a seemingly stable environment (Wolfreys 6). The ghost story offers readers a chance to fantasize about the destabilization of the powerful. Periodical readers could partake in this pastime by picking up their Christmas annual without ever having to leave town.

In his 1884 essay, The Decay of the British Ghost, F. Anstey sardonically bemoans the loss of the real ghost: There was something thoroughly Christmassy, for example, about the witchlike old lady, with a horrible dead rouged face, who looked out of a tarnished mirror and gibbered malevolently at somebody, for the excellent reason that he chanced to be her descendant (252). Anstey’s ironic assessment of the state of the ghost rings false in one way; ghosts certainly survived the mid-century boom and continued to feature during the last decades of the century and beyond. However, the ghost story did serve as a type of uncanny mirror, often showing subtle fissures in the society that produced it.

To revive the Victorian ghost, invite it in on its own terms. Wait for dark. Dim the lights. If you can arrange a draft to waft through the room, all the better. Meeting the ghosts of Christmas does not limit you to Dickens’s edifying spirits; instead, prepare yourself for a sensual experience of midwinter leisure and Victorian story-telling tradition.

Tara Moore

May 2016

Tara Moore celebrates Christmas in central Pennsylvania where the whip-bearing, fur-clad Belsnickle still terrifies the children who know where to find him. Her publications include articles and books about Christmas, including Victorian Christmas in Print (2009) and Christmas: The Sacred to Santa (2014). She teaches writing and literature at Elizabethtown College.

Works Cited

Anstey, F. The Decay of the British Ghost, Longman’s Magazine 3.145 (1 Jan. 1884): 251-259. Periodicals Archive Online. 9 April 2016. Web.

Berlyn, Alfred. Ghosts Up-to-date, The Academy 2172 (20 Dec. 1913): 774-775.

Carpenter, Lynette and Wendy Kolmar. Ghost Stories by British and American Women: A Selected, Annotated Bibliography. New York: Garland, 1998.

Dickens, Charles, ed., The Haunted House. New York: Modern Library, 2004.

Handley, Sasha. Visions of an Unseen World: Ghost Beliefs and Ghost Stories in Eighteenth-Century England. London: Pickering & Chatto, 2007.

Irving, Washington. The Sketch-book of Geoffrey Crayon, Gent. [1820]. New York: Library of America, 1983.

Moore, Tara. Victorian Christmas in Print. New York: Palgrave Macmillan, 2009.

The Mystery of the Old Grey House, Tinsley’s Magazine 36 (Jan. 1885): 168-178.

Scott, Walter. The Tapestried Chamber; or, The Lady in the Sacque, The Keepsake for 1829. London: Hurst, Chance & Co., 1828.

Smajic, Srdjan. Ghost-Seers, Detectives and Spiritualists: Theories of Vision in Victorian Literature and Science. New York: Cambridge University Press, 2010.

Sheehan, John. A Ghostly Night at Ballyslaughter Temple Bar 31 (January 1871): 227-236.

Smith, Andrew. The Ghost Story, 1840-1920: A Cultural History. New York: Manchester University Press, 2010.

Wolfreys, Julian. Victorian Hauntings: Spectrality, Gothic, the Uncanny and Literature. New York: Palgrave, 2002.

Sir Walter Scott

THE TAPESTRIED CHAMBER

Testing out haunted houses featured frequently in ghost stories, but usually the brave soul made the decision willingly, either out of a desire to disprove spiritualism or to simply enjoy a thrill. With the creation of General Browne, an American War campaigner, Walter Scott (1771-1832) describes a hearty, masculine character who also has access to an elegant country house. In this tale, General Browne returns from war only to face a trial for which his hardships in the Virginian wilds have not prepared him. This story first appeared in 1828 in The Keepsake, a literary annual that appeared at Christmas each year from 1828 to 1857.

The following narrative is given from the pen, so far as memory permits, in the same character in which it was presented to the author’s ear; nor has he claim to further praise, or to be more deeply censured, than in proportion to the good or bad judgment which he has employed in selecting his materials, as he has studiously avoided any attempt at ornament which might interfere with the simplicity of the tale.

At the same time it must be admitted, that the particular class of stories which turns on the marvellous, possesses a stronger influence when told, than when committed to print. The volume taken up at noonday, though rehearsing the same incidents, conveys a much more feeble impression, than is achieved by the voice of the speaker on a circle of fire-side auditors, who hang upon the narrative as the narrator details the minute incidents which serve to give it authenticity, and lowers his voice with an affectation of mystery while he approaches the fearful and wonderful part. It was with such advantages that the present writer heard the following events related, more than twenty years since, by the celebrated Miss Seward, of Lichfield, who, to her numerous accomplishments, added, in a remarkable degree, the power of narrative in private conversation. In its present form the tale must necessarily lose all the interest which was attached to it, by the flexible voice and intelligent features of the gifted narrator. Yet still, read aloud, to an undoubting audience by the doubtful light of the closing evening, or, in silence, by a decaying taper, and amidst the solitude of a half-lighted apartment, it may redeem its character as a good ghost-story. Miss Seward always affirmed that she had derived her information from an authentic source, although she suppressed the names of the two persons chiefly concerned. I will not avail myself of any particulars I may have since received concerning the localities of the detail, but suffer them to rest under the same general description in which they were first related to me; and, for the same reason, I will not add to, or diminish the narrative, by any circumstance, whether more or less material, but simply rehearse, as I heard it, a story of supernatural terror.

About the end of the American war, when the officers of Lord Cornwallis’s army, which surrendered at Yorktown, and others, who had been made prisoners during the impolitic and ill-fated controversy, were returning to their own country, to relate their adventures, and repose themselves, after their fatigues; there was amongst them a general officer, to whom Miss S. gave the name of Browne, but merely, as I understood, to save the inconvenience of introducing a nameless agent in the narrative. He was an officer of merit, as well as a gentleman of high consideration for family and attainments.

Some business had carried General Browne upon a tour through the western counties, when, in the conclusion of a morning stage, he found himself in the vicinity of a small country town, which presented a scene of uncommon beauty, and of a character peculiarly English.

The little town, with its stately old church, whose tower bore testimony to the devotion of ages long past, lay amidst pastures and corn-fields of small extent, but bounded and divided with hedge-row timber of great age and size. There were few marks of modern improvement. The environs of the place intimated neither the solitude of decay, nor the bustle of novelty; the houses were old, but in good repair; and the beautiful little river murmured freely on its way to the left of the town, neither restrained by a dam, nor bordered by a towing-path.

Upon a gentle eminence, nearly a mile to the southward of the town, were seen, amongst many venerable oaks and tangled thickets, the turrets of a castle; as old as the wars of York and Lancaster, but which seemed to have received important alterations during the age of Elizabeth and her successor. It had not been a place of great size; but whatever accommodation it formerly afforded, was, it must be supposed, still to be obtained within its walls; at least, such was the inference which General Browne drew from observing the smoke arise merrily from several of the ancient wreathed and carved chimney-stalks. The wall of the park ran alongside of the highway for two or three hundred yards; and through the different points by which the eye found glimpses into the woodland scenery, it seemed to be well stocked. Other points of view opened in succession; now a full one, of the front of the old castle, and now a side glimpse at its particular towers; the former rich in all the bizarrerie of the Elizabethan school, while the simple and solid strength of other parts of the building seemed to show that they had been raised more for defence than ostentation.

Delighted with the partial glimpses which he obtained of the castle through the woods and glades by which this ancient feudal fortress was surrounded, our military traveller was determined to inquire whether it might not deserve a nearer view, and whether it contained family pictures or other objects of curiosity worthy of a stranger’s visit; when, leaving the vicinity of the park, he rolled through a clean and well-paved street, and stopped at the door of a well-frequented inn.

Before ordering horses to proceed on his journey, General Browne made inquiries concerning the proprietor of the chateau which had so attracted his admiration; and was equally surprised and pleased at hearing in reply a nobleman named, whom we shall call Lord Woodville. How fortunate! Much of Browne’s early recollections both at school, and at college, had been connected with young Woodville, whom, by a few questions, he now ascertained to be the same with the owner of this fair domain. He had been raised to the peerage by the decease of his father a few months before, and, as the general learned from the landlord, the term of mourning being ended, was now taking possession of his paternal estate, in the jovial season of merry autumn, accompanied by a select party of friends to enjoy the sports of a country famous for game.

This was delightful news to our traveller. Frank Woodville had been Richard Browne’s fag at Eton, and his chosen intimate at Christ Church; their pleasures and their tasks had been the same; and the honest soldier’s heart warmed to find his early friend in possession of so delightful a residence, and of an estate, as the landlord assured him with a nod and a wink, fully adequate to maintain and add to his dignity. Nothing was more natural than that the traveller should suspend a journey, which there was nothing to render hurried, to pay a visit to an old friend under such agreeable circumstances.

The fresh horses, therefore, had only the brief task of conveying the general’s travelling carriage to Woodville Castle. A porter admitted them at a modern gothic lodge, built in that style to correspond with the castle itself, and at the same time rang a bell to give warning of the approach of visitors. Apparently the sound of the bell had suspended the separation of the company, bent on the various amusements of the morning; for, on entering the court of the chateau, several young men were lounging about in their sporting dresses, looking at, and criticising, the dogs which the keepers held in readiness to attend their pastime. As General Browne alighted, the young lord came to the gate of the hall, and for an instant gazed, as at a stranger, upon the countenance of his friend, on which, war, with its fatigues and its wounds, had made a great alteration. But the uncertainty lasted no longer than till the visitor had spoken, and the hearty greeting which followed was such as can only be exchanged betwixt those, who have passed together the merry days of careless boyhood or early youth.

If I could have formed a wish, my dear Browne, said Lord Woodville, it would have been to have you here, of all men, upon this occasion, which my friends are good enough to hold as a sort of holiday. Do not think you have been unwatched during the years you have been absent from us. I have traced you through your dangers, your triumphs, your misfortunes, and was delighted to see that, whether in victory or defeat, the name of my old friend was always distinguished with applause.

The general made a suitable reply, and congratulated his friend on his new dignities, and the possession of a place and domain so beautiful.

Nay, you have seen nothing of it as yet, said Lord Woodville, and I trust you do not mean to leave us till you are better acquainted with it. It is true, I confess, that my present party is pretty large, and the old house, like other places of the kind, does not possess so much accommodation as the extent of the outward walls appears to promise. But we can give you a comfortable old-fashioned room, and I venture to suppose that your campaigns have taught you to be glad of worse quarters.

The general shrugged his shoulders, and laughed. I presume, he said, the worst apartment in your chateau is considerably superior to the old tobacco-cask, in which I was fain to take up my night’s lodging when I was in the Bush, as the Virginians call it, with the light corps. There I lay, like Diogenes himself, so delighted with my covering from the element, that I made a vain attempt to have it rolled on to my next quarters; but my commander for the time would give way to no such luxurious provision, and I took farewell of my beloved cask with tears in my eyes.

Well, then, since you do not fear your quarters, said Lord Woodville, you will stay with me a week at least. Of guns, dogs, fishing-rods, flies, and means of sport by sea and land, we have enough and to spare: you cannot pitch on an amusement but we will find the means of pursuing it. But if you prefer the gun and pointers, I will go with you myself, and see whether you have mended your shooting since you have been amongst the Indians of the back settlements.

The general gladly accepted his friendly host’s proposal in all its points. After a morning of manly exercise, the company met at dinner, where it was the delight of Lord Woodville to conduce to the display of the high properties of his recovered friend, so as to recommend him to his guests, most of whom were persons of distinction. He led General Browne to speak of the scenes he had witnessed; and as every word marked alike the brave officer and the sensible man, who retained possession of his cool judgment under the most imminent dangers, the company looked upon the soldier with general respect, as on one who had proved himself possessed of an uncommon portion of personal courage; that attribute of all others, of which every body desires to be thought possessed.

The day at Woodville Castle ended as usual in such mansions. The hospitality stopped within the limits of good order: music, in which the young lord was a proficient, succeeded to the circulation of the bottle: cards and billiards, for those who preferred such amusements, were in readiness: but the exercise of the morning required early hours, and not long after eleven o’clock the guests began to retire to their several apartments.

The young lord himself conducted his friend, General Browne, to the chamber destined for him, which answered the description he had given of it, being comfortable, but old-fashioned. The bed was of the massive form used in the end of the seventeenth century, and the curtains of faded silk, heavily trimmed with tarnished gold. But then the sheets, pillows, and blankets looked delightful to the campaigner, when he thought of his mansion, the cask. There was an air of gloom in the tapestry hangings, which, with their worn-out graces, curtained the walls of the little chamber, and gently undulated as the autumnal breeze found its way through the ancient lattice-window, which pattered and whistled as the air gained entrance. The toilette, too, with its mirror, turbaned, after the manner of the beginning of the century, with a coiffure of murrey-coloured silk, and its hundred strange-shaped boxes, providing for arrangements which had been obsolete for more than fifty years, had an antique, and in so far a melancholy, aspect. But nothing could blaze more brightly and cheerfully than the two large wax candles; or if aught could rival them, it was the flaming bickering faggots in the chimney, that sent at once their gleam and their warmth, through the snug apartment; which, notwithstanding the general antiquity of its appearance, was not wanting in the least convenience, that modern habits rendered either necessary or desirable.

This is an old-fashioned sleeping apartment, general, said the young lord, but I hope you find nothing that makes you envy your old tobacco-cask.

I am not particular respecting my lodgings, replied the general; yet were I to make any choice, I would prefer this chamber by many degrees, to the gayer and more modern rooms of your family mansion. Believe me, that when I unite its modern air of comfort with its venerable antiquity, and recollect that it is your lordship’s property, I shall feel in better quarters here, than if I were in the best hotel London could afford.

I trust—I have no doubt—that you will find yourself as comfortable as I wish you, my dear general, said the young nobleman; and once more bidding his guest good night, he shook him by the hand, and withdrew.

The general once more looked round him, and internally congratulating himself on his return to peaceful life, the comforts of which were endeared by the recollection of the hardships and dangers he had lately sustained, undressed himself, and prepared for a luxurious night’s rest.

Here, contrary to the custom of this species of tale, we leave the general in possession of his apartment until the next morning­.

The company assembled for breakfast at an early hour, but without the appearance of General Browne, who seemed the guest that Lord Woodville was desirous of honouring above all whom his hospitality had assembled around him. He more than once expressed surprise at the general’s absence, and at length sent a servant to make inquiry after him. The man brought back information that General Browne had been walking abroad since an early hour of the morning, in defiance of the weather, which was misty and ungenial.

The custom of a soldier,—said the young nobleman to his friends; many of them acquire habitual vigilance, and cannot sleep after the early hour at which their duty usually commands them to be alert.

Yet the explanation which Lord Woodville then offered to the company seemed hardly satisfactory to his own mind, and it was in a fit of silence and abstraction that he awaited the return of the general. It took place near an hour after the breakfast bell had rung. He looked fatigued and feverish. His hair, the powdering and arrangement of which was at this time one of the most important occupations of a man’s whole day, and marked his fashion as much as, in the present time, the tying of a cravat, or the want of one, was dishevelled, uncurled, void of powder, and dank with dew. His clothes were huddled on with a careless negligence, remarkable in a military man, whose real or supposed duties are usually held to include some attention to the toilette; and his looks were haggard and ghastly in a peculiar degree.

So you have stolen a march upon us this morning, my dear general, said Lord Woodville; or you have not found your bed so much to your mind as I had hoped and you seemed to expect. How did you rest last night?

Oh, excellently well! remarkably well! never better in my life—said General Browne rapidly, and yet with an air of embarrassment which was obvious to his friend. He then hastily swallowed a cup of tea, and, neglecting or refusing whatever else was offered, seemed to fall into a fit of abstraction.

You will take the gun to-day, general? said his friend and host, but had to repeat the question twice ere he received the abrupt answer, No, my lord; I am sorry I cannot have the honour of spending another day with your lordship: my post horses are ordered, and will be here directly.

All who were present showed surprise, and Lord Woodville immediately replied, Post horses, my good friend! what can you possibly want with them, when you promised to stay with me quietly for at least a week?

I believe, said the general, obviously much embarrassed, that I might, in the pleasure of my first meeting with your lordship, have said something about stopping here a few days; but I have since found it altogether impossible.

That is very extraordinary, answered the young nobleman. You seemed quite disengaged yesterday, and you cannot have had a summons to-day; for our post has not come up from the town, and therefore you cannot have received any letters.

General Browne, without giving any further explanation, muttered something of indispensable business, and insisted on the absolute necessity of his departure in a manner which silenced all opposition on the part of his host, who saw that his resolution was taken, and forbore all further importunity.

At least, however, he said, permit me, my dear Browne, since go you will or must, to show you the view from the terrace, which the mist, that is now rising, will soon display.

He threw open a sash-window, and stepped down upon the terrace as he spoke. The general followed him mechanically, but seemed little to attend to what his host was saying, as, looking across an extended and rich prospect, he pointed out the different objects worthy of observation. Thus they moved on till Lord Woodville had attained his purpose of drawing his guest entirely apart from the rest of the company, when, turning round upon him with an air of great solemnity, he addressed him thus:

Richard Browne, my old and very dear friend, we are now alone. Let me conjure you to answer me upon the word of a friend, and the honour of a soldier. How did you in reality rest during last night?

Most wretchedly indeed, my lord, answered the general, in the same tone of solemnity;—so miserably, that I would not run the risk of such a second night, not only for all the lands belonging to this castle, but for all the country which I see from this elevated point of view.

This is most extraordinary, said the young lord, as if speaking to himself; then there must be something in the reports concerning that apartment. Again turning to the general, he said, For God’s sake, my dear friend, be candid with me, and let me know the disagreeable particulars which have befallen you under a roof where, with consent of the owner, you should have met nothing save comfort.

The general seemed distressed by this appeal, and paused a moment before he replied. My dear lord, he at length said, what happened to me last night is of a nature so peculiar and so unpleasant, that I could hardly bring myself to detail it even to your lordship, were it not that, independent of my wish to gratify any request of yours, I think that sincerity on my part may lead to some explanation about a circumstance equally painful and mysterious. To others, the communication I am about to make, might place me in the light of a weak-minded, superstitious fool, who suffered his own imagination to delude and bewilder him; but you have known me in childhood and youth, and will not suspect me of having adopted in manhood, the feelings and frailties from which my early years were free. Here he paused, and his friend replied:

Do not doubt my perfect confidence in the truth of your communication, however strange it may be, replied Lord Woodville; I know your firmness of disposition too well, to suspect you could be made the object of imposition, and am aware that your honour and your friendship will equally deter you from exaggerating whatever you may have witnessed.

Well then, said the general, I will proceed with my story as well as I can, relying upon your candour; and yet distinctly feeling that I would rather face a battery than recall to my mind the odious recollections of last night.

He paused a second time, and

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