Karyotype
By Kim Trainor
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Karyotype - Kim Trainor
Karyotype
Karyotype
Kim Trainor
Brick Books
Library and Archives Canada Cataloguing in Publication
Trainor, Kim, 1970–, author
Karyotype / Kim Trainor.
Poems.
Issued in print and electronic formats.
ISBN 978-1-77131-380-3
I. Title.
PS8639.R355K37 2015 C811’.6 C2015-903676-3
We acknowledge the Canada Council for the Arts, the Government of Canada through the Canada Book Fund, and the Ontario Arts Council for their support of our publishing program.
The author photo was taken by Kristie Trainor.
The cover image is a photograph by Jeffery Newbury of the Beauty of Loulan.
Cover design by Marijke Friesen.
Print design and layout by Marijke Friesen.
Brick Books
431 Boler Road, Box 20081
London, Ontario N6K 4G6
www.brickbooks.ca
About this book
At the heart of Karyotype is the Beauty of Loulan, a woman who lived four thousand years ago, her body preserved in the cool, dry sands of the Taklamakan Desert. Karyotype’s poems range from the title sequence, which explores the DNA and woven textiles of this woman and her vanished people (a karyotype is the characteristic chromosome complement of a species), to the firebombing of the National Library of Sarajevo, from an abecedarian hymn on the International Red Cross Book of Belongings
to the experience of watching the televised invasion of Iraq in the dark of a Montreal night. The Beauty of Loulan becomes a symbol of the ephemerality of human genetic and cultural texts, and of our chances for survival.
for Madeleine, Finn, and Kieran
Table of Contents
I.
Karyotype I–XXIII
II.
On the ordering of chaotic bodies of poetry
Oxyrhynchus
The semantic fields of glass and other transparent materials in the poetry of Krzysztof Kamil Baczyński
Field notes: Arras 1917
Russian notebook: Moscow 1918–1920
Russian notebook: Voronezh 1935–1937
In the long hours of darkness, Baghdad shakes to the constant low rumble of B-52s
Poem from a burnt notebook
Ash
III.
How to make a human karyotype
Cradle song: Six variations
Blue-eyed boy
Lines on a Cherchen grave
Tokharian love song
That which is woven
Funeral rites
IV.
Nothing is lost
Notes
Acknowledgements
Biographical Note
I.
Karyotype
I
They peel her desiccated beauty—
soft-petalled husks of chestnut brown,
her skull in its silken pod—tease
open the parchment skin to flesh
stitched through with blue-dyed veins and pearls
of bone. What are they looking for
in their protection of white mask
and gown? I sit next to my daughter
who turns her face from their grim task
but I look, and my son looks too
into the Beauty of Loulan
preserved in our luminous blue
glass capsule, with all the others—
the Cherchen man, the toddler
with a flat stone on each eye,
the man sewn up with horsehair sutures
at his slender neck. Microscopic views:
white blood cells smeared across a slide
stained with Giemsa dyes, methylene blue
and azure A, B, C to show
the chromosomal bands of dark
and light. We watch this
in the dim