Saint Peter and the Goldfinch
By Jack Ridl
4.5/5
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About this ebook
The first section of Saint Peter and the Goldfinch reflects on the author’s personal history, with poems like "Feeding the Pup in the Early Morning" and "Some of What Was Left After Therapy." The second section continues with meditations on varied events and persons and includes poems such as "The Last Days of Sam Snead" and "Coffee Talks with Con Hilberry." The third attends primarily to the mystery of love and what one loves and contains the poems "The Inevitable Sorrow of Potatoes" and "Suite for the Long Married." The fourth and final section meditates primarily on the imagined in poems like "Over in That Corner, the Puppets" and "Meditation on a Photograph of a Man Jumping a Puddle in the Rain."
Saint Peter and the Goldfinch is the work of a talented and seasoned poet, one whose work comes out of the "plainspoken" tradition—the kind of poetry that, as Thomas Lynch puts it, "has to deliver the goods, has to say something about life, something clear and discernible, or it has little to offer." Readers of poetry who enjoy wrestling with life’s big questions will appreciate the space that Ridl allows for these ruminations.
Jack Ridl
Jack Ridl is professor of English at Hope College, Holland, Michigan. His poems have appeared in numerous anthologies and poetry journals. Broken Symmetry is his third volume of poetry. Ridl has also published three chapbooks, two college literary textbooks, two literary anthologies, and is recipient of several awards for his teaching of young poets.
Read more from Jack Ridl
Practicing to Walk Like a Heron Rating: 3 out of 5 stars3/5Broken Symmetry Rating: 5 out of 5 stars5/5
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Book preview
Saint Peter and the Goldfinch - Jack Ridl
Advance praise for Saint Peter and the Goldfinch
Open this book to page 27 and read ‘Ice Storm.’ Feel how it settles in your chest, how your breath resounds with a long, deep, ‘Yes,’ how subtly you are changed by what you didn’t know you knew. I’ve been reading Jack Ridl’s poems with admiration and wonder for almost forty years now and this new work goes ever deeper into the intensified heart of our everyday lives.
—Dan Gerber
The amazing poetry of Jack Ridl is written ‘in the dust along the windowsill, / the star’s lost light falling across / the vase of flowers on the kitchen table.’ They are windows opening to mortality; they strike with the grace of starlight, and the warmth of flowers beside a meal. Ridl never fails to illuminate.
—Terrance Hayes, poet and professor
These poems typically begin with a series of quiet, levelheaded observationsand end in a wild imaginative leap. Jack Ridl has found a pattern that delights and surprises us poem by poem.
—Billy Collins
For a long time now, Jack Ridl has understood The Word, The Logos, as a meeting place of the body and the mind, the past and the emerging present, time and eternity, the concrete and the abstract, the inner and the outer worlds, the human will and the unknown, and he has practiced said Word as a way to clarify his heart, rectify his spirit, and demystify the workings of the human eye in order to realize human consciousness as a blessing, rather than a blight characterized by confusion and error. In his latest book, we witness his practice deepening, and not far below the warm and neighborly tone of these poems is the sound of a man more and more alone with The Alone. By salvaging what he can of the real and immediate world around him, he preserves for us the idea of The Human as precious and worth saving.
—Li-Young Lee, author of The Undressing
Saint Peter and the Goldfinch
Saint Peter and the Goldfinch
Poems by Jack Ridl
WAYNE STATE UNIVERSITY PRESS
Detroit
MADE IN MICHIGAN WRITERS SERIES
GENERAL EDITORS
Michael Delp, Interlochen Center for the Arts
M. L. Liebler, Wayne State University
A complete listing of the books in this series can be found online at wsupress.wayne.edu
© 2019 by Wayne State University Press. All rights reserved. No part of this book may be reproduced without formal permission. Manufactured in the United States of America.
ISBN 978-0-8143-4645-7 (paperback)
ISBN 978-0-8143-4646-4 (e-book)
Library of Congress Control Number: 2018959986
Publication of this book was made possible by a generous gift from The Meijer Foundation. This work is supported in part by an award from the Michigan Council for Arts and Cultural Affairs.
Wayne State University Press
Leonard N. Simons Building
4809 Woodward Avenue
Detroit, Michigan 48201–1309
Visit us online at wsupress.wayne.edu
For Julie, Meridith, and Betsy
Contents
Likely
The Train Home
It Was Last Night, I Think
Wondering What It Was Like
American Suite for a Lost Daughter
While the Dog Sleeps
Garage Sale
Is It Virginia Woolf I’m Thinking Of?
Feeding the Pup in the Early Morning
The Mallards
Thinking Again of My Daughter
The Nonattachment of Buddhism
My Brother—A Star
The Book of Rain
The Day After William Stafford Died
The Line
After the Thirteenth Shock Treatment
The Train Home
I Almost Saw a Rabbit Today
Self-Pity as an Ars Poetica
Ice Storm
Some of What Was Left After Therapy
Turning to the Psalter
The Man Who Decided to See
The Man Who Decided to See
Dailiness
The Last Days of Sam Snead
After Learning a Literary Magazine’s Editor Expects the First Line to Be a Grabber
The Bird Maker
Levitating Frogs
It’s What He Does Instead
Coffee Talks with Con Hilberry
The Night Before the MLA, Casey Stengel Appears to the Postmodernist Theorists
The Week After
The Man Who Made Towers of Beach Glass
This American Walking the Winter Streets of Tübingen, Germany: A Postcard
Saint Peter and the Goldfinch
Watching
Packing the Boxes
Heaven
Rising over the Smoke
The World in May Is Leafing Out
Chamber Musicians Also Wash the Dishes, Check the Mail
He of the Long Wait
The Long Married
Suite for Another Day in the World
The Inevitable Sorrow of Potatoes
Key West Suite
Remembering the Night I Dreamed Paul Klee Married the Sky
Let It Snow