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Plato's Symposium: A Translation by Seth Benardete with Commentaries by Allan Bloom and Seth Benardete
Plato's Symposium: A Translation by Seth Benardete with Commentaries by Allan Bloom and Seth Benardete
Plato's Symposium: A Translation by Seth Benardete with Commentaries by Allan Bloom and Seth Benardete
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Plato's Symposium: A Translation by Seth Benardete with Commentaries by Allan Bloom and Seth Benardete

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Plato, Allan Bloom wrote, is "the most erotic of philosophers," and his Symposium is one of the greatest works on the nature of love ever written. This new edition brings together the English translation of the renowned Plato scholar and translator, Seth Benardete, with two illuminating commentaries on it: Benardete's "On Plato's Symposium" and Allan Bloom's provocative essay, "The Ladder of Love." In the Symposium, Plato recounts a drinking party following an evening meal, where the guests include the poet Aristophanes, the drunken Alcibiades, and, of course, the wise Socrates. The revelers give their views on the timeless topics of love and desire, all the while addressing many of the major themes of Platonic philosophy: the relationship of philosophy and poetry, the good, and the beautiful.
LanguageEnglish
Release dateJan 7, 2013
ISBN9780226208152
Plato's Symposium: A Translation by Seth Benardete with Commentaries by Allan Bloom and Seth Benardete
Author

Plato

Plato, one of the most renowned ancient Greek philosophers, was born in 427 B.C. to an aristocratic and wealthy family, which played a prominent part in Athenian politics. Plato in conjunction his teacher, Socrates, and his pupil, Aristotle helped to lay the foundations of Western philosophy and culture. While primarily influenced by Socrates, Plato’s work was also affected by the philosophies of Heraclitus, Parmenides, and the Pythagoreans. Under the guidance of Socrates, Plato devoted himself to the pursuit of wisdom and upon Socrates’ death, joined a group of the Socratic disciples gathered at Megara. Later he travelled in Egypt, Magna Graecia, and Sicily. He returned to Athens and founded a school, known as the Academy, which seems to have been his home base for the remainder of his life. While thirty-five dialogues and thirteen letters have traditionally been ascribed to Plato, modern scholarship doubts the authenticity of some of them. His early dialogues are also known as the Socratic dialogues and include Apology, Crito, Euthyphro, and Protagoras. He followed these with his transitional dialogues: Gorgias, Meno , and Euthydemus . The Symposium and the Republic are considered the centerpieces of Plato's middle period and are considered some of his most revered work, and other middle dialogues include Phaedo, Phaedrus, and Theaetetus. Plato’s Laws is the best known dialogues of his late period. Plato died in 347 B.C.

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  • Rating: 3 out of 5 stars
    3/5
    And Agathon said, It is probable, Socrates, that I knew nothing of what I had said.
    And yet spoke you beautifully, Agathon, he said.


    Back in the late 1990s a cowpunk band named The Meat Purveyors had a song, Why Does There Have To Be A Morning After? It detailed stumbling around in the cruel light of day, sipping on backwash beer from the night before and attempting to reconstruct what at best remains a blur.

    The event depicted here is a hungover quest for certainty. The old hands in Athens have been tippling. Socrates is invited to the day after buffet. The Symposium attempts to explore the Praise for Love which occupies such a crucial yet chaotic corner of our earthly ways. There is ceremonial hemming-and-hawing about the sublime and then Socrates steps into the fray. All is vanity, Love is a bastard child of Poverty: the attempts at the Ininite and Eternal only reflect poorly on our scrawny and fleeting tenure.
  • Rating: 5 out of 5 stars
    5/5
    A lively, clear and readable translation with notes and an introduction that are more than just by the numbers. Gill's particularly good at explaining the linguistic and broader cultural differences that can impair your understanding. There are also good references for readers who want to explore the deeper philosophical implications of the dialogue. I wholeheartedly recommend this edition for the lay reader, who, like me, is on their first or second reading.
  • Rating: 5 out of 5 stars
    5/5
    Foundational to the mythos and language of Islamic mysticism (especially Rumi's Sufism). Philosophy as poetry as dialogue.
  • Rating: 5 out of 5 stars
    5/5
    this may be where the term 'Platonic relationship' came from being that Socrate's and his old rich attractive Greek buddies love to sit around and talk but not fuck because they know beauty is not especially the opposite of being ugly but it seeks something that the other doesn't have. or is that love? oh love, the talk-about or symposium as it was once called, really shows that love is in the eye of the beholder but Socrates is a man to be loved. I like the hom0-yet-no-homo vibe of it all because I too enjoy the company of men yet strictly in a conversational way although I can apperciate their beauty too. This is as important to the feminine movement as 'The City of Ladies is' for the...what should we call it...androgynous movement? grand!it made me feel like i've never been born and I was having a re-birth while reading it.I'm now androgy thanks to Plato and crew!!!
  • Rating: 5 out of 5 stars
    5/5
    Greek text with excellent and engaging english translation on facing pages accompanied by amusing engravings
  • Rating: 4 out of 5 stars
    4/5
    This is the first book I've read by Plato, and I really enjoyed it. I had to read it for my English class, and I was really surprised at how funny it was. It also gave great insight on the meaning of love and its merits.
  • Rating: 4 out of 5 stars
    4/5
    The arguments are interesting and important; the drama is hilarious.
  • Rating: 5 out of 5 stars
    5/5
    Beautiful Folio Society edition. More interesting to me as a testament to Greek leisure culture than philosophy, and always with slaves present around the edges.
  • Rating: 5 out of 5 stars
    5/5
    When I was a young man, I and my friends certainly had some strange conversations, possibly aided by some substances of questionable legality in certain countries, but we never quite managed to attain the heights of strangeness reached at this banquet/drinking party(*) held in 416 BCE when Socrates was approximately 53 years old, once again the principal figure in this "dialogue" written by Plato between 12 and 15 years after Socrates' death by poisoning in 399 BCE. Plato was 11 years old when the banquet took place, so, as in Crito and Phaedo , all the speeches are Plato's invention, though he may well have listened to stories about the banquet from participants. The general topic of the speeches: love in all of its forms.Each of the participants in the banquet is, in turn, to deliver a speech about Love. And deliver they do...Eryximachus, first up to bat, laments that so little poetry has been dedicated to the topic of Love. Phaedrus, in honorable Greek tradition, reaches into the past and recalls what Hesiod and Parmenides, among others, had to say. Love is the eldest and most beneficent of the gods. Then he launches into an explanation why the love between men fosters and supports honor and virtuous behavior. (A common theme at this banquet, which makes me wonder why the Christians permitted this text to survive. Thank goodness the Christian crusade against "sodomy" is ebbing into impotence.) Phaedrus unfavorably contrasts Orpheus' love for his wife with Achilles' love for Patroclus (and can't resist asserting that Achilles was the bottom, not Patroclus, because he was the fairer, beardless and younger; he doesn't use "bottom", but in the Greco-Roman world, those are the attributes of the "passive" partner in a homosexual relationship - I've heard some conversations like this at drunken parties, but Achilles usually wasn't the subject of the gossip). Pausanias then holds forth on the distinction between noble Love, expressed for youths who are "beginning to grow their beards", and common Love, whose object is women and boys. (At this point I'd be wondering if somebody had slipped something into the wine. But I'd be listening closely.) He gives a lengthy and closely reasoned moral argument in favor of this. I wonder how it would go over in the House of Representatives? Eryximachus, in a return engagement, is a physician and reinterprets Pausanias' moral distinctions in terms of the concepts of "healthy" and "diseased". In a process of what appears to be free association (was Plato smirking while he was writing this?), the good doctor throws in music, agriculture, astronomy, divination (OK, pass the blunt over here again), ... . Finally, he turns the floor over to the playwright Aristophanes, who clearly had brought his private stash to the party. For he commences to explain that originally mankind had three sexes. Moreover, primeval man was round, had four hands and feet, two faces on one head, etc. etc. In his LSD dream, this primeval man was so powerful that Zeus was envious and smote primeval man in twain. With some cosmetic work by Apollo, which is described in fascinating detail, and after a few false starts, voilà , mankind as we know it. Which explains, of course, why we are always looking for our other half. Instead of being helped away to a sanatorium, Aristophanes goes on to explain how the original three sexes of primeval man fit into the picture. Enjoy! I know I did.After this gobsmackingly strange speech (which would have had me trying to figure out where he hid his stash), the boys engage in some good natured banter, and then Agathon takes the floor. He makes a bad start, and then it goes downhill from there. Let's just say that Love had better not drop the soap in the shower when Agathon is around. (I know Plato was laughing up his sleeve on this one.)Now it is The Man's turn - Socrates steps to the plate. He goes into his usual "Ah, shucks" routine and then starts asking Agathon questions. Please see my review of Plato's Phaedo to see how that goes. After Agathon agrees with everything Socrates says, Socrates launches into a long story, the upshot of which is: the only true love is Love of the Absolute! (This sounds more like Plato than Socrates, but no surprise there.)Upon which Alcibiades comes staggering into the room. After a brief argument with Socrates about which of the two has the greater hots for the other, Alcibiades stumbles up to the plate. He sings the praises of Socrates' virtue, nobility, fortitude and pedagogy. This speech, if authentic, is one of the most detailed glimpses into Socrates' life we have and is fascinating. As literature, Plato really surpassed himself in this dialogue - even the weakest speeches (from the point of view of content and wit) were most savorously eloquent. And all were entertaining, each in a very distinct way. While I personally find Plato's physics, metaphysics and epistemology to be absurd and his politics to be frightening, the man could turn a phrase and draw a convincing characterization through speech. While I am completely unconvinced by claims that the Symposium can be viewed as a novel, one can, nonetheless, read it with great pleasure as a purely literary product.By the way, is any of that wine left?(Re-read in Benjamin Jowett's translation.)(*) A possibly amusing sidenote: The participants take a vote and decide "that drinking is to be voluntary, and that there is to be no compulsion" (they decided this only because so many of them were hung over from the previous evening!). One pauses at the idea that some of the brightest lights of Western culture comported themselves in their middle age like frat boys on a Saturday night... One of Socrates' many reported virtues was he could drink everybody else under the table and walk away into the dawn perfectly sober.
  • Rating: 4 out of 5 stars
    4/5
    Starts out slow, with mostly irrelevant speeches on the nature of Love. The first half or so is remarkable just for the interesting description it gives of Ancient Greek homosexual practices. It gets much more interesting once Socrates takes the floor, immediately ripping the false rhetoric of the hypocritical sophists in favor of Truth. His theory of love is interesting but is not at all what we think of as romantic love. . . it is more like love of truth/beauty/god and culminates in a mystical nirvana-like experience for the true lovers. The most interesting part of the dialogue comes at the very end, when the drunken Alcibiades crashes the party and gives a speech on Socrates, which is far more revealing of Socrates the Man than any other Platonic dialogue I've ever read. Regardless of what you think of this dialogue overall, I think it´s worth the read just for the last few pages of historical description. And regardless of how you feel about Plato perverting Socrates' teachings for his own political purposes, the Symposium proves that he truly admired his mentor as possibly the greatest man who had ever lived.
  • Rating: 4 out of 5 stars
    4/5
    So Plato, the pillar of philosophy in Western Civilization, is an enthusiastic pederast, a lover of boys. Nothing subtle here.
  • Rating: 3 out of 5 stars
    3/5
    Entertaining and thought-provoking, although it did get a little confusing toward the end.
  • Rating: 4 out of 5 stars
    4/5
    I was unprepared for how funny this book is. A group of friends extremely hung over from the previous night's partying decide that tonight, instead of going all out to get drunk again, they would send away the flute girl, drink in moderation and each would make a speech on the topic of love. Socrates makes the most profound speech but no sooner has be finished when the party is crashed by another band of drunken revellers and the extremely inebriated Alcibiades joins the party. Requested to add his speech on love, he claims unfairness on account of his state and instead of making a speech in praise of love, he speaks in praise of Socrates.
  • Rating: 2 out of 5 stars
    2/5
    (Original Review, 2003-03-02)The problem for me is that philosophy is surely about ideas which are themselves constructed out of language. Dinosaurs, or evidence for them in the fossil record, are not linguistic constructs - but philosophical ideas would seem to be.I don't mean that ideas themselves are entirely linguistic. I can have ideas that involve non-linguistic elements - for example I can mention a landscape that I could never fully describe in all its visual richness - and which there would not be words to sufficiently describe even if I had an eternity to do so (though that is arguable come to think of it, as assemblages of pixels can describe extraordinarily rich visual scenes - sorry bit of a side track).I don't even mean that philosophical concepts have to be made of language. It may well be possible to conceptualise ideas beyond the constraints of language and, as it happens, I think we can do that. The problem is, of course, that once you try to communicate any such ideas to anyone else you have to reduce them down to linguistic constructs (or perhaps logical constructs but I would say that logic and maths are languages too, albeit, like French, not languages that I am at all fluent in).It goes back to things like your "moral facts" which intrigue me but, so far, I am just not convinced of it. Dinosaur fossils sure - facts. You can poke them with a stick, measure them and compare them to other fossils etc. Moral facts, they don't seem to be solid enough to have convinced Plato of the wrongness of slavery.I find this sort of reasoning from "moral facts" problematic. It comes down to how Plato and Aristotle might have defined an "inferior person". For much of human history, and certainly for Plato's contemporaries, "inferior" might simply mean "from a tribe that was defeated in battle". Military success thus defines superiority. What fact could be used to show that this view is false?
  • Rating: 3 out of 5 stars
    3/5
    The introduction in this one goes completely off the rails when it starts getting into homoromantic relationships, which is simultaneously hilarious and offputting. Fully a third of the introduction is dedicated to explaining that Plato didn't *really* mean that men loved each other like that, and if he did that doesn't mean it really happened like that, and if it did that doesn't mean that the Greeks were not good, manly men. (Never mind that Plato makes a point of arguing with Aeschylus over whether Achilles was a top or a bottom.)A treatise on the nature and purposes of love; not my favorite subject, to be sure, but still interesting enough. I like the structure of several people talking around the point and one tying it all together; this seems like the most useful way to address such a massive and amorphous subject. I do quite like the conceit of Love as the messenger and mediator between gods and mortals. If you believe the prudish introduction, the rest of it is mostly leading toward the Platonic ideal of beauty, with a perverted comic bit tacked on the end, but I'm inclined not to believe the introduction, and to consider the comic bit something of an illustration of Socrates's earlier points, which is rather neatly done.
  • Rating: 4 out of 5 stars
    4/5
    A thought-provoking and intense yet short read, The Symposium was still far from what I had first anticipated. I had expected the philosophical nature of the piece, however, placing that upon the intricacies of love and homosexuality was shocking and delightful. I wouldn't expect less from Plato, one of the greatest human minds, and am always fascinated by his work. The Symposium is no exception.
  • Rating: 3 out of 5 stars
    3/5
    Plato’s Symposium is essentially a love story. The general outline is that a group of Greek thinkers are gathered together to a symposium by the poet Agathon to celebrate his recent victory in a dramatic competition. Phaedrus (an aristocrat), Pausanius (some sort of lawyer), Eryximachus (a doctor), Aristophanes (a comedian), Agathon, Socrates, and Alcibiades (a statesman) then take turns discussing the nature and types of love. They each offer valid perspectives on the topic while trying to surpass each other in the quality of their rhetoric (and trying to ward off a hangover from the previous night’s drinking). Socrates gets the upper hand quickly by undermining—piece-by-piece—each of their arguments about the nature of Love.Along with each of the speeches we get small insights into how gatherings were conducted in ancient Greece, and how different members of the social fabric interacted (it’s also nice to see that the methods for curing hiccups hasn’t changed in the last 3,000 years). Plato, being a student of Socrates, gives him a better part in the exchange than the others there, but I’m not sure I would want to attend a gathering with the man. The way he employs his Socratic dialogue easily paints him as being “that guy.” Nobody wants to be “that guy.” As far as the writing, Benjamin Jowett’s (1817-1893) translation of Plato’s treatise was published in the late 19th century and still holds up rather well. It’s only flowery in the intro (which takes up a third of this book), but then settles down when you get to the good stuff. All in all, not bad but not riveting either.
  • Rating: 4 out of 5 stars
    4/5
    It is not easy to review Plato when I have no claim whatsoever to being schooled in philosophy, so I will speak in generalities and leave the analysis to others. First let me once again sing the praises of Robin Waterfield whose guidance through Plato's Republic and Gorgias I would term essential. While other editions of these three dialogues were at hand, Waterfield's stands head and shoulders above the others, for he has a gift for making the dialogues and the characters in them come alive so that the whole experience is more like reading a novel than a work of philosophy. According to Benjamin Jowett, "Of all the works of Plato the Symposium is the most perfect in form, and may be truly thought to contain more than any commentator has ever dreamed of; or . . . more than the author himself knew." This may seem a bit overblown, but there is certainly more than meets the eye of the uninitiated reader if Waterfield's introduction and notes are any indication. Symposium is quite literally a third-hand account of a banquet that was given by the tragedian Agathon to celebrate the festival prize won by his play the night before. (All of Agathon's work has been lost.) There were many people attending this party, seven of whom delivered after-dinner speeches on the subject of "Love." Love in this dialogue is both treated philosophically and personified as a god. Three of the speakers are well known to us: Socrates of course, comic playwright Aristophanes and the political leader Alcibiades. The host Agathon also spoke, along with Phaedrus, Pausanias and Euryximachus. Probably more apparent in Greek than in English translation, these speeches were noteworthy because each reflected a different literary or rhetorical style and each approached the subject of Love from a different angle.After all the speeches were given honoring Love in one way or another, and in which Love was recognized as being both attractive and good, the real philosophizing began. Love and philosophy became more or less identified with each other. And jumping straight to the bottom line, after posing the question, "What do humans gain from Love?" the conclusion was that the object of Love is the permanent possession of goodness for oneself.In the course of all this speechifying and philosophizing, both directly and through Waterfield's contributions one learns a great deal about each of the participants and their relationships with each other and to Athenian society. All in all it is quite an interesting look at the ancient Greek mind at work.
  • Rating: 4 out of 5 stars
    4/5
    Symposium treats us to various philosophies of Love, which are put forward after a dinner party. The final and authoritative speach on the subject is given by Socrates. Plato manages to fit a bit of humor and discreet mockery in too, which makes it all the more entertaining. Translation by Hamilton.
  • Rating: 4 out of 5 stars
    4/5
    This one is soooo much fun.
  • Rating: 2 out of 5 stars
    2/5
    Rating: 2* of five, all for Aristophanes's way trippy remix of GenesisWhile perusing a review of [Death in Venice] (dreadful tale, yet another fag-must-die-rather-than-love piece of normative propaganda) written by my GoodReads good friend Stephen, he expressed a desire to read The Symposium before he eventually re-reads this crapulous homophobic maundering deathless work of art. As I have read The Symposium with less than stellar results, I warned him off. Well, see below for what happened next.Stephen wrote: "Damn...can you do a quick cliff notes summary or maybe a video lecture? I would much rather take advantage of your previous suffering than have to duplicate it."THE SYMPOSIUMSo this boring poet dude wins some big-ass prize and has a few buds over for a binge. They're all lying around together on couches, which is as promising a start to a story as I can think of, when the boys decide to stay sober (boo!) and debate the Nature of Luuuv.Phaedrus (subject of a previous Socratic dialogue by Plato) gives a nice little speech, dry as a popcorn fart, about how Love is the oldest of the gods and Achilles was younger than Patroclus, and Alcestis died of love for her husband, and some other stuff I don't remember because I was drifting off, so got up to see if I would stay awake better on the patio. It was a little nippy that day.So next up is the lawyer. I know, right? Ask a lawyer to talk about love! Like asking a priest to talk about honor, or a politician to talk about common decency! So he pontificates about pederasty for a while, which made me uncomfortable, so I got up to get some coffee. I may have stopped by the brandy bottle on the way back out, I can't recall.So after the lawyer tells when *exactly* it's okay to pork a teenager, the doctor chimes in that luuuuuv is the drug, it's everything, man, the whole uuuuuuuniiiiiveeeeeeeeeerse is luuuuv. Who knew they had hippies in those days? I needed more brandy, I mean coffee!, and the text of my ancient Penguin paperback was getting smaller and smaller for some reason, so I went to look for the brandy get the magnifying glass so I could see the footnotes.Then comes Aristophanes. Now seriously, this is a good bit. Aristophanes, in Plato's world, tells us why we feel whole, complete, when we're with our true love: Once upon a time, we were all two-bodied and two-souled beings, all male, all female, or hermaphroditic. When these conjoined twins fell into disfavor, Zeus cleaved them apart, and for all eternity to come, those souls will wander the earth seeking the other half torn from us.Now being Aristophanes, Plato plays it for laughs, but this is really the heart of the piece. Plato quite clearly thought this one through, in terms of what makes us humans want and need love. It's a bizarre version of Genesis, don'cha think?So there I was glazed over with brandy-fog admiration for the imagination of this ancient Greek boybanger, and I was about to give up and pass out take my contemplations indoors when the wind, riffling the pages a bit, caused me to light on an interesting line. I continued with the host's speech.Now really...is there anything on this wide green earth more boring than listening to a poet bloviate? Especially about luuuuv? Blah blah noble blah blah youthful yakkity blah brave *snore*Then it's Socrates's turn, and I was hoping Plato gave him some good zingers to make up for the tedium of the preceding sixteen years of my life. I mean, the previous speech. It was a little bit hard to hold the magnifying glass, for some reason, and it kept getting in the way of the brandy bottle. I mean, coffee thermos! COFFEE THERMOS.I'm not all the way sure what Plato had Socrates say, but it wasn't riveting lemme tell ya what. I woke up, I mean came to, ummm that is I resumed full attention when the major studmuffin and hawttie Alcibiades comes in, late and drunk (!), and proceeds to pour out his unrequited lust for (older, uglier) Socrates. He really gets into the nitty-gritty here, talking about worming his way into the old dude's bed and *still* Socrastupid won't play hide the salami.Various noises of incredulity and derision were heard to come from my mouth, I feel sure, though I was a little muzzy by that time, and it is about this point that the brandy bottle COFFEE THERMOS slid to the ground and needed picking up. As I leaned to do so, I remember thinking how lovely and soft the bricks looked.When I woke up under the glass table top, the goddamned magnifying glass had set what remains of the hair on top of my head on fire.The moral of the story is, reading The Symposium should never be undertaken while outdoors.

    1 person found this helpful

  • Rating: 2 out of 5 stars
    2/5
    Delightful and entertaining, a good inspiration for your own party, but also fuck Plato.
  • Rating: 3 out of 5 stars
    3/5
    Some guys get together over a few drinks and discuss the nature of love.

Book preview

Plato's Symposium - Plato

The University of Chicago Press, Chicago 60637

© 1993, 2001 by The Estate of Allan Bloom

All rights reserved. Published 2001

Printed in the United States of America

24 23 22 21 20 19 18 17 16                12 13 14 15

ISBN-13: 978-0-226-04275-6 (paper)

ISBN-10: 0-226-04275-8 (paper)

ISBN-13: 978-0-226-20815-2 (e-book)

Translation of the Symposium was first published in The Dialogues of Plato by Erich Segal, translated by Seth Benardete. Introduction copyright © 1986 by Erich Segal; translation copyright © 1986 by Seth Benardete. Used by permission of Bantam Books, a division of Random House, Inc.

Library of Congress Cataloging-in-Publication Data

Plato.

[Symposium. English]

Plato’s symposium / a translation by Seth Benardete; with commentaries by Allan Bloom and Seth Benardete.

p. cm.

First work originally published: The dialogues of Plato. New York: Bantam Books. 2nd work originally published: Love and friendship. New York: Simon and schuster, 1993.

ISBN 0-226-04273-1 (cloth : alk. paper)—ISBN 0-226-04275-8 (pbk. : alk. paper)

1. Love—Early works to 1800.  2. Socrates.  3. Plato. Symposium.  I. Bloom, Allan David, 1930–1992. Love and friendship.  II. Title: Love and Friendship.  III. Benardete, Seth.  IV. Title.

B385.A5 B46  2001

184—dc21

00-032593

The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992.

Plato’s « Symposium »

A Translation by Seth Benardete

with Commentaries by Allan Bloom and Seth Benardete

THE UNIVERSITY OF CHICAGO PRESS

CHICAGO AND LONDON

CONTENTS

Symposium

The Ladder of Love BY ALLAN BLOOM

On Plato’s Symposium BY SETH BENARDETE

Notes

Symposium

ST. III

[172a] Apollodorus. In my opinion, I am not unprepared for what you ask about; for just the other day—when I was on my way up to town from my home in Phaleron—one of my acquaintances spotted me a long way off from behind and called, playing with his call: Phalerian, he said. You there, Apollodorus, aren’t you going to wait? And I stopped and let him catch up. And he said, "Apollodorus, why, it was just recently that I was looking for you; I had wanted to question you closely about Agathon’s party—the one at which [172b] Socrates, Alcibiades, and the others were then present at dinner together—to question you about the erotic speeches. What were they? Someone else who had heard about the party from Phoenix the son of Philippus was telling me about it, and he said that you too knew. As a matter of fact, there wasn’t anything he could say with certainty. So you tell me, for it is most just that you report the speeches of your comrade. But first, he said, tell me, were you yourself present at this party or not? And I said, It really does seem as if there were nothing [172c] certain in what your informant told you, if you believe that this party which you are asking about occurred so recently that I too was present. That is indeed what I believed, he said. But how could that be, Glaucon? I said. Don’t you know that it has been many years since Agathon resided here, but that it is scarcely three years now that I have been spending my time with Socrates and have made it my concern on each and [173a] every day to know whatever he says or does? Before that, I used to run round and round aimlessly, and though I believed I was doing something of importance, I was more miserable than anyone in the world (no less than you are at this moment), for I believed that everything was preferable to philosophy. And he said, Don’t mock me now, but tell me when this party did occur. And I said, When we were still boys, at the time of Agathon’s victory with his first tragedy, on the day after he and his choral dancers celebrated the victory sacrifice. Oh, he said, a very long time ago, it seems. But who told you? Was it [173b] Socrates himself? No, by Zeus, I said, but the same one who told Phoenix. It was a certain Aristodemus, a Kydathenean, little and always unshod. He had been present at the party and, in my opinion, was the one most in love with Socrates at that time. Not, however, that I have not asked Socrates too about some points that I had heard from Aristodemus; and Socrates agreed to just what Aristodemus narrated. Why, then, Glaucon said, don’t you tell me? The way to town, in any case, is as suitable for speaking, while we walk, as for listening."

So as we walked, we talked together about these things; and so, just as [173c] I said at the start, I am not unprepared. If it must be told to you as well, that is what I must do. As for me, whenever I make any speeches on my own about philosophy or listen to others—apart from my belief that I am benefited—how I enjoy it! But whenever the speeches are of another sort, particularly the speeches of the rich and of moneymakers—your kind of talk—then just as I am distressed, so do I pity your comrades, because you believe you are doing something of importance, but in fact [173d] it’s all pointless. And perhaps you, in turn, believe that I am a wretch; and I believe you truly believe it. I, on the other hand, do not believe it about you, I know it.

Comrade. You are always of a piece, Apollodorus, for you are always slandering yourself and others; and in my opinion you simply believe that—starting with yourself—everyone is miserable except Socrates. And how you ever got the nickname Softy, I do not know, for you are always like this in your speeches, savage against yourself and others except Socrates.

[173e] Apollodorus. My dearest friend, so it is plain as it can be, is it, that in thinking this about myself as well as you I am a raving lunatic?

Comrade. It is not worthwhile, Apollodorus, to argue about this now; just do what we were begging you to do; tell what the speeches were.

Apollodorus. Well, they were somewhat as follows—but I shall just try [174a] to tell it to you from the beginning as Aristodemus told it.

He said that Socrates met him freshly bathed and wearing fancy slippers, which was not Socrates’ usual way, and he asked Socrates where he was going now that he had become so beautiful.¹

And he said, To dinner at Agathon’s, for yesterday I stayed away from his victory celebration, in fear of the crowd, but I did agree to come today. It is just for this that I have got myself up so beautifully—that beautiful I may go to a beauty. But you, he said, how do you feel about [174b] going uninvited to dinner? Would you be willing to do so?

And I said, he said, ‘I shall do whatever you say.’

Then follow, he said, "so that we may change and ruin the proverb, ‘the good go to Agathon’s feasts on their own.’ Homer, after all, not only ruined it, it seems, but even committed an outrage [hybris] on this proverb; for though he made Agamemnon an exceptionally good man in martial [174c] matters, and Menelaus a ‘soft spearman,’ yet when Agamemnon was making a sacrifice and a feast, he made Menelaus come to the dinner uninvited, an inferior to his better’s."

He said that when he heard this he said, Perhaps I too shall run a risk, Socrates—perhaps it is not as you say, but as Homer says, a good-for-nothing going uninvited to a wise man’s dinner. Consider the risk in bringing me. What will you say in your defense? For I shall not agree [174d] that I have come uninvited but shall say that it was at your invitation.

With the two of us going on the way together,² he said, we shall deliberate on what we shall say. Well, let us go.

He said that once they had finished their conversation along these lines, they went on. And as they were making their way Socrates somehow turned his attention to himself and was left behind, and when Aristodemus waited for him, he asked him to go on ahead. When Aristodemus [174e] got to Agathon’s house, he found the door open, and he said something ridiculous happened to him there. Straight off, a domestic servant met him and brought him to where the others were reclining, and he found them on the point of starting dinner. So Agathon, of course, saw him at once, and said, Aristodemus, you have come at a fine time to share a dinner. If you have come for something else, put it off for another time, as I was looking for you yesterday to invite you but could not find you. But how is it that you are not bringing our Socrates?

And I turn around, he said, and do not see Socrates following anywhere. So I said that I myself came with Socrates, on his invitation to dinner here.

It is a fine thing for you to do, Agathon said, but where is he?

[175a] He was just coming in behind me. I am wondering myself where he might be.

Go look, boy, Agathon said, and bring Socrates in. And you, Aristodemus, he said, lie down beside Eryximachus.

And he said the boy washed him so he could lie down; and another of the boys came back to report, Your Socrates has retreated into a neighbor’s porch and stands there, and when I called him, he was unwilling to come in.

That is strange, Agathon said. Call him and don’t let him go.

[175b] And Aristodemus said that he said, No, no, leave him alone. That is something of a habit with him. Sometimes he moves off and stands stock still wherever he happens to be. He will come at once, I suspect. So do not try to budge him, but leave him alone.

Well, that is what we must do, if it is your opinion, he said Agathon said. Well now, boys, feast the rest of us. Though you always serve in any case whatever you want to whenever someone is not standing right over you, still now, in the belief that I, your master, as much as the others, [175c] has been invited to dinner by you, serve in such a way that we may praise you.

After this, he said, they dined; but Socrates did not come in, and though Agathon often ordered that Socrates be sent for, Aristodemus did not permit it. Then Socrates did come in—he had lingered as long as was usual for him—when they were just about in the middle of dinner. Then he said that Agathon, who happened to be lying down at the far end alone, said, Here, Socrates, lie down alongside me, so that by my touching you, I too may enjoy the piece of wisdom that just occurred to [175d] you while you were in the porch. It is plain that you found it and have it, for otherwise you would not have come away beforehand.

And Socrates sat down and said, It would be a good thing, Agathon, if wisdom were the sort of thing that flows from the fuller of us into the emptier, just by our touching one another, as the water in wine cups flows through a wool thread from the fuller to the emptier. For if wisdom too [175e] is like that, then I set a high price on my being placed alongside you, for I believe I shall be filled from you with much fair wisdom. My own may turn out to be a sorry sort of wisdom, or disputable like a dream; but your own is brilliant and capable of much development, since it has flashed out so intensely from you while you are young; and yesterday it became conspicuous among more than thirty thousand Greek witnesses.

You are outrageous, Socrates, Agathon said. A little later you and I will go to court about our wisdom, with Dionysus as judge, but now first attend to dinner.

[176a] After this, he said, when Socrates had reclined and dined with the rest, they made libations, sang a song to the god and did all the rest of the customary rites,³ and then turned to drinking. Then Pausanias, he said, began to speak somewhat as follows. All right, men, he said. What will be the easiest way for us to drink? Now I tell you that I am really in a very bad way from yesterday’s drinking, and I need a rest. I suspect many of you do too, for you were also here yesterday. So consider what [176b] would be the easiest way for us to drink.

Aristophanes then said, That is a good suggestion, Pausanias, to arrange our drinking in some easier way, for I too am one of yesterday’s soaks.

Eryximachus, he said, the son of Akoumenos, heard them out and then said, What a fine thing you say. But I still have need to hear from one of you—from Agathon—how set he is on heavy drinking.

Not at all, Agathon said, nor do I have the strength.

[176c] We seem to be in luck, Eryximachus said, —myself, Aristodemus, Phaedrus, and those here—if you who have the greatest capacity for drink have now given up, for we are always incapable. And I leave Socrates out of account—as he can go either way, he will be content with whatever we do. Now, since in my opinion none of those present is eager to drink a lot of wine, perhaps I should be less disagreeable were I to speak the truth about what drunkenness is. For I believe this has become [176d] quite plain to me from the art of medicine. Drunkenness is a hard thing for human beings; and as far as it is in my power, I should neither be willing to go on drinking nor to advise another to do so, particularly if he still has a headache from yesterday’s debauch.

Well, as for myself, he said Phaedrus the Myrrhinousian said, interrupting, I am used to obeying you, particularly in whatever you say about medicine; and now the rest will do so too, if they take good counsel.

[176e] When they heard this, all agreed not to make the present party a drinking bout, but for each to drink as he pleased.

Since, then, it has been decreed, Eryximachus said, that each is to drink as much as he wants to, and there is to be no compulsion about it, I next propose to dismiss the flute girl who just came in and to let her flute for herself, or, if she wants, for the women within, while we consort with each other today through speeches. And as to what sort of speeches, I am willing, if you want, to make a proposal.

[177a] All then agreed that this was what they wanted and asked him to make his proposal. Eryximachus then said, "The beginning of my speech is in the manner of Euripides’ Melanippe,⁴ for the tale that I am about to tell is not my own, but Phaedrus’ here. On several occasions Phaedrus has said to me in annoyance, ‘Isn’t it awful, Eryximachus, that hymns and paeans have been made by the poets for other gods, but for Eros, who is [177b] so great and important a god, not one of the many poets there have been has ever made even a eulogy? And if you want, consider, in their turn, the good Sophists, they write up in prose praises of Heracles and others, as the excellent Prodicus does. Though you need not wonder at this, for I have even come across a volume of a wise man in which salt got a [177c] marvelous puff for its usefulness, and you might find many other things of the kind with eulogies. So they employ much zeal in things like that, yet to this day not one human being has dared to hymn Eros in a worthy manner; but so great a god lies in neglect.’ Now, Phaedrus, in my opinion, speaks well in this regard. So, as I desire to make a comradely loan to please him, it is, in my opinion, appropriate for those of us who are now [177d] here to adorn the god. And if you share in my opinion, we should find enough of a pastime in speeches. For it is my opinion that each of us, starting on the left, should recite the fairest praise of Eros that he can, and Phaedrus should be the first to begin, inasmuch as he is lying on the head couch and is also the father of the argument."

No one, Socrates said, will cast a vote against you, Eryximachus. For I would surely not beg off, as I claim to have expert knowledge of [177e] nothing but erotics; nor would Agathon and Pausanias beg off, to say nothing of Aristophanes, whose whole activity is devoted to Dionysus and Aphrodite. And none of the others I see here would refuse either. And yet it is not quite fair for those of us who lie on the last couches; but if those who come first speak in a fine and adequate way, we shall be content. Well, good luck to Phaedrus then. Let him make a start and eulogize Eros.

[178a] All the others then approved and urged it as Socrates had done. Now, Aristodemus scarcely remembered all that each and every one of them said, and I in turn do not remember all that he said; but I shall tell you the noteworthy points of those speeches that, in my opinion, most particularly deserved remembering.

First of all, as I say, he said that Phaedrus began his speech at somewhat the following point: that Eros was a great and wondrous god among human beings as well as gods, and that this was so in many respects and [178b] not least in the matter of birth. For the god to be ranked among the oldest is a mark of honor, he said, "and here is the proof: the parents of Eros neither exist nor are they spoken of by anyone, whether prose author or poet; but Hesiod says that Chaos came first—

Then thereafter

Broad-breasted Earth, always the safe seat of all,

And Eros.

After Chaos, he says, there came to be these two, Earth and Eros. And Parmenides says that Genesis,

First of all gods, devised Eros.

[178c] Akousilaus agrees with Hesiod as well. So there is an agreement in many sources that Eros is among the oldest. And as he is the oldest, we have him as the cause of the greatest goods, for I can hardly point to a greater good for someone to have from youth onward than a good lover, and for a lover, a beloved. For that which should guide human beings who are going to live fairly throughout their lives can be implanted by neither blood ties, nor honors, nor wealth, nor anything else as beautifully as by [178d] love. Now what do I say this is? It is shame in the face of shameful things and honorable ambition in the face of beautiful things; for without them neither city nor private person can accomplish great and beautiful deeds. So I assert that in the case of any real man who loves, were it to come to light that he was either doing something shameful or putting up with it from another out of cowardice and without defending himself, he would not be as pained on being observed by either his father, his comrades, [178e] or anyone else as by his beloved. We observe that this same thing holds in the case of the beloved; he is exceptionally shamed before his lovers whenever he is seen to be involved in something shameful. So if there were any possibility that a city or an army could be composed of lovers and beloveds, then there could be no better way for them to manage their own city; for they would abstain from all that is shameful and be filled [179a] with love of honor before one another. And besides, were they to do battle alongside one another, then even a few of this sort would win over just about all human beings; for a real man in love would of course far less prefer to be seen by his beloved than by all the rest when it comes to deserting his post or throwing away his weapons; he would choose to be dead many times over before that happened. And, to say nothing of leaving behind one’s beloved or not coming to his aid when he is in danger, there is no one so bad that, once the god Eros had entered him, he would not be directed toward virtue—to the point where he is like one who is [179b] best by nature: and simply, as Homer said, ‘the strength that the god breathed’⁶ into some of the heroes, Eros supplies from himself to lovers.

"And what is more, lovers are the only ones who are willing to die for the sake of another; and that is not only true of real men but of women as well. Alcestis, the daughter of Pelias, offers a sufficient testimony for Greeks on behalf of this argument. She alone was willing to die on behalf of her husband, though his father and mother were alive; but through her [179c] love she so much surpassed his parents in friendship that she showed them up as alien to their own son and only related to him in name. Her performance of this deed was thought to be so noble in the opinion not only of human beings but of the gods as well that, although there have been many who have accomplished many noble deeds, the gods have given to only a select number of them the guerdon of sending up their souls again from Hades, and hers they did send up in admiring delight at [179d] her deed. So gods, too, hold in particular esteem the zeal and virtue that pertain to love. Orpheus, the son of Oeagrus, they sent back from Hades unfulfilled; and though they showed him a phantom of his wife, for whom he had come, they did not give her very self to him, because it was thought he was soft, like the lyre player he was, and had not dared to die for love like Alcestis, but contrived to go into Hades alive. Consequently, they imposed a punishment on him, and made him die at the hands of [179e] women, and did not honor him as they had Achilles, the son of Thetis. For Achilles they sent away to the Isles of the Blest, because, though he had learned from his mother that he would be killed if he killed Hector, and that if he did not, he would return home and die in old age, still he dared to choose to come to the aid of his lover Patroclus; and with his [180a] vengeance accomplished, he dared not only to die on his behalf but to die after him who had died. On this account, the gods were particularly impressed and gave him outstanding honors, because he had made so much of his lover. Aeschylus talks nonsense in claiming that Achilles was in love with Patroclus (rather than the other way around), for Achilles was more beautiful than not only Patroclus but all the other heroes as well; and besides, he was unbearded, and thirdly, far younger than Patroclus, as Homer says.⁷ Well, anyhow, though the gods really hold in [180b] very high esteem that virtue which concerns love, they wonder, admire, and confer benefits even more when the beloved has affection for the lover than when the lover has it for the beloved. A lover is a more divine thing than a beloved, for he has the god within him. This is the reason why they honored Achilles more than Alcestis and sent him to the Isles of the Blest.

So this is how I assert that Eros is the oldest, most honorable, and most competent of the gods with regard to the acquisition of virtue and happiness by human beings both when living and dead.

[180c] He said that Phaedrus made some such speech, and after Phaedrus there were some others that he scarcely could recall; he passed them over and told of Pausanias’ speech. He said that Pausanias said, "Phaedrus, in my opinion it is not noble the way the argument has been proposed to us—commanding us to eulogize Eros in so unqualified a fashion. For were Eros one, it would be noble, but as it is, it is not noble, for he is not one; and as he is not one, it is more correct that it be declared beforehand [180d] which Eros is to be praised. So first I shall try to set the record straight, to point out the Eros who is to be praised, and then to praise him in a manner worthy of the god. We all know that there is no Aphrodite without Eros; and were she one, Eros would be one; but since there are two Aphrodites, it is necessary that there be two Erotes as well. Who would deny that there are two goddesses? One surely is the elder and has no mother, the daughter of Uranos, the one to whom we apply the name Uranian; the other is younger and the daughter of Zeus and Dione, the [180e] one we call Pandemus.⁸ So it is necessary that the Eros who is a fellow worker with one correctly be called Pandemus, and the other one, Uranian. Now all gods must be praised, but one must still try to say what has been allotted to each god. Every action is of the following sort: When being done in terms of itself, it is neither noble nor base. For example, [181a] what we are now doing, either drinking, singing, or conversing, none of these things is in itself a noble thing, only in terms of how it is done in the doing of it does it turn out to be the sort of thing that it is. For if it is done nobly and correctly, it proves to be noble, and if incorrectly, base. So, too, in the case of loving and Eros, for Eros as a whole is not noble nor deserving of a eulogy, but only that Eros who provokes one to love in a noble way.

"Now the Eros who belongs to Aphrodite Pandemus is truly pandemian [181b] and acts in any sort of way. And here you have the one whom good-for-nothing human beings

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