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Spill
Spill
Spill
Ebook88 pages51 minutes

Spill

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“There are two schools: one that sings the sheen and hues, the necessary pigments and frankincense while the world dries and the other voice like water that seeks to saturate, erode, and boil . . . It ruins everything you have ever saved.”
            Spill is a book in contradictions, embodying helplessness in the face of our dual citizenship in the realms of trauma and gratitude, artistic aspiration and political reality. The centerpiece of this collection is a lyrical essay that recalls the poet’s time working at the Federal Penitentiary at Lewisburg in the 1960s. Mentored by the insouciant inmate S, the speaker receives a schooling in race, class, and culture, as well as the beginning of an apprenticeship in poetry. As he and S consult the I Ching, the Book of Changes, the speaker becomes cognizant of other frequencies, other identities; poetry, divination, and a synchronous, alternative reading of life come into focus. On either side of this prose poem are related poems of excess and witness, of the ransacked places and of new territories that emerge from the monstrous. Throughout, these poems inhabit rather than resolve their contradictions, their utterances held in tension “between the hemispheres of songbirds and the hemispheres of men.”
 
LanguageEnglish
Release dateFeb 8, 2019
ISBN9780226570556
Spill
Author

Bruce Smith

Bruce Smith is a wildlife biologist and science writer. He spent most of his 30-year federal career managing wildlife populations on the Wind River Indian Reservation and the National Elk Refuge in Wyoming. His research has produced over 40 technical and popular papers and book chapters focused primarily on large mammal population ecology, diseases, migratory behavior, and predator-prey relationships.After a combat tour with the US Marines in Vietnam, Bruce earned B.S. and M.S. degrees from the University of Montana. His Master’s research focused on winter ecology of mountain goats in Montana’s Selway-Bitterroot Wilderness Area. Half-way through his government career, he investigated population regulation of the Jackson elk herd in Wyoming for his doctorate degree from the University of Wyoming.His first book, Imperfect Pasture (2004), records changes in the ecology of the National Elk Refuge during its 100-year history. Wildlife on the Wind (2010) is based on his four years working with the Eastern Shoshone and Northern Arapaho Indian tribes. At their request, he catalogued the status of the reservation’s diverse wildlife and helped foster a landmark recovery of elk, deer, moose, bighorn sheep, and pronghorn antelope. Where Elk Roam (2011) chronicles his 22 years studying and managing Jackson Hole’s famous migratory elk herd. Life on the Rocks (2014) portrays in words and photographs the natural history and conservation challenges of the mountain goat throughout its North American range. His latest nonfiction book, Stories from Afield, is a collection of outdoor adventure stories.After leaving the US Fish and Wildlife Service in 2004, Bruce and his wife Diana moved to southwest Montana where he continues his conservation work and writing.

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    Book preview

    Spill - Bruce Smith

    Spill

    Spill

    Bruce Smith

    The University of Chicago Press

    Chicago & London

    The University of Chicago Press, Chicago 60637

    The University of Chicago Press, Ltd., London

    © 2018 by The University of Chicago. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations in critical articles and reviews. For more information, contact the University of Chicago Press, 1427 East 60th Street, Chicago, IL 60637.

    Published 2018

    Printed in the United States of America

    27 26 25 24 23 22 21 20 19 18    1 2 3 4 5

    ISBN-13: 978-0-226-57041-9 (paper)

    ISBN-13: 978-0-226-57055-6 (e-book)

    DOI: https://doi.org/10.7208/chicago/9780226570556.001.0001

    Library of Congress Cataloging-in-Publication Data

    Names: Smith, Bruce, 1946– author.

    Title: Spill / Bruce Smith.

    Other titles: Phoenix poets.

    Description: Chicago ; London : The University of Chicago Press, 2018. | Series: Phoenix poets

    Identifiers: LCCN 2017059452 | ISBN 9780226570419 (pbk. : alk. paper) | ISBN 9780226570556 (e-book)

    Subjects: | LCGFT: Poetry.

    Classification: LCC PS3569.M512 S67 2018 | DDC 811/.54—dc23

    LC record available at https://lccn.loc.gov/2017059452

    This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper).

    For my brother Craig

    Somewhere between the soul and soft machine

    Is where I find myself again

    Mr. Mister

    So much rare huge mystery taboo

    Amiri Baraka

    The Moments of Dominion

    That happen on the Soul

    And leave it with a Discontent

    Too exquisite – to tell –

    Emily Dickinson

    We must endure our thoughts all night, until

    The bright obvious stands motionless in cold.

    Wallace Stevens

    When my devotions could not pierce

    Thy silent eares;

    Then was my heart broken, as was my verse

    George Herbert

    Contents

    Acknowledgments

    Beautiful Throat

    Garden

    Summer Rain

    Raccoon

    Goodbye Tuscaloosa

    Ballad and Proposition

    Gaze

    What Are They Doing in the Next Room?

    The Whiteness

    Marvin Gaye Sings the National Anthem, 1983

    Are You Ready to Smash White Things?

    Lewisburg

    Meat

    Run

    Boilermaker

    Bird

    Sister

    Button

    Pollen

    Honey

    True/False

    Ferment

    Index

    Acknowledgments

    The author gratefully acknowledges the editors of the publications where these poems first appeared:

    Agni Online: "Once there was rage and the promise as Concussion Protocol"

    American Poetry Review: "Button, Honey, Pollen, True/False, Goodbye Tuscaloosa"

    Fogged Clarity: "Meat"

    Jung Journal: Culture and Psyche: "Run, Boilermaker, ‘Are You Ready to Smash White Things?’

    Kenyon Review: "Ballad and Proposition, Ferment, Beautiful Throat, Garden"

    Los Angeles Review of Books: "Lewisburg (as 1968")

    Massachusetts Review: "Marvin Gaye Sings the National Anthem, 1983, Summer Rain"

    Ploughshares: "Raccoon"

    Plume: "Bird, The Whiteness (as White Project")

    Poem-a-Day/Academy of American Poets: "What Are They Doing in the Next Room?"

    Poetry Daily: "Garden"

    To my beautiful, formidable, and fierce darlings, Jules and Megan.

    To Bedros, Betsy and Greg and the Mandate of Heaven, Mike, Chard, Amy, Jeff, Claire, and Lane: my rabbis, my imams, my ministering angels.

    To the American Academy in Rome and the Syracuse University Department of English.

    To my mortified: Jack Wheatcroft, Denis Johnson, Pedro Cuperman.

    Thanks to Martha Holland.

    Once there was rage and the promise

    that rage was a god not a corpse

    message nor a melting of the core.

    Once it moved us closer to weather

    and thunder and it made poetry

    as a cure. Then Herodotus broke

    my heart with his history: his rumor

    that begins as living twice and ends

    as recompense for loss. Events bent me.

    I took the arrow of accuracy in my eye.

    The sugary accounts made me votary,

    the biographical acids lashed my back.

    I gave up songs for facts: those green

    squawking parrots, that fire truck,

    that earring, that body bound and gagged.

    Then America broke my other heart

    with its jails and gerrymandering,

    its Emmett Till, its charms

    and concussions, its ringing in my ears.

    Who’s the president? Who’s your mother?

    Who painted the angels? Who bombed

    Homs? Repeat after me: comorbid,

    torpid, transported. Close one eye. Hum.

    Where’s your mother’s nation? Your father’s

    sky? Who’s your other? Close the other eye.

    Spill

    BEAUTIFUL THROAT

    Beheadings, slaughter of the innocents, suffering

    and sorrow say all the stabbed, ecstatic art

    of the museums and more of the same

    says the news, the glowing, after glowing now

    what, but also in the crowded galleries babies held

    by mothers looking at babies being

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