Spill
By Bruce Smith
()
About this ebook
Spill is a book in contradictions, embodying helplessness in the face of our dual citizenship in the realms of trauma and gratitude, artistic aspiration and political reality. The centerpiece of this collection is a lyrical essay that recalls the poet’s time working at the Federal Penitentiary at Lewisburg in the 1960s. Mentored by the insouciant inmate S, the speaker receives a schooling in race, class, and culture, as well as the beginning of an apprenticeship in poetry. As he and S consult the I Ching, the Book of Changes, the speaker becomes cognizant of other frequencies, other identities; poetry, divination, and a synchronous, alternative reading of life come into focus. On either side of this prose poem are related poems of excess and witness, of the ransacked places and of new territories that emerge from the monstrous. Throughout, these poems inhabit rather than resolve their contradictions, their utterances held in tension “between the hemispheres of songbirds and the hemispheres of men.”
Bruce Smith
Bruce Smith is a wildlife biologist and science writer. He spent most of his 30-year federal career managing wildlife populations on the Wind River Indian Reservation and the National Elk Refuge in Wyoming. His research has produced over 40 technical and popular papers and book chapters focused primarily on large mammal population ecology, diseases, migratory behavior, and predator-prey relationships.After a combat tour with the US Marines in Vietnam, Bruce earned B.S. and M.S. degrees from the University of Montana. His Master’s research focused on winter ecology of mountain goats in Montana’s Selway-Bitterroot Wilderness Area. Half-way through his government career, he investigated population regulation of the Jackson elk herd in Wyoming for his doctorate degree from the University of Wyoming.His first book, Imperfect Pasture (2004), records changes in the ecology of the National Elk Refuge during its 100-year history. Wildlife on the Wind (2010) is based on his four years working with the Eastern Shoshone and Northern Arapaho Indian tribes. At their request, he catalogued the status of the reservation’s diverse wildlife and helped foster a landmark recovery of elk, deer, moose, bighorn sheep, and pronghorn antelope. Where Elk Roam (2011) chronicles his 22 years studying and managing Jackson Hole’s famous migratory elk herd. Life on the Rocks (2014) portrays in words and photographs the natural history and conservation challenges of the mountain goat throughout its North American range. His latest nonfiction book, Stories from Afield, is a collection of outdoor adventure stories.After leaving the US Fish and Wildlife Service in 2004, Bruce and his wife Diana moved to southwest Montana where he continues his conservation work and writing.
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Spill - Bruce Smith
Spill
Spill
Bruce Smith
The University of Chicago Press
Chicago & London
The University of Chicago Press, Chicago 60637
The University of Chicago Press, Ltd., London
© 2018 by The University of Chicago. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations in critical articles and reviews. For more information, contact the University of Chicago Press, 1427 East 60th Street, Chicago, IL 60637.
Published 2018
Printed in the United States of America
27 26 25 24 23 22 21 20 19 18 1 2 3 4 5
ISBN-13: 978-0-226-57041-9 (paper)
ISBN-13: 978-0-226-57055-6 (e-book)
DOI: https://doi.org/10.7208/chicago/9780226570556.001.0001
Library of Congress Cataloging-in-Publication Data
Names: Smith, Bruce, 1946– author.
Title: Spill / Bruce Smith.
Other titles: Phoenix poets.
Description: Chicago ; London : The University of Chicago Press, 2018. | Series: Phoenix poets
Identifiers: LCCN 2017059452 | ISBN 9780226570419 (pbk. : alk. paper) | ISBN 9780226570556 (e-book)
Subjects: | LCGFT: Poetry.
Classification: LCC PS3569.M512 S67 2018 | DDC 811/.54—dc23
LC record available at https://lccn.loc.gov/2017059452
This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper).
For my brother Craig
Somewhere between the soul and soft machine
Is where I find myself again
Mr. Mister
So much rare huge mystery taboo
Amiri Baraka
The Moments of Dominion
That happen on the Soul
And leave it with a Discontent
Too exquisite – to tell –
Emily Dickinson
We must endure our thoughts all night, until
The bright obvious stands motionless in cold.
Wallace Stevens
When my devotions could not pierce
Thy silent eares;
Then was my heart broken, as was my verse
George Herbert
Contents
Acknowledgments
Beautiful Throat
Garden
Summer Rain
Raccoon
Goodbye Tuscaloosa
Ballad and Proposition
Gaze
What Are They Doing in the Next Room?
The Whiteness
Marvin Gaye Sings the National Anthem, 1983
Are You Ready to Smash White Things?
Lewisburg
Meat
Run
Boilermaker
Bird
Sister
Button
Pollen
Honey
True/False
Ferment
Index
Acknowledgments
The author gratefully acknowledges the editors of the publications where these poems first appeared:
Agni Online: "Once there was rage and the promise as
Concussion Protocol"
American Poetry Review: "Button,
Honey,
Pollen,
True/False,
Goodbye Tuscaloosa"
Fogged Clarity: "Meat"
Jung Journal: Culture and Psyche: "Run,
Boilermaker, ‘Are You Ready to Smash White Things?’
Kenyon Review: "Ballad and Proposition,
Ferment,
Beautiful Throat,
Garden"
Los Angeles Review of Books: "Lewisburg (as
1968")
Massachusetts Review: "Marvin Gaye Sings the National Anthem, 1983,
Summer Rain"
Ploughshares: "Raccoon"
Plume: "Bird,
The Whiteness (as
White Project")
Poem-a-Day/Academy of American Poets: "What Are They Doing in the Next Room?"
Poetry Daily: "Garden"
To my beautiful, formidable, and fierce darlings, Jules and Megan.
To Bedros, Betsy and Greg and the Mandate of Heaven, Mike, Chard, Amy, Jeff, Claire, and Lane: my rabbis, my imams, my ministering angels.
To the American Academy in Rome and the Syracuse University Department of English.
To my mortified: Jack Wheatcroft, Denis Johnson, Pedro Cuperman.
Thanks to Martha Holland.
Once there was rage and the promise
that rage was a god not a corpse
message nor a melting of the core.
Once it moved us closer to weather
and thunder and it made poetry
as a cure. Then Herodotus broke
my heart with his history: his rumor
that begins as living twice and ends
as recompense for loss. Events bent me.
I took the arrow of accuracy in my eye.
The sugary accounts made me votary,
the biographical acids lashed my back.
I gave up songs for facts: those green
squawking parrots, that fire truck,
that earring, that body bound and gagged.
Then America broke my other heart
with its jails and gerrymandering,
its Emmett Till, its charms
and concussions, its ringing in my ears.
Who’s the president? Who’s your mother?
Who painted the angels? Who bombed
Homs? Repeat after me: comorbid,
torpid, transported. Close one eye. Hum.
Where’s your mother’s nation? Your father’s
sky? Who’s your other? Close the other eye.
Spill
BEAUTIFUL THROAT
Beheadings, slaughter of the innocents, suffering
and sorrow say all the stabbed, ecstatic art
of the museums and more of the same
says the news, the glowing, after glowing now
what, but also in the crowded galleries babies held
by mothers looking at babies being