Son of Man
3.5/5
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About this ebook
Robert Silverberg
<p>Robert Silverberg has won five Nebula Awards, four Hugo Awards, and the prestigious <em>Prix Apollo.</em> He is the author of more than one hundred science fiction and fantasy novels -- including the best-selling Lord Valentine trilogy and the classics <em>Dying Inside</em> and <em>A Time of Changes</em> -- and more than sixty nonfiction works. Among the sixty-plus anthologies he has edited are <em>Legends</em> and <em>Far Horizons,</em> which contain original short stories set in the most popular universe of Robert Jordan, Stephen King, Ursula K. Le Guin, Gregory Benford, Greg Bear, Orson Scott Card, and virtually every other bestselling fantasy and SF writer today. Mr. Silverberg's Majipoor Cycle, set on perhaps the grandest and greatest world ever imagined, is considered one of the jewels in the crown of speculative fiction.</p>
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Reviews for Son of Man
51 ratings4 reviews
- Rating: 1 out of 5 stars1/5I think I'm going to upset a number of fans here, but......What can I say? I have read several books by Silverburg and enjoyed them. But Son of God was just an awful book compared to any other I have read by him.The 'plot' follows a man called Clay (I assume a modern day reference to Prometheus) who has been catapulted into the future through a time flux. What follows is a very disjointed text that details how Clay meets a number of other 'Sons of Man', other humans further down the evolutionary scale. It sounds like it could be a very interesting novel. Unfortunately it is written in such a way that the short sentences just annoy, the descriptions go on and on, often until you are unsure (or care) what he is actually describing. I don't know whether Silverberg was experimenting with language when he wrote this book or experimenting with drugs.... but either way, it didn't work. As least not in my case.I suppose the main aspect of the book I disliked was how nothing was ever really explained. It was just a case of jumping from one creature to another. No depth was ever really given to the storyline. Things just happened.... well.... because they can. It was almost as if Silverberg had thought of several brilliant characters without a story to place them in and just decided to cram them all in together.On a positive note though some of the descriptions were very vivid, if only there was a plot to back them up.If this is your first book by the author please check out his other books (Tower of Glass) or you will be missing out on some great SF. If this had been my first book by him then I doubt I would have ever picked up anything by him again, and that would have been a great pity.I am sure I am missing something with this novel, but I can guarantee I will never revisit it to try and find it.
- Rating: 2 out of 5 stars2/5Silverberg must have ingested a combination of LSD and Ecstasy prior to writing this book. Clay, our 20th century human narrator, is captured by the "time flux" (never explained) and deposited in the far, far future (how far? don't know) where he meanders around having intercourse (both philosophical and sexual) with future versions of humanity on a future version of earth. This could have been interesting except for the stream of consciousness writing style and the utter and complete lack of plot. I tried to read this once before and just couldn't get through it. This time I ended up pretty much skim-reading the second half, just to see if possibly it might get better as well as to ensure I never have to try to read it again. There are some interesting philosophical gems, but I just couldn't get into it. Maybe someone with more experience with mood-altering chemicals might find it a bit more to their liking. A quote from page 96 seems to sum up: "Though he transcends these difficulties, he is perturbed by a fundamental uncertainty of purpose that conflicts not only with his awareness of the nonexistance of purpose, but with his awareness of the nonexistance of conflict." That's this book in a nutshell. No conflict, no purpose.
- Rating: 4 out of 5 stars4/5Totally post human, man!
- Rating: 4 out of 5 stars4/5My reactions to reading this novel in 1993. Spoilers follow.I liked this strange, weird, surrealistic fantasy. I liked the fact that the motives behind so many of the denizens of this far future, particularly the Skimmers and Destroyers (with their enigmatic project of spreading both ice and fire), were mysterious, unexplained like so many of the mysteries here. I liked Clay, an enigmatic figure that we learn little about personally – he’s a stand in for our version of humanity – other than that he’s has the usual sexual fantasies and appetites, and his shock at finding nothing of our age surviving though the “humans” he meets vaguely remember hearing something about the moon being around once. I liked how so many scenes could be delusions or reality, visions or descriptions -- things like Clay’s body dissolving in a multi-chromatic, acidic river or the Earth being leveled to a smooth sphere, and the intriguing aspect of Clay being turned into a woman and having sex with male-form Skimmers (though Clay feels oddly violated). I liked the Eaters hanging out in a subterranean city incomprehensibly described by a robot – the words are familiar mostly but the sentences make no sense. I liked the Awaiters who sit in the ground like trees and spin nihilistic, acausual philosophies that seem beautiful to Clay when he’s in Awaiter form but pointless otherwise. I liked the trek through the various Zones of Discomfort. It’s another example of Silverberg’s theme of loneliness and alienation. I liked Silverberg’s style. It’s usually simple as far as word choice. He repeats the same sentence three times in many places, but the sentences often are complex compounds intermingled with simple sentences. It’s quite effective, hard to describe. I like the many references to Clay’s sexuality – how he feels the need to masturbate sometimes or how his genitals feel (usually in a suffering context). I liked the religious allusion of the title, and the end seems to be implying that Clay takes the pain of these sons of man. It’s curious that Clay readily accepts that humanity is defined by psychological and spiritual traits and not appearance. The burdens of the sons of man are taken by Clay after he is purified, sort of – at least the Skimmers say he’s learned much about himself, by a trek through the areas of discomfort (oddly, intriguingly, somehow appropriately long established for "the instruction of mankind”). In the end, he dies. The book says he sleeps, but I take that as a metaphor since it is clearly stated many times he needs no food or sleep in in this world. This is after he crawls from the Well of First Things which I took not only to be a literalization of man’s evolution past and future, but an allusion to Satan’s pit for Clay clearly acknowledges his vileness, that he is disturbing to the Skimmers. Yet, he says they must realize that “I am you”, imperfect but the potential form of the book's many sons. I don’t think this religious imagery and allusions works though. It seems tacked on at the end as if Silverberg realized he had to put some dramatic end to what is a series of intriguing, surrealistic vignettes. I’m not convinced Silverberg meant from the start to do anything more than a refreshingly strange tale. He has said elsewhere it’s the spirit of 1968 incarnated. ( I’ve also heard this book compared to David Lindsay’s Son of Arcturus, but I’ve never read that.) Still, I liked it probably the best of any far future story I’ve read including Brian Aldiss’ Hothouse.