Carlo Domeniconi Sunayama Henge Op.71a Verwandlung for Guitar Solo ¥9—-YOORDOD Luzi vO + KX=3—=et eH GG187 (BRE St GENDAI GUITAR CO.,LTD. 1-16-14 Chihaya, Toshima-ku, Tokyo, JapanLOOfRERRIOOLEIZ AY Y CAAT YA POMBE TA IMU BORE, HS —Oy SADIE > EME OT BD, HAO, SLTEPIZAELHPEEL TS. MIA AD (Bi) EVD MEH TAHT RLM, he tha SIRE AUER LI. (DUE) AIBA S. MIRE SMD 7L—X CHES. (Will) ORBEARKC AAMC “Bl SHER cantus firmus” OLIKMDNS, LM AAHORM EAEY LID, SL CRIA A (18~38M), TOT BRA OU) ORME AVENE AMI MaNS. ELTOAYB ERR, TA bo PRIMO ETE ADRS (GONG). COMOMKODEDTHS. Bea BFE BFOOMTOBH Leo, FOI Am SOHC EM SRN}. SLCHROI-¥ (1 =126) TRROWR OY OU bo t= TB EY & tO MISH be 2002121 gua KeSIR= PREFACE This piace was writen in Berlin for a Japanese guitars, Masayuki Kato in 1991-1 was always interested in non-European cultures, and I love Japanese muse, especialy, as 2 guitars the Koto. Anyway, |e hat was the right moment to begin sehen Masayuki Kato came tome i the Japanese song "Sunayama" This piece i a fantasy. It begins with a 12 bar passage containing the theme in the buss, Kind of “cantus firmus or just a simple countepoiay, meanwhile, the upper voice creates the atmosphere. It follows through free variations (ar 13-38) which develop the piece ino free music, of course sill using the original style and material Altemative moods lead to a virwostic passage appr0%. Bar 80) whi is fone of the climaxes ofthe piece. Aller a minute of very quit music we {Into the nae (mostly in 8) and again at the third bar the theme appears in the bass line. Finally we have the coda (MM. 126) which Concludes again with avery tong virwostic passage. December 2002 Carlo Domeniconfor Masayuki Kato Sunayama Henge Verwandlung WEA Carlo Domeniconi, Op. 71a a3 ZO gts a4 R-# t 3 @ Jul JR ® CK adi) a tempo(d= 66) . JA) bie {© Copyright 2002 by GENDAI GUITAR Co,,Ltd-Tokyo Intemational Copyright Secured. Allright reserve. Printed in Japan