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Modern art
Modern art includes artistic works produced during the period extending roughly from the 1860s to the 1970s, and denotes the style and philosophy of the art produced during that era.[1] The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation.[2] Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called Contemporary art or Postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Czanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the pre-cubist Georges Braque, Andr Derain, Raoul Dufy and Maurice de Vlaminck revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Henri Matisse's two versions of The Dance signified a key point in his career and in the development of modern painting.[3] It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.
Initially influenced by Toulouse-Lautrec, Gauguin and other late 19th century innovators Pablo Picasso made his first cubist paintings based on Czanne's idea that all depiction of nature can be reduced to three solids: cube, sphere and cone. With the painting Les Demoiselles d'Avignon (1907), Picasso dramatically created a new and radical picture depicting a raw and primitive brothel scene with five prostitutes, violently painted women, reminiscent of African tribal Henri de Toulouse-Lautrec, At the Moulin Rouge: masks and his own new Cubist inventions. Analytic cubism was jointly Two Women Waltzing, 1892 developed by Pablo Picasso and Georges Braque, exemplified by Violin and Candlestick, Paris, from about 1908 through 1912. Analytic cubism, the first clear manifestation of cubism, was followed by Synthetic cubism, practised by Braque, Picasso, Fernand Lger, Juan Gris, Albert Gleizes, Marcel Duchamp and several other artists into the 1920s. Synthetic cubism is characterized by the introduction of different textures, surfaces, collage elements, papier coll and a large variety of merged subject matter.[citation needed] The notion of modern art is closely related to Modernism.[4]
Modern art
Vincent van Gogh, Country road in Provence by Night, 1889, May 1890, Krller-Mller Museum
Paul Gauguin, Spirit of the Dead Watching 1892, Albright-Knox Art Gallery
Modern art
Pablo Picasso, Family of Saltimbanques, 1905, National Gallery of Art, Washington, DC.
Modern art
Modern art
Vincent van Gogh, Courtesan (after Eisen) (1887), Van Gogh Museum
douard Manet, The Luncheon on the Grass (Le djeuner sur l'herbe), 1863, Muse d'Orsay, Paris
Vincent van Gogh, The Blooming Plumtree (after Hiroshige) (1887), Van Gogh Museum
Vincent van Gogh, Portrait of Pre Tanguy (1887), Muse Rodin Although modern sculpture and architecture are reckoned to have emerged at the end of the 19th century, the beginnings of modern painting can be located earlier.[5] The date perhaps most commonly identified as marking the birth of modern art is 1863,[6] the year that douard Manet showed his painting Le djeuner sur l'herbe in the Salon des Refuss in Paris. Earlier dates have also been proposed, among them 1855 (the year Gustave Courbet exhibited The Artist's Studio) and 1784 (the year Jacques-Louis David completed his painting The Oath of the Horatii).[6] In the words of art historian H. Harvard Arnason: "Each of these dates has significance for the development of modern art, but none categorically marks a completely new beginning .... A gradual metamorphosis took place in the course of a hundred years."[6] The strands of thought that eventually led to modern art can be traced back to the Enlightenment, and even to the 17th century.[7] The important modern art critic Clement Greenberg, for instance, called Immanuel Kant "the first real Modernist" but also drew a distinction: "The Enlightenment criticized from the outside ... . Modernism criticizes from the inside."[8] The French Revolution of 1789 uprooted assumptions and institutions that had for centuries been accepted with little question and accustomed the public to vigorous political and social debate. This gave rise to what art historian Ernst Gombrich called a "self-consciousness that made people select the style of their building as one selects the pattern of a wallpaper."[9] The pioneers of modern art were Romantics, Realists and Impressionists.[10] By the late 19th century, additional movements which were to be influential in modern art had begun to emerge: post-Impressionism as well as Symbolism.
Modern art Influences upon these movements were varied: from exposure to Eastern decorative arts, particularly Japanese printmaking, to the coloristic innovations of Turner and Delacroix, to a search for more realism in the depiction of common life, as found in the work of painters such as Jean-Franois Millet. The advocates of realism stood against the idealism of the tradition-bound academic art that enjoyed public and official favor.[11] The most successful painters of the day worked either through commissions or through large public exhibitions of their own work. There were official, government-sponsored painters' unions, while governments regularly held public exhibitions of new fine and decorative arts. The Impressionists argued that people do not see objects but only the light which they reflect, and therefore painters should paint in natural light (en plein air) rather than in studios and should capture the effects of light in their work.[12] Impressionist artists formed a group, Socit Anonyme Cooprative des Artistes Peintres, Sculpteurs, Graveurs ("Association of Painters, Sculptors, and Engravers") which, despite internal tensions, mounted a series of independent exhibitions.[13] The style was adopted by artists in different nations, in preference to a "national" style. These factors established the view that it was a "movement". These traitsestablishment of a working method integral to the art, establishment of a movement or visible active core of support, and international adoptionwould be repeated by artistic movements in the Modern period in art.
Pablo Picasso Les Demoiselles d'Avignon 1907, Museum of Modern Art, New York
Modern art was introduced to the United States with the Armory Show in 1913 and through European artists who moved to the U.S. during World War I.
Modern art It was only after World War II, however, that the U.S. became the focal point of new artistic movements.[14] The 1950s and 1960s saw the emergence of Abstract Expressionism, Color field painting, Pop art, Op art, Hard-edge painting, Minimal art, Lyrical Abstraction, FLUXUS, Postminimalism, Photorealism and various other movements. In the late 1960s and the 1970s, Land art, Performance art, Conceptual art, and other new art forms had attracted the attention of curators and critics, at the expense of more traditional media.[15] Larger installations and performances became widespread. By the end of the 1970s, when cultural critics began speaking of "the end of painting" (the title of a provocative essay written in 1981 by Douglas Crimp), new media art had become a category in itself, with a growing number of artists experimenting with technological means such as video art.[16] Painting assumed renewed importance in the 1980s and 1990s, as evidenced by the rise of neo-expressionism and the revival of figurative painting.[17] Towards the end of the 20th century, a number of artists and architects started questioning the idea of "the modern" and created typically Postmodern works.[18]
19th century
Romanticism the Romantic movement - Francisco de Goya, J. M. W. Turner, Eugne Delacroix Realism - Gustave Courbet, Camille Corot, Jean-Franois Millet Impressionism - Edgar Degas, douard Manet, Claude Monet, Camille Pissarro, Alfred Sisley Post-impressionism - Georges Seurat, Paul Czanne, Paul Gauguin, Vincent van Gogh, Henri de Toulouse-Lautrec, Henri Rousseau Symbolism - Gustave Moreau, Odilon Redon, James Ensor Les Nabis - Pierre Bonnard, douard Vuillard, Flix Vallotton pre-Modernist Sculptors - Aristide Maillol, Auguste Rodin
Modern art Sculpture - Pablo Picasso, Henri Matisse, Constantin Brncui, Joseph Csaky, Alexander Archipenko Synchromism - Stanton MacDonald-Wright, Morgan Russell Vorticism - Wyndham Lewis
Modern art Hard-edge painting - John McLaughlin, Ellsworth Kelly, Frank Stella, Al Held, Ronald Davis Kinetic art - George Rickey, Getulio Alviani Land art - Christo, Richard Long, Robert Smithson, Michael Heizer Les Automatistes - Claude Gauvreau, Jean-Paul Riopelle, Pierre Gauvreau, Fernand Leduc, Jean-Paul Mousseau, Marcelle Ferron Minimal art - Sol LeWitt, Donald Judd, Dan Flavin, Richard Serra, Agnes Martin Postminimalism - Eva Hesse, Bruce Nauman, Lynda Benglis Lyrical abstraction - Ronnie Landfield, Sam Gilliam, Larry Zox, Dan Christensen, Natvar Bhavsar, Larry Poons Neo-figurative art - Fernando Botero, Antonio Berni Neo-expressionism - Georg Baselitz, Anselm Kiefer, Jrg Immendorff, Jean-Michel Basquiat Transavanguardia - Francesco Clemente, Mimmo Paladino, Sandro Chia, Enzo Cucchi Figuration libre - Herv Di Rosa, Franois Boisrond, Robert Combas New realism - Yves Klein, Pierre Restany, Arman Op art - Victor Vasarely, Bridget Riley, Richard Anuszkiewicz Outsider art - Howard Finster, Grandma Moses, Bob Justin Photorealism - Audrey Flack, Chuck Close, Duane Hanson, Richard Estes, Malcolm Morley
Pop art - Richard Hamilton, Robert Indiana, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol, Ed Ruscha, David Hockney Postwar European figurative painting - Lucian Freud, Francis Bacon, Frank Auerbach, Gerhard Richter New European Painting - Luc Tuymans, Marlene Dumas, Neo Rauch, Bracha Ettinger, Michal Borremans, Chris Ofili Shaped canvas - Frank Stella, Kenneth Noland, Ron Davis, Robert Mangold. Soviet art - Aleksandr Deyneka, Aleksandr Gerasimov, Ilya Kabakov, Komar & Melamid, Alexandr Zhdanov, Leonid Sokov Spatialism - Lucio Fontana Video art - Nam June Paik, Wolf Vostell, Joseph Beuys, Bill Viola Visionary art - Ernst Fuchs, Paul Laffoley, Michael Bowen
Belgium
SMAK, Ghent
Brazil
MASP, So Paulo, SP MAM/SP, So Paulo, SP MAM/RJ, Rio de Janeiro, RJ MAM/BA, Salvador, Bahia
Modern art
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Colombia
MAMBO, Bogot
Croatia
Ivan Metrovi Gallery, Split Modern Gallery, Zagreb Museum of Contemporary Art, Zagreb
Ecuador
Museo Antropologico y de Arte Contemporaneo, Guayaquil La Capilla del Hombre, Quito
Finland
EMMA, Espoo
France
Lille Mtropole Museum of Modern, Contemporary and Outsider Art, Villeneuve d'Ascq Muse d'Orsay, Paris Muse d'Art Moderne de la Ville de Paris, Paris Muse National d'Art Moderne, Paris Muse Picasso, Paris Museum of Modern and Contemporary Art, Strasbourg
Germany
documenta, Kassel (Germany), a five-yearly exhibition of modern and contemporary art Museum Ludwig, Cologne Pinakothek der Moderne, Munich
India
National Gallery of Modern Art - New Delhi, National Gallery of Modern Art - Mumbai, National Gallery of Modern Art - Bangalore,
Iran
Museum of Contemporary Art, Tehran
Italy
Palazzo delle Esposizioni Galleria Nazionale d'Arte Moderna Venice Biennial, Venice
Mexico
Museo de Arte Moderno, Mxico D.F.
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Netherlands
Stedelijk Museum, Amsterdam
Norway
Astrup Fearnley Museum of Modern Art, Oslo Henie-Onstad Art Centre, Oslo
Qatar
Mathaf: Arab Museum of Modern Art, Doha
Spain
Museu d'Art Contemporani de Barcelona, Barcelona Museo Nacional Centro de Arte Reina Sofa, Madrid Institut Valenci d'Art Modern, Valencia
Sweden
Moderna Museet, Stockholm
UK
Tate Modern, London
U.S.A.
Albright-Knox Art Gallery, Buffalo, New York Art Institute of Chicago, Chicago, Illinois Guggenheim Museum, New York City, New York & Venice, Italy ; more recently in Berlin, Germany, Bilbao, Spain & Las Vegas, Nevada High Museum, Atlanta, Georgia Los Angeles County Museum of Art, Los Angeles, California McNay Art Museum, San Antonio, Texas Menil Collection, Houston, Texas Museum of Fine Arts, Boston, Massachusetts Museum of Modern Art, New York City, New York San Francisco Museum of Modern Art, San Francisco, California Walker Art Center, Minneapolis, Minnesota Whitney Museum of American Art, New York City, New York
Notes
[1] [2] [3] [4] Atkins 1990, p. 102. Gombrich 1958, p. 419. Russell T. Clement. Four French Symbolists. Greenwood Press, 1996. Page 114. "One way of understanding the relation of the terms 'modern,' 'modernity,' and 'modernism' is that aesthetic modernism is a form of art characteristic of high or actualized late modernity, that is, of that period in which social, economic, and cultural life in the widest sense [was] revolutionized by modernity ... [this means] that modernist art is scarcely thinkable outside the context of the modernized society of the late nineteenth and twentieth centuries. Social modernity is the home of modernist art, even where that art rebels against it." Cahoone 1996, p. 13.
Modern art
[7] "In the seventeenth and eighteenth centuries momentum began to gather behind a new view of the world, which would eventually create a new world, the modern world". Cahoone 1996, p. 27. [8] Frascina and Harrison 1982, p. 5. [9] Gombrich 1958, pp. 358-359. [10] Arnason 1998, p. 22. [11] Corinth, Schuster, Brauner, Vitali, and Butts 1996, p.25. [12] Cogniat 1975, p. 61. [13] Cogniat 1975, pp. 4349. [14] CIA and AbEx (http:/ / www. independent. co. uk/ news/ world/ modern-art-was-cia-weapon-1578808. html) Retrieved November 7, 2010 [15] Mullins 2006, p. 14. [16] Mullins 2006, p. 9. [17] Mullins 2006, pp. 1415. [18] Post-Modernism: The New Classicism in Art and Architecture Charles Jencks [19] David Lander (http:/ / www. americanheritage. com/ articles/ magazine/ ah/ 2006/ 6/ 2006_6_22. shtml) "Fifties Furniture: The Side Table as Sculpture," American Heritage, Nov./Dec. 2006.
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References
Arnason, H. Harvard. 1998. History of Modern Art: Painting, Sculpture, Architecture, Photography. Fourth Edition, rev. by Marla F. Prather, after the third edition, revised by Daniel Wheeler. New York: Harry N. Abrams, Inc. ISBN 0-8109-3439-6; Upper Saddle River, New Jersey: Prentice-Hall. ISBN 0-13-183313-8; London: Thames & Hudson. ISBN 0-500-23757-3 [Fifth edition, revised by Peter Kalb, Upper Saddle River, N.J.: Prentice Hall; London: Pearson/Prentice Hall, 2004. ISBN 0-13-184069-X] Atkins, Robert. 1990. Artspeak: A Guide to Contemporary Ideas, Movements, and Buzzwords. New York: Abbeville Press. ISBN 1-55859-127-3 Cahoone, Lawrence E. 1996. From Modernism to Postmodernism: An Anthology. Cambridge, Mass: Blackwell. ISBN 1-55786-603-1 Cogniat, Raymond. 1975. Pissarro. New York: Crown. ISBN 0-517-52477-5. Corinth, Lovis, Peter-Klaus Schuster, Lothar Brauner, Christoph Vitali, and Barbara Butts. 1996. Lovis Corinth. Munich and New York: Prestel. ISBN 3-7913-1682-6 Frascina, Francis, and Charles Harrison (eds.) 1982. Modern Art and Modernism: A Critical Anthology. Published in association with The Open University. London: Harper and Row, Ltd. Reprinted, London: Paul Chapman Publishing, Ltd. Frazier, Nancy. 2001. The Penguin Concise Dictionary of Art History. New York: Penguin Books. ISBN 0-14-051420-1 Gombrich, E. H. 1958. The Story of Art. London: Phaidon. OCLC 220078463 (http://www.worldcat.org/oclc/ 220078463) Mullins, Charlotte. 2006. Painting People: Figure Painting Today. New York: D.A.P. ISBN 978-1-933045-38-2
Further reading
Adams, Hugh. 1979. Modern Painting. [Oxford]: Phaidon Press. ISBN 0-7148-1984-0 (cloth) ISBN 0-7148-1920-4 (pbk) Childs, Peter. 2000. Modernism. London and New York: Routledge. ISBN 0-415-19647-7 (cloth) ISBN 0-415-19648-5 (pbk) Crouch, Christopher. 2000. Modernism in Art Design and Architecture. New York: St. Martins Press. ISBN 0-312-21830-3 (cloth) ISBN 0-312-21832-X (pbk) Dempsey, Amy. 2002. Art in the Modern Era: A Guide to Schools and Movements. New York: Harry A. Abrams. ISBN 0-8109-4172-4 Hunter, Sam, John Jacobus, and Daniel Wheeler. 2004. Modern Art. Revised and Updated 3rd Edition. New York: The Vendome Press [Pearson/Prentice Hall]. ISBN 0-13-189565-6 (cloth) 0-13-150519-X (pbk)
Modern art Kolocotroni, Vassiliki, Jane Goldman, and Olga Taxidou (eds.). 1998. Modernism: An Anthology of Sources and Documents. Chicago: University of Chicago Press. ISBN 0-226-45073-2 (cloth) ISBN 0-226-45074-0 (pbk) Ozenfant, Amde. 1952. Foundations of Modern Art. New York: Dover Publications. OCLC 536109 (http:// www.worldcat.org/oclc/536109) Read, Herbert and Benedict. 1975. A Concise History of Modern Painting. Thames and Hudson. ISBN 978-0-500-20141-1
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External links
Tate Modern (http://www.tate.org.uk/modern/) The Museum of Modern Art (http://www.moma.org) Modern artists and art (http://www.the-artists.org) A TIME Archives Collection of Modern Art's perception (http://www.time.com/time/archive/collections/ 0,21428,c_modern_art,00.shtml) National Gallery of Modern Art - Govt. of India (http://www.ngmaindia.gov.in)
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License
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