Royce M.

Cunanan TTT 8:30-10:00

Ticket # 0143 Oct. 17, 2013

Awit Kalikasan 2013

The stage cente# o% the

esign is not that !a stage is !&u##y an

!ut the "#o$ecto# at the a&so the "osition o% the

"#o$ecto# at the !ack '&e%t si e co#ne# o% the gy( !ecause it i)e#ts the attention o% the "eo"&e *ho a#e *atching at the stage.

+ &ike the "e#%o#(ance o% M#s. ,o&ita Ca#!on !ecause he# songs *e#e )e#y "o"u&a# an the ance#s *e#e goo too. -ut the

#est o% the conce#t *as !o#ing. .n too /uite, she

a&so one o% the s"eake#s *as

oesn0t s"eak o%ten to %o&&o* u" he# co-host.

+0(

e1"ecting

that

the

)i eo

ocu(entation

co)e#0s

the

enti#e ea#th !ecause this issue is a!out a&& count#ies !ecause o% g&o!a& *a#(ing o# the c&i(ate chance. The )i eo is not goo , the#e is a )i eo ocu(entation #ega# ing this to"ic such as 2The

incon)enient t#uth3 !y .& 4o#e that is )e#y inte#esting to *atch. .n a&so the au io o% the )i eo "#esentation is too &o* that you a&so the 5ont si6e o% the

can0t e)en hea# *hat they0#e saying an

su!tit&e o% the )i eo is too sho#t %o# the )ie*e#0s.

REACTION

7e a&& kno* that *e a#e e1"e#iencing g&o!a& *a#(ing. .s a (e(!e# o% ou# society *e shou& he&"ing ou# en)i#on(ent !e%o#e it0s !e (o#e #es"onsi!&e on too &ate %o# us. .&&

count#ies e1"e#iencing the c&i(ate chance, the (e&ting o% ice g&acie# at 8o#th an ce#tain Ca#!on count#ies. :io1i e. 7e 9outh "o&e causing the #ise o% sea &e)e& at The te("e#atu#e sta#t #ise in ou# !ecause o*n o% e1cessi)e *ay !y

shou&

&itt&e

seg#egating an

not th#o*ing ou# th#ash any*he#e, !y not !u#ning !y &a*. .n conse#)ing as

you# th#ash !ecause it is "#ohi!ite (uch *ate# as "ossi!&e. .n !ott&es an use .

*e shou&

a&so #ecyc&e "&astics,

anything that can !e se&& to $unksho" o# can !e #e-