PLAY # 1 and # 2 as written,

then change the chord types

by lowering or raising the 3rd
and/or the 7th of each chord.

C7

SPLIT BARS

F7

4
&4
? 44

ARPEGGIATED L.H.

B7

E7

A7

F7

B7

D7

b
b
b

E7

A7

D7

G7

#
#

#
#
#
#
#

#
#
#

?
#

# #

& ###

2
C7

F7

B7(b5)

&

E7

A7

D7

G7

C7

3 dierent arrangements of the chord tones using root 3rd 5th 7th
and their recommended ranges -lowest to highest chord roots

&
R
R
RANGE
R

RANGE

RANGE

the 5th may be replaced by

the root at the octave

DIATONIC 7THS -C 5 ORDER- ALL KEYS

C7

F7

&

D7
##
&

? ##

A7

D7

G7

C7

G7

G7

b
b
&b b b

E7

D7

? bb b
bb

B7(b5)

bbbbb

b
b bbb

C7(b5)

F7

B7

E7

A7

D7

##

C7(b5)

F7

B7

E7

A7

D7

bbb

bb

E7

bb
b
&

A7

D7(b5)

G7

C7

F7

B7

E7

####

? bb ####
b

Notice below that the minor 7 at 5 chord is sometimes arranged R-7-3-b5

instead of R-b5-7-3 or R-3-b5-7

E7

A7

####

&

? ####

F7

B7

bbb b
b
& b

F7

B7

E7

D7

G7

G7

C7

A7

?b

G7

E7(b5)

& b

D7(b5)

C7

F7

bbbbbb

bb b b

bb

C7

F7(b5)

B7

E7

A7

D7

G7

#
? bb b b

bb

G7

#
&

F7(b5)

B7

E7

A7

D7

G7

?#

C7

bbbb

A7

bbb
b
&

D7

G7(b5)

C7

F7

B7

E7

A7

###

##

? bb b

A7

D7

G7(b5)

C7

F7

B7

E7

A7

###
&
? ###

B7

b
b
&

bb

bb

E7

A7(b5)

D7

G7

C7

F7

B7

####
#

? bb ####

B7

E7

####
& #
? ####
#

A7(b5)

D7

G7

C7

F7

B7