Professional Documents
Culture Documents
3
4
5
6
Tuning Notes
8
10
II
12
13
Bean Scent
What's Your Game?
Paisley On My Mind
Buddy
Detroit Spinna
Ruby
Tech Exercises
14
Riff
Ear Tests
15
16
Test I
Test 2
Backing Tracks
tar
e e
Rockschool
Welcome to Debut Guitar
Guitar Notation Explained
Pieces:
Bean Scent
What~ Your Game?
Paisley On My Mind
Buddy
Detroit Spinna
Ruby
2
3
6
7
8
9
Technical Exercises
Sight Reading
Ear Tests
General Musicianship Questions
The Guru's Guide
Entering Rockschool Exams
rockschool
www. rockschool. co. uk
10
11
12
13
14
16
- --e.::_..=c.
-- hool grades are divided into four levels. These levels correspond to the levels of the National Qualifications
_'QF). Further details about the NQF can be found at www.qca.org.uk!NQF. Details of all Rockschool's
~ ,.~cations can be found at www.qca. org.uk/openquals.
G-.:-..ar part of the Entry Level. This Level is for players who are just starting out and who are looking to acquire the
- :. ~ o- erforming and musicianship.
2. _ .ayer of Debut standard should be able to play up to 20 bars of music in 4/4 time, using simple first position
.::,.- -ompo ed of whole, half and quarter notes and associated rests, as well as a range of basic first position chords.
2= ?:eces ,-ery often use open strings and melodies move mainly between adjacent strings.
-;.----cal exercises in the book, undertake a sight reading test, take an ear test and answer general musicianship questions.
- ---=-?:es of these tests are printed in the book along with audio examples on the CD.
ut Guitar Performance Certificate: this is for players who want to focus on performing in a range of styles
e ter for your Debut Guitar Performance Certificate you play pieces only. You can choose any five of the six tunes
ted in this book.
G
..,
D
.,...
Am
If
'
Strings:
TABLATURE graphically
represents the guitar
fingerboard. Each horizontal
line represents a string, and
each number represents a fret.
2
3
2
E
B
G
0
1
2
2
0
"'
Open D chord
~~
@,)
-----
.,.
.,.
I
5- - -7
"
"
-----
.,.
A
....
u
I
1- - -5-
GLISSANDO: A small slide off of a note VIBRATO: Vibrate the note by bending
toward the end of its rhythmic duration. and releasing the string smoothly
Do not slide 'into' the following note and continuously.
subsequent notes should be repicked.
I
BU
2-=---=4-
@,)
--
.,.
.,.
..--
-" -..
I
~-.,.~~-8 ------~
A
....
'-'
II
II
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-"
1,;,1
BD
s }---{ 5 >------
....,
f--1.,.
1- -5--{
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"""
~~~
@,)
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STRING BENDS: Pick the firsr note-'bend (or release the bend) to the pi:-"indicated in brackets.
1,;,1
"""
PICK HAND TAP: Strike the indicated
note with a finger from the picking
hand. Usually followed by a pull off.
#~
~'
'''
@,)
.,.
I
-..
PRE-BENDS: Before picking the note,
bend the string from the fret indicated
between the staves, to the equivalent
pitch indicated in brackets in the TAB
,..,,...
@,)
..--.-..
PB 7
BD
~9)--(7
A
-..
-"
~
-"
1 ~4
D.KalCoda
D.C. al Fine
II:
:II
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I :II I
Hussein Boon
Am 7
o7
o7
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I,
I,
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:4
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IF
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Am 7
o7
It
o7
:&J
Am 7
o7
F IF
~0
Am 7
C)
- 1 -- 3
-i
r r
o7
I I
o----1
A m7
r& t
Am 7
o7
J J I c
Am 7
o7
CJ
IJ
II
II
11 ~~2-~-1
01~
1 3--1~-9~2--~--~--~
3-1
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e
II
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12_
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~.~---------------------3----+--1---------31--------~-------------------4------------------~
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~~--------------------3----~-1---------3---------4----------------------~-----------3--------~
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D
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... ---------------------.------------------.-----------------.-----3----2-------.------------------n
I ~F-----------------3--~--1--------------~------------------~------------3---r31----------------~
lh_d~------------ 2--------+---------01------~2
Joe Bennett
Counrry
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J J
II
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:0.
'--'
I0
r F
0
0
J J
II
II
;i
.....
G
5
Q----2
II
......
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Q----2
0
J J
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Am
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t.J
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I,
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,r
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t)
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J J
I~
r F
r
*
I0
1-
.....
Em
7J
0-2
J
0
~
4
I~
II
II
Deir
G
I
-" fl 10
Em
_l_
...
2--o---2
....
ll
'""
fl
-"
j,j,
...
ll
3---o
2---------o-----
""'
Em
l e~
"~"---,u~-------------~~o---------------------+-o~-~3
~ ~ll~------------------------~------2----~2----4--------------uQ---------~--------------------~
~
..
le~T~~--1,---------------------+-3:------0I----------+----------------------+-----------------------H
4 -----------2----o---4--------------------+-oi-===~==~========~===================U
1~1.
~~~------------------------~----------------------~-----2
0
IH~~------------------------~----------------------~----------------2~----4-----------------------H
~,~------------------------~----------------------_L
______________________l_3-- -2 - - - 3 1 - - - - - i l
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Adrian York
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In
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2006 Rock School Ltd.
J J
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Am
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J Ij
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Am/C
1
2
2
t...
I'
Dm
0
2
2
I0
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:a j
I,
Am
It-
Am
I
lu
IU-e-
II
II
Deirdre C
J=84 Britpop
G
I') j,l
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Em
,.
....4
3
0u
3
0
0
0
32
02
32
2u
0
0
02
02
0
002
02
0
0
202
0
0
002
02
100
2
10
g
2~
IJ
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Em
It--=...
--.3--3--2--2----..-3--3--2--2~--.-o--o----o----o----..-o--o--2--2---:
o----o----3- -3
o----o----3- -3
o----o----1
~1--1--3--3-,O---------O-~--~
=====~====~
g
g-g-2
. g====g__~
--~
l
~~'""-----------+-----------+-2--2--2--2--r----------~
___________
_________
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l f-_.Q_ _
~~~,~
~---------~o--o----o------L_
Em
Em
:~:~~...!~~-=-==~-~~~~=-~~~~~~-~~~~3o-~~~~~~~
~~:O~------_-_-_-_-_-_-_-_-__-_-~gl--===:~-~==============O _~I
g . -~g- -- -- - -g~=_-~=-~:~~
:-:g -_-==--==--==--==--==--==--=~I~----~-.,f-~
!._11~-oo--g-__
~~g_ __ _ __ _ _ _ _ _~,o--------o--L_
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01
t..
...
...
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D.
1\
t..
01
22u
0
002
2u
100
2
322
0
0--o----o---0--o----o----~
g==g-g
2
-2--2
02--2--o----o----u
Em
Em
________ _ ~,o--------<o~
o--o--2--2- 1--1--3--3o--o--2-a
2- -2--o----o
30
g
II
he
the examiner '\ill ask you to play a selection of exercises drawn from each of the three groups shown below.
B ontain examples of the kinds of scales and chords you can use when playing the pieces. In Group C you
-:...__ e asked to prepare the exercise and play it to the CD backing track. You do not need to memorise the exercises (and
e the book in the exam) but the examiner will be looking for the speed of your response. The examiner will also
~ credit for the level of your musicality.
Gro p A and B should be prepared in the keys directed.
G!O ps A and B should be played at .J = 80. The examiner will give you this tempo in the exam.
Group A: Scales
- E minor & A minor pentatonic. E minor pentatonic example shown
~:
9
0
g
3
g
3
9
0
II
II
Group B: Chords
1. Open position chords. The chords shown below should be played as a continuous exercise
G
i ~t!i
Am
Em
llj~
'I!
lljj
II
Ill!
Ill
1111
II
Group C: Riff
In the exam you will be asked to play the following riff to the backing track on the CD. The riff shown in bar 1 should
be played in the same shape in bars 2- 4. The root note of the pattern to be played is shown in the music in each of the
subsequent three bars. The tempo is .J = 70.
Em
Am
Em
Am
Printed below is the type of sight reading test you are likely to encounter in the exam. The ieee-. ~ e - o'""""? =style of either rock or blues. The examiner will allow you 90 seconds to prepare it and "ill set the em~ o w:metronome. The tempo is J=60.
1\
Blues
.......
2- o - -2
_f
I
~ -~ ~:;} ~the
grade. The examiner will play each test to you on CD. One example of each type of test you
exam is printed below.
:o_
ill be asked to play back the given two bar rhythm on the open bottom E string of your guitar. You will hear the
played twice with a drum backing. There will then be a short break for you to practise the test and then the test will
:c...ommence and you will play the rhythm to the drum backing. This test is continuous. The tempo is J= 90.
:-::::~ -
=II
S II:,
o---L...()1 -o~-o---o~-----'-':1 1
0
: @~ill=
g
0
lg
3
g
3
=II
Ge
o 'L e as_~ - e Genera:
pie es ou haT"e played in
~ ~~- ~.
opi
can e ~o
Topics:
i)
ii)
Music theory
Knowledge of your instrument
The music theory questions will cover recognition of the following at this grade:
Note Pitches
Note Values
Time Signatures
Questions on all these topics will be based on pieces played by you in the exam. Tips on how to approach this part
exam can be found on the Rockschool website: www.rockschool.co.uk.
o: -- ;:-
-. --5e:tg- ares aae tions onl -. Feel free to use different neck positions as they suit you. Please also note that any
mixes are not meant to be indicative of the standard required for the grade.
Guitar I unes
- __.._oo
=-- ---or =
es help you play the hit tunes you enjoy. The pieces have been written by top pop and rock composers and
a to style specifications drawn up by Rockschool.
-:: -~::5 ?:inted here fall into two categories. The first category can be called the 'contemporary mainstream' and features
__-:-::::: ~es in today's charts. The second category of pieces consists of 'roots styles', those classic grooves and genres
;:... _.._ -==:.::e e eyery generation of performers.
__
-~-
.:.._ - e tyle of Acid Jazz, a form offunk music that had its heyday in the early 1990s with bands such as Freak Power
amiroquai. The main theme is played in quarter notes for the most part with some half and whole notes. Watch
-: :- _.._e rests at the start of bars 3, 9, 11 and 15 and make sure that you give the quarter and whole notes their full value.
-=:: .,...,___
- r: Hussein Boon.
mix: track 2, backing track 9: What's Your Game?
__ s r - piece after the manner of Black Sabbath. The part consists of half and quarter notes and again watch for the
..._.z-=er aote rests at the beginning of bars 3, 11 and 15. The tempo is quite brisk so make sure that you don'~ rush the half
- -;os md to give them their full value.
-==-:s
ountry tune has a three note lead in to the main theme and is deceptively simple in appearance. The use of whole
i"ollowed by rests in the following bars make this song an exercise in counting, particularly as the rests in bars 5, 7 and
::.: ere half note rests and not quarter notes as in bars 3, 9, 11 and 17, so make sure you giye the whole notes their correct
_' _ce_
~-
--- risk rock 'n' roll song evoking the style of Buddy Holly. The part consists of quarter and half notes and mixes up whole
- -es and rests which again make this piece a valuable exercise in counting. Watch out for the ending as this is quite tricky
.:..:::;.c "ill require plenty of practice.
Composer: Deirdre Cartwright
PASS
Piece 1
13 out of20
Piece 2
13 out of20
Piece 3
13 out of20
Technical Exercises
11 out of 15
Sight Reading
6 out of 10
Ear Tests
.6 out of 10
3 out of5
Total Marks
Pass:65%+
The table below shows the marking scheme for the Debut Guitar Performance Certificate. Please note that all successfu:
candidates will be certificated as achieving a pass only.
ELEMENT
PASS
Piece 1
14 out of20
Piece 2
14 out of20
Piece 3
14 out of20
Piece 4
14 out of20
Piece 5
14 out of20
Total Marks
Pass:70%+
'?:e2.-~
rec.i -
~o~~ -,..,ese
t.rll
ons care
before gin the exam entry form.
; ed. from Ro hool by ringing 0845 460 4747 or by logging on to our
en-er ~or any one of three examination periods. These are shown below with their closing dates.
PERIOD
DURATION
CLOSING DATE
Period A
1st December
PeriodB
1st April
Period C
1st October
These dates will apply from 1st September 2006 until further notice
_ -~eSc complete the form giving the information required. Please fill in the type and level of exam, the instrument, along
--- e _ eriod and year. Finally, fill in the fee box with the appropriate amount. You can obtain up to date information on
.:___? .:._---hool exam fees from the website: www.rockschool.co.uk. You should send this form with a cheque or postal order
:e o Rockschool) to the address shown on the order form. Please also indicate on the form whether or not you
d like to receive notification via email.
. -7
:'...:.cations received after the expiry of the closing date may be accepted subject to the payment of an additional fee.
- --en you enter an exam you will receive from Rockschool an acknowledgement letter or email containing a copy of our
"T --:--r regulations.
-~--chool
will allocate your entry to a centre and you will receive notification of the exam, showing a date, location and
well as advice of what to bring to the centre. We endeavour to give you four weeks' notice of your exam.
o should inform Rockschool of any cancellations or alterations to the schedule as soon as you can as it is usually not
-; --ible to transfer entries from one centre, or one period, to another without the payment of an additional fee.
?lease bring your music book and CD to the exam. You may not use photocopied music, nor the music used by someone
:n another exam. The examiner will sign each book during each examination. You may be barred from taking an exam
--- . o use someone else's music.
~e
o hould aim to arrive for your Debut exam fifteen minutes before the time stated on the schedule. You should use this
-2=e to tune your guitar and get everything ready to take your exam.
-h Debut grade exam is scheduled to last for 12 minutes. Each Debut performance certificate is scheduled to last 10
tes.
T . o to three weeks after the exam you will receive a copy of the examiner's mark sheet. Every successful player will receive
z. ~ ockschool certificate of achievement.
=--
Published by:
Kocksc oo _::::
-:-
::.:::J:::
a~ s ~60! -~-
--
- -- - __,_
-
www.rockschool.co.uk
Printed by:
Syllabus consultants:
Audio producer:
Alastair Gavin
Audio engineer:
Matt Gendreau
Additional mixing:
Recorded at:
Guitars:
Bass:
Drums:
Keyboards &programming:
Alastair Gavin
Mastered by:
Phil Scragg
Music processing & book layout: Simon Troup & jennie Troup of www.digitalmusicart.com
Cover design:
Cover photography:
Warning
Unauthorised reproduction of any part of this publication by any means, including
photocopying, is an infringement of copyright.