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Alexander Technique
Tips

Leland Vall
www.freeyourneck.com
 Description of the Alexander Technique
What is the Alexander Technique?
The Alexander Technique is a set of ideas that can be described as a
discipline for understanding, recognizing and preventing habits of excess
tension, especially in relation to posture and movement.

How is it taught?
The Alexander Technique is taught through gentle, manually guided
movement and verbal instructions.

Benefits
The Alexander Technique offers a continuous feeling of increased
lightness, ease and strength throughout the body. Its ability to remedy
specific ailments relates to the amount that you are contributing to those
ailments.

How to Benefit from the Alexander Technique

The Alexander Technique is a tool for self-discovery. Your success will
mostly be based on your level of interest and the joy you take in the
process of self-discovery that is outlined in the concepts of the Alexander
Technique.

How long does it take to benefit?

The Alexander Technique is not an all or nothing proposition. Benefits
come as you learn and specific lasting progress often arrives as a sudden
and unexpected realization. The best way to make progress with the
Alexander Technique is to be open to the possibility of self-discovery,
however and whenever the event occurs.

These Tips
These tips are organized loosely by concept, but there is no hierarchy of
importance. Each tip is meant to suggest the possibility of all the other tips,
and all tips are similar in intent.

Habit and Change

The Alexander Technique suggests that you can break habits of excess
tension by recognizing that you have other choices related to movement
and posture. To use these tips successfully, any given tip must take
precedence over the completion of the task at hand.

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 Perception
• Experience the world from your back, forward.
You might think that you experience the world as if the world is in
front of you or maybe as though you are looking through a camera.
Instead, think of the camera as if it is behind you. Step into the
frame of your experience.

Awareness begins
behind you.

Worse Better

• See the world as if your whole face is an open eye.

• Avoid “trying” to feel.

If something touches you, you generally feel it automatically. You
don’t have to “try” to feel. Better to simply be open to the possibility
of feeling.

• Avoid “trying” to see.

Allow the light to come to you.

• Think a smile.

• Think of your body as light in weight, broad and open.

No matter your position, think that you fill the room and beyond.

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 Always Go Up
• Think of your body as an archer’s bow.
When bending, instead of pulling yourself down, resist the
downward movement just as the bow does when the string is
pulled.

• In all cases, avoid pulling yourself down. Only go up.

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 Major Landmarks of the Body
• The torso includes the entire spine, shoulders, ribs and pelvis. The
spine extends to the level of your ears, higher than the roof of your
mouth.
Top of spine

• The appendages of the body include the head, arms and legs. The
jaw is an appendage of the head.

• The arms attach to the back of your torso, not the front.

• The legs attach to the pelvis at the hip joint.

• The waist is not a joint.

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 Doing Less
• Allow for a softening in the back of the neck.
Softening the back of the neck will allow the head to rise as it
releases from the top of the spine. Avoid pulling the chin down.

Better Worse

Head releasing Head being pulled

forward and up. down and back.

• Allow your ribs to hang from your spine.

• Allow for space between all the joints.

• All joints relate to each other in the same way.

Any insight gained about one joint is applicable to all the joints.

• Dance above your legs.

• Exercise: Lying Down

Allow for space from the extremities inward. Place a book under
your head.

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 Doing More
• Point your spine in the direction it is headed as if you are pointing
your finger.
The spine, not your ribs, supports your torso.

• Think of your spine as lively.

Think of the spine as a fountain or a beam of light.

• Point your shoulders away from each other.

Think of your shoulders as traveling in opposing directions, but
neither forward nor back.

• Think of your legs as reaching to the floor from the bottom up.
When standing, imagine that your legs just barely reach the floor.

• Exercise: Lying Down

Point your spine, shoulders, elbows and knees. Place a book under
your head.

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 Dynamic Opposition
Article, Fitness and the Alexander Technique
Article, Golf and the Alexander Technique

• Proper use of the body is marked by dynamic oppositional

relationships.
The head goes forward and up in relation to the torso going back
and up in relation to the legs going forward and down.
Worse Better

• Think of your spine as a central tent pole pulled by opposing forces.

• Think of your spine as a spring.

The curves in the spine cause it to act as a spring.

• Every part and region of the body can be dynamically opposed to

every other part or region of the body.
This is the idea of a lively, internally dynamic body or the essence of
poise, presence and athleticism.

• Think of your body as a wave no matter the position.

• Allow for the roundness of arches within your body.

Arches are dynamically active structures and your body is filled with
them. There are natural arches in your feet, hands, mouth, chest
and spine. All your bones are curved and they make further curves
in combination. There are no straight lines in the body. Your arms
and legs also form multiple arches as they function. You can find
arches throughout the images in this booklet.

• Think of the body as always getting larger from the extremity

inward.
Avoid drawing the body in on itself.
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 • Think of the back of the heel and the back of the head as always
going away from each other.
Worse Better

• Exercise: Leaning Against a Wall

Look for what is going back and up and what is going forward and
down.

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 Movement
Legs, Feet and Walking
Article, Six Tips on Walking
Video, Three Lessons on Walking

• Leave your pelvis behind your legs.

• Leave your torso behind your head.

• The arms are emissaries of the torso.

Avoid reaching so far that your arms pull on your torso. Instead,
move your torso so that you can reach without distorting your back.
The arms derive much of their strength from the torso. Distortion or
lack of clarity in the torso causes arm weakness.

• When walking, keep your weight over your standing leg until your
new foot is on the ground.
Place each foot down lightly while also leaving your torso over the
rear leg. Walking exercise Link

• As the leg swings forward, leave the hip behind.

• Avoid taking your feet off the floor in order to put them on the floor.
When people want to feel more grounded, they often shuffle their
feet or otherwise pick them up off the floor. Recognize instead that
if your foot is on the floor supporting your weight, there is nothing
more you have to do in order to connect it more firmly to the floor.
It is already there. Similarly, to feel more grounded, avoid shifting in
place.

• Think of the ground as rising up toward your feet.

Let the ground fill your feet as if you are catching a ball.

• Leave your feet on the ground when the ground is within their reach.

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 • How to Bend
Video, Three Tips for Bending

1. Leave your feet on the floor as if you are standing throughout the
movement.
2. Bend at the knees, hips and ankles.
3. Avoid pulling on your head.
Worse Better

• Using Chairs: Movement toward Sitting in a Chair

1. Pretend the chair is not behind you.
2. Remain standing on your feet until you reach the chair. Do not
fall into the chair.
3. Remain up for the entire movement (as if the movement is
happening in reverse) and avoid pulling yourself down
toward the chair.

• Using Chairs: Rising from a Chair

1. Avoid pulling on the floor.
2. Without shortening your upper body, rotate your torso around
your hip joint until your feet are supporting your weight.
3. Press the floor away until you are standing.

• Sit on chairs as if the chair is your legs.

When you are standing, you are standing on your legs. When you
are sitting, you are standing on the chair.

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 Breath & Voice
Breath
Article, Improve Your Breathing

• Breathing is improved with the reduction of premature inhalation

and gasping or, in other words, inhaling before the end of the
exhalation.

• Enjoy your exhale.

Take pleasure in your exhale, don’t rush it. You can’t miss your next
inhalation; it always comes at the end of your exhale, no matter
when that is.

• Observe your breathing as if you are watching ocean waves.

Try to simply be an observer in the process of breath. Without effort,
notice the movement throughout your entire torso.

• Allow your ribs to soften so that they can swing with your breath and
in relation to your pointing spine.

• How to Breathe
Most problems in breathing come from gasping and otherwise
rushing the inhalation before the end of the exhalation. Improve
your breathing by learning to enjoy your exhale, allowing it to
lengthen, and by gaining a perfect confidence in the eventual
arrival of your next inhalation.

• Abbreviated Exercise for the Permanent Improvement of Breathing:

1. Throughout the exercise, observe your own breathing as if
you are looking at another person or a natural process like
ocean waves.
2. Observe that there is constant internal movement throughout
your entire torso, front and back and all around.
3. Notice that with each exhalation there is a softening in the
abdomen and a falling in the chest.
4. Enjoy your exhale and allow it to linger with perfect
confidence in the eventual arrival of your next inhalation.
5. Proper breathing is marked by a lengthened and easy
exhalation with a reflexive and silent inhalation.

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Voice
• Think of your voice as rising up and over your head, instead coming
from under your chin. Alternatively, think of your voice as coming
out of the top of your head as if it were the bell of a horn.

Your voice rising up from

behind you and over your
head

• Let the sound of your voice escape from your body; avoid holding it
back.

• Avoid all use and change in your throat as you speak.

Speak as though your throat has nothing to do with your voice.

• As you speak, allow for liveliness in your lips and the tip of your
tongue.

• Allow sound to arrive; avoid making it.

• Speak as if you do not control your breath.

Avoid breathing to speak. Speak as if breath is ever present and in
constant supply.

Leland Vall, M.AmSAT is a certified Alexander Technique instructor based in New

York. He is the author of The Secret to Using Your Body and he teaches individuals and
groups how to improve posture and to breathe, move, sit and stand with greater ease and
strength. Find out how to feel better every day and for the rest of your life at
www.freeyourneck.com.

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