teint e staan art gli Sra, fort Instalatone relating tothe nego past ana reser Then, Ne created Pores Whar do your buildings do? We tey to link Artist Rick Lowe preserves humanity in Houston vod by Jessica Dheore ect Ram Hes to artists would deen temporary you havea special affinity for buildings? | don't ust love bung. love how thay function and what they da forthe community e histories {of the shotgun withthe actives of a general area or neighborhood, to weave ves were worthy of put of commercial actvty lot the Third Wa rugs, basicaly causing “back Might” Going into the future, were ging to have to regain commercial aetuty along withthe housing. AS those resources— grocery stores, laundromat, drugstores—come, theyre going to bring people from diferent parts of te ey i's already a str cultural identity; a good middleclass wil help stabi ‘own te line, ths wil be a wonderfuly med nelghborhood, not just atypical ‘one-oup-moves-n-and:-the-other-group-mowes-out kind of place. Photograph by Janice Rubin ‘exiting. architect Hfestyle and to create a dialogue between the artists, the residents, and the buildings. Why did you create the ar galleries before renovating the houses? We thought the art woud ereate theca logue that would present the ‘ppartunty to develop the resto the project. had tobe about more than ‘a housing development, it had to be spout cultural datogue. What ki done? We ‘american artists, but one ofthe be tons have Been mostly on Aiean jects weve had was by @ middle-aged white man. Hs work was about ‘archiving and preserving histories. He gave out about 100 teposable cameras to Thid Ward residents to let them document the neighborhood the way they saw I He got ‘bout 75 back, developed the fm, and put the photos i canning jars. People came out in droves to selves as a part of tis exhibit, and they leaned that their tention and acknowledgment. Houses in 25 years? By 1997, 85 to 90 percent rl to getaway from the guns and the neighborhood in terms of 0H Twenty to 30 years