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rl: 'irq e ti;:i .?t{i 'uorpii,,rll +:r:::,:.1:ii) ol.il 4ri il BJ.rl it!,rg .ri,,r}rcj +r.l-l tJii i{:;;'Lte r,:'_;l i.: r.!lt i}lii :rirj't^ I l:l.Ir*:fl
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th. kill Crcd(G in lho cfurecter for crarnple. This :;!rsho bogins wilh a left

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.L A W- & {t
Xrwll*r stm{(e
,fl- e ffi
Take the wavame stnoke in the ctraracier {fon u"r*ple. Begin the stroke by nroving the
brush tip to ths l€fi uprrard. Bring tho brush to the right and dootrruard. A slrghi pause.
Conlinue moving lhe brush to the rigtrt. Lift the brush wtren you end lhe strole !t is like a
wave, with three bends (ser pir:lure).

u \ \ hacr eiremF \* \s" \-

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J ?z\ffi3ru#[:;ffi::B*ffi:;
fior a pause whon the brush curve3 to make lhe trcok. Tum the brush around, iflsn make the
orve (soe plcirra).

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ufrir**;r ts slH rt#frr
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Tmfto ttr* tick $n ttrs idt grart a{ ?.h{,i cft*xe}#,e( 'J io f<rn ****n*{*. i&;rgim t1},* ti{:&, vu{fr i}xe h*;r,h
m*v'i*6 f0 ths lsfr" Turn ffue bru*'h d#irrry]{ri}rrJ. Pau.r,e. i\*i*s/ r"{i}drr{}r{i td:} c}ri{x rs$].}rt
VVtl*ln you wlitm tha ctmo&e. y*{,r rnusl tm qufu}r" Th,m* rnust htt stre,ngfl}l ln y*mr $r$,.ilts i*@#
pciure].

B€$d sr ft#lst

l* t*o cfiaradun $'1'r*r. exanry,**r L3*g:n by mrrvin6; ttre bnlsh irl ttx}
Talko {lxr firs.t bonc$
opp$$ilo dir**{r*n-ls& Turn thc} trnish s$;n#rlts tti, Psr:**. Tho eh*ng ttn6, or l*8 c,eflt al pef
cl ths hrrush pdnt, is t* the ri6M. u$rlrdnrui. ',J\8t*rr yo,r.l c*{"*e to the Lrs}nd, ;uass tha brush
d*wn. Ljft the brush !o Src righ! stigt*ly. '[unr t?Te bruri: e1;:v,'nwxrd. S]CI*wty lifl ther tsush ta the
bft. End the slroke by lifting the brueh fiwn th* papar (s*'e ryrt:;re).

This is a ganaral doscriptio* of {he eigis basic strc&es in th* Liu $y!e i}f e*iii6raphy. To $fur*'it i* detail,
rel6r t8 the bo(* about l-lu's catirgrcptry. Study and copry tiro srro$gi* earefuliy.

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Ho*,t* write Chin*:;c CriJligraphy - li*v*n srryuflntiii, sli:iis ift lwilrng strt'rk*s
There is fi psoper ssqu{,ruc"s lr} ths yd,flg*ng *{ strokes. with e$yen *rttp* il'l tl.re urgu,*nne,

Th* n*qu*lw in wri{img *trnkm* wr+s d,w**tl*p*d *ltter ttlng expori*n*l* ir: *alli6raphy. Ther propar $4w&ristlffd
t
fecilit*tes writing f,trere are, hcl.*r*ver, ex*epl,i,rnu tu i,he rule, ln [h*] clta{aclu'' ru' you rnay !.rrrrio $re cic$ fiisl

s last. Both srn ri6ht. Anothor exerrrp& is ttle cftare{*on # . Yoo, v,.rte the *,esh, or horironral strr}&*, firs't,
bti! l':ow sho*td yeu wrile ltre slrpkes bel*ar the Oaslr: I a*d 7 .

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Accordi*$ to tha rule, fi'om 16ff t.o right,gnp*r s*quence should be:

t'bwever. rf you wito tikE this: t tt , il etirrwE the blank sqa+ie l.$ b* ffi,;rm ovenly divicte<i a*d looks
more beautiftil. ln lvri{ing $il{:.h d}&reatsffr you rf!ffy bo ltexiblo. YEU *J,*n't hev,* to fi:llmr the Emquer*o of lett
:iroke f*n*t, *ght struk# sec,und"

Teke &${:}tf!er uxirrnplo: the charscier * fn runnin6 ssript ifi p*rp*ntJiexler ll*es yqru wrilo tha l*{t-fat4rng

rfok€ *r$q, foll$o,,ed by the da*h, sr tmrtmntal slrok6. Y*u then rnnite s . The oeder is as follss€: I
t,.

tYtrea r*riting in horizonlel lines, y*u wita tho dssh, or horixont,al stroks. first {}nd add the lel!-falling slruke
ilerurenj*. Ths ord*r ,u
'^ I r, . Ee pracftcal. Facllity corn&s firt. Ycu shor.rld follow lho rules of
l':'l:Eiili;,in*e{qL'ffi r{.t}'41-tta'

but ln ddng ro
3 b.lbxiHc.

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