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SYMBOLISM
A predecessor of Expressionism and Surrealism
Edvard Munch
Death in the Sickroom
The Scream
EXPRESSIONISM
Basically a German style
Die Brucke-the bridge
Dealt with emotions which were often dark
and powerful even though colors were
exaggerated and intense
The artists state of mind over objectivity
was of utmost importance
KIRCHNER
A Group of Artists
KOKOSCHKA
BECKMAN
1884-1950
An independent and forceful Expressionist who
left some of the most memorable works for the
German school.
His works showed some of the darkest times in
the 20th century as a reaction to Nazism.
His message is bitter, its reference to human
cruelty and suffering in general.
He fled Germany as Nazism spread and his art
was labeled degenerate.
FAUVISM
Characterized by strong colors
The name Fauve means wild beasts
and was coined after a 1905 exhibition
Unlike Expressionism, Fauve work tends
to be joyful
MATISSE
Goldfish
Bowl of Apples
Pink Nude
DADAISM
Total weirdness based on the reaction to
the atrocities of World War I
Designed to shock
Works were created out of unconventional
materials and often were based on chance
The term Dada was chosen randomly
from the dictionary
DUCHAMP
Rose Selavy
SURREALISM
Similar to Dada
Based on the study of the unconscious
and subconscious, Freud and dream
analysis
Began as a literary movement: influences
from T.S. Eliot.
Philosopher: Nietzsche
Intended to discover and explore the more
real than real world behind the real.
DE CHIRICO
Philosophers Conquest
MAGRITTE
Golconda
Son of Man
Time Transfixed
Clairvoyance
DALI
Persistence of Memory
TRANSITIONAL
These artists defy a category. They have
been labeled Dadaists, Surrealists,
Abstractioniststhey are all and none
KLEE
Golden Fish
MIRO
Harlequins Carnival
The Poetess
CHAGALL
Chagall La Mariie
ABSTRACTION
Minimal reference to natural objects
Subject matter is of little importance
The elements of design, materials and
composition are of key importance
There are several styles of abstraction,
including Bauhaus, De Stijl and, later,
abstract expressionism (late 20 th century)
KANDINSKY
MONDRIAN