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cinema 2 he time-image FILM STUDIES IES / PHILOSOPHY SBN 0-485-12070-6 — Ce aa ATHLONE CONTEMPORARY EUROPEAN THINKERS Cinema 2 The Time-lmage Gilles Deleuze Translated by Hugh Tomlinson and Robert Galeta a ‘The Athlone Press LONDON First Published in Great Britain 1989 by'The Athlone Press 1 Park Drive, London NWi1 7S Reprinted 2000 Preface, Translator’s Introduction and Translation © TThe Athlone Press 1989 Originally published in France as Cinema 2, !Image-Temps © Les Editions de Minuit 1985 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0 485 119597 HB (0.485 120704 PB All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, clectronie, mechanical, photocopying or otherwise, without prior permission in writing from the publisher. 0113173 id aid Noid come A ( N@ Short Run Press Ltd, Exeter Contents Preface to the English Edition ‘Translators’ Introduction Chapter 1 Beyond the movement-image ‘Opsigns and sonsigns: subjectivism, real-imaginary —The new wave: Godard and Rivette— Tactisigns (Bresson) ‘Ozu, the inventor of pure optical and sound Everyday banality — Empty spaces and st as unchanging form ‘The intolerable and clairvoyance ~ From clichés to the image — Beyond movement: not merely opsigns and sonsigns, but chronosigns, lectosigns, noosigns — The ‘example of Antonioni Chapter 2 Recapitulation of images and signs Ginema, semiology and language — Obj Pure semiotics: Peirce and the signs — The movement-image, signaletic material and non-linguistic features of expression (the internal monologue). ‘The time-image and its subordi movement-image ~ Montage as indirect representation of time ~ Aberrations of movement ~The freeing of the time-image: its direct presentation. The relative difference between the classical and the modern. jon to the Chapter 3 From recollection to dreams: third commentary on Bergson 1n according to Bergson — ind sound image— xv 25 30 34 44

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