Montage is a film editing technique that pieces together short shots to condense space, time, and information. It was introduced by Soviet directors like Eisenstein to creatively edit films and overcome limitations of silent films. While montage was used by early Soviet directors to create symbolic meaning, western studios mainly used montage sequences from the 1930s-1950s to suggest the passage of time through numerous short shots combined with optical effects, dance, and music.
Montage is a film editing technique that pieces together short shots to condense space, time, and information. It was introduced by Soviet directors like Eisenstein to creatively edit films and overcome limitations of silent films. While montage was used by early Soviet directors to create symbolic meaning, western studios mainly used montage sequences from the 1930s-1950s to suggest the passage of time through numerous short shots combined with optical effects, dance, and music.
Montage is a film editing technique that pieces together short shots to condense space, time, and information. It was introduced by Soviet directors like Eisenstein to creatively edit films and overcome limitations of silent films. While montage was used by early Soviet directors to create symbolic meaning, western studios mainly used montage sequences from the 1930s-1950s to suggest the passage of time through numerous short shots combined with optical effects, dance, and music.
The technique of selecting, editing, and piecing together separate sections of
film to form a continuous whole : montage was a useful device for overcoming the drawbacks of silent film
Montage is a technique in film editing in which a series of short shots are
edited into a sequence to condense space, time, and information. The term has been used in various contexts. It was introduced to cinema primarily by Eisenstein, and early Soviet directors used it as a synonym for creative editing. In France the word "montage" simply denotes cutting. The term "montage sequence" has been used primarily by British and American studios, which refers to the common technique as outlined in this article. The montage sequence is usually used to suggest the passage of time, rather than to create symbolic meaning as it does in Soviet montage theory.From the 1930s to the 1950s, montage sequences often combined numerous short shots with special optical effects (fades, dissolves, split screens, double and triple exposures) dance and music. They were usually assembled by someone other than the director or the editor of the movie