y a NAPPiE Presents: u Joe Satriani ~ The Extremist Supplied By = UAi @ HAPPiE HOF Disks = 1 Scanned By = UAL @ HAPPiE Release Date : 12/05/01 Packaged By = UAi @ HAPPiE Release # Book 15 Type Scanned Tabs Source ISBN 0995247720 Fornat PDP 4.4 WOF Songs: 10 L Resolution: 300 DPT HOF Pages: 109 fs Instructions To view this document. you need to use Adobe Acrobat Reader 5.x or higher. Got it for free at htép://ww.adobe.con. Group HAPPiE is a new group, created in the year of 2001. HAPPIE is dedicated to gtrwrz only. The goal is to bring quality products into the scene. Greets All our respects goes to the people that currently are creating the scene of strurz. Specially to all people hanging out in Sgtrurz @ EFNET. Contact EMAL = hippie2@1@@hotnail.con ik: MHEPPIE @ EFNET MaPPIE Q n No, no, I’m sick of thist All we do ic sit around and snoke pot. No; no’ Kevin Costner Speech, lets just go. 7 Idle Hands ascii: JiniFriends Music by Joe Satriani ‘and Andy Johns Alter. oe drop ting Moderately slow Rock NC (Drums) let ring throughout Rhy. Fig. 1 (Gtr 11) "YF ler ring throughout Giz. ewe drop (dows 1/2 ep) "Nash toned” gs and to dep (down 1/2 ste) "Ruble toned" banjor st. for ‘one gt. "Nase toned mes © stg retuned an cetave pier tas ove. Transcription seten ab fae wee ued norma: > A Ty (drop down 12 stp)bs w/Rhy. Fig. 1 Do fra = — (cont. on next staff) Gt. I oe a — eS * —— ase5 Gut (end Rhy. Fig. 1) ol — aSiR. Fig 7 ou arr PpPal TENTH ick‘will 1 en sha | (end Rhy. Fig. 2) Rhy. Fil x LL GGte I) Bygae--- jos Jo.4 sul, Gtr. sw/Rhy. Fig (Ist 6 bars only) D trem, barwiBhy. Fi. 2 Wi ne gos roy Hey Boa yaFula wns = * 3 a w/Rhy. Fil DiFa Gaus? Ds ta rp ratwhy. it ¢ FA rt pt mu DIFE Gwus? > Gast. Gourd D Gourd > eb, pitch: FF Ray. Fld (Gtr. 1) Play 3 timesThe Extremist (Living On The Edge) Music by Joe Satriani Tone down 12 88 = 5 Q=a> Dene @=0s O=e Moderate Rock J = 94 ES te Gt. c ne _ES Sea hn Bie eas aes - SS aig =e “Gg dete Noone a ey Rhy. Fill 1-------- NE wen cBS,) W/Rhy. Fil] (Gtr. II Git. Ds_DISES *OnDS. ist chord stuck, oot ted (his bur on).Ds. DISES A DS_DISES -- $f ti pt haw Dausd seep To Coda yn byl FO Ss g. Fal } ey ~ Put Fal Jy} ny my arf Pew aual Pat Harmonica solo Bs /AYUYV AAV NACA Se 4 Fea wnannanmanrnmnrnnn anne ms SSS Sao = pick slides - a yk, Sn, aie pptuene Lue shy py HO HERE eeNe CHS Bien eee cece +1 teeo rey: MMP at ot Mat + oe 7 Eza fr === = == wPdu pH Pol PH i Fy wt, HE pal sh it Lg os nt Xe * om Bost Bas? as Pow ag’, Show ‘rem, bar Fu Ms ag op PA 1g tie wee eet te =: ee ee eee jcm B Amaj7 Ne. f ssh slik wr tn PulpAsusd Brusd Baus? Amadd? NcFmaj7G11) atin OF“ oe Sole arad, Bend Ai pack "Depron bar tefore EH. opts ber, poate = ea 44 234 Tie aeaay skh — Ee: te ‘AH pitch: D AH. pitch AL eh sPattup on ba “Depres barbetore king note (end Rhy. Fig, 2) wasw/Rby. Fig. 2(2 times) Ful uF a t = 2 zy aaa itis Se ee * Bepick sides sng woWar Music by Joe Satriani Tune down step: Gus. 111 ser ring s+ leering eon Pru gtrn ure wen nen nen st 2 ro 46 Play 3 umes Fmai2($11) Re (end Rhy- Fig. 1) NC. Rhy. Fig Rhy. Fig 1A (end Rhy. Fig. 1A) maps Fmaj711) NC Fait) Rhy. Fil Gtr. 11) ill Gtr 11) Depress bar w/t hand before striking not,: Fiaj7(#11)_ N.C. ne | nap, Frain) i Aa aa Z£ | :w/Rhy. Fig 1 (4 times) Fmai411) * dh des =————s Fous7tt) wna pea pee yee £ w/Ry. Fig. 2 Nc. Fu, Vin Fy, \w/Rhy. Fig. 3 (Ist 3 bars only) IR. Fi. 3¢ era a wiRhy, Fin? pick, side Rhy, F2 (Gus. 1& 1D)wiRhy. Fig. + Dmadd9 Bae Gus. Fu may, ‘Abmaj7/6(811) w/Rhy. Fig. 1 NC. Ru B Gtr. VD wiRhy. ig. 4 Dado Fa [Nomai7/6(211) Fnaj7H11) Pun, JB esas =a Rhy. Fig. 4 (Gurs. 18 1D) ge ler ringw/Rhy, Fig. 4 w/Rhy. Fig 1 Ne. wiRhy, Fig 4 Dmada9 ‘as AAbmaj7/6¢411) yarawwnanannnn 72 wf pees (end Rift B 0 w/Rhy. Fig. 14 UNG Pal i (Gus. 118 VE out)Play 4 times Nc Rhy. Fig. 5 (Gtrs, 1&1) BS SSS SS = ee ee wyRhy. Fi (4 times) Gian | Bosw/Rhy. Fie 6 (4 times) NC Gv os pee sh tx fet (be cont Py peoewier wire tue nee PN eee ote wet sestie Tis = = at asses eh ee ter LMneP sto Pa ner tune nee rk Fal Pra a iP ld toe ry eee tn sa fe gf! oh eee F=f Gs (Gir. Vout) ‘Tap ede of pick next 2 bars Rhy. Fig, 6 (Gis. 1&1) Fil? (Gtr. MD a don't ick don't picksw/Rhy. Fig §(2 times) NC. “Pullbar up nex bam Rel br Bis fee (teil ost) , ! % w/Rhy. Fig. 6 (2 times) ar, Aw hw Maw Any SF ws tbs 2 tt GeV Gs NC . . Baacs Fa Aww (Gtr Vou) ft te eget $e Le a aS eo at ; “Sees tar bore Hg Hoe RW pana "depres ie blore pick side ‘steady gsc)w/Rhy. Fig. 1 (4 times) NC Email) NC Fi7(411) aN ge fH 2 2 = Bee = ’ 7 1 & wiRhy, Fig. 4 Dmadd9 ‘Abmaj7/6(811) (GeV cont. in FIN3) gn tii ~ — ; # 3 w/Rhy. Fig. | (4 times) and Fills 3.& 4 Nc Gus MY Fmaj7@11) NC Fill 4 (Gtr. VDFatt) NC. (Gtr W con. on lower staf) w/Rhy, Fig. 1 (8 times) Fingj7(H11) NC. Han, FmajHil) No. a (80a) ick Pmaj7¢#1) N.C. PmaiX#1) N.C. cont wy trem bar trem. bar ee NY sem. bar Vy WYFmaj711) NC. Fait) fae NY. t NC _ Fmaj7(611) NC. ts 7 FabE ph ‘Touch ng ety 0 get dh trot harm. 50Free time ww/Rby. Fil3 wffdbk. ad lib (Gtrs. LIL V. tll end) B ck ‘Ge. VIE sh = vib, ber wee swhchisturned ana fom body of Rhy. Fill3 (Gus, 1 11)Aw AA wet MAMA ana A TF weerCryin’ ‘Music by Joe Satriani BIE AIE, Giga 41, Aft alt @ Tepe. ie fe fe a os ie” te. inte. “teaiere. ag te. ia eee ae i Siowiyd =75 curt ye . die Get a Ue ete : nf 12 P ee wap Fay : i an “igi a Toren ae ALE 2 te si = yh Ne ey me . ee a Lo = cs al Gtmaddy6 AB Fabk, Rhy. . . (8ya) Fig. 4 een Sheweeen gh wees adAmadaes (end Rhy. Fig. 1) Rhy. Fig, 2 (end Rhy. Fig. 2) ‘i 1 * w/Rhy. Fig. 1 AE BIEGrmaadbs ‘wiRhy, Fig, 1a A gies CA aaa Sings to sound eee one Se GAME ec ceeeeeeeeceeeeeeee ral Pau Zé. Ps =f gy ryt Fu f Pa —e —a ne cp > m8) wens ol a post . — eS = = ee ‘w/Rhy. Fig. 2 (Ist 3 bars only) ce bic bic Ee % = i a ey > 7 a a Snr ae p w/Ry.F (Sma) unerduner feces wa PP an WHPPHRD PP PPh T cy Rhy. Fil (Gtr. V) s—, DS. al Coun w/Rhy. Fig. 3 ES NC. ¥ ES Esust cont. Fill} git= : Pte: é Fas 2, ou pao Vike wi w/Rhy. Figs. 1 & 1A, Fhmit Asus2/Gh Asus Bs aL AD iT 14 pate Pe rt Ee Rhy. Fig. 3 (Gte. 1) ESEna yy. 2 iy. Fi. $ (Gi. (8va). = a aw i 2 s é © 7 ~ = = SJ ow PAH. vl ee —— AH. pitch: DE ; Amaj7/E “0 Esus2 fla um end Rhy. Fig. 4) i 1 (er Rhy. Fig, 44) gare‘w(Rhy, Figs 4 & 4A (both 10 times) “Amai7/E sus? Le don't pick = = “a Amsj1)EAmaj7/EEsusd a an 7 wie2 Esus2 Gtr. cmamase aa dod (Gt. out a Setst ee = it ot —— a A . ‘sl Gtrs. 7 7 pick, slides aur ———— —— Ta te en? Eno Pot En? inti Em? Fite Fu 2 (Gtr, Ww)Er Femi/E Em? PemI1/E Phot /E is z ——= SS ee = i = fee ceerea Stee ee sessSummer Song ‘Music by Joe Satriani As ws gs pm GSR Bia te fa fy Bal ee ge a, oe ee pation. har. Gaetan. ve Moderate Rock J = 160 # Be = he AS Rhy. Fie 1 DIA Intro *Gte. 1 “Doubled by another Br w/Rhy. Fig, 1(2 times) (end Rhy. Fig, 1) RIPAS eno Gtr. Hare, (3s) era fs E — hy. Fig. 1 (Ist 3 bars only) wiRy. Fil DIA As Ne. arm (va) Ter pe Fe = SS SE Rhy. Fill 1 Geetw/Rhy. Fg. 1 (2 times) on? Dia AS re 12 A Some oem 4 (slight vb.) w/wah fi st nen ASA ASA. BBS (Rhy. Fig (1st 3 bars only) Gee Dia. pA Om Gene Oere a4 os Ss ‘* ASE Gps 2S a ad a. Java 2 257 72 a 2 Bel Fo a £ ew aa a ao (gpd Rhy. Fi. 1A) PG YBAS —wiRhy. Fig. 1 (2 times) Brannw/Rhy. Fig. (1st 3 bars only) oy B DIA rem bar sok wiRhy. Fig, 1A (1s 4 bars only) abate Bm for BS Boren se, oven GA NEG), Aa wich B Get Rhy Fig. 2 {end Rhy. Fig. 2)Fy 7m © w/Rhy. Fig. 2 (Ist bar only) a ©) rw Nc) rd Sa’ vy wiRby. Fe. 2A x Ncw Fw 2-7 4 w/Rhy. Fig 2 times) NIG) py rat? a Ey BP AAS se Ose rs —— rem bar tien 3 a rake Foo Fuk Fa. ryt — w/Rhy. Fig. 2 (Ist bar only) en} sii 5 Nc(G) my w/Rhy. Fig. 24, Atrem, bar Ant (15a) (end Rhy. Fig, 2B) NY ; = Guia sto epoQoe ee on a BF ¢ ss G 6S CL c oe ee ‘cont, w/wah) awa FP(end Rhy. Fig, 3) w/Rhy. Fig. 32 times) Ome Osi Ie ori Bote. a6. 6 a a me ose BG Bs a eer i) Sra es ee Tay Fr =_— # =A ZN Z> SNe BN = re ee ek = Sons Full 1 Full Full A rue tg Fel BR nL aauanannnnans — oo AupitchD om. om. O66. a om wooo a 8 eG os @ Awan hu an (Sma t5mad ma I _ we IN te SS Ose. ae a ess ou. ast, 3 EN os waa 9 % Dor. 96, ote G =e —— wsW/Rby. Fig, 4 wenn sl o— eH Deore ba btoresounding note Ftm7_ w/Rhy, Fig. 4 (st 2 bars only) a Fs Fa a ey Fa hyO13t. 1a, Gro, De_D7 FFF DT_Ds Ds Dé_Ds p7_ps_ps “b 24 SSI STG TT ma ee 9 =| at a ot ° iclerai gestae 10%. Gx oi. Oise ie py 2b ps_pr ese es eres eso es er SE ge ftir eotd TT Sa trem bar (ashe vib = fy =| ih, AW. pte ove‘w/Rhy. Fig (Ist 3 bars only) DIA As \w/Rhy. Fig. 1A (Ist 4 bars only) wt, Boom He Om Sr as SB om ° *Subwiute Tor BS w/Rhy. Fig. 1B w/Rhy, Fig. 2 2 times) pe st Bere Oeste a a NCO Oy a NC) ae Fa ae ay Sw ‘w/Rhy. Fig. (Ist bar only) w/Rhy. Fig. 2A o A am NC) @) x Nc (Tima) rn Pat ne alt. ae caer seyrk ~ wt ok Al pte ot al ates Gs NOG Ft pn © pay onSvae- Ful AMI?Gadd9jA Gadaa/a DDD ST ayes = = 7 sk_st w/Rhy. Fie (3 times) , DIA aye as Dia eo (Sia) (slight vb.) Fave 7 Fob een be pitcher eW/RIEA (4 times) w/Rhy. Fil Fak Fab Ft ‘rane lana (Sa) (ra) (ra) Fae picks Fab pak Outro solo ww/Rhy. Fig. 1 (3 times) a Ad pitch C8 10‘W/E 1 (ill fade) as : xin fade wenn * Re tims) yyy As fa fat hay Fut rs é =——— = ave eeeees Sey ess ss eH co run Fan Fut ea a a0 fe Tri w Dia as Fyn Fa ul Fu Fol Fu Fulah aa Fur : | i : - 7 fe Se SS eS eS = esses eewseees oo twevetes eewesd es pe tee oe woo yo ra E — pF | =| E fe . 7 oot = bia as Fade out epee eye —= = e SP sigee eee ayes ey ga artes rat Fat Fal 4 : Eo fe 5Freely (4. =92) ‘Amada Elec. nylon te tr Tears In The Rain Music by Joe Satriani En9/G madd =e See lee ing throughout ick wifingers Am(66) — 2 t —= = He i = Fin? Fins? p = Ss =< * ot — re = | AmE 7 Nam) ia toe fe ~ se Faster J-=108) Amadds = aCémaj7 comaj7Moderate Funk 4 = 10 Tripet feet 9-29) Emil atm, : sour!) Why Musie by Joe Satriani let ving Gin Tred f0 "Noahs enna Oates retuned ane octave her han oer Em cua Dada Em coat. aga Rhy, ig 1 (Gtr) = rs. A (end Rhy. Fie 1) —— — = Sats SS # 7 + - pick wifinaers atean tone 2 = t $ = x 4 — * 2 Rhy, Fi, A (Gee) 2 (end Rhy. Fig. 18) gain itiaee w/Rhy. Figs. 1 & 1A Em w/Rhy. Fill add? Rhy, Fil 1 (Gtr. (gg) eS fet ring-~ anus Nase one pyight © 1980 Srange Boab Music (ASCAP) Fran! Copyright Secures Al Fights ReservedDadd2 fy. Fis. 1.18.42 (a2 tunes cada pick sides, ‘Ges Vd VLare notes produced by harmonizes a, fr 2a. Em add? Dada?) Em P sl st Rhy. Fig. 2 ("Gtr D Ham (34a) det rin 8w/Rhy. Figs. 1,18 de 2 (a2 times) Em sw 18d al {end Riff) j caad2 Daad2 Sha ee eee ‘man ~d-——~ ——_— 2 } | both ges. vib %caad2 Dada? Em cada Dad? os ‘gps Beg ced oo 3 wR Fie 114 8212 ine) ge Ries 7 28 ES attttf 2 fp “ee bout Rut? doth es ar rat Bet ve fies add Dada Em cada? Daal ith C1 (eng BiEEBLD uo A — ”(end Riff €2) bosh gers. vibboth gers. vb J wane ee w/Rhy. Fig. 3 N Har uefa) 2. eS 7 = =, ru pre hem EZ = = aeW/Rhy. Figs 1, 1A & 2 (2 times) w/Rif ASAI & A2 i Gude: w/Rhy. Figs. 1, 1A & 2 (all 4 times) Em Ger, VU ge, ip { ge “falar ipl Rowe a Sroas nerd ee cau adi wm P p Full fete 7 ge epee et oe . a 3cada? e te pu pee yetEm T Tee tePp te tp gyrP e at a Spey joe re reer rp oer ore ‘Pal bar up & leave abruptly, (Rhy. Figs. 1.18 8 2 (all 2 times) creating exnaperte tao x Dodd? fae wiRiffs. C1 & C2 Sha cada Daca Em cada Dadd2 Em caged Dada? w/Rhy, Figs 1, 1A & 2 (all 2 times) ‘w/RiffsC, Cl & C2 Cada Dada? z cada Dada2 Em ho eae — at. =W/RIC, Cl & C2 (*all 1st 3 bars only) w/a) Dadd2 Em cada? Dada? Em aad? ut a Gtr WV a VS Ra sepee tes eee ee vw/Rhy, Fis. 1, 1A 2 (all 2 times) W/Riffs A, Al & A2 (all 1st 7 bars only) Em add? Dad? Em Cedd2__Dadd?__-Em (add? Dad? Em caga2 Daa? Gtr IV co ge —_ *Depres bar efor srking wokeA roa both gers. 1b. % wee Ht eo — a8 38 trem. bar aga? add? (Gtr, 1 eu) (Gir. Vou) =) (Gir, Vi out) ooh girs. vb. w/Rhy. Figs, 1,18 &2 Em aga? ‘SDepres bar bfore skin 806 Play 4 times: cada? Dada? a =4Emus? Gut steady glse trem. pick al 8Motorcycle Driver Music by Joe Satriani Moderate Rock d = 166 ay (end Rhy. Fig. 1) 2 SS 2 TTT Tt ttt ttt tt ttt Tt Fadi itch “Percussive sound created by tapping w/e of pick over pickups, Rhy. Fil (Gtr.BS DS_ES BS Esust ick side (steady gs.) lev ring fer ringe-------+ iar + + oy ~ se 7 Rhy. Fi ‘ eel & a TI) STI) FFI) STIS FTF FFF FF FFF Roy iy “Ist ime Gir, IT substitute Rhy. Fil 2 1% 54 e x e Jo 23 FFF ATT FFT Fs FF SG FT FEELEEI % 8 Tom oom ao — os SFste © (end Rhy. Fi. 2A) r % i222 STI TT TT TT TT on a Tat time Gus. 1 T substitute Rhy. ALS, sie Bnd time w/Es | ‘* s cd ra Codg bath notes vib = Rhy. Fill 3 (Gers. 1D — == 2 se PS dds Pao alOs. 1%. D t & i221 o2 22 1 oe I oo am D ie BD E & £223 TTT ST TT A So Sa aa ar *k a % £22259? STII TT TT a en 222 Ser a4sf. 2 a st %, ‘ ii i ‘ i Bota SIT STT8 ITT) ITT TT A 3, Be A A Dirt g (ont, in Rhy. Fig. 3) Bi w/Rhy, Fig. 3 27d(Gtr. VI out) Rhy, Fig. 4 (Gurs. 18 11) (end Rhy. Fig. 4A) (end Rhy. Fig. 4) aL aOm. st a agp, Cnt Rv Fie) soy x é * ToD OT om oe oe 0 eae ihe ig ga ais “1 sl ~*~ ao DF + P st Caps SS “Chord patentee payed by oe ae 4 ¢ ww/Rhy. ig. $2 times) (anda), mai) as st Son pw S| sup a Serta ers 7 Hu ppstune oh wHP Pn cep Teer renee meeps ree e : [6-7 is BONE wy are fe can oma vB aw PEEEE te ee pee i . eee aoe piesch eee o 4 > s a o 3Gu. . iL 7 22 2772 Ray. Figs 48.48 fee Depress Sing woe 2 (Bal Uwean,_aw/Rhy. Fig © is ‘Depres by before stagnate Pula wh *Deprem ba belare@t. ape ee We e g —— 2 : wie p's wt tse) . Full tf SEEEEE frapi hei tet Fa Fa Fe Ful Fat Ane e Saba “Bojer before siking ete y DS. a1 Coda PET Pa JIIIS Bua a a Bett Fat ee acme BS tmnnnren, nn Pi Fala + 1 : ig it £ nm Ful Fa Fal tF “Tap wledee of peeve Oa Thy. Fig 6 aiew/Rhy, Figs 2& 2A, © x t fe e 1 M. ua fe 1a Fulaorm, ak ‘w/Rhy. Figs. 2 & 2A (both 1st 15 bars only) om. a=a ae Ba oe tn a8 ms = = om = 7 = = . 1 ~ ~ Pst ook “Tat Pull bar up. **Depress bar before Rhy, Fill (Gus. 1&1) Sing rte ee SS veeves orNew Blues Music by Joe Satriani a oO, og 0 fading GS — ff a aR" AER base & sampled tet. +0109 72" 10100 Nc Gir 1 1O® 1@700 1O1O@®@ 1O1O@ + of “TO1OO 1 Ot 10100 1 10® 1010O 10700 1O1@D + —_ tending wen ae Oona p Moderate Shute d= 1170-4 2) (Drums) (Spoken) Number 47, B(n03ed) Rhy. Fig. 1 (Gtr. D) Eadds BY(no3rd) Tt ®t sim ‘Tapping patter continue Tor next 6 it Eads B7(n03rd) (end Rhy. Fig. 1). Rhy. Fig, JA---~w/Rhy. Fig 1 Fada BIn03rd) Br(nodrd) Gilt ? F in I ‘Tap over pick. aN Badd B7(n03rd) wiRhy, Fi Brae Br(n03rd) fey AnFal Full tous w/Rhy. Fig 1 Eads IST Fol 1p AM Fal FuitFu Fu Fal. our pe (oa) Ful == poses a = ae an Fu Allerereeee Fab. te "A pon Df Aut ptehe: E'F'D Of EF _D_DECH DE Rhy. Fil2 (Gtr. 1)Halftime fee! A DIA A DIA Pay eet D/A een) Dial a3 Lao + @ SSS — wg ee ac = ; *Depres tar before hig ate‘Dap ar bale wikng wate 2 —< “Dapren tar before aang noe (ond halftime fee Fa oo care Sa SS SS ; == + ae 7 + t ;w/Rhy, Fig 1 Eada BI(n03rd Brincird) An Atle ae Faiptens® DOP OF ag (ova)_ adds rot Br(n03ra) ¥ w/Rhy. Fig 1A, oo y, Full ool trem. bar sie pay Depres var befor stiking note aL (Sra) (ES) (05) N.ciBs) (AS) 5) (0s) @s) (ase UH q yet 4 pred ick w/fingers (8) (AS) arm, (ES) (D5) Aiea) Shure, *sDepres bat w/LH. before ring nts 4 eee == ———=s Py + ie? OYGuitar solo Ray. Fig 3A ‘Bs (cour, ID Sa. : Fal Fal AS FS DS (end Rhy. Fig. 3A) w/Rhy. Fig. 3 (6times) & Rhy. Fig. 3A (7times) BS AS Side case bs Bs AS tosoend ip ape ip Sau ya Jus Sys Js he ere prope ——— = dione 1p eS ee 3 ick, aver auia a ne rst sh st Serrervevee Es bs s Bs as Es Ds ya uae oe ea eaeaae vip enn ts Jus Jue Fa au an SA Fa Jue} 1 “ ) nD “peepee Full trem. bar Aw Fol Pug Fall “Ic Th movement sues open sings fo soundw/Rhy. Fil 3 Ge) tg aad daa 7h zor 7 | 1 “Benes bar w CH, Rove ming nate, Em/Ft eu ¥ Wis? aP 7m eaeaes (Gtr, Lou)vw/Rhy. Fig. Bi(nodrd) Eada Briaa3ed) a (Sa) Fa, (Sa) (Bia) AIR Beane aH ra adda ee (ia) 15a ea AM pelos FEL BF ot w/Rhy, Fill 1 wiRhy. Fig. 1 ati eaadé (A (Bia) Fat wes NE 35 (Bia) rea ero pea a F nosy, Fg Ee sa a Sing, Te Oar rat (Sia) a ICRI wi fads Aig Braid) why. 2 * (Sia) PP AL pith: GF FP “Depa ta bore siking pote *Degyes tr before Wiking noe VoL kao awl,Hal-time feet wkiye? ADA A DA ADA GIB DIR aa eee nay Nowe. Depress bar before stkng noe ca ‘Depress bar blore weking ne bisa » cat Sig Sy ry Depies bar before sng Hote chm? 7 “Depress ar before sing Rae cams G6 Fattchs (end half time feet) “Depres tar Dtore king noe B7(n03rd) 6/9 Amai9 ge Rhy. Fig 4 [2 area iMniynn yin ani yaar rian nnn nnininn nnn ——< (end Rhy. Fit. 4) ®D eee ieee at ° = AaaTw/Rhy. Fig 4 (20 times) Brino3rd) 6/9 Amaj9_—_B7(n03rd) 6/9 _Amai9_BY(no3rd) tro Ae w/Fa2 6/9 _Amaj9_B7(n03ed) A692 Ama BTino3ra) JF — wr oe - . 619 A619 Amay9 BTLn03rd) I ee = ee — = = = SS ya j— mM ‘ Pa Play 10 times wiech Val kb ewe,As Amid Brod) Asp Amp : — = SSS = o Jf Gaaa oH - | ss | 0 Amis 810038) aries) Ke : ete =- es = —— ot straight 6/9 maj BI(n03H0) a6 Amalo aap te = ef 7 ; He) A6/I9 ‘Amaj9 — B7(no3rd) 2 ran aso Amaj9 B18) Asi ma = =| we ms ° 7Besin fade BY(no3rd) 6/9 ‘Amaj9 BT(n03rd) SS = = dhl) o z 6/9 Amaia BY(n03rd) oe 2) eee me ek en SSS et me we —— 7 ae = HPHPHP * w W ares pee een aa) #,2Al) epte— —— te tA SS = 10@s) 7 es) u T aoa ws ae a oe a G aL aa (as) (8s) asp a st 7 7 w ice aa as, @s) NC “don't pk “Sound of hate motion a ot kh fsteets rideeete nets st Pa good ad at Hieiw ey pg — Phebe g se eee 8 gag gy f Mike ew wt