"Othello" A Critical Review

Prof. Niamat Ali

Depatment of English
Govt. Islamia College, Kasur
Pakistan

Shakespeare, the crown of English literature, can rightfully boast of his marvelous
achievements as a dramatist. His plays both comedies and tragedies, have a
sterling worth of their own. The magnet of his plays pulls the iron dust of thoughts,
and the reader feels himself bound by silky ropes of interest and pleasure. He
maintains such an artistic balance in his writings as is found in an expert acrobat
walking on a tight rope. His tragedies develop from beginning to an end as a rose
progresses from budding to withering .Thoughts scent and feelings shade can be
viewed in wordy flowers through the eye of imagination. Lost with Hamlet, ruined
with king Lear, stunned with Macbeth and stupefied with Othello, the feels himself
much maturer as the finds a treasure of knowledge, wisdom, expression and power.
At the same time, some faults can be traced out as some spots can be seen on the
shiny face of moon. In the following passages an effort has been made to present a
critique of Othello.

On the very onset, we discuss the various causes of popularityfalleninOthellolot.

Unique charaacters have been used in it who arrest our attention.In this regard ,first
of all Desdemonasbeauty,nicety,adventurousness,etc., charm the reader to the
back bone. He wishes to keep her in his view all the time and when she is slain he
feels a great grief in his heart for this delicacy of nature. Secondly, Othellos
unparalleled strength and bravery make the piece extra-ordinarily magnetic.
H.Coombes remarks:

Any feeling that is made to apear more important than it really is can be
called inflated

We ever expect something most wonderful from this mountain of might. But this
mountain proves a volcano that busts and burns to ashes not only himself but also
others. Thirdly, Iagos role casts a magic effect on the reader. He works wonders like
Fate according to his own will. He seems more cunning than devil himself; wearing
the thick mask of honesty, he cuts the ground from under the feet of the
simpletons. His planning is just like the movement of the puppet master who makes

others obey his beck and call without an iota of doubt. His so called honesty is like
the darkness of Evil. Cassios role makes the play more playful and
magnetic.Hibraverycumsimplicity,his attraction of personality and Desdemonas
sympathy for him create doubts that something will happen recently.
Two momentous events thicken the interest of the play. In the beginning ,clouds of
war make the atmosphere very very alluring. All senses become alert to know
something or the other about the imminent war. The arrival of the messengers with
ones toes after the others heel make the reader as well as the audience spell
bound to await the coming bloody- field. Along with others, Desdemona herself
wishes to visit the bloody fields to confirm Othellos bravery and skillfulness.Then
instead of war, storm is involved to draw the senses to another natural phenomenon
that is most captivating for those who are on the secure shores. The storm destoys
the Turkish fleet, shatters their might ,even crumbles the very skeleton.

Now we describe some other causes of interest in the play.Othello is lost for some
moments and interest is strengthened; it is diverted from one spectacle to another.
The whole play presents stormy situation. In the beginning, Desdemonas
elopement is an emotional storm for her aged father, Brabantio, the sudden
information of the advancement of Turkish fleet is the political storm for the State ;
misunderstanding between Othello and Desdemona is the domestic storm; then at
last Desdemonas muder is the criminal storm. Thus the playwright shuffles the
situation from one storm to another. What else can attract mans attention more
than a sound storm. It is at the same time both success and failure on the part of
the author, who has expertly handled these storms. But he has made the storm the
centre of the readers thoughts not his artistic skill to make a piece of copper look
like a golden one.

The author uses the Herculean bow of exaggeration to shoot fickle arrows of
imagination on all sides. Situation, character and language all are saturated with
exaggeration. A humble obedient girl departs from her home all alone at midnight
and goes across a stream to marry her lover. Her aged father, who himself had
enjoyed love marriage, remained totally unaware like a tree from all of this
emotional attachment between Desdemona and Othello.
And it is not a duration of a short while but a long span of more than one year and
the father could not even imagine such a self evident exposure. It seems merely the
subjective approach flourishes on the banks of exaggeration. I.A.Richards says:

The two pillars upon which a theory of criticism must rest are an account
of value and an account of communication.

On the very nightof the marriage,the news of war alarm the atmosphere. It shows
the secret agencies of the kingdom are too poor. They had no notion before it that
the mighty enemy had been planning for war against them. Even storms can be
predicted, why the war cannot be? Unexpectedly the storm comes and the fleet is
shattered. Again the author has made full use of his subjective authority because no
ship or person of the Venetions has been traced out by the storm. It does not seem
a natural storm but the Furies begot by the curses of the Venetians. The winds of
exaggeration can be felt blowing on the coasts of Cypress. Then overnight the
married love-palace is razed to the ground on the basis of a baseless doubt.
Desdemona has spent no separate time with Cassio. Cassio visits the castle once or
twice and that also during the day.He has been their confidential friend and
companion for an long time.

Othello is so childish that he cannot see the truth in Desdemonas eyes, rather the
blind minded commander finds Cassios kisses on her lips. A commander has no
insight to understand her household affairs; how he can make his army fight for the
state. He lacks intelligence to see behind the scene. This unexpected, sudden and
somewhat irrational misunderstanding make the situation exaggerative. It seems
the author ,not the conditions draw the rope to hang the characters.

The handkerchief episode is just a welding or engrafting of some inferior shoot in a

superior one. Othello exposes the importance of the handkerchief when it is lost; he
must have done so at the moment of presenting it. This love- gift must not be a
usual commonplace piece of cloth that may fall with a simple jerk of knees. And at
that very moment true hearted Emilia picks it up and takes it to her wicked husband
even with the belief that he may use it in some devilish activity. And she does not
tell about it to Desdemona even when Othello demands its very furiously in her
presence . This scene could become convincing if Desdemona had not been there.
But when she is present and a skirmish occurs between her beloved couple and she
is also loyal, she must have exposed the secret of the lost handkerchief . Thus the
situation becomes unconvincing rather, exaggerative. And exaggeration is
oppression for the rational minds.

Roderigo has been is love with Desdemona for a long time. Her father Brabantio
knows the fact. He cherishes her glance, spends money, time and energy for her.
But Desdemona is absolutely unaware of Roderigos condition . Though Desdemona
doesnt love him yet his presence could be in her awareness. But the author has
kept her in complete isolation that is to a large extent unconvincing is a locality
where the same wind visits all corners.
Othello, the commander in chief, watches Cassio and Bianca from a distance. But he
has no suspicion of the illegal relations between the two.Then he falls down
unconscious and Cassio comes their abruptly and Iago tells him that Othello suffers
from epilepsy.Both Cassio and Iago have spent almost the equal duration with

Othello. It can be asserted that Cassio has been closer to him than Iago is who has
got his comfidence only a while ago. The ridiculous situation is that Iago knows this
secret that is a lie but Cassio doesnt. And Cassio, a brave man, runs away from the
situation when when his loyalty demanded. In the end Othello doesnt prove to be
an obedient commander in chief but a brazen faced self-conceited man occupied
not by wisdom but by blind vigour to commit suicide after the murder of a
marvelous lady. Thus the play is mot masterpiece of art but of exaggeration.
The language of the play also creates a negative impression. Discursive ,
unnecessary, long dialogues made the language cumbersom and to some extent
oppressive. The reader wishes to know what happens next but the playwright stops
him to listen to some flowery expressions to make the reader realize the mastery of
the artist.

Desemonas passionate condition where Othello did beguile her to tears and she
gave him a world of sighs must have made Brabantio aware of her heart.

Brabantio, a senior courtier, also seems to be totally unware of the imminent war
and he hasnt told Desdemona anything about it. This non-awareness of war among
the characters is far from convincing.

He openly disobeys the orders brought by Lodvico and doesnt make Cassio the
commander in chief as are the orders.Rather he rebels against the state and acts
upon the plan of murdering Cassio. It proves he hasnt the forbearance of a good
soldier. About all such matters, Lodvico remarks:

I am sorry that I am deceived in him

(Act iv,sc-i)

The play fails to prove Othellos bravery except that he murders an innocent and
delicate lady, Desdemona:

Othello:

Sweet soul take heed take heed of perjury

Thou art on thy death- bed.

He expresses his foolishness in these words:

My wife my wife, my wife I ha no wife

(Act iv,sc-ii)

Towards the end of the play,disliking against Othello goes on increasing among the
characters and the reader, as Emilia utters:

O, the more angel she was,

And you the blacker devil!
She further abuses this mighty being:
O gull , O dolt
As ignorant as dirt ; thou hast done a deed
(Act v Sc-ii)

He himself shatters his rationality when he declares about the sexual intercourse
between Desdemona and Cassio:

A thousand times committed; Cassio confessed it

While it is only the exaggeration of his poor fantasy. He is further deprecated when
just before his suicide he expresses his prejudice against other nations of the world:

like the base Indian

I took the circumcised Dog
And smote him thus.

Othello plays as a jealous lover while Roderigo plays as a foolish lover. The first
murders Desdemona while the second is murdered for her.

Othellos might and bravery act lower than his status while Roderigos weakness
and foolishness act higher than his position. Both of them have one target_ Cassio,
but both of them are blinded by Iago.

The impartial analysis of the play leads us to the conclusion that though it is one of
the four major tragedies by Shapkespeare, yet it has some logical, technical and
psychological defeacts. The overall impact and popualarity of the play are
impressive enough to cover these drawbacks.

References

Ralph.P.Boas and Edwin Smith Enjoyment of Literature

Harcourt, Brace and
company NewYork Chicage

I.A.Richards Principles of Literary Criticism

Routledge and Kegan Paul LTD Broadway House; 68-74
Carter Lane

H.Coombes Literatrure and Criticism Penguin Books (1966)

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