twenty6

for Heather Roche, bass clarinet

Matthew Lee Knowles
July 2009

  
     
 
26''
  
       
      

 
   
25''
  
         
  
     

 
  
24''
 
    
             
  

23''     
   

 
  
   
       
2


22''        
      
    
    
 

     
   
21''
  
     
    
    

  
  
20''
   
       
       
  

    
    
19''
     
   
      
 3


18''     
      

   
     
   


17''
  
    
       
  
       


16''    
     
        
   
   

    
 
15''
    
      
  
      
4

  
14''     
   
    
    
    

  

    
13''
   
       
   
  

    
    
12''

     
    
  
  

 
11''
      
  
 
   

       

 5

 
  
10''
  
   
      
     
 

     
 
9''
   
     
     
   


8''
        
         
  
     

7''       
 

   
    
 
 
   
6

        
     
6''
 
    

     

   

5''
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    

  
       

   
4''     
 
       
   
  


   
 
3''

       
    
      
 7

  
2''
    
   
        
   
  

    
 
1''
      
      


    