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Studentswillbegintheunitbyevaluatingandcritiquingtheworkofalocalartistnamed
DietrichWegnerwhosesculptureshaverecentlybeeninstalledinapermanent,interactive
exhibit.ThisexhibithasbeencuratedbyBanksy,thepseudoanonymousstreetartistwhohas
brokenintothefineartworld.ThisinstallationisadystopianthemeparkcalledDismaland.
Afterdiscussingthis,studentwillviewthatartworkthatBanksymadeinhisearlieryears.They
willdiscusshowheapproachedhisworkthroughtheuseofstencils.Thiswasawayforhimto
creathislarge,detailedimagesinashortperiodoftime.Studentswillthemcreateaselfportrait
thattheyaretobringtolifeusingastencil.Studentswillpracticetheirdrawingskills,aswellas
learnhowtoproperlyandsafelyuseXactoknivesandspraypaint.Eachselfportraitshouldhave
atleastoneaddedelement.Thiswillensurethateachstudentsselfportraitistrulyunique.
Along with this, learning to implement the three methods of criticism (formal, aesthetic,
intuitive, and contextual) will help students to understand, rationalize, and verbalize their
opinions in everyday life. Completing a hands-on activity that applies the information that they
have been taught thus far is a good way to ensure retention.
Vocabulary/Word Bank
Graffiti: writing or drawings scribbled, scratched, or sprayed illicitly on a wall or other surface in
a public place.
Fine art: creative art, especially visual art, whose products are to be appreciated primarily or
solely for their imaginative, aesthetic, or intellectual content. Or an activity requiring great skill
or accomplishment.
Street art: is any art developed in public spaces. The term can include traditional graffiti art
work, as well as, stencil graffiti, sticker art, wheatpasting and street poster art, video projection,
art intervention, guerrilla art, flash mobbing and street installations.
Curator: a keeper or custodian of a museum or other collection.
Stencil: a thin sheet of cardboard, plastic, or metal with a pattern or letters cut out of it, used to
produce the cut design on the surface below by the application of ink or paint through the holes
Formal Criticism: Discussion and evaluation of the elements and principles essential to works in
the arts and humanities.
Intuitive Criticism: The use of sequential examination through comparison, analysis,
interpretation, formation and testing of hypothesis and evaluation to form judgments.
Contextual Criticism: Discussion and evaluation with consideration of factors surrounding the
origin and heritage to works in the arts and humanities.
Elements of Design
Color: also called hue. Frequency of light waves detected by the eye.
Form/shape: a contained, defined area that creates a geometric or organic form.
Line: a linear mark made with a pen or brush-or- the edge that is created when two
shapes or forms meet.
Space- is an area that an artist provides for a particular purpose. Space includes the
background, foreground and middle ground, and refers to the distances or area(s) around,
between, and within things. There are two kinds of space: negative space and positive
space
Texture- The surface quality, or appearance of surface quality of a shape.
Value- Also called tone- the relative lightness of darkness of a color.
Principles of Design
Balance- A state of equalized tension and equilibrium.
Contrast- the state of being strikingly different from something else, typically something
in juxtaposition or close association.
Emphasis/focal point- Created by contrasting size, position, color, style or shape. Focal
point should dominate the design without sacrificing unity.
Movement/rhythm: The path that the viewers eye takes through artwork, often to a
focal point.
Proportion/scale: Using relative size of elements against each other to attract attention to
a focal point.
Repetition: (pattern) repeating visual elements that unify and create rhythm in a
composition. Created with exact duplication, near duplication, or duplication with
variety.
Unity/harmony: When all elements of a design are in agreement. All are contributing
equally to the composition.
Materials/Resources/Technology
Thick paper for stencils
Paper
Spray paint
Xacto knives
Masking tape
Paint
Paint brushes
Pastels
Crayons
Proper ventilation system
Pencils
Youtube Video
PowerPoint Presentation
Artworks by Banksy
Projector
Article about Edinboro Art Professor
Summative Assessment Plan See Rubric.
Informal Assessment I will check for understanding periodically the
following ways:
Use of Bell Ringer as a review
Asking class to explain a concept to me
Circulating the room to see if the students projects fit the requirements
Pre- Assessments
Formative Assessment
Adaptations
Objective 1:
Students will analyze the
work of Dietrich Wegner,
a sculpture professor at
Edinboro University,
who has recently had
work installed in
Banksys Dismaland.
9.2.12.H: Identify,
describe and analyze
the work of
Pennsylvania Artists in
dance, music, theatre
and visual arts.
Objective 2: Students
will design a self-portrait
with at least one added
element
9.1.12.B: Recognize,
know, use and
demonstrate a variety
of appropriate arts
elements and principles
to produce, review and
revise original works
in the arts.
Visual Arts:
paint draw
craft sculpt
print design
for
environment,
communication
, multi-media
Lesson Body
Anticipatory Set http://banksy.co.uk/
Students will view a promotional video for Dismaland from Banksys website.
Procedures
o Critique sculpture
Formal
Intuitive
Contextual
One could be only have your face, replace the other half with an
object
Closure What does Banksy use to make his street art? Why do you think he uses
stencils?
Clean-up Return all art supplies to their designates location
Independent Practice Students should bring in photographs to work from. Bring in a
picture of your face if you do not want to draw it.
Safety Considerations N/A
Pre- Assessments
Formative Assessment
Adaptations
Objective 1:
Students will analyze
the aesthetics and
themes present in
Bankys Dismaland and
describe what they think
people visiting this
attraction would feel.
9.4.12.B: Describe
and analyze the effects
that works in the arts
have on groups,
individuals and the
culture
Objective 2:
Students will apply
Banksys stencil
technique to their selfportrait sketches.
portrait sketch.
sketch.
demonstrate and
needed.
9.1.12.D: Demonstrate
specific styles in
combination through
the production or
performance of a
unique work of art
(e.g., a dance
composition that
combines jazz dance
and African dance).
Lesson Body
Anticipatory Set https://www.youtube.com/watch?v=Yx7GFi6IkQg
Procedures
o View video
o https://www.youtube.com/watch?v=Yx7GFi6IkQg
o Students will discuss the moods, themes, and underlying messages present in this
permanent, interactive installation.
o Stencils
Students will clean up their work area before they leave the room
Closure Name some moods, themes, and underlying messages present in Banksys
Dismaland.
Pre- Assessments
Formative Assessment
Adaptations
Objective 1:
Students will practice
the proper and safe use
of spray paint when
using their stencils to
create an image.
Instructor will
demonstrate the proper
way to use spray paint
and students will
implement these
techniques to create
their positive image.
9.1.12.H: Incorporate
the effective and safe
use of materials,
equipment and tools
into the production of
works in the arts at
work and
performance spaces.
Evaluate the use and
applications of
materials.
Evaluate issues of
cleanliness related to
the arts
Lesson Body
Anticipatory Set https://www.youtube.com/watch?v=D6_hPpn1dhQ
Procedures
Students will continue practicing safe use of Xacto knives to finish cutting out
their stencils
Add pattern
Personalizes it
Students will clean their work area before they leave the room
Closure What does adding color behind your stencil do for the composition?
Personalizes it
Clean-up Students should put all art materials back in their designated areas. Place
artwork on drying rack
Independent Practice Think about how you would like to incorporate color into your
self-portrait composition.
Safety Considerations Students should be careful when using Xacto knives. Do not
point knives at other students. Students should use the spray booth or go outside when
spray painting. Student should not inhale spray paint fumes.
Pre- Assessments
Formative Assessment
Adaptations
Objective 1:
Students will evaluate
each others selfportraits in a class
critique.
Bell Ringer: Is
criticism always
negative? What is
constructive criticism?
9.3.12.B: Determine
and apply criteria to a
persons work and
works of others in the
arts (e.g., use visual
scanning techniques
to critique the
students own use of
sculptural space in
comparison to Julio
Gonzales use of
space in Woman
Combing Her Hair).
Students will
participate in a class
critique of their
projects. Each students
work will be evaluates,
formally, intuitively
and contextually by
their peers.
Lesson Body
Anticipatory Set
Procedures
Closure Class critique will serve as a closure activity for the entire unit.
Clean-up All students should submit their projects in the turn in box/
APPENDIX
Rubric Evaluation of student performance based on unit goals.
Unacceptable Developing
Acceptable
0
Participation
Student did
Student showed
Student
not participate minimal
participated in
in class
interest/participation class discussion
discussions
in class discussion
but did not give
and/or bell ringer
thoughtful
activities.
responses.
Student
completed bell
ringer activities
but did not give
thoughtful
responses.
Self-portrait
Student did
Student submitted
Student submitted
sketches
not submit
one self-portrait
two self-portrait
any sketches
thumbnail sketch
thumbnail
sketches
Concept
Student did
Students project
Students project
not submit
was complete but
is complete and is
assignment
was not a selfa self-portrait but
portrait.
there is not added
element.
Craft
Student did
Student submitted an Student submitted
not submit
assignment that was a finished project
assignment.
not complete or a
with minor craft
project with
issues.
extremely poor craft.
(Stencil was done in
reverse, areas that
are supposed to be
white are black)
Target
100
Student
participated in
class discussion
and gave
thoughtful
responses to
instructors
questions and to
bell ringer
activities.
Student submitted
three self-portrait
thumbnail sketches
Student completed
a self-portrait with
an added element
and added color to
their composition.
Student submitted
a final project with
exemplary craft.
Stencil created
nice clean lines
and extra color
was added to
create emphasis.