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Halim Kims
Personal Project Process Journal
Topic:
Sand Art
Goal:
Inquiry Question:
Criteria:
Supervisor Name: Mr Esmail
SUNDAY, 06 MARCH 2016
Date of Entry: Sunday March 6th 2016
Subject: This entry will be on my excellent reflection skills as I will be reflecting on my final product weighting it against my final
specification. I will also be showcasing my communication skills as in order to give weightings for my final product, I had to
communicate with experts on this subject and my target audience.
Details:
Through this link, one will be able to see the table of my final product weighting against my specification: https://docs.google.com/a/
iics.k12.tr/document/d/1...
Also, as now I am working on the final website for my final personal project report, one will be able to find the specifics and rigorous
evaluation on if I have met the specifications or not in this link:
http://personalproject-sandart.weebly.com/entry-10...
This is the general link to my final website for my personal project report:
http://personalproject-sandart.weebly.com/
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designs. Because I wasn't done with my final design and had to extend the drawing my design for 'the city rat and the country rat'
consequently I couldnt get the feedback for the city rat and the country rat from Mr. Esmail. Another change that I needed to make
was to extend a day of working on feedback for 'The Little Mermaid' final design. This took longer than expected because I thought
three days were enough for me to finish the corrections however, because of school work I was unable to finish the final design in the
time that I originally wanted to. One last final change was the date for the making of the final sandart video. I originally decided to
finish recording the final video on sunday the 14th of February 2016, but I extended this date to one day as it took a bit longer than
expected.
2) Explain why had to make these changes?
Firstly, I had to make the change of extending the finish date of my design for the city rat and the country rat and the final design of
'The Little Mermaid because making the designs took longer than expected than what I had planed originally. Unlike the other
projects that I had during the design cycle in the previous years, the designing for the sandart animation took much more time and
thought to draw taking up half of my planning dates. In fact, this was the stage that took longer than the actual practicing and
creating of the product. Because this was my first time creating a plan for a sandart animation I Didn't take this in to consideration as
much as I should have. Also, I extended the finish date of the recording the final video by one day because I didn't give myself time
to reflect on the feedback given to me as the class presentations of the mid-point video were back-to-back. I should have taken this
in to consideration when I planed out the dates.
3) How did you change your plan to ensure that it kept on track?
The first way that I changed my plan to ensure that I kept on track was when I found out prior there was the JV Girls Basketball at
Ankara on January 29th 2016- January 30th 2016. We would arrive at midnight on January 31st. In order to not make this date alter
with my plans, I made it so that there were no practices on those days on my calandar originally so I didn't have to worry about me
missing any crucial The Little Mermaid practices. Another way that I changed my plan to ensure that it kept on track was overlapping
my exhibition booth preparations with the final The Little Mermaid recording sections. I made it this way because I knew that my
exhibition booth needed special attention regarding the set up as there were many electronics involved. Checking them all out in the
last minute would be impossible. Thus, to be on track with the exhibition booth prior to the exhibition itself, I planed to work on my
booth starting from two weeks before the actual exhibition. Another way that I changed my plan to ensure that it kept on track was to
add the week of the exhibition blank. I did this to ensure that I had some blank time to fill if something went wrong with my original
plan. If I did not have this time open for me, I wouldn't have made the product on time.
4) If you made a plan again in the future, what might you do differently?
If I made a plan again in the future, there are many things that I might do differently. First of all, I should take in to consideration
assignments from other classes and make notes of them in to my plan as well. Because there was no note of this and because the
schedule for the plan was tight, this made me end of staying up all night to finish both tasks because I failed to balance one or the
other out. Making note of these assignments from other classes would help me plan prior to the date of. Also, another thing that I
might do differently is not only give myself one week of lenient time but two. This is because from my experience from this plan is
that even though I gave myself a week of empty time, I barely finished the product on time. Giving me two weeks of empty space
could help me finish the product on time as well as help me get ready for the exhibition booth. One last thing that I might do
differently is that I might decrease the time that I used for the initial designs. Now that I know how to design storyboards regarding
sandart, I feel as I could have finished the initial designs a bit earlier. This time period instead could be sent to designing the final
design as this went over the time period that had been given.
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5. What can I improve for the final animation? Is the flow of the scenes and the transitions well done? Where can I
improve on this?
- In 2:00 when there is a transition and you spray the sand, you can make this a bit darker especially the edges. If you make it darker
and then poke the stars, it would look more like a night sky.
- In the next scene the little mermaid appears then the boat and then the window but I feel as if it would be good for the pictures to
show and then erase. I would advise you to draw the boat, then the little mermaid, and then the window. Also, when you are drawing
the little mermaid, it is okay to have the back of her head of the screen and have her on the far left as it would appear as if the screen
is larger.
- In 3:30 think that you are using the whole screen and fill the dark clouds on the top and not from the middle.
- In 6:00 I feel as it would be great if there was a difference in the face of the characters. With the narration one can know what is
going on but changing a face from a scared face to a happy face or to a surprised face would be good.
- In 9:09 make sure the transition is not rapid and take some time to show the scenes.
If you feel as if these points are a bit difficult to change you don't have to but the facial expressions of the characters and its changes
are important so I would advise you to focus on these points.
Script
1) Resource Consulted
Because I am making a children's story I decided to consult a resource from the English Department to a) edit the grammar mistakes
or formatting mistakes in my script and b) to give me feedback on the content of the script. I have contacted the head of the English
Department Dr. Percival for this by email. The email feedback can be seen in the managebac photo gallery under the captions:
Sunday February 14th 2016 Script feedback from Dr. Percival (1,2,3). This feedback was received on February 11th.
This is the survey he filled out: https://drive.google.com/a/iics.k12.tr/file/d/0B6a...
This is the corrections in red of the script: https://drive.google.com/a/iics.k12.tr/file/d/0B6a...
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2) Reflection on Presenting
As mentioned in the previous section I went to Ms. Dabinett's fourth grade class on Thursday February 11th 2016 from 12:40-1:45
and Ms. Bakkar's third grade class on Friday February 12th 2016 from 8:30-9:00. I filmed the presentations and they will be present
under this link:https://www.youtube.com/watch?v=NOeU78DAvcY
Although the presentation went generally well, one thing that went wrong in both classes was the the air mirroring from my mac
didn't work. At first in Ms. Dabinett's class I thought it was a coincidence but this happened again in Ms. Bakkar's class. We had to
call the technicians in both classes. Also, when we connected Ms. Dabinett's computer to the projector, it stuttered and turned off
which stopped the presentation which was a pity. However, besides this problem, I didn't have a problem presenting or any other
presentation stopping problems.
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- Do you feel as if this type of animation is fit for 3rd and 4th graders?: N/A- 2/11, Yes- 8/11, No- 1/11
- Did the subtitles help with your understanding of the video?: N/A- 2/11, Yes- 5/11, No- 4/11
- Would you want to try sandart yourself?: N/A- 1/11, Yes- 9/11, No- 1/11
Overall:
- Did you enjoy sandart animation?: N/A- 3/21 Yes- 18/21 No- 0/21
- Do you feel as if this type of animation is fit for 3rd and 4th graders?: N/A- 4/21 Yes- 13/21 No- 4/21
- Did the subtitles help with your understanding of the video?: N/A- 2/11, Yes- 5/11, No- 4/11
- Would you want to try sandart yourself?: N/A- 2/21 Yes- 17/21 No- 2/21
I have made pie charts of these datas one for each class for the Quiz section and four for each of the questions in the overall section.
They can be seen in the managebac process journal gallery under the captions: Quiz results pie chart 4D, Quiz results pie chart 3B,
Quiz results pie chart overall, and Overall survey pie chart (1,2,3,4). Also, the children's surveys, one example from each class can be
found under the captions: Sample filled out target audience survey 4D (1,2) and Sample filled out target audience survey 3B (1,2).
3. Teacher- Survey
There are two teacher surveys and they can be seen in the process journal photo gallery under the captions: Ms. Dabinett Mid point
survey and Ms. Bakkar Mid point survey.
4) Information used
Through this feedback session, I feel as if I have gained a lot from it. First of all, I gained information on whether I should be using
subtitles or not. As one can see in the pit charts and the data Ms Dabinett's class who didn't have the subtitles got 5.8 out of 10
questions right while Ms. Bakkar's class got 7.6 out of 10 questions right even though they had a question they couldn't solve due to
a glitch. This can be seen that I should keep the subtitles as they help with the understanding of the video. Even though the students
in Ms. Bakkar's class said that 5/11 the subtitles helped and 4/11 it didn't, most of the subtitle's didn't help choices were justified
that the voice on its own was good so this is not any negative feedback to get rid of the subtitles.
In the specification regarding the understanding by my target audience, I have said that I wanted about 8 out of 10 questions to be
correct overall however the result was overall 6.7 questions out of 10 right. The reason why the results came out this way can be
seen by the comments from the teachers. Ms. Dabinett and Ms. Bakkar both gave only positive feedback but mentions that some of
the questions for example question 6 and 7 could be reworded so that the children could understand it better. I would work on this in
my final target audience presentation.
Also, having 13 out of 21 students overall saying the target audience is right and Ms. Bakkar and Ms. Dabinett stating this, I think that
I could stick with the target audience that I have now.
Lastly, I mentioned again in my specification points that I wanted to provoke students to do sandart themselves. I wanted at least 8
out of 10 children to say that it did interest them for the questions regarding this specification point. This was very succesful. In the
Did you enjoy sandart animation section, 18 out of 21 students said yes and in the would you want to try sandart yourself 17 out of
21 students said yes.
Overall, the changes that I need to make are not in the video but the wording of the surveys so the students can understand better.
However, the essence of the quiz would be the same.
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working on would be visible live through the screen. The design of this booth can be seen in the managebac process journal gallery
with the captions:Saturday February 13th 2016- Ideal Design for Exhibition Booth.
2) Resources consulted
As mentioned above the resource that I have consulted about my booth is Mr. Esmail as he is also my supervisor but is also the
person who is organizing the exhibition. I had a meeting with him yesterday on February 12th 2016 at lunch time 1:00PM and the
email sent can be seen as proof in the managebac process journal gallery with the captions: February 12th 2016 meeting with Mr.
Esmail Email (1,2). I made a rough sketch of the exhibition booth with him. Because this had to use a lot of technical help his advice
was useful. First of all, he told me a while back that a HDMI chord attached from a screen to the camera would show what I did live
on my light box and I took one home for the winter break. So, during this meeting I asked him if we could find a longer chord as the
chord that we have now is very short at about 1m while the chord that we need from the camera to the screen should be about 2m or
more. Another thing talked about was the amount of electric sockets that I would need. Because I knew that the camera doesn't run
well, only running for about an hour, I would have to charge the camera during the middle of the exhibition. Also, sockets would be
needed for the two samsung screens as well. Thus I wanted about 3-4 sockets available for me. This is all visible in the Saturday
February 13th 2016- Ideal Design for Exhibition Booth in the managebac gallery.
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This will be an entry to mention my 16th practice of the final animation which will be the last official practice before I went off to make
my mid-check video.
The Link to the full google document of the daily entries of the Little Mermaid Process is:https://docs.google.com/a/iics.k12.tr/
document/d/1...
Practice #16
Date: Monday, 8th February 2016
1. Before practice
1) Work to complete today
The work to complete today is to have a full run through of the final version of the little mermaid as I will be recording the mid-point
animation tomorrow.
2) Materials Needed
I will need the light box, sand, the tripod, and the camera to record my process.
2. After practice
1) Work completed today
Today I managed to achieve my goal which was to have a full run through of the little mermaid.
2) Things done better than last practice
As on day 15 I worked on perfecting scenes 11-A and 11-B it is hard to compare the two but it can be done technique wise:
I was able to create much more realistic waves in scene 11-A.
Overall, there were less grains of sand when using the positive method and the negative method.
3) Thinks to improve on
Make sure to not make the window in scene 11-B slanted as it will not be visually appealing.
In scene 3-A make the head and the neck proportionate as it seems unrealistic as the head is too big for the neck.
When transitioning from scene 1-B to 2 make sure to keep the outline and form of the fish the same as when editing it will not be a
smooth transition.
In scene 7, make sure that the waves and the sea are clear as the waves created using the negative method are not clear.
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Friday Feburary 12th 2016 from 8:30-9:00. Proof of these emails can be seen in the managebac process journal photo gallery with
the captions: Midpoint feedback Email consent Ms. Dabinett (1,2,3,4) and Midpoint feedback Email consent Ms. Bakkar (1,2,3).
Practice #14
Date: Saturday, 6th February 2016
1. Before practice
1) Work to complete today
The work to complete today is to perfect scenes 9-10 as for the past few days I have been working on focusing on specific scenes to
perfect them.
2) Materials Needed
I will need the light box, sand, the tripod, and the camera to record my process.
2. After practice
1) Work completed today
Today I managed to finish what I planed which was to perfect scenes 9-10.
2) Things done better than last practice
It is hard to say as it is a different scene but generally technique wise:
I was able to clean the sand out of where the negative technique was used. For example on day #13, the people had a lot of sand
grains visible on their faces but on day #14 the arm had less sand grains.
The speed of drawing was much more faster and less hesitant.
3) Thinks to improve on
Make sure to make the edges of the hourglass rounded so people know that it is an hourglass once the background is cut.
When cutting out the form of the arm and the knife, be careful not to change the form of the outline too much as it would be awkward
when transitioned by video.
Make the sitting silhouette proportionate of a real life human.
Have the outlines of the prince be much more darker with no grains of sand.
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Practice #1
Date: Friday, 22nd January 2016
1. Before practice
1) Work to complete today
The work to complete today is to do a full run through of the final design of the Little mermaid.
2) Materials Needed
I will need the light box, sand, the tripod, and the camera to record my process.
2. After practice
1) Work completed today
Today I managed to do a full run through of the final design made of the Little Mermaid sandart animation.
2) Things done better than last practice
N/A- As it is the first practice
3) Thinks to improve on
Make the background of all the scenes a bit darker so that the shapes are visible when doing the negative method.
In scene 1-B make sure that the face of the Little Mermaid is a bit bigger so that the arms and hands can be drawn well.
In scenes 5,7, and 8 make sure to draw the silhouettes in proportion to a real life person.
When making the hourglass figure in scene 9, make sure to make the edges rounded.
4) Changes made in the Design
I decided to not add the sand grains in the hourglass in scene 9 as it would already be dark.
Unlike the designs I decided to make the silhouettes larger in the animation as it was hard to draw them so small.
For scene 3-A and 3-B the characters and items such as the little mermaid and the ship would be much larger.
In scene 8-A as there is not much space for the small tree and flowers, there will only be one type of flower and no small trees.
5) Link to practice
- https://www.youtube.com/watch?v=73W_ZVcHfIU
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Details:
SCRIPT
1) Works completed
For the script, I have finished the initial script for the little mermaid. Even though story telling is not the main section of my project, I
decided to focus on it as well. A lot of sandart narrations do not include a script. However, my sandart teacher from Korea, Ms. Choi,
suggested that since I am telling a children's story this would be useful. Proof of this can be seen in a messenger chat on Kakao Talk
I had with her on November 1st 2015. This proof of the messenger chat will be on the managebac gallery section with the caption:
Proof of messenger chat with Ms. Choi on November 1st 2015 (1,2). Moving on, I used various sources telling the same story of The
Little Mermaid by Hans Christian Andersen and used the reaccuring events. However, because some of them were long and my story
had to be about 10 minutes, I had to cut out some minor events. Below is the evaluation of the Resources and how I used the
resources in order to make my script.
2) Evaluation of Resources
SOURCE 1
i. Information on the Source
This source is from the publisher of Puffin Classics and is a book called Hans Andersen's Fairy Tales. As the name infers, this is a
book that contains twelve of Hans Andersen's Fairy Tales ranging from The Little Mermaid to Thumbelina. The book is translated by a
man named Philipp Gough. As the ending varies in different versions of the story while most of the story is the same, I decided to
focus on the ending of the story. In this book, Gough has the Little Mermaid turn in to sea foam and become an air spirit. She then
sees the Prince and the wife searching for her.
ii. Evaluation of the Source
The source is somewhat reliable as Puffin Classics under the publisher Penguin books is a well known publisher around the world. It
has a long history dating back to 1941 in England. Now it is one of the biggest publishers publishing about 150 books yearly ("Puffin
Overview"). However, when the translator Philip Gough was searched up, there wasn't any info on this man other than that he
published many classic books such as Lewis Carol's Alice's Adventrues in Wonderland and Through the Looking Glass ("Philip
Gough: Books").
iii. Work Cited
Andersen, H. C., Philip Gough, and Naomi Lewis. Hans Andersen's Fairy Tales. London, England: Penguin Group, 1994. Print.
SOURCE 2
i. Information on the Source
This source is from the website of the British Broadcasting Corporation and is under the subsection of school radio where there are
primary learning sources ranging from nursery rhymes and children's stories. This particular transcript is of the Hans Christian
Andersen story The Little Mermaid and is translated by Rob John. The ending of this story is different from Source 1 as she only
turns in to sea foam but does not show the Little Mermaid's point of view showing the prince's. The prince's point of view is that he
could see her smiling at him.
ii. Evaluation of the Source
This source is very reliable because first of all it is from the website of the British Broadcasting Corporation which is a well known
Broadcasting Corporation. It started in Britain in 1922 ("History of the BBC"), and now is global services available in about 200
countries ("Around the World"). Also, the author Rob John is reliable as he has a profile dedicated for him and his books and works
on Bloomsbury which is a widely known publishing company ("Rob John").
iii. Work Cited
Andersen, H. C. The Little Mermaid. Trans. Rob John. Cambridge, MA: Candlewick, 2004. BBC. BBC, 2010. Web. 19 Jan. 2016.
<http://downloads.bbc.co.uk/schoolradio/pdfs/transc...>.
SOURCE 3
i. Information on the Source
This source is from a website called Project Gutenberg Canada and is a translation of the Little Mermaid from a 1930 published book
called Hans Andersen Forty-Two Stories. This story is translated by a man named M.R. James. The ending is very similar to that of
Source 1. However, unlike source 1, the Little Mermaid becomes a daughter of the air while in Source 1 it said an air spirit. Besides
minor word usage differences one can see that Source 1 and Source 3 are translated from the same original story while Source 2
was shortened to match younger audiences.
ii. Evaluation of the Source
Halim Kims Personal Project Process Journal
Istanbul International Community School | iics.k12.tr
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This sources is somewhat reliable as the e-book website of Project Gutenberg Canada is not well known as it is just an archive of
free e-books in Canada ("Gutenberg Canada"). However, even though the host of the e-book is unreliable the translator of the story
M.R James is highly reliable as he is a well known British Author who was the assistant Director of the Fitzwilliam Museum as well as
a Vice Chancellor of Cambridge University ("Montague Rhodes James OM").
iii. Work Cited
Andersen, H. C., and M. R. James. Hans Andersen Forty-Two Stories The Little Mermaid. N.p.: n.p., 1930. Project Gutenberg
Canada. Project Gutenberg Canada, 14 Feb. 2008. Web. 16 Jan. 2016. <http://www.gutenberg.ca/ebooks/andersen-mermaid/an...>.
SOURCE 4
i. Information on the Source
The fourth Source that I looked as was a translation from The Hans Christian Andersen Centre from the University of Southern
Denmark. It is a translation of the story The Little Mermaid and was translated by a man named Jean Hersholt. The ending of Source
4 and the wording in general are very similar to Sources 1 and 3. However, like Source 3, the Little Mermaid becomes the daughter of
the air.
ii. Evaluation of the Source
The source is somewhat reliable as first of all, it is from a University website, in specific, the University of Southern Denmark which is
dedicated to Hans Christian Andersen. However, the author of the translation, Jean Hersholt, is a Danish Actor that immigrated to the
United States ("Jean Hersholt"). As he is not a professional author, it is hard to have his translation be reliable.
iii. Work Cited
Andersen, H. C. "The Little Mermaid." The Hans Christian Andersen Centre. Trans. Jean Hersholt. University of Southern Denmark,
n.d. Web. 16 Jan. 2016. <http://www.andersen.sdu.dk/vaerk/hersholt/TheLittl...>.
3) Usage of resources
After I looked at all of these resources I based my own translation of The Little Mermaid on them. However, there are sources that I
used more than others. As my story had to be short, about 10 minutes, sources 1,3, and 4 were the original stories translated which
was too long for me to have all of the plot in. This is why I used a lot of source 2, the BBC primary students' translated version
mostly. For example, for the ending, I decided to keep it to the prince's view as it did in source 2 while in the source 1,3, and 4 the
Little Mermaid turned in to a daughter of the air. Also, I got rid of many unnecessary adjectives of the sea and the setting that was
present in all of the sources. The most important thing to remember is that I only read these resources and did not copy them word
for word. I used my own words in order to give meat to the story.
4) Script Link
This is the initial script Link with the numbering for the rough amount of scenes:
https://docs.google.com/a/iics.k12.tr/document/d/1...
DESIGN
1) Works completed
Up until now, I have finished my initial final design. As picked in the specification weighting section. I have been working on the
design for The Little Mermaid. The initial final design was completed and can be seen in the managebac gallery section with the
captions: The Little Mermaid- Initial Final Design (1,2,3). There are a total of three pages and has a total of sixteen slides. Originaly
there were only 11 slides noted however there are scenes such as (number)- A or B which is an elaborated version of the scene. I
divided this by using the script where I had different sections of the script numbered. Also, like the weekly updated process for the
Sandart Practice sessions which can be viewed on the Saturday 9th January 2016 entry, I have made an weekly updated google
document for the complete design stage including the rough initial designs, improved initial designs, and the initial final design. This
will be updated weekly even after today as there will be stages where I will be making corrections even in the final design. I organized
it this way instead of updating on the managebac process journal every time I did something because I found that this way was
much more organized and would be easier for me to compare how I have improved on my time management skills rather than trying
to find all the entries mixed up in the process journal.
The link of the Design Weekly Process can be viewed in this link: https://docs.google.com/a/iics.k12.tr/document/d/1...
I have also am working on creating the final design from the initial designed but this will be talked more about in the resources
consulted section.
2) Resources consulted
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Before I practice doing the actual animation, I decided to gain feedback on my initial final design from my sandart teacher. This was
done by email on January 20th (although this entry is for the 19th, I added this as it is on the same topic). I sent a pdf file of the initial
final design and asked her if there was anything I should change. These are some specific points she mentioned:
Q: Are there any points that I should fix?
Worried that I wouldn't be able to portray all of the scenes as there are many.
On scene 3-B and on scene 11-b there is a man and a woman respectively facing away from the other person. The direction of their
faces should be changed in order to face the other person as it helps the audience to focus better on the scene.
Even though I didn't take out any scenes from the initial final design, I have taken in to consideration the feedback on the direction of
the faces. The evidence of this email can be seen in the managebac process journal gallery with the captions: January 20th 2016
proof feedback on Design from Ms. Choi (1,2). The final design that is inked and with the changes will be seen in the managebac
process journal gallery with the captions: The Little Mermaid- Final Design (1,2,3).
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Details:
1) Resources Consulted
The reason why I came to creating this video is because of a group meeting three other peers and I had on Friday, November 27th.
Proof of this meeting can be seen in the photo gallery section with the caption: Group meeting proof email on Friday,
November 27th 2015. In this meeting, when my supervisor and I were discussing about my project, a peer named Philipp Schilk
suggested that I create a video of the skills that learned and give technical names my self. I thought that this was a great idea since
during the sandart lessons that I had, when I asked if the skills had any technical meanings, except for two, my sandart teacher Ms.
Choi would say that there weren't any specific names given to these skills.Thus I found it a great resource that I could make to use
while I would be making my final design.
2) Information in Video (Script)
First of all, for those who do not know about sandart, sand art is the medium of art performed by combining the frame by frame,
resulting in a story that has meaning, and can be understood and enjoyed by everyone (Vermoorder, pers.comm.). The equipment
consists of a camera and tripod to record and a light box which projects light in order to cast shadows on the sand. While I was
learning Sand animation, I figured out something very amusing. Because sandart is a relatively new form of art and animation, only
being around for about 10 years (Choi, pers.comm.), there are no specific names for different types of skills. Thus, in order to
enhance my own understanding of the different skills of sandart, I decided to create a skills video regarding the different skills that I
learned during my ten sandart lessons.
First of all, there are two different types of ways one can draw on a light box using sand. These are the only two specific skills that
have a name:
Positive Method: The positive method is when one holds the sand in their palms and using the strength of their pinky finger creates
lines with appropriate thickness on the white light box.
Negative Method: The negative method is when one draws on an already sand covered light box with their fingers, clearing off the
sand.
Moving on, there are a four different sub methods that I organised that can be used in sand animation:
Clearing: Clearing can be seen as a form of the negative method but isn't always so. Clearing is a very important technique in
sandart as it is the technique of making sure that there is no sand left in the shape you are making. An example of clearing can be
seen when one is clearing the insides of a circle and when one is making a smiling mouth.
Spraying: Spraying can be seen as a form of reaching the negative method. When one sprays sand, one should remember to hold
an adequate amount of sand in their palms and rock their hands back and forth to have the sand fall out from in between their
fingers. Spraying can be used to transition from day to night or also to make bushes or small trees.
Poking: Poking is an important skill that uses one's nails. Poking like its name implies is a form of the negative method when one
pokes in the existing sand to create a reacquiring round shape. This can be used in small flowers on trees or for stars.
Slitting: Slitting is an important skill as it can be used in many different cases. One can use it to add upon the positive method or on
the negative method as well. Like Poking, this skill uses one's nails to create a line across the sand. This can be used when making
eyes or the sun.
The reason why there was more skills for the negative method is because the positive method is a straight forward method where
one creates the form they want using the strength of their pinky fingers.
These skills will be used to enhance the final design of 'The Little Mermaid'.
Page 19 of 34
designs. One can see that the design that incorporated this the most was The Little Mermaid with 12 skills/ shapes learned visible in
only 6 slides. This surpasses the other designs and is an essential aspect on why I have chosen The Little Mermaid. If the designs
are designs that I never learned before, this would make my already difficult goal harder. The only way that I could give myself a
lesser burden then what I already have was to use aspects of what I learned from noeul sandart academy. Another criterion that set
The Little Mermaid apart from the others was criterion 4 which states "The script should match the target audience of 3rd and 4th
graders". The other stories like "The Sun and the Moon" and "The Town Mouse and the Country Mouse" are stories that are relatively
unknown to Istanbul International Community School's 3rd and 4th graders. Thus in order to grasp the target audience's attention
The Little Mermaid was a better alternative than the other two designs as it was popularised by Waltz Disney. Overall I feel that The
Little Mermaid was the best possible design to elaborate on.
2. The script should match the target audience of 3rd and 4th graders.
Why: The script matching the target audience of 3rd and 4th graders is extremely important as there is a limit to their language
usage at that age. I have to control the language that I used in the script so that it is not too difficult for the 3rd and 4th graders.
However, this age group is very difficult to please as if it is too easy, they will think it is for little kids and abandon my video. Thus, this
criteria is important in the aspect of keeping my target audience.
How: One tool that I will use is to ask people that are relevant to 3rd and 4th graders. First of all, I will have to receive feedback from
3rd and 4th graders themselves and if they thing the script is suitable for them. Secondly, I will ask their teachers on if they think that
this script was appropriate for 3rd and 4th graders. Moving on, I will ask the primary art teacher as she can assess both criteria 1 as
she is an art teacher and criteria 2 as she is the teacher of my target audience regarding art. Lastly, I will ask the English Department
for feedback as they would know what type of language would be appropriate for the target audience of 3rd and 4th graders.
Test: To test this, I would hand a survey with criteria to the english department, the primary art teacher, and the teachers of the class
to assess this criteria out of 8. If I receive a 6 out of 8 or higher, I would say that I have succeeded in meeting my criteria. For the
feedback for my target audience, it will be a yes or no question. If at least 80% of the students say that the script is appropriate for
3rd and 4th graders I would consider myself succesful.
Page 20 of 34
class to get feedback on my work. I will also go to English teachers for feedback. Even though this might seem a little bit off, english
teachers are a great source when it comes with story telling. We have been recently learning about the structure of literature, so if I
ask english teachers they can give me feedback on aspects of the structure of literature is clear in my piece.
Test: I would create a question sheet asking questions about the animation and hand them out to children seeing the sandart
animation for the first time. This means that I could not go in again to the class mentioned in the tools section. Then I would see
which questions were answered correctly. Out of the students in the class if there is an average of 8 out of 10 questions, correct I
would say that the message section was a success. For the English teachers, I would create relevant sub questions regarding this
criteria. If I get more than a 6 out of 8 for the average of the questions related to that criteria, I would say I was successful in this
criteria.
5. The sandart animation should use most of the techniques learned in noeul sandart academy.
Why: It is important for the sandart animation to use most of the techniques learned in noeul sandart academy. This is because
without using most of the techniques used in noeul sandart academy which is the basics, I will not create a strong enough base
foundation to add harder skills and techniques on top of it as well.
How: There are two ways which I will be able to measure the success of the criteria. First of all, I will create a chart to see how many
different shapes/ techniques that I learned in noeul sandart academy I used in the animation. This way I will be able to know the
exact number of shapes/ techniques I learned I used. Another way to measure the success of this criteria is to ask for feedback from
Ms. Choi, my sandart teacher. As she is the one that taught me all of the skills and techniques she should be able to know what is an
adequate amount of skills/ shapes to use that are appropriate for my animation.
Test: Firstly, I will create a chart to see how many different shapes/ techniques that I learned in noeul sandart academy I used in the
animation. If I have at least 10 aspects learned in my animation, I can safely say that I was succesful. For the feedback from Ms.
Choi, the question for this criteria will be under the survey rubric mixed with questions from the other criteria as well. If I at least
receive a 6 out of 8 for the question related to this criteria, I could say that I was succesful in meeting it.
7. My skills and techniques regarding sandart should have improved from beginning to the end.
Why: Documenting improvement in skills and techniques is the most important criteria because this is the section which is the most
challenging for me. Since sandart is a relatively new artform and since I have only learned it for 10 lessons when it actually needed to
Halim Kims Personal Project Process Journal
Istanbul International Community School | iics.k12.tr
Page 21 of 34
be 3 months, documenting my improvement is crucial to this project because it shows that I challenged my self. Also, documenting
improvement in skills needs to be done to measure my improvement in skills and techniques.
How: Since my sandart teacher was with me since the start where I initially started learning sandart, feedback from her is very
important. About every 1-2 weeks of my creating section, I will send a video of me practicing to her. She will then tell me how I can
improve in what way and what things that I am doing well. She and I are the only ones that would know if I improved or not. Because
I would most likely be biased for myself, it is better to ask a 3rd person to measure my improvements.
Test: I would know if the criteria was successful by sending her my final animation as well as a mid-point check of animation as well.
With the two videos as well as the 10 lessons in which she saw me, she would rate my improvement in skill from 0-8 and this will be
on a rubric survey which will include questions regarding other criteria as well. If I receive at least a 6 out of 8 I would safely say that I
was succesful in this criteria.
Page 22 of 34
4) Evaluation of progress
Because I am working to my plan, I believe that I am on track regarding progress. One might think that I am behind because I am still
on my design stage. However, the point of sandart is to design your own sand animation with thorough thought and it is not
something that can be taken for granted. After I am finished with all of the detailed initial designs they will be up in the managebac
gallery section.
Page 23 of 34
website called the Princeton University Press which is a publisher that is in close relations with the University of princeton and has a
variety of different sources.
2) Evaluation of the Source
First of all, this is a reliable source because it is from a world ranking universities closely related publisher, which is princeton
University. A source from Princeton University is very unlikely to be unreliable. However, except for the beginning when is states a
breif thoughts on the origins of story telling, the rest is not of interest to my topic because all I need is history on children's stories
which can branch out to story telling.
3) Work Cited
"Human Communication and Memetics." The Cultural Evolution of Storytelling and Fairy Tales (n.d.): n. pag. Princeton University
Press. Web. 2 Nov. 2015. <http://press.princeton.edu/chapters/s9676.pdf>.
SOURCE 9
1) Information on the Source
This source is a source, like the title says, that describes the history of Story Telling. It is an excerpt from a journal by a man named
Dr. Michael Lockett called The Basics of Story Telling. Dr. Lockett mentions different theories of where and how story telling first
came to be talking about the Pyrenees Mountains, the Mesopotamians, Egyptians, Africans, China, and India. It talks about how
story telling emerged from these different countries in similar patterns (Lockett). At the end it shows an adapted story by Dr. Lockett
called the Calif of Baghdad.
2) Evaluation of the Source
First of all, this source is fairly reliable as can be seen by Dr. Lockett's biography. He mentions that he has given three thousand
different presentations in 14 different countries on story telling. He is an author as well who published nine childrens' bilingual picture
books. Also he worked at various Universities such as Bradley University, Aurora University, and Western Illinois University. Also he
was a reading council officer for over 25 years in the MID-State Reading Council as well as the Illinois Reading Council. Finally, he
also worked for the International Reading Association ("Bio for Dr. Mike Lockett"). One can say that this man is credible. However,
just because he is good at story telling doesn't mean that he is an expert at the history of story telling. This can be cross referenced
with other sources as well.
3) Work Cited
"Bio for Dr. Mike Lockett." The Storyteller Online - Dr. Mike Lockett. N.p., n.d. Web. 01 Nov. 2015. <http://www.mikelockett.com/
bio.php>.
Lockett, Michael. "History of Storytelling." The Basics of Storytelling (n.d.): n. pag. Mike Lockett. 2007. Web. 2 Nov. 2015.
<http://www.mikelockett.com/downloads/History%20of%...>.
SOURCE 10
1) Information on the Source
This article as the title states talks about The history of Children's books. This is from a Newspaper called The Atlantic and was
published on January 1st 1888 which is quite a long time back from now. It is written by a man named C. M. Hewins was a woman
writter and a librarian. First she starts off with a quote from William Makepeace Thackeray and goes on to describe the Babees Book
which puts the reader off track. Then she goes on with explaining about children's stories and what different people have said about
them for example, there is a quote by John Locke who is a famous philosopher.
2) Evaluation of the Source
First of all, the problem with this source is that the publishing date is January 1st 1888. The fact that is more than a century old is
worrying as I have to use information on the history of children story telling and since 1888 is already a far away history from the 21st
century and many things have changed, this might not be valid. However, quotations for example by Thackeray and John Locke can
of course be used. This is because even if time has passed what people have said in the past doesn't change. If this applies to my
topic, I might use this for the hook section of my write up.
3) Work Cited
Hewins, C. M. "The History of Children's Books." The Atlantic. Atlantic Media Company, 01 Jan. 1888. Web. 01 Nov. 2015.
<http://www.theatlantic.com/magazine/archive/1888/0...>.
SOURCE 11
1) Information on the Source
Halim Kims Personal Project Process Journal
Istanbul International Community School | iics.k12.tr
Page 24 of 34
This source is a research paper for a student named Jill Eck from The Graduate School University of Wisconsin-Stout for the Master
of Science Degree Career and Technical Education. Because it is a research paper, the sections are divided in to Chapters. Chapter 1
is the Introduction which includes detail on the objective of the research which is to figure out the relations between story telling and
learning. Chapter 2 is the Literature Review section which talks about Definitions of Story telling and the prior studies done on story
telling. Chapter 3 talks about the Research Methodology and starts talking about the Research the Jill Eck did herself and the
planning that this took. Chapter 4 discuses the results on story telling's relations with learning that she has obtained. Finally Chapter
5 discusses the Summary, Conclusion, and potential areas of further study.
2) Evaluation of the Source
First of all, since this is a research paper done by a student and not a professional, the ethos of this piece goes down. However, there
are sections of this research paper that is very useful. For example, in Chapter 2 where it talks about prior studies done on story
telling's effects, this can be very useful to my case because I am trying to prove that story telling is indeed helpful and that is why I
am going to be trying to communicate children's stories to children using story telling by sand art. I will include information from this
source in my investigate write up.
3) Work Cited
Eck, Jill. "AN ANALYSIS OF THE EFFECTIVENESS OF STORYTELLING WITH ADULT LEARNERS IN SUPERVISORY
MANAGEMENT." AN ANALYSIS OF THE EFFECTIVENESS OF STORYTELLING WITH ADULT LEARNERS IN SUPERVISORY
MANAGEMENT (n.d.): n. pag. The Graduate School University of Wisconsin-Stout. May 2006. Web. 2 Nov. 2015.
<http://www2.uwstout.edu/content/lib/thesis/2006/20...>.
SOURCE 12
1) Information on the Source
This source is a presentation and an explanation about how visual learning can help children. This is presentation and explanation
journal is made by a man named Stuart J Murphy who is a well known Visual Learning author and Consultant. Murphy first talks
about an overview of the topic of visual learning by skills in which schools value and what students have a struggle with. Murphy
then moves on to the next section of his write up talking about Developing Social/Emotional Skills in Children. Then he continues on
to define visual learning and how he sees this to be. Then he frames and specifies the Visual in Contextual Learning. After this, he
mentions specific modeling behaviors. Modeling behaviors are methods that help children have better behavior. Then the
presentation goes on to talk about interdisciplinary working.
2) Evaluation of the Source
First of all, this source is somewhat reliable because Stuart J Murphy who is a well known Visual Learning author and Consultant as
mentioned in the above section. However, what might be a limitation of this document is that it doesn't have any backing to support
its case. If there was some backing for example statistics or studies that have found what he is trying to support, it would have been
much more elaborate and strong case. If I am going to be using this in the Investigate section, I will have to cross reference Murphy's
statements with statistics and studies from other sources.
3) Work Cited
Murphy, Stuart J. "THE POWER OF VISUAL LEARNING AND STORYTELLING IN EARLY CHILDHOOD EDUCATION." Storytelling in
Early Childhood(n.d.): n. pag. Pearson. Pearson. Web. 2 Nov. 2015. <http://images.pearsonclinical.com/images/ecsimarch...>.
SOURCE 13
1) Information on the Source
This article is from a website called Teaching English which is run by the British Council and BBC. The information in this article as
can also be seen by the title is Benefits and Tips while using Story telling. The article is divided in to six different sections which first
starts and goes in order to: What can storytelling offer?, Storytelling and intercultural understanding, Other benefits of using
storytelling in the classroom, Commonalities of cultures around the world, Performance techniques, and A last word ("Storytelling Benefits and Tips"). The first section which is called What can storytelling offer mentions the benefits that story telling has on children
in bullet points. The rest except for this section is tips and tricks whilst story telling.
2) Evaluation of the Source
First of all, this source is very reliable because it is from a website that is managed by both the British Council which is an
organisation which deals with education and culture, and BBC which is one of the most reliable news sources that one can find.
Though the sources are reliable there is not much detail in the points only giving bullet points for readers to follow easily. If I am going
to be using this in my investigation, I will have to cross reference with different sources that do have statistics and studies to prove
that story telling does indeed benefit children and so will by project which will be telling a children's story through sand art.
3) Work Cited
Page 25 of 34
"Storytelling - Benefits and Tips." TeachingEnglish. British Council, n.d. Web. 01 Nov. 2015. <https://www.teachingenglish.org.uk/
article/storyte...>.
SOURCE 14
1) Information on the Source
This is a sand animation made by a man named Oleg Somin who is a sandartist from Russia. Because I am going to be doing
children's stories, I wanted to look at a sand art that a children's story was already used as for inspiration. This sand art animation is
using the story of the Ugly Duckling. It uses skills that I have not seen before such as using a stick for drawing positively adding
white shadows to different sections of the work. For example, this can be seen in 1:50. Also, since this is a video and special effects
can be added, one can see that Somin added a blue filter to a sad section in the video as can be seen in 2:51. Also, this can be seen
in 4:01 where a light is coming out of the fire place as well. Even without narration Somin manages to communicate the story of "The
Ugly Duckling" very well. The video is noted in the April 2nd 2015 video of and is named "Ugly Duckling, fairy tale".
2) Evaluation of the Source
First of all, this source is somewhat reliable because although Oleg Somin's work is great, there isn't a biography or website I can
find which has his biography where I can check his education or his clients to see if he is a famous professional or not. Also, I have
learned a lot from watching this video. The first thing that I have watched is that one does not only have to use their hands and can
use sticks for the performance for different effects as well. Also, when one is not doing a performance live, one can use filters and
technology in general to enhance the story line of the children's story. I will take this in to consideration when I am making my own
sand animation.
3) Work Cited
Somin, Oleg. "Ugly Duckling, Fairy Tale." YouTube. YouTube, 28 Feb. 2013. Web. 01 Nov. 2015. <https://www.youtube.com/
watch?v=_sH0vGTAz7c>.
Page 26 of 34
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ii. English
1. Can you shortly explain what sand art is?
Sandart is an artistic medium conveying a story or message using sand and a light box.
2. What is the most important thing whilst doing sandart?
The most important thing is to convey the message that one is trying to get across using story telling clearly.
3. What makes sandart different from other mediums?
Sand art uses sand and sand has a characteristic of being warm and smooth so consequently when one is trying to convey a hard
and heavy topic, with transferring this in to the medium of sandart one can convey the message more emotionally and smoothly. This
is an advantage of using sand art.
4. What are the different uses of sandart?
These days it is used for classic music concerts, plays and other dramatic performances. It is also used for advertisements on tv and
for corporations, movies, and experience education for students as well.
5. What are my strengths in sandart?
First of all, sand art is something that you have to dedicate a lot of time in to and is not as easy as people think. However, I have
looked over Halim as she practiced and took the lessons and one of her strengths is that she learns things taught very quickly and
she can aply these skills and develop them well as well.
6. What are my weaknesses in sandart?
Halim needs some practice refining the edges of shapes but this is something that she will have to work on during her practice times.
Also, if she practices shaping and the composition aspect of sandart, she will have a great final piece.
7. Today is the last practice, how have I improved from the first class to the last?
In the begging since sandart isn't an easy subject, her skills of trimming shapes had some weaknesses. However, near the last few
lessons her shapes have become clearer and her skills to use these shapes and applying them have increased as well. She learns
things very fast so it was a pleasure teaching her.
8. Lastly, I want to ask you about your view on the future of sandart.
Its been less than 10 years since sandart was properly introduced to the world, its only been 6 years. They say that it has become
more known however there are many that still do not know the existance of sand art. I wish that sand art was not only used for
artistic and performance purposes but different branches such as education and other contents.
2) Evaluation of the Source
This source is very reliable because my teacher as mentioned in the information on the source, comes from a background of a
prestigious school in korea majoring in design. Also, she has won many awards as listed above regarding sandart. However, because
it is translated from korean to english and because I have done it myself, the wording may not be the best making it less reliable to
english speakers when they are looking at this source. However, I have used the korean and english dictionary to translate to make
words as accurate as possible so this might reduce this problem.
Page 27 of 34
3) Work Cited
Choi, Eunjun. " ." . N.p., n.d. Web. 01 Nov. 2015. <http://blog.naver.com/ejun84>.
Choi, Eunjun. "Interview on Sandart." Personal interview. 13 Aug. 2015.
SOURCE 4
1) Information on the Source
Nanda vermoorder is a sandartist from indonesia and has very famous corporations for clients such as the Best Western Hotel,
Yamaha, Novotel, Ibis and more (Vermoorder). I contacted various sand artists by email. The artists that I contacted were Nanda
Vermoorder, Ronnie Chibber, Badal Barai, Didi Rodan, Nitish Bharti, Ilana Yahav, and Kseniya Simonova. The only artist who
contacted me in time with the interview questions answered was Mr. Vermoorder. The conversations me and Mr. Vermoorder's
road manager Gaga had are noted in the photo section of the process journal. Below are just the texts of the
conversations:
i. Email 1 sent by Halim
Dear Mr.Vermoorder,
First of all, thank you for taking your time to read this email. My name is Halim Kim from the Istanbul International Community School
in Turkey and is in the 10th Grade. In our school before we move on to 11th grade we have to do a project called the Personal
Project. In the personal project what you do is you pick a topic you are interested in and explore that topic and take action. The topic
that I picked was sandart. I have taken lessons on sandart and know the basics of animation. So, I decided to pick this as my topic.
My goal of this project is to create a final sand animation that is well made and professional.
The first stage of this project is Investigating about sand art and this process is very important to our project since it is research on
the base and knowledge of the project. I decided to contact a professional, you, in order to obtain information about sand art. May I
ask if it is possible that you could take just a few minutes in order to answer these questions on sandart for this project:
1. What is sandart?
2. Can you describe a brief history about sandart?
3. What is the most important thing to remember whilst doing sandart?
4. How is sandart different from other art mediums?
5. How is sandart used presently?
6. What are the different specific skills and techniques of sandart?
7. What are the methods of plotting out a story with sandart?
8. What makes sandart difficult?
9. What advice would you give to beginners taking sandart (like me)?
10. What is the difference between a live performance and a recorded performance of sandart?
I apologize for many questions but a reply would be most greatly appreciated. Also, I would like to ask if you would be able to give
me feedback on the animation I will make for my project in the following months?
Thank you for reading this email, and a reply sometime this week would be greatly appreciated.
Best regards,
Halim Kim
ii. Email 1 sent by Gaga
Dear Halim Kim,
I'm Gaga (Road Manager Mr. Nanda Vermoorder). I've told your questions to Mr. Nanda Vermoorder and he has given the answer.
Below is an answer directly from Mr. Nanda Vermoorder.
1. sand art or commonly known with the sand animation is an art performed by combining the frame by frame, resulting in a story
that has meaning, and can be understood and enjoyed by everyone.
2. For history, you cand find it on google.
3.There are some important things to remember when doing a sand animation art. First, the meaning of the story we will show on our
sand animation. Second, how the arrangement of the pictures that we make. the third is the point where you will create a new image
from the image that you have previously made.
4. There are a few things that distinguish the type of sand animation art other painting in General. the first is the media used, sand
animation using the mainstream media in the form of special sand with special masses. Second, sand animation is an art that can
also deliver more than one message to everyone who sees it. third, sand animation presents a story, not just the one picture alone,
there are stories in the sand animation is a composite of several images that have meanings that are related.
5. At this time, sand animation show widely used as live entertainment in many events, such as a corporate event and personal
event. in fact, in the near future, I use a sand animation as a medium of art therapy in psychology.
6. It is a must-have basic skills of drawing. After that, you have to learn the techniques in making sand animation, such as how to
hold the sand, make a shape with the fingers, and many more (sorry I can't give you in detail about the technique because it makes
should be done directly).
7. The first thing is the purpose of a sand animation was made. the second thing is the message that will be communicated to all
Halim Kims Personal Project Process Journal
Istanbul International Community School | iics.k12.tr
Page 28 of 34
people with sand is animated, and the third is what the core who wish to delivered in sand animation.
8. For me, none of the things that make the sand animation is hard to do. The most important thing is practice, practice, and
practice.
9. Do a lot of practice and do exploration narratives and forms.
10. There is no significant difference between live shows with recorded performance. There is only a difference in duration.
Best Regards
Gaga (Road Manager)
iii. Email 2 sent by Halim
Dear Gaga,
Thank you greatly for your reply. I apologize for another question, but in the future as I proceed with my project, is it possible that Mr.
Vermoorder would be able to give some quick feedback on my work?
This would be a great help for me as a professional like Mr. Vermoorder's feedback is greatly valued.
Best Regards,
Halim Kim
iv. Email 2 sent by Gaga
Dear Halim Kim,
You're welcome.
I'll say it to Mr. Vermoorder. I think, he will do it with pleasure.
Best Regards
Gaga
SOURCE 5
1) Information on the Source
This source is from a newspaper article website called The telegraph. It is about how the famous sand artists Kseniya Simonova who
is the Winner of Ukraine's Got talent is earning fame on the internet. The article first mentions this statement briefly and proceeds to
describe Simonova's work in a short timeline format. The work that the author of this article Ian Johnston is describing is a work
about the Great Patriotic War in Ukraine.
2) Evaluation of the Source
First of all, this source is fairly reliable because The telegraph is a source that is looked highly upon and also the work that Ian
Johnston, a journalist, is describing is a work that is done by Kseniya Simonova who is the winner of Ukiranes got talent with using
sand art which doesn't leave any room to question her skill level. I will use this source in my investigation as an example of a present
day famous sand artist.
3) Work Cited
Johnston, Ian. "Sand Artist Kseniya Simonova, Winner of Ukraine's Got Talent, Becomes Internet Hit." The Telegraph.
Telegraph Media Group, 19 Sept. 2009. Web. 01 Nov. 2015. <http://www.telegraph.co.uk/news/newstopics/
howabou...>.
SOURCE 6
Page 29 of 34
SOURCE 7
Page 30 of 34
Details:
1) Information from the source
I find that looking at professionals' works before I start to plan out my own sand art is essential because since I only know the basics
of sandart, if I just make a piece of work only with my knowledge, it might not be the most professional work that I have produced.
However, if I take a look at professional artists' work I feel like I would get to know more techniques and skills in order to enhance my
work. The professional that I am going to be talking and analysing work from today is Ilana Yahav. Ilana Yahav is a Israeli sandartist
("Life Story Written in the Sand"). Yahav always persued and showed artistic talent because before she started her sand art career,
she had a puppet studio and specialized in special effects for ads and movies ("Life Story Written in the Sand"). She was very
succesful with this artistic business as well because she made puppets for a famous Israeli Satire show ("Life Story Written in the
Sand"). She had majored in this field in Hollywood California, United States ("Life Story Written in the Sand"). However, now she is a
professional sand artist. Some of her famous works include "Ever Since you Left", "Give Peace a Chance", and "You've got a friend"
("Sand Art by Ilana Yahav"). The piece that I am going to pull out techniques from today is "You've got a friend".
First of all "You've got a friend" is a short 3:55 piece and is about a lonely person who is taken out of their misery because they have
got a friend. Some of the techniques that I didn't recognise or didn't use when I had my lessons was in 0:22 when she made the
birds with just her fingers while I need to draw a straight line and then push it up to make a figure of a bird. For this technique, I feel
like my idea is better since I am not strong at spraying sand with my finger because they are not wide. Also, another technique I
found interesting was in 0:25 when she was drawing the tree I learnt to draw the stem and then the tree top but she does the
opposite. I think I will utilise her idea because it is easier to flow your hand in to one way drawing the top of the tree, then the bark,
then the shadow. Another place I found a usage of a different technique was 1:07 when she just drew one finger first and then
proceeded to draw the rest of the hand. I have learned to draw the palms first and then drawing the fingers. Since I feel like my
method will be easier, I will continue to use my method. Finally in general, I noticed that there were a lot of uses of symmetrical
clearing for example in 1:23- 1: 32 to make a tree. This is something that I briefly touched upon when I had my lessons but they were
not taught. I feel like since it brings balance to the piece I will use it in some point of my final product as well. One can see the
video in the youtube post section for October 16th 2015 the title is "Sand Art by Ilana Yahav - SandFantasy - "You've
Got a Friend"".
Overall, I feel like seeing this video and analysing her techniques gave me a better idea on what skills I would like to develop and
what techniques I would add to my final product.
3) Works Cited (Managebac changes Works Cited from the proper one)
Works Cited
"Life Story, Written in the Sand." Ilana Yahav. N.p., n.d. Web. 16 Oct. 2015. <http://sandfantasy.com/about-me/>.
Yahav, Ilana. "Sand Art by Ilana Yahav - SandFantasy - "You've Got a Friend"" YouTube. YouTube, n.d. Web. 16 Oct. 2015.
<https://www.youtube.com/watch?v=YIOsIbqpR5s>.
Page 31 of 34
Details:
1) Information from the source
Before I started the project, I believed that the most important thing to do before I start doing any deciding on a topic for the sand art
or even start the project, was to learn the techniques in sandart. Since I started brainstorming for my personal project before the
summer, I decided to take summer break as an opportunity to make a basic knowledge on the techniques of sandart. I decided to do
this in the only certified sandart academy in Korea which is called noeul sand art academy located in seoul, Gangdong. When we first
called the academy and asked if I would be able to create a professional video in a time span of 5 weeks, they said that it would be
hard but if I learned the basic techniques, I would be able to utilise them in to making my animations even though I wouldn't have full
lessons on story boarding. I felt like this made the goal to create a sandart animation more challenging for me since I would know
only the basis, and this is good because the personal project is supposed to be challenging. When I went to learn at noeul sandart
academy, my teacher was Ms. Eun-jun Choi, a professional sandartist. I had two lessons one on thursday and one of saturday of
each week for five weeks. Below is a time line corresponding to the skills learned in each lesson with a slide show/ video to
accompany it which can be seen above in the youtube post for Friday October 16th 2015 written as Sand art lesson
progress (Note that not all of the things learned will be put in the slide show due to length):
Lesson 1: Learned the basics of manipulating sand- laying out sand (pulling sand from one end of the light box to another to create
a dark background), spraying sand (Using spraying to create gradations and shades), Positive and negative method (Positive is using
your hand to draw lines with the sand while negative is to lay out the sand and outline on there).
Lesson 2: Using the positive and negative method to draw scenery and nature such as: trees, branches, flowers, dessert, hill, sun,
and the sea.
Lesson 3: Using the positive and negative method to draw space, using a new technique of laying out sand ( to swirl layout around
an object so that the focus is on that object), Using basic shapes to draw birds.
Lesson 4: How to draw special types of flowers (roses), different was to draw clouds, Basic shapes to draw birds (eagle, chicken,
pigeon, bird eye view etc), using smooth lines to draw more accurate birds (learning how to draw the wings, the beaks), how to turn a
number and evolve it (number 2- swan-duck-pelican).
Lesson 5: Drawing aquatic animals (Fish using basic shapes, dolphins, whales, octopus, jelly fish, shrimp, crab), learning how to
draw thick tree bark, mid term (drawing a scenery of land and a scenery of the sea), Drawing cars using the positive and negative
method.
Lesson 6: Using positive and negative method to draw buildings and houses, to create our own unique houses, how to make brick
walls (by concentrating sand on a particular spot on a light box until it is white in the inside).
Lesson 7: Drawing peoples heads using the negative method and positive method (faced front and faced to the side- faced to the
side is utilised more), How to draw hands in different positions, practice with both a person and hand by replicating work by a foreign
artist.
Lesson 8: Drawing short animation (of a man sitting down at a beach), Transforming scenes from one another (family sitting in a hillin a air balloon-family boat ride- standing besides sun), drawing the full body and the skeletal figure.
Lesson 9: Transforming a scenery in to another scenery (beachside city- amusement park).
Lesson 10: Reviewing how to draw the hand, scenery with full body people, communicating cyber bullying (how to draw a laptop, a
phone), Reviewing animals (Deers, birds).
As one can see there is a clear development of skills that are visible as the lessons proceed. Even though it has only been 5 weeks,
one can see that taking the lessons helped rather than not.
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Choi, Eunjun. "Sand Art." Sand Art Classes. Noeul Sandart Academy, Seoul. 16 July 2015 - 13 Aug 2015. Lecture.
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