NO HAY CAMINOS HAY QUE CAMINAR

ANDREJ TARKOWSKIJ      LUIGI NONO.

 
 ,   
 
 (+#$0& 1(+0&, ,(% %0&  ,&0&,
)#(% #( & 1##(
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e-mail: maronid@mus.auth.gr, dimtas@tellas.gr

 
To )( No hay Caminos, hay que caminar... Andrej Tarkowskij (%($%!)0"!$ ( 1987 $# &# (
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+&+. !& , .& 1($% ##$ ,)! (+ ".(+ (% $# .%-& -& ,)-#$0& %%(#0 0& (+ $
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&#%!1#$* #$&.!*, $"#(/& (& ,(  " %#0! .,( (+ )(+ $# !&  $&! (+ ( $"
11 (, 1.,. ,-)#$., (&#$. $..),  $#&!)#( /&! 1(+ 1#)1 # ( )( & #)$  , .& 24 % 1.
1. .
To )( No hay Caminos, hay que caminar... Andrej Tarkowskij (%($%!)0"!$ ( 1987 $# &# (
 % +( )( # (),) (+ #%(/ +&"! Luigi Nono (1923-1990). H $&!! - 1 )#1%&!! 1( %  !&
$ &)#$ # (+ )(+ ! (1( 1 $ & #  .% * #* (+#$* 1))(+* (+ )(+. # !& 1 +'! !*
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&1/(&#   & #* '#) #$ ,!%* "!*, (# (1( * #$.1(&# 1(%%* ()* 1( # *
') #* !* (),)*, ! 1)#$) , #)(&( (Gesture) % #(+)  +1. ( 1)  "+&#$(/ $(/ $#
$"# !&(+.  1)1&-,  +&+. !& ,)! -& $)(+0&  (1( $"#)/(+& &
1(%/1%($( )+"#$. 1%, ,(+& -* 1(%  !& !#(+) #* $)-* )#$* (+#$* +* ! (1(
$) ( (+#$. &#)(&  &( $" .%! !& #)$ # (+ )(+.
2.
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(tripartite division) .1-* + ,)!#(1(# # !& ! #-#$ &%+! (+ Jean - Jacques Nattiez (1975) $#
1 )#%& #  '* ) #:
1. Poietic : ( 11 ( poietic () !& 1(#!#$ ##$, ( $&!)( - 1%#( /&" !* (+ )(+.
2. Niveau neutre : ( (+ )( 11 ( (,&(*, $ (& Nattiez) &# ( &# ( - (+ )( #(
(1)#(/)) !& ##$ !* 1#$(#&-&* ( '/ +&"! $# $)(0&).

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(+ (+ )(+ 2#2(+, 2#+,& # (+* /,(+* 2(+ - $#(0 2.*- "  ( +&"!*. !& $ 0"+&! +
2)" # # #$ &%+! Fourier (FFT) #* !,()!!* (+ )(+ (Sinfonieorchester des Sdwestfunks,
Michael Gielen 1990).
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.
 %(* (+ )(+ &) #  # 2#) 2(+ # ( 1985 ( +&"!* 2&. (& (,( &/*
(&!)#(0 ( Toledo !* 2&*. ),#$ ( Nono 2 - 2.* 2)/$ #( # & #.&#$/ $  &( (+ XIII
#1&. !& 2)#$/! /.* ! 2#) &# # 2))! (+ 2(#(* Caminante, son tus huellas (+
Antonio Machado (1875-1939). O 2(#!* +/* & ! &./* (& Nono '%%(+, 2(2 2/ $  &
(+ ( +&"!* , ! ,)!#(2(! #  0( 2%#/ ) (+ ) : Hay venido Canciones para Silvia (1960) $#
Canciones a Guiomar (1963). ( $  &( +$&! (& Nono ( (2((*, & ,(&.* +& #)#$, ( ,)!#(2(! 
 ) ) 2(+ +&"  '0 1987-1989 : Caminantes Ayacucho (1987), No hay caminos, hay que
caminar...Andrej Tarkowskij (1987), La Lontananza Nostalgica Utopica Futura (1988), Hay que caminar sognando
(1989).
Caminante, son tus huellas
el camino y nada ms:
caminante no hay camino,
se hace camino al andar.
Al andar se hace el camino,
y al volver la vista atrs
se ve la senda que nunca
se ha de volver a pisar.
Caminante no hay camino,
sino estelas en la mar.

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1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26


1~5
6~18
19~30
31~32
33~40
41~44
45~46
47~53
54~67
68~75
76~79
80~87
88~93
94~101
102~109
110~115
116~120
121~128
129~133
134~138
139~143
144~155
156~159
160~164
165~166
167~169




5
13 (5+5+3)
12 (2+2+5+3)
2
8
4 (1+3)
2
7 (1+3+3)
14 (13+1 Tacet)
8
4 (1+3)
8
6 (5+1)
8 (4+3+1)
8
6 (3+3)
5
8
5
5
5
12 (1+5+2+3+1)
4 (1+3)
5
2
3



169.

Tempo

Fermatas

q = 30
q = 30
q = 30
q = 30
120

5 + 7

q = 30
q = 30
q = 30
q = 30
q = 30
q = 30
q = 120
60
120

q = 30
q = 30
q = 30
q = 30
q = 30
q = 30
60
120

q = 30
q = 30
q = 120
60
120

7
7

q = 30
q = 30
q = 120
60
120
q = 30
60
120
q = 30
120

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8
16
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89


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1 "
! 2.
Coro 1 Coro 2 Coro 3
Coro 4
Coro 5
Coro 6
Coro 7
SUM
Flauti
1
1
2
Clarinetti
1
1
2
Trombe
1
1
1
1
4
Tromboni
3
1
4
Grand Cassa
1
1
2
Timpani
1
1
2
Bongos
2
2
2
2
8
Violini I
7
1
1
9
Violini II
7
1
1
9
Viole
6
1
7
Violoncelli
7
1
8
Contrabassi
6
1
7
SUM
5
33
5
5
5
5
6
64
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0- 
cori
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 # .$) ':
Coro 1
1st Trbn
2nd Trbn
3rd Trbn
Timp
B.D.

AUDIENCE

Coro 2
7 Vin I
7 Vin II
6 Vle
7 Vlc
6 Cb

AUDIENCE

Conductor

Coro 3
1st Vln I Solo
1st Fl (+ Ottv)
1st Tr in C
2 Bng (H,M)

Coro 4
1st Vln II Solo
1st Cl Bb (+ b)
2nd Tr in C
2 Bng (H.M.Lst)

AUDIENCE
Coro 5
2nd Vln I Solo
2nd Fl
3rd Tr in C
2 Bng (M,L)

Coro 6
2nd Vln II Solo
2nd Cl Bb
4th Tr in C
2 Bng (M,L,Lst)

AUDIENCE

AUDIENCE

Coro 7
Timp
B.D.
Vla Solo
Vlc Solo
Cb Solo
4th Trbn

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G1

1
2

Ibinm

SUM

SUM 


bin

nm

binm

g1

g2

g4

Ibinm

5
N

6
7
8
9

g3

bN

im
b

10
inm

11
b

12

in

13
14
bnm

15

in

16
binm

17
18

in

19

bnm

inm

20

21

22

23

binm

24
25

26

SUM

13

10

14

Sum 107

Sum 26

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7
6
5
4
3
2
1
0
1

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

) 3. "%' !&% *# ! %!*#.

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ppppppp pppppp

1
-7

ppppp

pppp

ppp

pp

mp

mf

ff

fff

ffff

fffff

3
-5

4
-4

5
-3

6
-2

7
-1

8
1

9
2

10
3

11
4

12
5

13
6

14
7

2
-6

% &% !& %
",
&% &%' %( 
$ &
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#
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1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
SUM

ppppppp

pppppp

ppppp

pppp

ppp

pp

mp

mf

ff

fff

ffff

fffff

10

16

12

11

SUM
6
11
6
3
4
6
1
4
5
2
4
2
1
5
9
1
6
1
1
9
3
1
4
8
5
13

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.
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Nattiez, Jean-Jacques (1987, 
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Nattiez, Jean-Jacques (1988, 
 1989). Reflections on the Development of Semiology in Music [Reflexions sur
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