You are on page 1of 59

for flute, marimba

and symphonic
winds.
Teo APARICIO-BARBERN

dedicada a la flautista portuguesa Ana Mara Ribeiro

Hypothesis for parallel souls


Hiptesis para almas paralelas

for flute, marimba and winds.

Op 93

Teo Aparicio-Barbern

Intrumentation :
Piccolo
Flutes 1,2
Oboes 1,2
English Horn (F)
Basson (1,2)
Clarinet (Eb
Clarinet 1 (Bb)
Clarinet 2 (Bb)
Clarinet 3 (Bb)
Bass Clarinet (Bb)
Alto Saxophone 1 (Eb)
Alto Saxophone 2 (Eb)
Tenor Saxophone 1,2 (Bb)
Bariton Saxophone (Eb)
Trumpet 1 (Bb)
Trumpet 2 (Bb)
Trumpet 3 (Bb)
Flugelhorn 1, 2 (Bb)
Horns 1, 3 (F)
Horns 2, 4 (F)

Trombones 1, 2
Bass Trombone
Bar. Euphonium 1, 2
Tuba 1, 2
Violoncellos *
String Bass
Timpani
Percussion 1 (suspendend cymbal, snare drum, gong)
Percussion 2 (Tom-toms, Cabasa, China Cymbal, triangle, tambourine)
Percussion 3 (Barchimes, Djemb, Crash Cymbals, Bass drum)
Percussion 4 (Glockenspiel, bongos)

Flute solo
Marimba solo

(* ) Optional Instruments

Hypothesis for parallel souls for flute, marimba and winds. Copyright 2010. Teo Aparicio Barbern. Enguera (Valencia).
N Depsito: V-1009-2014

Obra encargada por el Instituto Valenciano de la Msica al autor como


miembro de COSICOVA (compositores sinfnicos valencianos).

Hypothesis for parallel souls

Hiptesis para almas paralelas

de Teo Aparicio Barbern.


for flute, marimba and winds. Op 93

El presente trabajo surge sobre la propuesta de componer una obra para dos
instrumentos solistas que, a pesar de estar cada uno de ellos en las antpodas del otro en
cuanto a tradicin histrica, repertorio, timbre, y registro, comparten otras particularidades
que los hacen totalmente compatibles: tremenda expresividad, agilidad tcnica, amplias
posibilidades de articulacin, etc, etcde ah la expresin almas paralelas. A priori,
establecer este grado de parentesco entre la marimba y la flauta poda parecer una difcil
tarea pero todas las posibles dudas del oyente quedan disipadas desde la primera
intervencin en conjunto de ambos instrumentos.
Estructuralmente no responde a la forma concierto, y el papel
protagonista de los dos instrumentos solistas est perfectamente insertado dentro de un
discurso ms amplio realizado por la banda sinfnica. Nunca me han gustado las estructuras
formales cerradas, y mxime en una obra como sta en que la libertad de dos instrumentos
tan vaporosos como la flauta y la marimba deban quedar de manifiesto. Eso no es bice
para que haya instaurada una presentacin lgica y cclica del material temtico.
Su esquema estructural responde al siguiente diseo: Intro-A-B-C-D-C-B.
El tema B, que funciona a modo de re-exposicin en la ltima seccin de la obra est
inspirado en un aire de danza armenio, que, a mi criterio, dota de gran fuerza rtmica y
expresiva a la obra permitiendo exhibir a los dos solistas toda la gama de posibilidades que
estos instrumentos tienen. La seccin C, es la destinada a explotar toda la faceta expresiva e
intimista de ambos instrumentos concluyendo con un punto de climax de extremada rudeza.
Tras una cadencia de la marimba se enlaza con una seccin mucho ms desenfadada y
rtmica que denomino D.
Tras esta seccin y con una pequea re-exposicin del tema expresivo se aborda la seccin
final que de nuevo recupera el aire armenio aparecido en el tema B.
A nivel armnico, Hiptesis para almas paralelas es una obra de clara
ambientacin tonal, si bien, la utilizacin de ciertas escalas le imprime un carcter modal
tanto a nivel meldico como en la construccin de los acordes utilizados.
La obra fue estrenada por la banda municipal de Valencia y dirigida por su
autor el da 27 de Noviembre de 2011 siendo la portuguesa Ana Mara Ribeiro la flauta solista
y la profesora de la banda municipal Fina Sez la encargada de interpretar la parte de
marimba, todo ello dirigido por m mismo.
La versin recogida en el disco Hand in Hand fue grabada en Branca
(Portugal) con la participacin de la flautista Marta Navarro y el percusionista Julin Aparicio
a la marimba. Estos mismos solistas actuaron junto con la banda municipal de A Corua en
Noviembre de 2013 en el Teatro de la Opera de esta ciudad.
EL AUTOR.

Hypothesis for parallel souls

Hiptesis para almas paralelas

de Teo Aparicio Barbern.


for flute, marimba and winds. Op 93

This study comes on the proposal to compose a work for two solo instruments,
despite being each the opposite of the other in terms of historical tradition, repertoire,
timbre, and registering share other characteristics that make them supported: tremendous
expressiveness, technical agility, wide possibilities of joint, etc, etc ... hence the term "parallel
souls." A priori, establish this degree of kinship between the marimba and flute might seem a
difficult task but all possible doubts are dispelled listener from the first operation of both
instruments together.
Structurally, the form does not respond to "live" and the title role of the two solo
instruments is perfectly inserted into a broader speech by the symphonic band. I have never
liked the closed formal structures, and especially in a piece like this that the freedom of two
instruments as "floaty" as the flute and marimba should be apparent. That does not preclude
that has instituted a logical and cyclical presentation of thematic material.
Its structural scheme responds to the following design: Intro-ABCDCB. Item B, which
functions as a re-exposure in the last section of the work is inspired by an air Armenian
dance, which, in my opinion, gives great rhythmic and expressive to the work force allowing
the two solo exhibit full range of possibilities that these instruments. Section C is designed to
exploit all the expressive and intimate facet of both instruments concluding with a climax
point of extreme rudeness. After a cadence marimba is linked with a much more casual and I
call rhythm section D.
After this section with a small exhibition of expressive re-issue the final section which again
gets the air appeared in the Armenian issue is addressed B.
A harmonic level Hypothesis for parallel souls is a work of clear tonal ambience, although
the use of certain modal scales gives it a character both melodic level as in the construction
of chords used.
The work was premiered by the Municipal Band of Valencia and conducted by me on
November 27, 2011 being the Portuguese Ana Maria Ribeiro flute soloist and professor at the
municipal band Fina Sez in charge of playing the part of marimba.
The version recorded on the album "Hand in Hand" was recorded at Branca (Portugal) with
the participation of Marta Navarro flutist and percussionist Julian Aparicio to the marimba.
These same soloists acted together with the municipal band of A Corua in November 2013
at the Opera House in this city.
THE COMPOSER.

Hypothesis for parallel souls

...dedicada a la flautista Ana Mara Ribeiro.

Hiptesis para almas paralelas

Full Score wind band/harmonie

Duration: 16 aprox.

Calmly 56
b b
b b b
b b b

b
& 4 b
3
3
3
3
P
6
6
f
6
6
b
b b

b b

b b
b

4 b b

b b


b b b
& 4

b
b
3

3
3
6
6
3
6
6
3
3
3
P
f
j
j

b b b b

& 44
b ww
P
.
b b
4

& 4
P
> >
>
b

? 44
b

J
b.
b w>
f
P
6
6

4
.


& 4
b
6
6
P
6
6
b
b

& 44
b

3
3
3
3
b

6
3
3
3
3
3
f
3
3
4

b
& 4
b

P

1
Piccolo

Flute 1
2

Oboe 1
2

English Horn in F.

Bassoon 1
2
Clarinet in E b

Clarinet in B b 1

Clarinet in B b 2-3

Bass Clarinet B b

Alto Sax. E b 1
2
Tenor Sax. B b

Baritone Sax. E b

& 44

& 44

& 44

>

# >

& 44

Trumpet B b 2-3

& 44

Flugelhorns in B b 1
2

& 44

Horn in F

& 44 b
P
? 4
4

2
4

Trombone 1
2

Bass Trombone

? 4
4

Euphonium 1
2

? 4
4

Tubas

? 4
4

Violoncellos

? 4
4

(Optional)

String Bass

Solist Flute

& 44
Marimba

Timpani

Percussion 2

b.
>f
>

44

& 44


b
P

b
J
P
j

J
P

J
P

b >

>

b >

>

>

J
P

3
b
b
b b

b
f
P

P
b j
b j
j
b

b #
.

(1.967)

b
p

poco rit

b
p
j

b
p
3


J
p

j
b

43

3
4

poco rit

43

43

b
p

3
4


p
3

w
p

b
J
p
j

p
j

p

43

43

poco rit

43

43

3
4

43

43

43

3
4

43

b
J
P

b wp

b wp

j

p

3
4

poco rit

j

p

J

43

43

43

43

43

b b

b - - b - -

3
p
j

b -

43
43

43

43

43

poco rit

43

Glockenspiel

43

43

Barchimes

| ~~G~liss
~~a~ndo
P ~~ ~

3
4

medium sticks

43

>.

b #
P

b.
>
P

b
P
b

b
P

>

b.

f
Suspended cymbal

44
J

f
P
44

b
P

b >

b >

f
>
b.

? 4 b
4
F
? 44

f
>

& 44

>
A ..
f

f
>

? 4
4

.
.
>f
>

>

Trumpet B b 1

& 44 b
P

& 44

1
3

Teo Aparicio-Barbern/Op.93

for flute, marimba and winds

b
b

2010 Teo Aparicio-Barberan / I.V.M/ Albadoc Music Editions. Spain


N.D.L. V-1009-2014. All Rights Reserved. www.teoaparicio.com

Hypothesis for parallel souls

2
& 43

6
Picc.

Fl. 1
2

Ob. 1
2

E. Hn.

Bsn. 1
2
E b Cl.

Menos (ma non troppo)

& 43
& 43

& 43


& 43
F
? 43 b .

b b
J

b.

& 43

& 43

& 43

& 43

& 43

B b Tr. 1

& 43

B b Tr. 2-3

& 43

Flug. B b 1
2

& 43

B. Cl.

Alto Sax. 1
2

Ten. Sax.

Bar. Sax.

1
3
Hn.

2
4

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba

Timp.

44

44 b

44

b b

44

.
b.

b
F

b b b
3

b b
b

6
F
3
44
b
F
44
b
b

F
44

F magnificient

44
b
F magnificient
6

44
b
F

b
b

b b

b
p

43

poco rit

6
6
6
b
b
b

b b b

43

43

43

44 b
F

B b Cl. 2
3

b b

& 43

A tpo.
b b b b

44
b

b

b
F
P
b

b b

44
b b b

b

Teo Aparicio-Barbern

b
J

b
J

b b
3

b
J

b
J

43

poco rit

b
b

43
43
43
43

43

43

43

poco rit

44

43

44

43

44

43

& 43

44

& 43

44

? 43

44

? 43

44

? 43

44
b
F

? 43 b .
p

? 43 b .
p
? 3 .
4 b
p

b.

b.

b.

& 43

& 43

? 43 b > b
? 43

b >

43

Perc. 2

43

43

& 43

j b
b

b b

43

b b

43

43

43

43

b.

j
b

43

b.

43

3
4

b.

poco rit

44

43

44

43

43

43

43

b 4 b
4
F

b
@

44

j b
b

b.

44 b
F
4
4 b
F

b
b
F magnificient

44 b
F

b
b
F magnificient

44

44

43

44

43

44

j
#

poco rit

43

Hypothesis for parallel souls


With
j tenderness (con4 ternura)

4
& 43

j
& 43

& 43
& 43

11
Picc.

Fl. 1
2

Ob. 1
2

E. Hn.

Bsn. 1
2
E b Cl.

B b Cl. 2
3

B. Cl.

? 43

b ..

& 43 j
& 43
& 43
& 43

Teo Aparicio-Barbern

Cadenze

43

44

43

44

43

44

43

43

43

43

43

43

43

44

44

44

44
44

b
P

- P
w

>
b

b
b ..

Solo
>
b

Only two players

b b

& 43
J
p
& 43 J
p

44

44

43

& 43

44

43

B b Tr. 1

& 43

44

43

B b Tr. 2-3

& 43

44

43

Flug. B b 1
2

& 43

44

43

Alto Sax. 1
2

Ten. Sax.

Bar. Sax.

1
3
Hn.

2
4

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

j
& 43
p
j
& 43
p

Timp.

44

43

44

43

? 43

44

43

? 43

44

43

? 43

44

43

43

43

? 43

44

b.

? 43
.
? 3 .
4 b
& 43

44
w

44

w
bw

w
w

bw

4
4 w

b b b b
senza rigor

bbbb

b b
.

r
b

b b

b b b b

3
4

> b
b b
J
43

.b b

b b b b

f
b
? 43 b b b

44 b w b

P
bw
44

? 43

44

43

b b

& 43
Marimba

b b
b ww

b b w

b
w
bw

b ww

b ww

43

b b ..
43

43

44

43

Perc. 2

43

44

43

43

44

43

& 43

44

43

Hypothesis for parallel souls

4
&

42

&

42

18
Picc.

Fl. 1
2

Allegro

78

78 b b b b

Ob. 1
2

&

42

E. Hn.

&

42

42

&

42

Bsn. 1
2
E b Cl.

78

78

78

&

42

78

B b Cl. 2
3

&

42

78

B. Cl.

&

42

78

&

42

78

Alto Sax. 1
2

78

21

144

Bar. Sax.

&

42

78

B b Tr. 1

&

42

B b Tr. 2-3

&

42

> b >
78 b
f
78 b

78

42

78

2
4

&

42

78

Tbn. 1
2

42

78

Bass. Tbn.

42

78

Euph.

42

78

Tubas

42

78

Cellos

78

Str.Bass

42

Hn.

Solist Fl.

&
&

Marimba

b > . b
b b b
b b
3

2
4
b b

42

b .

42

b ..

b b ..

- b - - b

b
24 b b
P

b b
b b

b.

b
F

b
F

b
F

b.

.
>f
.

b b
J

b.

b J
J

j
b b j

b.

b b
b
F
b
b

78

78

78 .
f

78

42

78

&

42

78

b b
b
F
b b
b
F
b b
b
F

b.

>

Snare Drum

b > b b >
J
f

b.
>
f

44
f

b
b
b
3

44 >w

44
f

44
f
w>
44 w
f

44

w
f

4 w
4
f
44

44

44

44 w>

f
44 w>

b b

b b

44

44

b.
>f
b > .

44

44

b.
>f

> >

b.
>f

b.

44

44 ww
>

3
3
b # 4

4
b
f

78

b b j
>
>
> > >

b b b

42

> >

b b
J

44

J b

b b b
J

78

Perc. 2

b b
J

b
b
44

f
3
3

b 4
b b
4

f

b 44 b

b b b
J

.
>
f
>
> b >
J

b b b
b

44

44

f
b b b

b b

b
44
3
3
f
> > >
44 >ww

J

44
b b b

f 3

> >
b b
b
f
> >
b b
b
f
b b
.

>
>
b b b

7
8

42

b b

b
b

b b

b b

b.
>
f
.

> b >
b
f
.

F
.

..

F
>
>
b b b
J
J

b >

b b

42

Timp.

78

&

1
3

b b

.
F

b
F

42

&

..

Flug. B b 1
2

F
.

&

b b

Ten. Sax.

42

Teo Aparicio-Barbern

44

44

b b 44
f

Hypothesis for parallel souls


Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

26

Bsn. 1
2

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

b b
F

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

1
3

b
b F

w
w

&

&

b
. >

3
b b >
.

&

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

?
&
&

Marimba

b -

Hn.

Solist Fl.

E b Cl.

2
4

b b >
.

b
. >

b
-

b
-

b b b
b F
b b b
b F
w

w
w

b b b

Perc. 2

Timp.

b b b
b F

28

Teo Aparicio-Barbern

b
b

hard sticks

b b b b

.
f
b .

j

.

.
.

. . > . .

b b b

b . . .

> . b

J

b b
J
b b b

b b b
J

b b

>

>
b >
b
p


b
> b
>
>
p
>
>
>
b

b >

b > .
F



b
> b
F
>

&

Hypothesis for parallel souls

Teo Aparicio-Barbern

34
Picc.

&

38

42

44

Fl. 1
2

&

38

42

44

Ob. 1
2

&

38

42

44

E. Hn.

&

38

42

44

38

42

E b Cl.

&

38

42

&

38

42

B b Cl. 2
3

&

38

42

B. Cl.

&

38

42

Alto Sax. 1
2

&

38

42

Ten. Sax.

&

38

42

Bar. Sax.

&

38

42

B b Tr. 1

&

38

42

B b Tr. 2-3

&

38

42

Flug. B b 1
2

&

38

42

1
3

&

38

2
4

&

38

Tbn. 1
2

38

Bass. Tbn.

38

Euph.

Tubas

Cellos

Str.Bass

Bsn. 1
2

Hn.

Solist Fl.

&
&

Marimba

Timp.

Perc. 2

b b
>
P
>
b

b
j b
44
J
b
f
4 . b b
J
J
4
f
. b b

J
J
44
f

. b b b
44
J
J
f

44

44

44

44

42

44

42

44

42

44

42

44

38

42

38

42

j b
44
b
f

38

42

>
>
b b b

41


>
>

>
b
>

b >

b b
>
>
b
J

b > .

3
8
38
38

> . b

38

>
b b ....

b b

> >

b b ....
>

2
4
42

b
b

# #
# # #
6

b b
42

42

J
j b

f
. b
4

4
J
J

f
. b b

J
J
44
f

j b
44

J

f

b b
> b > > >

38

42

38

> .

>
42

38 >
.

>
J

42

>

38

&

38

Tom-toms

>
.

42

42

44

b
f
b
j b
44
J
b
f
4 b
4
f
44

44

>

44

J
Crash cymbals
>

f J
Bass Drum

b
J

44
j

>
f
44

44

44

44

>

Hypothesis for parallel souls


43
Picc.

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

42

&

b b
b b b b
42
f
b

b b
42
f

&

b b b

42

b
42

43

.
b b b
b b

b . >
J J

b b

. >
b .

J J

b b

f
b

b
b

b b

b .
b

b b

b
43
43

b . >
J J

. >
J J

.
b b b
.
b b b

.
b b b

b
b b J

E b Cl.

&

&

b b
b

B b Cl. 2
3

&

b.

b
J

B. Cl.

&

Alto Sax. 1
2

&

b.
.

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

42

43

B b Tr. 2-3

&

42

43

Flug. B b 1
2

&

42

43

1
3

&

42

43

2
4

&

42

43

Tbn. 1
2

42

43

Bass. Tbn.

42

43

Bsn. 1
2

43

b b

j
b

b b
b b
j
b

b
J

j
b

42

b
43

b b

j
b b

j
b

42

43


b b

42

b
b

b b
b

b
42
b b

b
43

42

43

j
b

Str.Bass

b
b b J
b b

b
b b J

b
J

Cellos

b
42
42 b
b
42
2 b
4

b
b
b
b

b b

43

43 b
43

43 b

3
4 b

b b

b
J

b
b

b b

b b

b b
J

j
b

b b
b b

b
.

7
38

38

38

38

38

38

38

.
b b b

38

38

38

38

38

.
b
b b

.
b b
b

b b
b b
b

.
b b
b

.
b b

b b

Timp.

42 b b

43 b

Marimba

b
43

Tubas

Solist Fl.

b
42
b b

Hn.

Euph.

43

Teo Aparicio-Barbern

b .

> b
38 .
f

38 .
.
f>
> .
38 b .
f

b .

b .

b .

b .

b .

b .

b .

38 b > ..
f
38 b .
.
f>
38 b .

>.
f

b .

. b
.
. b
.
b

. b .

b. b
b. b
>

b.
>

b.
>

b.
>

38

38

38

38

3
8

b > . b

b > . b

b > . b

b. b
>
b > . b

&

42

43

38

&

42

43

38

42

43

38

42

43 b
F

38

38

38

j

>

>

42

Perc. 2

42

&

>

b
>

b >

>

>

>

43

43

42

43

42

b b b

43
f

. b . >
J J

38 > .
.

38

b.
>

Hypothesis for parallel souls

8
51
Picc.

&

> .

.
b > b

85

&

85

Ob. 1
2

&

85

E. Hn.

&

85

85 b . b
>

Fl. 1
2

Bsn. 1
2
E b Cl.

?
&

.
.
>

85

&

85

B b Cl. 2
3

&

85

B. Cl.

&

85

Alto Sax. 1
2

&

85

Ten. Sax.

&

85

Bar. Sax.

&

85 b .
> #

B b Tr. 1

&

>.

>.

.
>

. b

B b Tr. 2-3

&

>
b ..

Flug. B b 1
2

&

b.
.

1
3

&

b.
.

2
4

&

..

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Hn.

Str.Bass

Solist Fl.

Timp.

.
>

&

.
>

.
>

? .
>

.
>

&
Marimba

b > ..

Perc. 2

&

f
> .

.
.
.

> .

> .

> .

f
f

b. # b
>

> .

85 b .. b

>

> .

.
85 b . b
>

85 ..
>
b > ..
85

b b

85 b . b
>
b > .. b b
85

85 b . b
>

85 b . b
>
5 b > . b
8
85

42

44

42

44

42

42

44

>
44 b J

.
J

42 44
P
42

44

44

42

44

42

44

. . .
p

42

44

42

44

44 b >J

42

44


> >

44

42

44

42

44

b
> >

44 b j

>

42

44

42

44

44

42

42

42

42

42

b > >

> >

>
>

85

85

> >

b.
>

> >

85

85

>
>

44

b >
J

44 b j
>
>
J

44

>
J

44

>

44

j

>

44

j

>
j

>

44

b
> >

44 b >
J

> >

> >

> >

44 b j
>
44 b j
>
44

44

44

44

> .

> >

44 b j
>

4
4

b >
44 b
J


> >

44

44

85


> >

>
>

>
>

> >

44

> .
85 b . b

42

> b .

b b >
J

. b b
85

44

b > >

44

>
J

42

85

85

> .
.

f
.
b > b

> >

Teo Aparicio-Barbern

b b
b

b
b b
J

b b b
J

44

n n
J
n n
J

>

J

44

44

China Cym.

44
44

b b
b b b

b b

b n
b n

b b

b b n n

b b

J
b b
J

.
b

59

Solo

2
4

b b

b

42
b

44

44

>
J

b
P

44

4
4

44

42

44

42

44

42

44

42

44

42

44

42

44

>
b
J
P
b

44

p
44
p

4
42
4
P

Solo
all
b
.
.
b 44 . .

P
p

.
.
.

Pizz. .

. b
J

b
J

Cabasa

>

. . . .
P

Hypothesis for parallel souls


61

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

Picc.

Bsn. 1
2
E b Cl.

. . b .
.

&

. # j

&

B b Cl. 2
3

&

B. Cl.

&

. . .
.

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

&

Flug. B b 1
2

&

1
3

&

>
J

2
4

&

>
J

Hn.

Tbn. 1
2

b -

Euph.

Tubas

Cellos

b
. . b . arco
.

Str.Bass

Marimba

Timp.

. b # A


>
f
>
b
f

b
> b >

# n #

n >

b >

b
>

b >

# > n >
J

b >

j b

>

Perc. 2

. . . .

&

>
J
> .
f

# > .

>

>

>

>

>

b
b .
b .

.
.

>
>

.
.

>

>
f
>
f

>
f

>

>

>

>

>

>

# #
#

>

>

> b >
J

# > n >
J

> # > n >


# n
J

>

>
>
>
b # #
J

. > >
b b . . b . b b
.
P
f
b


b . . . b >
>
. .
P
b . . . . . > b f>

>

>

b >

b >

>

>

b >

b >

>

>

b
>

b >

>

>

b >

# #

b >

b >

>

b >

42

42

42

>
>
>
b # # n
J

42

42

42

42

42

42
b
>

b b
b
> >
> # > n >
J

>>

> > > >

42

>

42

42

> # > n >


b # n #

>

42

42

42

b b

>

42

b > > # >


J

> .

>

# > n >
J

>
>
>
b . . b . . . > b >


>
>
>

> .

>

b >


J
f

>
> b >
b b

b
>

>

>

P
f
b . . b n . . b . > n b >
b

j
>
b # # n
>
>

b
>

b
>
> f
> # >

>

b
>

n >

>

b > > >


J

>

>

>

b
>

# > n >
J

>
b >
b # #
J
>

>

# > n >
J

>

>

> # > n >


# n
J

>

>

j
>

42

f
> # j n
# n
>
>
> # >
b >
b #
J

>

b b
. . b . . .
P

b >

>

42

b
b . .
P
# b . .

42

P
. . . . .
b
b b

# j n
#
>
>
>
f

> # > n >


# n
J

42

>

>

# > n >
J

>

> b >
b
J

> # > n >


# n
J

>

>

>

>
>
J b

>
> b b >
J

. . . . .
b

b
> b >
b > >
b

j
#
>
>


>.

j
#
#
>
>

>.

&


> >

>

>

# > n >
J

f
> # > n >
# n
J
f

&

f
>

# > n >
J

Bass. Tbn.

Solist Fl.

all

>

b >

>

b
> b >

>

f
> # j n
# n
>
>
f

B b Tr. 2-3

> # > n >

J
f
> # > n >
# n

Teo Aparicio-Barbern

>f

n
>

>

42
42
2
4
42
42
42

42

42

42

42

42

Hypothesis for parallel souls

10
& 42

68
Picc.

44

Teo Aparicio-Barbern

42

38

85

cresc.
Fl. 1
2

& 42

44

Ob. 1
2

& 42

44

& 42

44

E. Hn.

Bsn. 1
2
E b Cl.

B b Cl. 2
3

B. Cl.

Alto Sax. 1
2

Ten. Sax.

Bar. Sax.

.
? 42
p

& 42
& 42
& 42

# #
p

# .

# .

. #

44 # . #
J

44 # . #
44 #

. . . # . # . . . .

44 # .
J #
44

.
.
44 # . . . . . .

# .

#.

44

# .

Solo

#
# #
p
.
.
& 42 # # . # .
p
#
& 42 # # # #
p
# #
& 42 #
p
# .
& 42
p

#. #
#

#
J

.
.
44 # . # . # . # . . .

. . #
.

. .

38

85

42

38

85

42

cresc.

38

38

42

# .

. # .

85

38

38

38

38

# . . # # . n
. . .
. .
#. # # # #
#.

# . # . #
. # . .

44

& 42

44

& 42

? 42

# .

#

42
# # #
# #
42 #
42

. n .

# .

# .

42

cresc.

# .

# .

# .

# .

# . # .

.
# . # . #

# .

# .

38 # > .
f

42

44

42

44

42

38
.
#.
>
f
38 .
.
f>
38
# ..
f>
38 # > ..

? 42

44

42

38

? 42

44

42

38

42

cresc.

38

38

? 2
4

4
4

. . #
.
Pizz.
. . .
#
#.

& 42

44

& 42

44

? 42

44

? 42

44

44 >

42

Perc. 2

42

42

44

44

& 42

44

. . #
.
P

P
F

. n .

. .
. .

.
.

. n .
. n .

# .

.
2 .
4

# .

.
.

.
.

42

# .


# # #

42

. .

42


# #

P
. . # .

. n .

.
42

# .

. #
.
. # .

.
.

. # .

.
.
.

arco

arco.

# .

3
8

>

38 J
f
> .
38 # ..
f

38

>

42

38

38

#.

.
>

j
42
>

42

42

cresc.

38 > .
.

38

. # #
>
f

> . b

..
>

b.
>

85
85

85

b.

>.

85

85

..
>
> ..

85

85

b.
.
>

> . b
b ..

> .
.

.
>f

b > .

85

.
>
f
.
>
f

85

85

.
>f

b.
>

.
>
f

.
>
f

38

>f . #

42

. #

. .

38 # .
.
>
f

>f . #

42

.
.
44 # . . . . . .

42

85

& 42

# .

Pizz.
.
.
? 42
p

38

42

44

85

#
# #

b. b
>

42

? 42

.
>
f

Flug. B b 1
2

Timp.

#.

Marimba

85

Solist Fl.

42

44

Str.Bass

85

Cellos

& 42

Tubas

B b Tr. 2-3

Euph.

38

Bass. Tbn.

44

Tbn. 1
2

38

42 # # # #

2
4


# # #

& 42

Hn.

. n .

#.

B b Tr. 1

1
3

42

> .
.

b. b
>
b. b
>
b. b
>
b. b
>
b. b
>

85
85
85
85
5
8

85

85

b > . b
b. b

>.

85
85

85

85

85

85

Hypothesis for parallel souls


& 85

77
Picc.

Fl. 1
2

Ob. 1
2

E. Hn.

Bsn. 1
2
E b Cl.

B b Cl. 2
3

B. Cl.

Alto Sax. 1
2

Ten. Sax.

Bar. Sax.

B b Tr. 1

& 85

& 85

& 85

> .

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

> . b b

> b .

> .

> .

42

44

42

44

44
42 b # n b

F

? 85
b > . b

44

42

44

b b b
b 44
42
F

b b
b
J

b b b b b

? 85

85

Perc. 2

85

85

& 85

b > .

42
42
>
b b


> >

2
4
42
42

b b n #

44
44
4
4
44
44

F
24 b b b b
4
4

Tom-toms

> >

singing

singing

j
b

b
J

b b
J

b b ..

b.

.
.
J


J .

.
J


p
.

.


p
.
.

>
>
>

w
f


> . >

> . >


>

f
w

singing

.
P

p
j
p
j
p

.
P


p b


p b
>
b . >

b b
J

.
.

b b
J

w
b
J

singing

> .

j
-

> .

p
> . >
p
b

J .


> .

.
P

# .
J


> . >

b
> .

singing

b
> . >

w

J

w
f

singing

w
f
w
f

.
P

44 b
>

42

42

44

44

42

42

J b

42

44

b
> >

b
> >

b > >

b # n b
# 44 N w
42
F
f
>
44 . >
42

? 85
b. b
>
> .
? 85 b . b b

44

b.
>

w
f

44

42

& 85

b b b
b 44
42
F

42

? 85
b. b
>
? 5 b > . b
8

b n # 4
42 b b
4
F
24
44

b b

44

11

Emphasized and vaporous (listesso tempo)

44

.
>.
> .
? 85 b .

44

81

.
& 85 b . b
>
& 85

42

? 85

Timp.

> >
b b

# >
# ... b # n
5
& 8
Marimba

> >

& 85 b .

> #

> >

& 85 b .. b

>

Tbn. 1
2

> >
b b b

Flug. B b 1
2

2
4

42

B b Tr. 2-3

Hn.

b. # b
>

42

> .
& 85 b . b

1
3

> .

& 85

& 85

& 85

> .

& 85

.
b > b

& 85

& 85

? 85
b. b
>

& 85

Teo Aparicio-Barbern

- .

- .

- .
b > .

- .

> .

>

b -

b -
.
>
>
> . >

b.


J .

.
>

>.

b
>

> .

> .

b >

b.


J .

42

44

42

44

42

44

42

44

42

44

Hypothesis for parallel souls

12
86
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

Bsn. 1
2

&

J
w
w

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

>
J

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

2
4

&

b
b > .

Bass. Tbn.

Euph.

Tubas

Cellos

j

>

Str.Bass

>
J

#
J

Solo

.
F

-
J

#.

# #
p

# #

#
J

# # ww

#
J

p.

j j #
. .

#
J

# #

# #

#
J
.

. .
J J

#
J

# #

# .

#
J
.

# j j
.
.

f
#
-f . - .

- .

- .

w
# ..
J-

w
w

w
w
w

p .

Pizz.

Pizz.

j j
. .


J J


J J

P
- . - . - .

Perc. 2

&

&

Timp.

Marimba

&

Solist Fl.

# #
p

- . - .

> .

# #

Tbn. 1
2

&

Hn.

E b Cl.

j

>

Teo Aparicio-Barbern

- . - .

f

- .


- .

Cabasa

. >

- .

J J

> > >

j j
. .


J J

J J

>

- .
- .
- .

- .

- .
- .
- .

J J

- .
F

> >

j j
.
.

j
# -

Solo

Hypothesis for parallel souls

Teo Aparicio-Barbern

13

42

44

42

44

42

44

42

44

42

44

E b Cl.

&

42

44

&

42

44

B b Cl. 2
3

&

# #

42

44

B. Cl.

&

42

44

Alto Sax. 1
2

&

42

44

Ten. Sax.

94
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2

#
J

# #

#
J
.

#
J

97

# #

.j j
.

# .

&

42

44

Bar. Sax.

&

42

44

B b Tr. 1

&

42

44

B b Tr. 2-3

&

42

44

Flug. B b 1
2

&

42

44

1
3

&

42

44

2
4

&

42

44

Tbn. 1
2

42

44

Bass. Tbn.

42

44

Euph.

42

44

Tubas

42

44

Cellos

44

Str.Bass

42

Hn.

Solist Fl.

&
&

Marimba

Timp.

Perc. 2

&

# -

>

J J

J J

j j
.
.

j
# -

- .

- .
- .
- .


- .

arco

arco.

2
4
42

4
4

b
44
b b



- .

42

24 b

42

42 44

42

44

42

42

44
44

b b n b b b
b
f


. . . >
f
b . . . >

44

b b

. .

b .

. .

> . . b

b
J
b

b b b

b >
b

J
b b

44

44


J
F

Hypothesis for parallel souls

14

Teo Aparicio-Barbern

b > .

Picc.

&

38

42

44

Fl. 1
2

&

38

42

44

Ob. 1
2

&

38

f
b > ..

42

44

E. Hn.

&

38

42

44

38

42

E b Cl.

&

38

42

&

38

42

B b Cl. 2
3

&

38

42

B. Cl.

&

38

42

Alto Sax. 1
2

&

38

42

Ten. Sax.

&

38

42

Bar. Sax.

&

38

42

B b Tr. 1

&

38

42

B b Tr. 2-3

&

38

Flug. B b 1
2

&

38

1
3

&

38

101

Bsn. 1
2

Hn.

f
>
b ..

&

38

Tbn. 1
2

38

Bass. Tbn.

38

Euph.

38

Tubas

38

Cellos

Str.Bass

38

&

>
b >
b
p

2
4

Solist Fl.

&
Marimba

Timp.

?
?


b
> b
>
>
p
>
>
>
b

b >

b > .
b
F



b
> b
>

b

J
F

>
>
b b b
P

b b
>
>
b

P


>
>

>
b
>

b > .

42

44

42

44

44

44

44

44

>
42 J

42

>

J
>

24 J
b >
42 J

42

42

> . b

>
b b ....

38

38

Crash cymbals

38

j
38 b
b
>

38

44

f
b > .

J
j b

f
. b
4

4
J
J

f
# 4 . b J b
J
4

j b
44

J

f

38 >

f
b > ..

44

42

38
J
f

Perc. 2

38

f
> .
b
b .

Suspended cymbal

&

b b
>
>
b
J

b >

3
8

> .
.

j b b J
44
b
f
# 44 . b b
J
J

f
# 4 . b J b
J
4

f
# 4 . b

J b b J
f

Bass Drum

b b

b # b ...
>.

> .

2
4

24 J

j b
44
b
f

44

b
f
j b b J
44
b
f
4 b
4
f
44

44


> >

j
42 b

>

44

42 b J

44

44

42

Snare Drum

> .

42

44
J

42
F
42

44

42

44

b
J

Hypothesis for parallel souls


110
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2
E b Cl.

b b b b
24 b b
f
b b
b b b b
42
f
b

b
42 b
f

42

b b b
42

85

44

43

38

85

85

43

38

85

>>
. b 44

43

38

> b .
. b

44

44

43

44

44

44

43

43

b b J

38

b > . b

&

. b b 42 b b 38

&

. b b b 42 b b b 38

B b Cl. 2
3

&

b . b J

B. Cl.

&

jb

42 b b 38

42 b

38

b.
>

b.
>

b.
>

Alto Sax. 1
2

&

b . b 2 b b 3
.
4
8
b

Ten. Sax.

&

. b b b 42 b b b 38

Bar. Sax.

&

b
J

b
42

38 b > ..

B b Tr. 1

&

B b Tr. 2-3

&

42

Flug. B b 1
2

&

42

1
3

&

42

2
4

&

42

Tbn. 1
2

42

Bass. Tbn.

42

Euph.

b b J

Tubas

b b

Cellos

Str.Bass

b b J

Hn.

Solist Fl.

Marimba

Timp.

b b

38

> b
38 .

42

.
>

>.

85

85

85

38 b .
.
>

38 b .

>.

38 .

>.
> .
38 b .

38

b > . b

b b b
42

38

b > . b

42 b b
b

38

38

2 b b b
4

3
8

b > . b
b. b
>
b > . b

38

> .

f
> .
.
f
> .
.
f

.
.

> >

> >
. 44

44

44

44

44
>>

43

44
>>

43

85 b .
> #
.b b
85

> b .

> .
85 b . b

> .

85 b .. b

>

> .
.

> >
. 44

.
.

44

43

44

43

44

43

44

44

85 b . b
>
5 b > . b
8

44

85

85 ..
>
b > ..
85
85 b .
>
b > ..
85

b b
b
b b

85 b . b
>

.
>

85

42

38

85

42

38

85

42

38

b.
>

85

38

85

85

85

38 > .
.

&

42

38

43

43

43

42

>

38

43

44

42

43

43

44

&

>

43

43

&

Perc. 2

>

42

42

.
>

> >

.
85 b . b
>

.
>

.
>

.
>

85

b. # b
>

85

>.

.
>

85 b . b
>
85

b b b
42

15

38

Teo Aparicio-Barbern

> .

>

>

>

b b

b
N b b n # n b
44 b # # n n b b
J
3
3
3
3
3
3
3
3

b b
>
>
b >
b n >
b b >
b

44 b n
b n


b

J
J
J
J

b b n n >
b b >
>
b b >
n >
> b > > b > > > >
44 b b n
J

J
J
J

43
43
43
3
4
43
43
43

44

43

44

43

Tambourine

44
>>

43

b.
>
f

4
4

>

.
>>
f

44

43

44

43

16
& 43

Risoluto

Fl. 1
2

& 43

Ob. 1
2

& 43

121
Picc.

E. Hn.

Bsn. 1
2
E b Cl.

B b Cl. 2
3

B. Cl.

Alto Sax. 1
2

Ten. Sax.

Bar. Sax.

B b Tr. 1
B b Tr. 2-3

Flug. B b 1
2

1
3
Hn.

2
4

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba

Timp.

Hypothesis for parallel souls

138

rK j
& 43 .. #
>
? 43

>

from an armenian dance

.. # rK j
>
b

>

..

rK j
#
>

>

b b

b b

b b

b b

F
F

.. # rK j
>

>

Teo Aparicio-Barbern

.. # rK j
>
F

>

.. # rK j
>

>

& 43

& 43

& 43

>

>

>

& 43
& 43

>

& 43

>

& 43
>

& 43 ..

# >
R J

? 43

>
? 43

>
? 43

>
? 3
4
>

>
.. # J
R

rK j
.. b
#
>
j
#

>

b
b
b
b
b

# >

J
j
b
>
b >
J

>
J
b

>

b
b

>

>

>

>

>

rK j
& 43 .. b
#
>
j
#
& 43
>
# >
& 43
N
J

j
b
3

& 4

>
b >
? 43
J

>
? 43
J

>

..
..

rK j
b
#
>
j
#
>

# >

J
j
b
>
b >
J

>

>
.. # J
R

..

>
J

>

>

b
b

>

>

rK j
b
#
>
j
#
>
# >

J
j
b
>
b >
J
>
J

& 43

? 43

>

43

Perc. 2

43

> .
43

3
& 4

>

>

>

>

>

>

>

rK j
b
#
>
j
#
>
# >

J
j
b
>

>
.. # J
R
..

b >
J

>
J

b n

>
b

b
b
b n

>

b
b

>

>

>

# >

J
j
b
>
b >
J
>
J

b
J

>.

b
b
b
J

>

>


J
F

rK j
b
#
>
j
#
>

# >
R J

b >
J
>
J

..

# >

J
j
b
>

..

rK j
b
#
>
j
#
>

>
.. # J
R

>

..

rK j
#
>

>

>

..

>

>

>
.. # J
R
F
rK j
.. b
#
>
F
j
#

>
F
# >

J
F
j
b

F >
b >

J
F
>

J
F

>

>

b
b

>

>

& 43

? 43

>

# >
R J

.. # rK j
>

Hypothesis for parallel souls


129
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

b b

b b

b b

b b

b b

b #

.. # rK j
>

>

>

>

Bar. Sax.

&

>

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

2
4

&

Tbn. 1
2

# >

J
j
b
>
b >
J

Bass. Tbn.

Euph.

>
J

Tubas

?
?

Str.Bass

Solist Fl.

Marimba

Timp.

>
.. # J
R

rK j
.. b
#
>
j
#

>

.. # rK j
>

.. # rK j
>

.. # rK j
>

.. # rK j
>

>

>

>

>

>

>

>
.. # R J

>
.. # J
R

Kr j
..
#
>
# >

rK j
.. b
#
>
j
#

>

# >

J
j

>
b >
J

>
J

b b

>
b b

>

>

>

&

Cellos

>
b

K
.. # r j
>

Hn.

Teo Aparicio-Barbern

# >

J
j
b
>
b >
J

>
J

b
J

>
.

b
b
J

>

>

>

>

>

>

>

>
.. # J
R

>

rK j
.. b
#
>
j
#

>

rK j
.. b
#
>
j
#

>

>
.. # J
R
p
K j
r
.. b A
#
>
p
j
#

>

# >

J
j
b
>
b >
J

>
J

> b

b
b
b
b
b

>

>
.. # J
R

b >

# >

J
j
b
>
b >
J
>
J

# >

J
j
b
>
b >
J

>
J

b b

b b

>
b b

b b
b

>


b
b

>

&

&

Perc. 2

&

> .

j
>
F

J
J

j
b

J


>

J
f

J
f

. . .

J

p
f

J b
f
p

#
A
J

f
p
j
j j

p
j
N

#
J

.
.

# >
J
j

>
j

. . .

j j
.
p .

j
.
j
.

A
#

j
j j

j
J
J

j J j

>
J

b A

# >
J

j j
.
. . . .

j j
.
. . . .

j J j

p
N

j . j
.
.
p

j
j

N
J

j J j

p
>

# >
J

. .

j
#
>

j . j
.
.

j j
.
.

j
J
J

j
.
j
.

j J j

j J j

p
. # .
. b b n

j
J
J

. # . . b .

b . b . .


J
J
P
.
.
. . .


J
J


J
J

Pizz.

>

.
.
. . .

J
f


> > >

17

J
.

j J j

.
.
. . .

>

J
F

Hypothesis for parallel souls

18
138
Picc.

Fl. 1
2

Ob. 1
2

E. Hn.

Bsn. 1
2

&

&

E b Cl.

&

&

. .

. . . . .
b b

b
p

j
b
>

j

>

j
j

j
b

j j
b

# >
J

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

B b Tr. 1

&

b #

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

2
4

&

j
J

cresc.

.
b b

.
. .

b #

j
b

j j
b

j j
b

>
J

j
b
>

j
. . . .
j
. . . .

b j
J b J

b #

b
b #

b . j .j

j
.

b . j .j .

j j
.
.

j
.

j j
.
. .

Marimba

Timp.

&
?

J
.

.
. .

b j
J b J

>

J
F

.
.

b j
J
J b

b . j

.j

j
.

b . j .j . .
>

j
.

j
.

j j
.
.
b .
.
J

j
.

J
.

J b J
J
.
b . b n # .
p

b
J
J

b .

. . .

b j
J b J

J
.

J b J
J

b
J
b
J

j
b J

b J
J

>
>

b >
J
f
>
b
J
f
b >
J
f
b >
J
f

b
>
f
>

J
f
>
J
f
>
b
J
f
b
>f
>
J
f
>
J
f

# b b . . . n .

b
J J

b
J

.
.
b . b . .

.
b . b

.
. .

J
.

J b J
J

> b b > n >

.
.
b . b . .
J

&

cresc.

b >
J

>
b
J

b >
J

b
>

> >

b
>

b
>

Kr >
.. b
J

>
.. b R J

>

>
J
>

J
>

Kr >
.. b
J
>
.. b R J

>

>
b J

b
>

j
b
>
>
J

b
>

>
b
J

b
>

j
b >
j
b
>
>
J
b

>
b
J

b
>

b
>

>

J

# b

j
b
>
>
J

j
b >

>
b J

b
>

>
b
J

>
J

K>
.. b r b
J

b b
> >
f

b > n b

b b b b n b
>

>

Tom-toms

# > >

b b >
J

b
f

b >
J

b
>

b >
J

b >
b
J

b b

>
b
J
f

b >
J

b >
J

b
>

b >
b
J

> >

>
J

b >
J

b
>

b
f>

>

b >
J

b
>
f

>
J

K>
.. b r b
J

>

arco.

>
b > N > >
b
J
J

>
f
>
J
f
>
b
J
f
j

>
f
>
b
J
f
j
b
>
f
>
J

. . # .

b j
J
J b

.
.

.
.

. . . >
J

Perc. 2

143

cresc.

b #

j
b
>

&

b #

Solist Fl.

b b N b . .

Str.Bass

j
J

j j
b

Euph.

j
b

>
J

j
b

>

j
b J

b
J

b #

>
#
J b

Cellos

b b b

j
#
>

j
J


b b b

. . . . .
b b

Bass. Tbn.

b j
J b J

j
.

j
b

Tbn. 1
2

cresc.

&

j
.

>
J

Bar. Sax.

. . . . .
b b
j

>

#
p
b #

&

Tubas

j
#
>

B b Cl. 2
3

Hn.

cresc.

&

&

Teo Aparicio-Barbern

b >
J
f

>
J

b >
J

b b >
J

>

>

J

Hypothesis for parallel souls

Teo Aparicio-Barbern

19

147
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

Bsn. 1
2

&
?

K>
.. b r b
J
F

>

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

Ten. Sax.

>
F
Kr
& .. b
F
& .. b R
F

>

>

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

2
4

&

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Hn.

Solist Fl.

&

Timp.

?
?

Perc. 2

&

b >

J
F
j
b
b
F>
b >
J
F

>
F

b >
b
J
F

>
F

b
F

>

b b >

38 b b
P
38

b
>

>

>

>

b
>

b b

38

>

b b >

>

b b >

>

b j

b b >

b J

F
b


J
j

b b
J

J
j

b j

b b

38
b

b
b

38

38

. . .

b j
J
J
b
P
b

J b J
J
P

. . .
b b b

.
.

j b J
b

j b J
b
b
b J
J

>
b

>

>
b
>

38 b
J

b b
>

38 b
J
b
3 J
8

j
b

j
b

38

38 b
>

b
J

b b
>

38 b
J

38

38

38

38


J
P

b b

38 b
> b

38

38 b b

P
b j
J
J
b
P

>
J

> >

b b
J
P
b j

P
>
b
J
P
>
b
J
P
> .
b b b

>

b > b >

b b >

38

>
b

. .

b > > b

38 b >

j

>

b
>

b . # .
.

b # . .
.
> .
P

b >
J

>
b #

b >
J

38 > # b

>

# > b > N

38 >

38

>
b

> > #

b b
>

b #

>
b b
J

38
b b
>

>

. .

b .

# >

. .

b b

b . .
> .
.
.
P
>
>

F
>

>

j
b
>
>
J

>
# > #

j
b >

38

b b

>

38

>
b

b
b

38

b > >

&
Marimba

b
38 b
P
b >
38 b

>

b N

>

b
>

Bar. Sax.

>
F

>

38

b
J

Hypothesis for parallel souls

20
155
Picc.

&

Fl. 1
2

&

b
b

b > N
b

Ob. 1
2

&

>
b

E. Hn.

&

E b Cl.

&

&

Bsn. 1
2

b b

B b Cl. 2
3

&

B. Cl.

&

b b
>

Alto Sax. 1
2

&

>

Ten. Sax.

&

# > b

>
b # N

Bar. Sax.

&

>
b

>
b

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

Hn.

2
4

&

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba

Timp.

b b
b

b b

>

j
>

b > .
p

>

.
>

j
>

>.
p

.
>

> >

b
>
P

b
>

b
>

b
>


> >

j
>

>
b.
p

J

b.
>

>

j
b >
>
P

j
>

b > >

b #
P
j >
b
>
P

b #

b #

j >
b
>

b #
> >

>.

j
>

Perc. 2

&

b >
J

j
b
p >

b.
>
p

j
>

b > .
p

j
>

b.
>
p
b.
>
p
b > .

b
> >
P
j
b
>
F

b.
>

b
>

j
b >
>
P
>

j
b >
>
>

.
>
>

>
b

>
b

j
>

b j
>

>

P
>
b

>
b
J
P
>
b
J
P

j
>

j
>
j
>
>

b
>

>

b j
>

j
b >
>

b .
>

j

>

b .
>

j

>

b > >

j

>
j

>
j
>

.
>

> >
b #

>

b >
J

.
>

> >

>

j
b
>

.
>

j
b >
> >
>
b
J

j
>

j
b
>

>
b
J >

j
b >
>
P

>
>

>
b
J >

j
b
>
P
>
b
J
P

>

>

>

j
b
>
P
j
b
>
P
b >
J
P

b
b >
> >

Tambourine

>
F

b >
J

j
b
>

j
b
>

b
> >

j
b
>

b > .

b > .

b N

b.
>

j
>
>
J


> >

j
>

j
b
p >

.
>


P
b

j >

j
b >
>

j
b

b
J

>

b
J
b
J

b
J

>

j
b

P
b

b
>

>

b
J



b b
>

b b
>

b b

165

b
J

b b
>

&

b b

&

b b
>

b b
J

Teo Aparicio-Barbern

j
>
j >

.
>
.
>

b
b >
>f >

b .
>

b .
>

j

>

b
b >
>

j

>

43

43

43

43

b >
J
f
>

J
f

43

43

43

43

j
#
>

43

43

43

>
>
J
f
>
J
f
# >
J
f

j

>

43

43

43

43

>
b b

43

43

>
J
f
>
#
J
f
>
J
f
>
b b

b b
>
f
b b >

.
b .

.
.

.
.

.
.

b b
>
b >

43

j

>
f
j

>
f

43

43

43

43

3
4

43

43

43

43

>

43

43

43

43

>
f
j

>
f
j

>
f
b >
J

f
j
b

N
b
>

b >
J
f
>
f
j
.
f

Hypothesis for parallel souls


& 43

167
Picc.

Teo Aparicio-Barbern

b b b
5

Fl. 1
2

& 43

b b
b

Ob. 1
2

& 43

b b
b

b b

E. Hn.

Bsn. 1
2
E b Cl.

B b Cl. 2
3

B. Cl.

Alto Sax. 1
2

Ten. Sax.

Bar. Sax.

& 43

? 43 j j j
> b > b >

>

& 43

& 43

& 43

& 43

j j j
b b
>
>
>

& 43

& 43

j
>

& 43 # j n j b j
>
>
>

>

.
b b b >
p

b . b
>
p

>

Flug. B b 1
2

& 43

2
4

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba

Timp.

? 43 j j j
b b
>
>
>
j
j
j
? 43
> b > b >
? 43 j j j
b b
>
>
>
? 43 j j j
b b
>
>
>
>
>
? 3 J b J b >
4
J

j
b
>
>
J
j

>
j

>

p
.
b b b >
p

>

b . b >
p

? 43

j
b
b

Perc. 2

>
43 J

43 J
>>>
F

43

& 43

Tom-toms

>

b -

b -

b -

b 3

>

>

b A .
J

> >

. >
J

. b
J >

>
b
>
>

.
J

# #

.
J

# #

.
J

# #

#.
J

> b >

# # #

>

J

b
F

>

>

>

>

>

>

>

>

>

F
b > >

>

>



>

b >

>

>

J

>

>

> b >

> b >
> b >

> b >

> b >
> b >

b
>

>

>

b b

>
J

>

b
b

b
b

>

#.
J

b
>
F
b >

#.
J

>

# #

#. #
J

>

b
>
>
>

# #

>

J
f

# #



>

>f
>

J
f
j

>
f
>

J
f

>f
> .
f

b A # j
>> .

b A .
J

>

b
b

& 43

>
J

? 43

>
f
>
b
J
f
>
J
f
j

>
f
>

J
f
j

>f

. . b . . . .
b

j
>
f

b -

>
a .
#

F
> >

. .
. . b b

& 43

>
>
J

. b >
b b
p
b . b >

j
j

>
>
>
J

j

>
f

>
a .
N

J
>
a .
N

& 43

j
& 43 b
>
>
>
? 43 J J

B b Tr. 2-3

Hn.

>
b b
J

& 43

>
>
>
& 43 b b J J J

>
J
f

B b Tr. 1

1
3

b -

p
. b >

>
a .
N

21

b >

>

J
>

J
j

>
j

>
>

J

>

b b

b
J

Hypothesis for parallel souls

22
175

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

>

2
4

&

>

Tbn. 1
2

Bass. Tbn.

Euph.

Picc.

Bsn. 1
2

Hn.

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba

b
b

b
b
3

b n

b b 38
38

>

b b 38

b b

..

>

b
3

>

>

>

>

>

b
3

>
>

b
b
3

>
>

b
3

43

b b b b

43

b b b b

43

b .
b J

43

43

43

43

43

43

43

j
N >

43

b
>

#
f
38 j
b
>f

#
>

>

b
3

38 b b j
>
f
38 b b j
>
f
>
38 b
J
f

j
b
>f
38 b >
J
f
38
3
8

&

&

38

b > > > > > > > >


b

38

38

b .
.
.
34 b

38

38 b
f

>

>

38

# >

38

b 3 b
8 b J
f
b 3 b
8 J
f

j
b
>f
b >
J
f
b >
J
f

38 b >J
f

43

43

j
b
.
p

j
b .
p
b .
J
p

.
b J
p

43

b
p

b >
b
J

j
b
>

b j j j
>
>
p >

j j j

p # >
>
>

j
j
j
43 b . . .
j
j
43 b
.
.
b .
.

34

j
.
.

>
j
b
>

j
#
>
j
b
>
j
b
>
b >
J

b b b b
P

b b b b
6

#
>

b n

.
.

#
>
>

b n

43 b
P

>

>

b J
F

b b

43 b
P
3
4 b
P

43

43

>
>

J

b .

>

j

>

>

>

#
J

>

>

#
J

j
b
>
b >
J

>
b >
J

>

b.

43

38 j
b

43

38

43

Perc. 2

38

43

38

43

43

~~
ndo~~~
j~~~~~GG~lili~ss~s~saa~~n~~d~~38o~~~~~ J
b b ~~~~~~~

f
b
b
J
f
b
J

b n

&

b n

j
b >

>
J
F
>
b
J
F

f
b b
J

>
J
F
>
J
F

b >
J

43 b
P

b . . .
43
b

Timp.

b
J

38

>

>

38

J
f
j
b
b
f
b
J
f
b
J

f
b
b n 3
8 J
f

b
J

f
b

b
b n
38 J
f

#
38 J
f

38

Teo Aparicio-Barbern

b b n

b b

>

>

J
China
f Cym.
>y
J
f

182
Picc.

Fl. 1
2

Ob. 1
2

E. Hn.

Bsn. 1
2

&

b b b b
5

&

b b b b

&

b b b b

b b b

&

Hypothesis for parallel souls

>
A
>
A
>
A

.
J

b b b b

.
J

b b b b

.
J

>
A

.
J

>

.
J

&

b b

B b Cl. 2
3

&

b b

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

2
4

&

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Hn.

Solist Fl.

&

5
5

b >

n # >
>

.
J

>

.
J

>

>

# >
J
f
>

J
f

b >

>

>

# N
>

n
>

>

b
b

>

J
f
j

>
f

b
J

# # # #

#.

n
J

b b b

b
J

b
b
>

>

b b b b

b b

b ..

>
F

#
>

>

b
>

j
>
b
..
J

b
J

>
# N

>

>

&

E b Cl.

>

23

b >
b

Teo Aparicio-Barbern

b >
b

b b b
3

b
>

b
3

#
>

#
>

n
>

b
>

b > b

>

>

>

b >
b

b
b
>

>
F

>

>

b
>

b
>

>
F

>

>

b >

b
>

>
F

>

>

b
b >

b
b >

>

>

b
J

b
b

>

>

> b

>
j

>
j

>

b b

Perc. 2

&

b
b

>
b b

Timp.

&
Marimba

b
b

> b

b
J

J

>
F

Hypothesis for parallel souls

24
187
Picc.

&

38

Teo Aparicio-Barbern

38

38

Fl. 1
2

&

38

Ob. 1
2

&

38

38

E. Hn.

&

38

38

38 b
>

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

38

Bar. Sax.

&

38

B b Tr. 1

&

38

38 b # >
J
f
>
38 b J
f
38 b >
J
f
>
38

B b Tr. 2-3

&

38

38

38

38

38

38

38

Bsn. 1
2

Flug. B b 1
2

&

1
3

&

Hn.

2
4

&

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

&
&

Marimba

Timp.

?
?

j
b
b

j
b

b
>p

p
p

>
b
J
p
>
b
J
p
>
b
J
p
b
J
p
b
J
p
b
J
p

b
>

j
b

38

j
b

38

b .

38
b
>

j
b b
j
b

j

j

38

b
>

b b
>

b b
>

b
>

b b
>

38

38

38 b
>

j
b

j
b

b
J

j
b

j
b

b
J
b
J

b
J

>

b
J

> b

>

b .

b .

b .

b
>

b b
>

38 b
J

b b
>

b
J

j
b

38 b
J
b
3 J
8

j
b

j
b

b
J
b
J

j
b

38

>

38

38 b
J
P
38 >
J
3

b > n

> b

b b

b
J

b
J

> b . .

38 b b

b
J

b b

>
b b

b >

b
J

b
J

38
38

>
J

b b
>

N > b

38

j
b
b

b j
b
p

38

>
b
J
f
# >
J
f
>
J

f
>
38 N b
J
f
38
j
b
>f

f
b >
f

>
f
>
b

f
38 b
N
f>
b >
38
f
38 b >
J
f
38 b >
J
f
38
j
b
>
f
38 b >
J
f
3 b >
8 J
f
>
38 J

>
J

b >
J
f
>

J
f
b >
J
f
> >
b

>
J

b >
J

>

b >
J

>

>
b

>
# J

>
# J

>
b J

>
b J

b b >
>
b >
J

b b
> >

>
J

>

>

>
J

b
>
b >
J

b
>

>

>

b
>

b
>

. . . .

>

>

. . . .

b >

b >


. . . .

>

>

. . . .

.
.

.
.

.
.

.
.

>
b

>
b

b
>
b >

b
>
b >

b b
b
> >

>

b
>

>

b
>
>
b

j
38 b N

>f

>
b
J

>
b

38
38

38

Perc. 2

38

38

38

38

&

38

38

>
J

> b
>
> >
b
> >
b

>

> >
b

b b

>

>
b

>

>

>
b

>
b

>
J

Hypothesis for parallel souls


196
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2

>

>
J

b >

>

b >
J

>

>

>

>

>

b >
J

>
>
b

>
b
J

b >

>

Flug. B b 1
2

&

1
3

&

b b

>

2
4

&

b b

>

>
b
J

b
>
>

>
b
J

b b b

>
>
b
b
>
>
>
>
b
>
>
b

&

&

>

j
b
>
b >
J

>
b
J

>
>

&

&

b >
J

B b Tr. 2-3

Perc. 2

>

>

>
J

&

B b Tr. 1

Timp.

b b
>
>

Marimba

&

Solist Fl.

Bar. Sax.

j
b >


>

Str.Bass

&

Ten. Sax.

Cellos

&

Tubas

Alto Sax. 1
2

j
b
>
b >
J

&

b b >
>
b > >

B. Cl.

Euph.

b >
J

&

>

B b Cl. 2
3

Bass. Tbn.

b >

&

>

>
b

>
b
J
j
b
>
>
b
J
>
b
J

>

. b .

# j
.

# . .

p b .

b .

.
p

.
b
J
p

j
b .

. .

b .

b >
J

>

J

b >
J

>

J

j

>

> b >

>
J

>
J

>
#
J

>
#
J

b . b .

.
b
J

b . b .

.
.

.
.

b .

b . b .

b . b .

.
.
b

f
f
f

>
J
>
J

>
#
J
f
j
b
f>
>
#
J
f

>
J

b
> >
>
#
J

b b
> >

b >
J

> >
b
>
J

b >

>

b >
J

>

>

>

J

>

b >
J

>
b >

j

>

b >

>
J

>

>

>

>

>
#

>

>
#
J

b
> >
>
#
J

b >
>
>
>
#

j
b
>
>
#
J


>


>

j
#
>

>
J

>

b > . . . .

b >

b b

b >

b b

b b b


> . . . .

>

b
b

b
b

b b . . . .
>

b b
>

b b

>
b b
>

b b

b b . . . .
>

b b b b
>
b b b

b
>
>

b b

b
>
>

b b

b
>
>

b b

>
>

b
>
>

>

j

>


>

b .
p

Cue String Bass

.

p
.

.
b
b .

p
> . . . .
f
> . . . .
b
f

. .
b
.
b .

. b .

. b .

>
b b

>

>

b b

> . Triangle

>
>
> b >

>
f
j

>
f
j

>
f
>
J

>
b N
J

j

>

> .

b b

.
.

j

>

.
.

.
.

j

>

>
b b
b b

.
.

> >

b >
J

>

>

j
b
p .

b >
J

>

. . . .

>

. .
b

.
J

b >
J

>

J

.
b

b >
J

b >

>
J

.
p J

b >
J

b b
P

> >

# j
p .

b >
J

25

b b

>
b
J

.

p

Faster
b >
J

j
#
>
f
j
b
>
f
>

>

>

>
J

>

&

Tbn. 1
2

# >

E b Cl.

Hn.

# >
J

201

Teo Aparicio-Barbern

>


> >
> b >

> >

>

b b
> >

b b


>

>

> >
b

>

>
> >
b
>

>

b b
>
>

>
J

>

b > . . . .

b >
J

b b
>


> . . . .

>
b >

>

>
>
b >

>

>

.
.

>
j

>

j

>

>


>

>

>

>

> >


>
>

>

J

>

j
b
>
>
J

j

>

>

.
.

.
.

j
b b
>

.
.

>

>
J

j
b
>

> . . . .

b >

> .

>

j

>

b > b b .

b > b b .

j
b
>
b >

>
b b
J
>

>

>

J

>

b.
>
f

b > .

Hypothesis for parallel souls

26
208
Picc.

&


b n b

b n b

Fl. 1
2

&

Ob. 1
2

&

b b n
b n b n b

b
b b

E. Hn.

Bsn. 1
2

&
?

b b

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

b
b b
F

b b b

b
b
F

f
b

>

f
#

b
b

b >
#
#

#
b n

#
b n b # bb b
b
b

>

b
b

>

b
b
F
b

F
b
b

b

F


b
b

>
b

b >

b .

&

b b b

n .

N b ..

..

b .

Flug. B b 1
2

&

b b

b .

1
3

.
.

&

b ..

..

2
4

&

b b b

.
n .

b.
.

>

.
.

b >

.
>

>
>

Hn.

Tbn. 1
2

Bass. Tbn.

b b

b b

n .

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

&
&

Marimba

Timp.

>
b b .
b >

?
?

>

>

Perc. 2

&

> .

>

.
.

F
>
F

b >

>
b

b >

>
b

b
b b
F

>
F

b
>

b
>

>
F
>

b >

b
>
>
b

F
>

b >

b >

>

F b >

b >

b >

P
>
J

b
>

>

b
>

b
>

>

b
>
b >

b >

>
>

b
>
b >


b n b

b b b

>

>

>

>
>

>
>

>
>

>

>

>

>

>

>

b >

b >

34 J

34 J

43 J

44

44

44 .

44

44

44

- .

- .

>
43 J
f
>
43 J
f
j
43
>f
j
43
>
f
j
43
>
f
>
43 J
f

44
# ww

44 w

w
#

44

44

44

44

44

44

44

poco a poco rit.

- .
- .

44 ww

4 - .
4

44

44

- .

- .

44

44

44 w

poco a poco rit.

44

44

Barchimes

44
.

# -

34 J

- .

43
>
3 >
4 J

# -

Solo

44 .

44

43

>

poco a poco rit.

>

43 J

>
43 J
f

43

43 J

>
43 J

>

43 J

34 >
J

44

43

46

34 J
j

34
J

>
43

poco a poco rit.

34 J

43
>

44

Largo.
Grieved (afligido)

43 J
>
43

215

poco a poco rit.

43 j
>f

b >

43 j
>f
>
43 J
f

b b

b >
b
>

Suspended cymbal

>

>

>

Tom-toms

>

> .
f

Teo Aparicio-Barbern

44
p

44

Hypothesis for parallel souls

Teo Aparicio-Barbern

27

217
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

b . b
j

- p

bw

b ww


# -

w
w

- # #
J
F

j
-

&

Alto Sax. 1
2

&

ww

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

2
4

&

Tbn. 1
2

Bass. Tbn.

#w

#w

#w

#w

# ww

b
#w

- J


J J

223

j
.

# ..

j
..

.
p

Euph.

Tubas

Hn.

Cellos

Str.Bass

Solist Fl.

Marimba

Timp.

w
-

#w

#w

w
b
w

w-

w-

w
#

w
.

&

j

-

# N

Perc. 2

- # n r -

p
ww

.
.
p
-
J
J

Pizz.
.
.

p un poco rubato
b .
.
J
3
P meditating
soft sticks

&

# w

ww

j

-

&

b ww

Hypothesis for parallel souls

28
225
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

2
4

&

j

-

Bsn. 1
2

Hn.

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba


- -

.
w

j

-

J
.

&
&

- -

arco. -

b # n A r
3

ww

b -
-

.
P
#
P

b - b

b n

b - -

j

j
-

# # .

#
#

b b

#
P

n
b - b -

j
#

b b

Nw

b -

b - b
-

.
.
P
Nw

b b

P
b - b

# # w

j

-

# w

b b

- - - # - -

#
#
p

#
#
p

#
b

j
#

..
-

..
-

w
ww

- - - #
- - -

#.
P

ww

# #.
P

# - #
J J

# #

J
.

ww

.
.

. #
J

Perc. 2

&

Timp.

b b - b N.

b - b
.

P
- .
b . - - N - - # . N # J
J
3
f
p
b
b

#
# #
p

j
-

j
#

b
b n

#
P


J
p

# . #
.
j
#

j
#
j

Moving forward 52


.
J
p

- -

b - b b

Teo Aparicio-Barbern

..

Hypothesis for parallel souls


233
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2

j
b

b j

b
N b
b
N b

b
J

# n.

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

# .

.
.

b
#

#
#. .

# # #

# #

# #

# #

.
#. #

#. #.


#

#

# #

# #
F

F
#

. .


# #

poco a poco cresc.

29

poco a poco cresc.

#
# #

# #

.
#

b
#

j
#

&

&

E b Cl.

B b Cl. 2
3

Teo Aparicio-Barbern

# #

. #.

# #

. #.

#
J

poco a poco cresc.

# -

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

# -

Flug. B b 1
2

&

1
3

&

2
4

&

Hn.

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

Timp.

b ww

b - ..
b - ..

w
w

w
w

bw
w

b # ww

j
b

j
#
-

b ww


b b

j

-

b
#

j j

-

j

-

#
# # #

j
F

#
# # #

F
b
F

#
F

F
#
F

#
# # #

# #

poco a poco cresc.

- .
-

&

poco a poco cresc.

j
F

Perc. 2

j
j
-

j
-

w
w
.
.

j

-

j
#
-

w
w

b ..

&
&

Marimba

Tom-toms

j
.
>

>

Hypothesis for parallel souls

30
240
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

&

Bsn. 1
2
E b Cl.

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

&

Flug. B b 1
2

&

1
3

&

# j

2
4

&

# j

Tbn. 1
2

#
#

N #

bw

N #

# j

Cellos

Str.Bass

# .
#

# . .

j
#

b b

# N

# N

. # b # . b b n
J
3

# #
#

#
- # # # n #

Perc. 2

&

>

>

>


>

j

>

b
p

p
b.
p

.
f

>

b.
p

#
p

..

# ..

# #

# #

# #
p
p
p

p
p

> > .

> > ..

>

b.
p
.

>

p
b.
p

# #.

b
F
>

j

>

# #

# #
#

Timp.

# #
#

Marimba

# # #
#

&

bw

n # #
#

bw

bw

# j

Tubas

&

Euph.

Solist Fl.

Bass. Tbn.

B b Tr. 2-3

Hn.

j
#

Teo Aparicio-Barbern


J
F

>

>
F

>

J

>

J

>

Hypothesis for parallel souls


244
Picc.

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2
E b Cl.

&

#
#
#

b.

# #

n #

cresc.

# n # #

>

a >

# #

# #
#

&

# #

&

>

N >

..

>
J

# >

.
.

Bass. Tbn.

Euph.

# >

Tubas

Cellos

>

Str.Bass

b.

b.

&

&

cresc.

>
J

>
J

- - -

>

J
>

>

J

>

>

cresc.

b
>
>

N >
#

# # #.
# #

&

Perc. 2

# #

# >

b >

>

>

. n >

>
J

>

>

n #

# # n
>

J
#

b
b
b
# #

>

>

>
J

# >
J

>

>

>
>

b >

b
>
b >

> >
.

# > ..

# > ..

>

>
>

>

# >

>

>

>

>

>

>

>

>
#

>

>

b >

b
>
>
>
>
>

>

>
j
>

> ..

> ..

> ..

>
j
b b
>

>

J
j
>

j

>

j
b b
>

>
J
>J

>

>J
>
J

>

>
b

>

J

>

> .

j
b b
>

>

b >

b >

j

>

>
>

>

J
j

>
>

J

>

# # > .
3

>

J
n # >
J
3

>
>

b >

>

>

J

>
>
>

J
3
3

>

>

>

>
>

b
>

>
b

>

>

>
>
>

Gong F

>
b
J

>

> ..

>

# >

>

>

>

>

>

>

>

>
#
J

>
>

b b >

>

>

b b >

>
J

>

j

>

>
> > >

>

>

>

j

>

b b >

>
>

>
J

> > >

>
>

b
>

>

# >

31

> > >


> > >


b
>

# >

b
>

>

>

> > >

b >

>

>
b

>

>
J

# #

# -

#
# -

&

#
# -

Tbn. 1
2

Timp.

b.

Hn.

Marimba

# #

&

Solist Fl.

-#

>

2
4

# #

1
3

&

Flug. B b 1
2

Alto Sax. 1
2

&

&

B b Tr. 2-3

B. Cl.

&

&

B b Tr. 1

&

&

cresc.

&

Bar. Sax.

>

cresc.

B b Cl. 2
3

Ten. Sax.

Teo Aparicio-Barbern

>

>

>
J

32
248
Picc.

&

Calmly

Hypothesis for parallel souls


52

Teo Aparicio-Barbern

45

44

45

44

poco a poco accel.

Fl. 1
2

&

Ob. 1
2

&

45

44

E. Hn.

&

45

44

45

44

E b Cl.

&

45

44

&

45

44

B b Cl. 2
3

&

45

44

B. Cl.

&

45

44

Alto Sax. 1
2

&

45

44

Ten. Sax.

&

45

44

Bar. Sax.

&

45

44

B b Tr. 1

&

45

44

B b Tr. 2-3

&

45

44

Flug. B b 1
2

&

45

44

1
3

&

45

44

2
4

&

45

44

Tbn. 1
2

45

44

Bass. Tbn.

45

44

Euph.

45

44

Tubas

45

44

Cellos

5
4

44

Str.Bass

45

4
4

&

45

44

&

45

44

45

44

Bsn. 1
2

Hn.

Solist Fl.

Marimba

Timp.

?
?

# - -
- b

a piaccere hard sticks

soft sticks

# - - -

- b
P

poco a poco accel.

poco a poco accel.

poco a poco accel.

- - - - b b #

- b #

#
# - # -
54 # - # - b
4
- # 4

45

44

Perc. 2

45

44

45

44

&

45

44

poco a poco accel.

Bongos

& 44

255
Picc.

Obstinate

Hypothesis for parallel souls


84

Teo Aparicio-Barbern

33

Fl. 1
2

& 44

Ob. 1
2

& 44

& 44

? 44

& 44

& 44

& 44

& 44

& 44

& 44

& 44

B b Tr. 1

& 44

B b Tr. 2-3

& 44

Flug. B b 1
2

& 44

& 44

& 44

? 44

E. Hn.

Bsn. 1
2
E b Cl.

B b Cl. 2
3

B. Cl.

Alto Sax. 1
2

Ten. Sax.

Bar. Sax.

1
3
Hn.

2
4

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba

Timp.

J
p

r
#

r
#

# J
p

r
#


r
# #

? 44

? 44

? 44

? 44

? 4
4

& 44

& 44


> > > > >


> > > > >

> > > > >


? 44
f

> > > > >


Pizz.

J
p
.

J
Pizz.

J
F


#.
3


> > > > >
F


> > > > >


> > > > >

? 44

44

Perc. 2

44

O O + O + +
J
J

O O + O + +
J
J

O O + O + +
J
J

O ++
O O +
44 J J
3
F
> >
& 44
>
> >
F
imrovisation ad lib.
Djemb

imrovisation ad lib.

O O + O + +
J
J
3

> >

>
> >

> >

>
> >

> >

>
> >

> >

>
> >

O O + O + +
J
J
3

> >

>
> >

O O + O + +
J
J
3

>

> >

> >

Hypothesis for parallel souls

34
262
Picc.

&

Teo Aparicio-Barbern

43

43

> > > >


> > > >


Fl. 1
2

&

Ob. 1
2

&

> >
> >
43

E. Hn.

&

43

Bsn. 1
2

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

j
# #

r
#

43

# > > >


>

> 3

R 4
>

43

43

>
. # R 43 #
>


r
# #

43

43

&

&

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

&

# .
#

# .



> > > > >


> > > > >

Perc. 2

O O

&

>

Marimba

Timp.

+ O + +
J
J

> >

> >

O O +
J
3

>

O + +
J

>
>

> >

O O + O + +
J
J
3

> >

>
> >

arco

arco.

- # 3

>
3
R 4

O O + O + +
J
J
3

>

>
>

> >

> > > >


> # > >

>

..

#
> >

>

> >
# # > >

..
..

# > > > > # > .

>

>


> # > > >

> # > >


#
>

>

..

>

# > > > > # .


# # > .

# > > > > # .


# # > .

> > .
.
>

#
..

#
> >

> > # > >


# ..

> .
.

> > # > >


# ..

> .
.

> 3 >
R 4

....

>
R

>
R

43
>

..

>
>

>
> .
.

..

>

>

..

>

>

>
R

>
R

43

>
43
>

..
..

>

>

..
..

>

>

..
..

>

>

>

..

>

>

..

>
43

3
4
>
34

....

..
..

43

..

....

>
> >
>
# > 3 J
4
> #


> > > > >

&

>
3 #
R 4

..

43

>

# # j

..

>

Hn.

2
4

> >
>

43

&

>

..

>

> 3
R 4
>

43

j
#

&

E b Cl.

r 3
4
>
>

43

43

> .
43

43

>

>

..

>

> > > >


..

..

>

>

>

..

>

>

..

>

>

>

Hypothesis for parallel souls


269
Picc.

&

44

Expressive

Fl. 1
2

&

44

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2

>

>

>

(Listesso tempo)

44

44

44

.
>

&

44

&

44

B b Cl. 2
3

&

44

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

#
>

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba

Timp.

>
>

> ..

r
. # # 44 # # ..
>
>

>

44
44
44

> 4
4
R

44

.
.
>

>.

>

>

>

44

>

>

>

4
4

44

&

44

44

> > > >

>

4
4
>

44

Perc. 2

44

Glockenspiel

&

. r 44
f>

4

> > > > 4

>.

>.

shimmering

#.

shimmering

#.

j
.

j
.

# > ..

> .

# ..
>


> .
f

j j

>
F
3

> >
F
> . > > >

>

j j

>

Cabasa

>
F


>

j

>



>


> >

>
>
>

> >

> > >

>

>

>

> >

j j

>

j j

>

j j

>


>
>


>
>


>

j

>

3
3

>

# #

.
>

44

44

>

>

>

44

.
>

44

# #

#
F

>

>

44

>

>

44
#.
>

&

>.

44

# # ..
> >
> # > .
.

>

>
>

>


.
> > > # > > .

>
>

>

#
>

&

Tbn. 1
2

Hn.

2
4

#
>

35

E b Cl.

>

Teo Aparicio-Barbern

j

>


>

j

>

Hypothesis for parallel souls

36
276

Teo Aparicio-Barbern

# #
J
f
#
#
J
f
#
J
f
#
J
f

&

Fl. 1
2

&

Ob. 1
2

&

&

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

#.

#.
J

B b Tr. 2-3

&

#.

Flug. B b 1
2

&

1
3

&

2
4

&

Picc.

E. Hn.

Bsn. 1
2

Hn.

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

&
&

Marimba

Timp.

?
?

#
P

.
P
.
P
.
P

>
J

# .. #
J

#
f

>
J

.
.

.
. .
. . . .
# .

>

>

>

> .

>

>

> > >

>


>

j
>

j

>

>


>

#
f

#
f

f
# # #
#

#
f

> .
3

>

>

#
# # # # #

f
# # # #
J
f

# # n # #

N # # # n n # #

# # #
#
J
f
# #
#
J

# #

# #

>
j

>

>
F

# #

F
F

>
F



> >

>

> >


>

j

>



>

>

>

j
3


>

#
# # # #
# # # #

# #

# #.

# #.

>.
# # .

> .

# ..
>


>f .


>f .

# ..
>

# #.

# #.

Solo

#
# # # #

>

>

>

> >

j
>

j j

>

>

j j

>

3
3

J
F
# #

> > >


>

# #
# # #

# # #

#

P


# # #

# #

>
J

# # # #

# #

# #

# # n # # n

b # n # .

# # n #
3

#
f

Perc. 2

&

>
J

>

3
3


>

j

>

Hypothesis for parallel souls


281
Picc.

Fl. 1
2

37
. .

.
. # >
J J

. # .

. >
.

J J

&

&

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2

Teo Aparicio-Barbern


#.

. .

.
. >
J J #

. >
. # . . J
J
3

. .

.
. >
J J #

>
. #
J

.
J

.
3

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

E b Cl.

&

Bar. Sax.

.
. . # J j #
. >
3
F

3
. >
. # # j J #
.
.

.
. . # J j #
. >
3

.
. . #
. >
J

J # #
&
3
F

. >
. # . # . J #
J
3

. .

# .
. >
J J # #

j
. > #

j
.

# .

. .
F

# .

>
. #
J

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

2
4

&

Tbn. 1
2

Bass. Tbn.

j .
F

3
. # # j j
. .
. >#

B b Tr. 1

# j .j #
.
>

J .
F

.
J

Solo

#
J

Euph.

Tubas

Hn.

Cellos

Str.Bass

.
F
Pizz. .
?
F
Pizz.
?
.
F

. j
. .
. >
J J #

. .

. .

J
f

. >
. # . . J
J
3
3

#.

j
. .

.
. .
. >
J J #

. .

Perc. 2

O O + O + +
J
J

O O + O + +
J
J

Timp.

&

Djemb

> >

>
> >
F

> >

>
>
>

O O + O + +
J
J
3

>

>

>

>
>

arco

b b # n n # #

&
Marimba

>
. #
J

.
J

&

Solist Fl.

O
3

>

>

+
J

>

.
J
F
. .

. .
#

. .

. .
p

O +
J

>

>

. .
p

#
#.

. .
3

O O + O + +
J
J
3
p

O O + O + +
J
J

Hypothesis for parallel souls

38
287
Picc.

&

.
J

.
J

# >

. . .
J
3

.
J

Teo Aparicio-Barbern

> #

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

Bsn. 1
2

# j
.

j
.

# >

j
# . .
.
3

#
J

j
.

#
>
n #

&

&

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba

Timp.

.
3

Hn.

2
4

#
J

. .

b
.
p
b
.
p
b .

. .

J
F

.
3

. .

j

.

j

.
.

J

.
b

b .

.
J
.
J

>

. b .
J

>

# b.

.
3

Perc. 2

&

+
J

O
J

+ +

O O +
J
3

O
J

+ +

.
p

>

b
b



.
J

>

.
J

.
.

&

&

.
3

Hypothesis for parallel souls


291
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

b
.

2
4

&

.
b .

Bsn. 1
2

Hn.

42

42

42

42

Cellos

Str.Bass

j

. >
j

. >
.

>

>

Perc. 2

42

>
24 J

42

>
42

42

..

>

44

44

44

44

>

..

>
>


> > >
f

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

4
4

>

..

> >

>
>

..

> > > >

f
> > > >

..
..

>

..

>

>

..
..

>

>

..

>

>

..

> > >

>

>



> > >

>

..

>

>
.

# ..
>

>

>

>

..
..

b
> >

>

poco a poco rit.

> b >
>
b

#
> >

>

poco a poco rit.

44

..

> # >
>
>

>

>

>

>

>

>

>
b >

..

b
>
> >
> b >
>
b
..
..

b
> >

..

..

b
> >

#
>

>

>

b
b
> >

>

>

>

..
>

>
>

..
>
> ..

>

b
> >

>

>

b
b >
>

>

>

b
> >

>

>

b
> >

poco a poco rit.

poco a poco rit.

44

44
b b

f
poco a poco rit.
44

r 42

>
>
42

>

>

44

42
>f
42
>f

>
42

>
42

>
42

2
4
>f
>
42 J

39

> > >


f

..

42

>

>

42
>f

b b

b
b

42
>f

>f

42

Tubas

&

Euph.

Timp.

42

..

Marimba

42
>f

42

>

Bass. Tbn.

&

42

j
.
.
.
.
J

> b > >

42
f

42

&

>

> b

>

3
j

.
.

42
f

> b

42

Tbn. 1
2

Solist Fl.

42
f

Teo Aparicio-Barbern

..

>

>

..

medium sticks

>

>

..

b
> > >

>

>

..

ten
ggN ,
g

g
b
b
gg

>

4
4
>

44

44

44

44

b
> > b >

poco a poco rit.

Picc.

&

Largo.
Grieved (afligido) r

.
p

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

298

48

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

ww

r
.
p

. # .
.

. .
.

r
.

b
#w

b ww

b
#w

# #

r
# . # . n . .

r
# . # . . .

# ..
-

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

2
4

&

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

&
&

Marimba

Timp.

?
?

P
-

-
J

- .

b # n
3

b -

b .
b
-

two players

b - . # b

-
b

.
#

# #

a -

b
-

b -

- # #

b n -

b
- b j

- .
p

# #
P

b ww

Cue Basson

Cup muted

&

Bar. Sax.

1st.

# ..
-

. . .
. # J

&

Ten. Sax.

Hn.

-
# - #

expresivo

- b b j

# .
J

. .
. #

. . .
.
R

. .
. . b
J

. .
# . b .
. R

Teo Aparicio-Barbern

..
. r b .
.

...
. J
p

Bsn. 1
2

Hypothesis for parallel souls

. . .

40

n #

j
-
J

Perc. 2

&

Hypothesis for parallel souls


304
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2
E b Cl.

?
&

. . . .
. R

. . .
. J

- .

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

w
w

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

2
4

&

Tbn. 1
2

Bass. Tbn.

- .

P
? J

Str.Bass

Solist Fl.

&

- .

J
- .

-
J

Timp.

?
?

45

44

45

44

45

w
Cup muted

Perc. 2

&

307

45

Solo

b b
b
b

44

44

45

44

45

44

45

44

45

44

Solo

b
b
J

.
P

Cue Basson

45

44

45

44

45

44

45

44

45

44

45

44

45

44

45

44

45

44

45

44

45

44

4
4

44

Open

Open

5
4

45 J

45

# #

45

F
45 .

45

45

45 .

45

Barchimes

44 w

f
w
44

medium sticks

ggg
gg

w
ww
w

44

w
ww

# -w

44 .

45

w
w

j
F

Solo

45

ww

- n -
J

b
J

# w

#
- - - -

. . . .

#
P

w
w

w
w

&
Marimba

44

j

. . # . .

Hn.

. . . .

- .

Cellos

41

45

j
-

&

Tubas

. . .
.
R

Only two players

&

Euph.

Ten. Sax.

Teo Aparicio-Barbern

#
P
# ww

N w
# ww

44

44

44

44
44

Glockenspiel

b b
b
b

Hypothesis for parallel souls

42
311
Picc.

Cadenze

&

Teo Aparicio-Barbern

43

poco a poco accel.

Emphasized

100

Fl. 1
2

&

43

Ob. 1
2

&

43

E. Hn.

&

43

43

43

43

Bsn. 1
2

poco a poco accel.

43

43

43

43

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

poco a poco accel.

Bar. Sax.

&

43

B b Tr. 1

&

43

B b Tr. 2-3

&

43

Flug. B b 1
2

&

43

1
3

&

43

&

43

Hn.

2
4

Tbn. 1
2

43

Bass. Tbn.

43

Euph.

43

Tubas

43

Cellos

Str.Bass

43

-b b
b

b b

senza rigor
Solist Fl.

&
&

Marimba

b ww

- - b

- -

43

43

43

43

Perc. 2

&

>

>

b b b

b #
b - -

b n b n b n b n b b b b 4
J
>
cresc. y accel.
ten

poco a poco accel.

j j j
b

>
>
>

^
j
b

^
b j

^j
b b

^j
b b

b >
J

j
j

>
>

^
b j

j
>

^j
^j

^
^
j j

^
^
j j

^
^
j j

^
^
j j

>
J

j
j
b
>
>

>
b >
b
J
J

>
J

>
>

j
j
j
b
>
>
>

j
j
j
b
>
>
>

j
j
j
b
>
>
>

43

43

ten

3
4

Timp.

poco a poco accel.

>
b n b n >

b b n b b n n
b

43

cresc. y accel.

- b -

E b Cl.

>
>
b >
b
J
J
J

b b .
J
F

# n # n #

# n # n #

j
j
j
b
>
>
>

j j j
>
>
>

Bass Drum

317
Picc.

&

Hypothesis for parallel souls


112

&

Ob. 1
2

&

E. Hn.

&

Fl. 1
2

Bsn. 1
2

b .
b . b .
p

.
.
.

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

j
.
p

j j
.
.

&

Flug. B b 1
2

&

1
3

&

Hn.

2
4

&

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba

Timp.

j
.
p

j j
.
.

j
j
. .

b j
.
p

j
b .
p

b .
b . b .
p

j
j

.
.

.
.
.

&

b b

>.

j
b
b >
> >
F

>

J
f
>
J
f
>
J
f
> >
J

> . b b
b

^j
^j
^j
b b

b > ..

&

>
b
J
f

# >
# > > J
>f >

>
J

# b

>
>

# b

b b
> >

# b

>

b > b
>

>

b b
> >

>

j
> > > > >
f

b . b .

# n # n #

# n # n #

# b

>

b > b >

>

>

n b
> >

b . b . .

# b

b b
> >

b >
J

>

^j
^j
^j
b b

j
j
b
>
>
>
b >
b
J
J

# # n

^
^
^
b j j j

# n # n #

# n # n #

Perc. 2

^
^
^
j j j
b

# n # n #

# n # n #

# n # n #

^
^
^
b j j j

>
J

j j j
b

>
>
>

b >
J

b > b >

>
J

>

J

# >
J

# b

# # n

> >

&

. . .

b > ..

>
J

b . b .
3

>
#
J

>
>
b >
b
J
J
J

>
J

> .
.

&

> .

j

>
>
f
j

>
>
f
> >
b J
f
j

>
>
f

.
>

# b

> .

43

E b Cl.

126

Teo Aparicio-Barbern


J
f

# n # n #

b j
>
f

44
325
Picc.

Fl. 1
2

Ob. 1
2

&

Risoluto
b >
J

&

&

Hypothesis for parallel souls


. > b b b n
b J

138

b . b > b b b b n n
b J

. >
b b b n
b
J

>
b . b b n
J

&

b > b j
J
J

j
b b J
> >

&

&

. > b b n
J

B b Cl. 2
3

&


. >
J

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

E. Hn.

Bsn. 1
2
E b Cl.

>

j j

j j

> >

j
>

b >
J

. > b b n
J

j

>

j
J

j
J
> >

b .

b . n

. .
b b b b b n n
b . b b . n n


b .

b . n

b .

b . n

b .

b . n

. #

b >
J

>
b b
J

b >

>

>
>
b >
b
J
J
J
>
J

>
J

>
J

^
^
^
b j j j

&

^
^
^
j j j
b

Flug. B b 1
2

&

1
3

&

b #

# b

Hn.

2
4

Tbn. 1
2

Bass. Tbn.

Euph.

&
?
?
?

Tubas

Cellos

Str.Bass

Solist Fl.

F
b #
F
b >
J
b >
J
j
b
>
j
b
>

&

Timp.

b > >

&
Marimba

b > b >

?
b >
J

# b

.
b

p
b .

p
.
b

b .

b b >
b >
b b >

b >

b 3

b .

&

. . . b .
b
P

- b n -

b -

^j
^j
^j
b b

b >
J

>
J

j
j
b
>
>
>
b >
b
J
J

b . n

# n # n #

b >
J

j
b b J
> >

Perc. 2

b -

b > b j
J
J

b -

# n # n #

- b n -

b
b . > b b n
J

# n # n #

b b

^j
^j
^j
b b

# n # n #

^
^
^
b j j j

b b

b . . b . . . . . . b .

>
J
j

>
>

b A
>>
b A
>

b A

b b n

b b n
b b n

b b n

b
b

b
b

> b >

.
J

b b n

>

>

>

>

.
J
.
J

j
# .
.
J

b
F

> b >

> b >
> b >

> b >

> b >
> b >

b
b

b b n

# b

b b n

b #

b b n

# n # n #


J
F

.
J

b . . n .

b >

f>
a
#

>
f a
N

f>
a
N

.
J

>
J
f
>
J
f
>
J
f
>
J
f

>
a
N

j
j
j

>
>
>

j j j
b

>
>
>

>

J

Teo Aparicio-Barbern

# n # n #

b
b

b b
b

# n # n #

Hypothesis for parallel souls


332
Picc.

Fl. 1
2

Ob. 1
2

E. Hn.

Bsn. 1
2

&
&
&
&

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

&

.
.

n
J

b.

>
#
#.
J
b.

b.

b
b

b
b

>

#
5

Alto Sax. 1
2

&

Ten. Sax.

&

>

b
# b
5

#
>

>

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

2
4

&

Tbn. 1
2

>

Bass. Tbn.

Euph.

>

Tubas

Cellos

>

Hn.

Str.Bass

Solist Fl.

?
&
&

Marimba

>

>
>

J

# >

#
f

b A
f

b
b

b
b

# n # n #

#
b #

b
3

# n # n #

Perc. 2

&

>

j
#
>

. .

. . .

.
b .

.
. .

. .

j

>

j
b

j j
b

# >
J

j
j

j
j j

N
#

j J

j J j

j

>

# >
J

>
J

b #

b A
p

# >
J

j j
.
. . . .
j j
.
. . . .

b j
J
J
b
>
J

j j
.
.

j
.
j
.

j
.
j
.

j
. . . .
j
. . . .

b . j .j

j
.

j j
.
.

j
.

n . . # >

j J

. .

j J

b # . . b

.
. .

J
.

j J j

. . .

j J j

. .

. .

b b N b . . . .


J
J

.
.
. . .

.
. .

b b . .

>
J
F

>
J
F

j
b
>

j . j
.
.

j
.

>
J

b
b

j
.

>

j . j
.
.
p

Timp.


J
J
P
.
.
. . .

>
J

>

b b

j J j

p
>

>

b #
J

p
b
J A
#

p
j
j j

>
N
J

j J

. . . .
p
Pizz.

J
J
p
b > . . b

>
>

b #

b
J

45

b b b

j j
.
p .
>

>

>

. . .
.
.
p

J
#

5
p


J b
5

b
J

Teo Aparicio-Barbern

J
.

b j
J
J
b
.
.
b . . .
b

J b J
J

. . >
b > b . . n #

b
J

b .

.
.

J
.

Hypothesis for parallel souls

46
339
Picc.

Fl. 1
2

Ob. 1
2

E. Hn.

&
&

&

&

b .

E b Cl.

&

j

>

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

>
b
J

j

>

j
b

.
. .

j
b

j j
b

j j
b

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

b . j .j .

2
4

&

Cellos

Str.Bass

Solist Fl.

&
&

Marimba

j J
b

b #

Tubas

b .

>

>
b
J

>

j
b


b b b

b b b

b #

j
b

b #

j J
b

b #

j
b
>

b
b #

b
J

>
J

j j
.
. .

.
.

b
J

j
b

b . j

.j

j
.

j
b .

j
. . .
>

j
.

j
.

j
.

j
. . . >
b . . . >
J

j
.

.
J

. . >

342

b >
J
f
>
b
J
f
b >
J
f
b >
J
f

b
>
f
>

J
f
>
J
f
>
b
J
f
b
>f
>
J
f
>
J
f

b
J
b .

b
J

j J
b
. . . .

b J
J

b
J

b .

b
J

j J
b
.
. .

b J
J

b
J

b
>

b .

b
J

j
b
.

b
J

J
.

.
b . b

.
. .

.
b . b

.
. .

b .

b .

Perc. 2

&

cresc.

b
J

b >
J

>

J
>
J

K>
.. b r b
J

b
>

b >
J

>
J

b
>

b >
J

b >
b
J

b >
b
J

b >
J

b b >
J

> >

> >

b b

# > >

b
>

Kr >
.. b
J

>

>
.. b R J

>

b
>

b
>

>
b J

b
>

j
b >

j
b
>
>
J

>
b
J

b
>

b
>

j
b >

>

>
b
J

sticks
b > hard
J

b > n b

b b b b n b
>

>

>
J

b >
J

b b >
J

>

b b >
b b

b >
J
f

b > >

b b
> >

b >
b
J

>

j
b
b
>
b >
J

b >

b
>

j
b
>
>
J

>

Kr >
.. b
J

>

>

Tom-toms

K>
.. b r b
J

>

J

j
b
>
>
J

>
b
J

# b

>
b J

b
f

b
>

>
.. b R J

>
b J

Kr >
.. b
J

>

>

b
>

>
.. b R J

>

b
>

>
J

K>
.. b r b
J

>
b
J

b >
J

b b >
J

b
J

>
b
J

. . # . . . b .
b b b n

b >
J

j
b
>
>
J

# . b . b
. . n

b
>

arco.

. . #

>
f
>
J
f
>
b
J
f
j

>
f
>
b
J

cresc.

Timp.

cresc.

Euph.

.
. .

&

b .

B b Tr. 1

Bass. Tbn.

cresc.

b
J

&

Tbn. 1
2

Bar. Sax.

Hn.

cresc.

Bsn. 1
2

Teo Aparicio-Barbern

>

J

Hypothesis for parallel souls

Teo Aparicio-Barbern

47

347
Picc.

&

38

Fl. 1
2

&

38

Ob. 1
2

&

38

E. Hn.

&

38

Bsn. 1
2

>

b #

b #

>
b

>

b
>

b #

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

2
4

&

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

&
&

Marimba

Timp.

?
?

>

>

>

>
b

b
>

>

# .

.
b

38

#
>


>

38

38


>


>

b
>

38

b .

# >

.
b b

#
>

>
# >

# > b

>

38

38

>

38

38

>

>

# > b
b .

# .

38

38

38

>

>
#

b >
J

b >

b
b

Perc. 2

38

j
b

38

38

j
b

38

>

>

>

>

>
b b

.
b

.
b b

.
b

38

j
b

b
J

j
b

j
b

b
J

38

b
J

b
J
b
J

j
b

j
b

b
J
b
J

38

b
b
J

b >

>

>

> b

b
b
J

b >
J

b
>

>

>
b b
J

b
>

>

j
b
>
>
J

>

>
b

j
b >

&

>

B b Cl. 2
3

>


>

&

>

.
b

>
b b

>

&

Hn.

b
>

E b Cl.

>

>

>

> b

>
b
J
>
b
J

>
J

>
b b
J
F

b
J

j
b

J
f

b
J

b >
J

j
b
>

>
b
J

>
J

j
b
>

b >
J

>
J

>
b
J

>

>
J

3
8
38
38
38
38

38

38

38

38

Hypothesis for parallel souls

48
& 38

352
Picc.

Fl. 1
2

Ob. 1
2

E. Hn.

Bsn. 1
2
E b Cl.

B b Cl. 2
3

B. Cl.

Alto Sax. 1
2

Ten. Sax.

Bar. Sax.

& 38

b
b

& 38

& 38

? 38 b

& 38
>
>
& 38
& 38 b
>

b
b

b
b

b b

>

>

# > b


>

# b

>
b

>

b
>

>
& 38

# b

>
b

>
& 38 b

>
b

>

& 38 b
>
>
& 38

#
>

b
>

b b

>

b
b

b >

>

b #

>
b

b
>

>

b #

# > b

>

b #

>
b

>
b

B b Tr. 1

& 38

B b Tr. 2-3

& 38

Flug. B b 1
2

& 38

1
3
Hn.

2
4

Tbn. 1
2

Bass. Tbn.

Euph.

? 38

? 38

b.
>
F

b
>

b
>

b
>

b
J

j
b

Cellos

? 38 b
J

j
b

j
b

b
J
b
J

j
b

Timp.

? 38 b >
J
? 38 b >
J
f
3
8

j
b
>
>
b
J

b b

b b

>
b
J

j
b
>
>
b
J

b b

>
b
J

>

Perc. 2

38

38

& 38

j
b
>
b >
J

b > .
F

b.
>
F

b.
>
F
b > .

j
b
>
F

j
b >
> P

.
>

>

j
b
>

j
b
>
b >
J

b.
>

>

b > .

>

>
>

j
b

j
b
>

>
b
J
P
>
b
J
P

j
b
>
P
j
b
>
P
>
b
J
P

>

j
b
>
P
j
b
>
P
b >
J
P

>

>

>

>
>

j
b

b
>

>

j
b
>

b
>

>

>

P
>
b

b > .

j
b
>

j
b
>
P
>

>

b.
>

>
>

>

>

j
b
>
P

.
>

>

b.
>

>

j
b

Tambourine

>
F

>

b
>

>

j
b
>

& 38

>

>.
F

b
b

b b

& 38

b
b

b N

& 38

b.
>
F

b b

b
J

Marimba

b
J

b N

? 38 b
J

Solist Fl.

b
b

b
? 3 J
8

Tubas

Str.Bass

b > .
F

& 38

? 38 b
>

>

>

Teo Aparicio-Barbern

b .
P

>

>

Hypothesis for parallel souls


361
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2

b
b

j
b >
>

.
>

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

.
>

&

B b Tr. 2-3

&

>
b

Flug. B b 1
2

&

1
3

&

2
4

Tbn. 1
2

Bass. Tbn.

Euph.

&

?
?

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba

Timp.

>
b
J >
>
b
J >

j
>

&


>

j

>

Perc. 2

&

>

.
>
>

>
b

F
F
F

43

43

43

43

43 j b j b j
>
>
>

j

>
j
>
j
>
j >

j
b

>

b .
>
F

b .


>

j

>
F

j

>

43

43

43

43

43 # j n j b j
>
>
>

.
.

b b .
>
f
b .
>
b b
f
j

>
f
j

>
f

>

.
.

.
.

p
.
p

>

b >

43

>
>
43 b b J J

>

>
b b
J

j
b
>
>
J

43 j b j b j
>
>
>
j
j
j
43 b b
>
>
>

>
j

>

43 j b j b j
>
>
>
>
>
b
b >
3
4 J J J

>
>
J

>
>
J

>
J

>

43 j b j b j
>
>
>

>

43

43

43

43

>
43 J

>
f

43

Tom-toms

p
.
b b b >

b -

>
>

J
f
j

>
f
>

J
f

>

b -

>

j

>
f
>
b
J
f
>
J

>

J

b >

j

>

b -

b -

>

J
f

^ ^ b ^

^ ^ b ^

^ ^ ^

^ ^ b ^

^
J

^ ^ ^ ^
j
b

^ ^ ^
b

^ ^ ^
b

^ ^ ^

^ ^ ^
b

>f
> .

>

j

>
f

^ ^ b ^

>

b .

b -

43 J
>>>
F

43

. b >
b b
p
b . b >

j
43 b
>
>
43 J

>

>

b
>

b .

43

b b
>
b >

j
>

j j j

b
b
>
>
>

43

>
b b

f
j
.
f

b >
J

j
N b
b
>f

>
J
f

>f
j

>
f
j

>
f

b -

>
b b

43

j

>

>
J
f
>
#
J
f

.
b b b >

>

>

43

j

>

>

b >
J

49

>

j
b
>

f
b
J

Teo Aparicio-Barbern

>f

j
>

j
b
>

b
J

.
>
.
>

.
>

j
b >
> >
>
b
J

.
>

j
b >
>

b .

.
>

&

B b Tr. 1

Hn.

j
b >
>
>

&

&

Bar. Sax.

E b Cl.

j
b >
>

364

.
J

>

.
J

b
>

.
J
.
J
.
J


>
>
b
> b
b

^
j

>
J

b b

50
370
Picc.

Fl. 1
2

Ob. 1
2

E. Hn.

Bsn. 1
2

&

&

&

&

b b b

b b b

b b b

b b

>
a
N
>
a
N
>
a
N
>
a
#

E b Cl.

&

&

.
J

b A
>>
b A

>

b A

b
5
5

.
J

# #

#.

>

j
# .

# # #

>

J

#.

# #

#.

# #

#.

.
J
.
J

Alto Sax. 1
2

&

Ten. Sax.

&

F
> >

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

>
b

2
4

&

>
b b

Hn.

b
>


>


>

Bass. Tbn.

Euph.

Tubas

Cellos

&

&

Str.Bass

Solist Fl.

Marimba

b
b

b
b
3

>

..

>

>

>

>

>

>

>

>

>

>

>

b
b

>

>

>

b >

>

b
b

>
>

b
>
b >

>

b
>

>
>

b >

b
b

b >

b b


>

>

>

>

b
J

38

>

b b 38

b b

38

>

>

>

>

>

b
3

>
>

b
b
3

>
>

b b b

b b b
b

43

43

43

43

>

b
3

b
b

b .
b J
p

j
n >

43

43

43

43

43

43

43

38 b
P

b
>

#
P
38 b j
>

#
>

38 b b j
>
f
38 b b j
>
f
>
38 b
J
f

38

43

b 3 b
8 b J
f
b 3 b
8 J
f

>

38

J
f
j
b
b
f
b
J
f
b
J

f
b
b n 3
8 J
f

>

38

b b 38

# >

b
J

38

b
J
f
b
b
J
f

J
f

38

>


>

>
>

J

b b


b
>

>

J

>

J


>

>

J


b
>

b >

38

38

b n

>

b n

>

b
F

>

>

Tbn. 1
2

>
b
>
F


> #

#
J

>


>

>

b
> #

b >

> >


>

>

# #

b
>
F

b >
F

b
> #

.
J

&



>

B. Cl.


>

# #

&

b
>

Teo Aparicio-Barbern

# #

B b Cl. 2
3

>

.
J

Hypothesis for parallel souls

43

43

43

j
b
.
p

43

j
b
p.
b .
J
p

43

43

.
b J
p

43
43

j
b
>f
38 b >
J
f

43

38

43

3
4

43

43

38

3
8
38
38
38

j
b
>f
b >
J
f
b >
J
f
>
b
J
f

43

43

38 j
b

38

43

Perc. 2

38

43

38

43

&

43

Timp.

~~
ndo~~~
j~~~~~GG~lili~ss~s~saa~~n~~d~~38o~~~~~ J
b b ~~~~~~~

Hypothesis for parallel souls


& 43

b b b b

Fl. 1
2

& 43

b b b b

Ob. 1
2

& 43

& 43

377
Picc.

E. Hn.

Bsn. 1
2
E b Cl.

B b Cl. 2
3

B. Cl.

Alto Sax. 1
2

Ten. Sax.

Bar. Sax.

b . . .
? 43 b

& 43
& 43
& 43

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba

Timp.

b
p

& 43
& 43

j
b
>

b j j j
p > > >

j
p # >

j
& 43 b .
j
& 43 b
.
b .

? 43

j

>

j

.

j
.
.

>

j

.

j
.
.

. . .
? 43 b
? 43
b b
P
? 43
b b
P
? 43
b b
P
? 3
4 b b
P

j
#
>

j
b
>
b >
J

b b

. #
>
. >

b b

b >
J

b .
>

J

>

>
J
f
>
J
f

>
>

J

b n
>

b n
>
b b b n >

>

b b b n >
3

b b b
b

b b b
b

b b b

b b

? 43

? 43

43

Perc. 2

43

43

& 43

b b n
b

#
J

>
# N

b >

n # >

> #

>
#

>

b b b b

.
J

b b b b

b b n b

b.
J

b b b

. b
J

.
J

>
A

.
J

>

# N
>

n
>

>

#
J

#
>

#
J

# N
>

n
>

>

.
J

>

.
J

>

.
J

# >
J
f
>

J
f

#
>

>

J
f
j

>
f
j

>
f

> b > b
b b
>

b b b

b b b b

b b

>
F

#
>

>
F

3
3

b
> > b >

#
>

# n b
> > >

>

. b
J
.
J

b .. b
J
j

>
.. b
J

>

>f
b >
J
f

>

>
J

>

>
F
>

>

>
F

>

>

. b
J

b
b

. b
J

P
b

b b
r
b

b >
b

>

>
#

>
A

b >
J
f

>

>

>
A

.
J

b >

& 43

>

b b b

b b
5

f
b b n
b

P
>

>
A

51

>f

b b b b

b b n
b

& 43

>
J
f
>
b
J
f
>
b
J
f
j
b >
f
j
b
>f
b >
J
f

j

>

. #
>

j
b
>

f
b
b
J
f
b
J

f
b b
J

b b b b

>
j

>

& 43

Euph.

& 43

Flug. B b 1
2

Bass. Tbn.

& 43

Tbn. 1
2

b b b b

B b Tr. 2-3

2
4

& 43

Hn.

b b b b

& 43

B b Tr. 1

1
3

b >
b
J

b
J

Teo Aparicio-Barbern

b > b >

>

> b > b
b b
>
b
> > b >

>

b
> > b >

>

> b > b >

> b > > b


b b

>

>

J
f
China
>y Cym.
J

b b b

Hypothesis for parallel souls

52
385
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2

>
38 J
f
>

b
38 J
f
>
38
J
f
b >
38 J

b
b

b
b

38
38

>
J

b >
J

b >
J

> >
b

f
j
b
b
>f
# >
J
f
>
J

>

J

>
# J

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

38 j
b >
f
38 b >
J
f
> . . . .
38

B b Tr. 2-3

&

Flug. B b 1
2

&

1
3

&

&

Tbn. 1
2

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

E b Cl.

Hn.

2
4

Solist Fl.

&

b
b
b

#
b b

>
# J

>
b J

>
b J

38 j
b
>f
b >
38 J

f
b
38 >
f
38
>
f
38 b >

f
38 b

f>
b >
38
f
38 b >
J
f
38 b >
J
f
38 j
b
f>
38 b >
J
f
3 b >
8 J
f>

38 J

> >
b

b >
J

>

J

f
>

38 b J
f

b >
J

>
J

38

>
J

>
J

>
J

b >
J

>

>

b
>
b >

b b

>

>

b b b

>
>

>
>

>

38

38 b >
J

38 >
J

Perc. 2

38

&

>
b

>
b

>
b

>

J

>

>
b
J

b
>

>
b
J

>
b

>

j
b
>
b >
J

b
>
>
b

>
b
J

>
>

>
b

38

j
b >

b
>
b >

38 >

b b

j
b
>
b >
J

b
>
>

38

b >
J

Timp.

>

&
Marimba

> >
b

b >

>
b

> >
b

>


> b
>
> >
b


> b
>
> >
b

>

> >
b

>
b

> >
b

>

b
> >

# >

b
>

b
> >

>
b
J
>
J

>
b
J
j
b
>
>
b
J
>
b
J

>
J

>

# j
.

# .

j
b .

b .

b . b .

b .

b
.

.
J

p b .

b .

.
b
J

.
p

b .

b . b .

b .

b .

.
b
J
p

.
b

.
b

b >
J

b >
J

j

>

> b >

>
#
J

>

J

f
f
f

>
J
>
J

>
#
J
f
j
b
f>
>
#
J
f

>

>
J
>
J

b
> >
>
#
J

b b
> >

. . . .

>

b > . . . .

b >

b b


> . . . .

>

b
b

b b . . . .
>

b b
>

b b

b
>
>

b b

b
>
>

b .
p

Cue String Bass

.

p
.

>

.
b

b .

p
> . . . .
>
b J
f

. b .

. b .

.
b

b .

j

>

>

>

>
> b >

>

b > >

b >
J

b
>

b
> >

b
>
>

j

>

> . Triangle

> .

j

>
>

>
J

>
J


>
>

>

J

>

>

> .

>

> b >

>
b J

>
f
j

>
f
j

>
f
>
J

>

b b

.
.

>
b b

.
.

>

>
b b

.
.

.
.

j

>

>

j
b
p .

. b .

>

.
p J

b >
J

>

# j
p .

.
b

b b

>
b
J

.

p

b >
J

j
#
>
f
j
b
>
f
>

>

b >
J

>
b

# >
J

>

b >
J

b >
J

b b

>

b
>

b b

b >

b b
> >

>

>

b b
> >

>

>

>


. . . .

>

>

b >

b >
J

>

>


>

b >


> >

. . . .

.
.

b >

.
.

>
J

b
>
b >

>

.
.

>

b b >
>
b >
J

.
.

b b >
>
b >
J

>

. . . .

>

Teo Aparicio-Barbern

Hypothesis for parallel souls


396
Picc.

&

b >
J
b >
J

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

b >
J

>

b >

E b Cl.

&

&

B b Cl. 2
3

&

B. Cl.

&

Alto Sax. 1
2

&

Ten. Sax.

&

Bar. Sax.

&

B b Tr. 1

&

B b Tr. 2-3

&

Bsn. 1
2

>

>
J

>
J

>
#
J

>

b >
J

b >

b >
J

12
8

>

98

>

>

12
8

>

98

98

12
8

>

b >
J

98

12
8

>

b >

98

>

>

j

>

>

98

>

12
8 j
>

>
#

>

>
#
J

98

b
>
>

j
b
>
>
#
J
j
#
>

>
>
#

>

>

>

>

b
>

b
>

b
>

b
>

b >

b b

b b

b b

b b

b b b

Tbn. 1
2

b
>
>

Bass. Tbn.

Euph.

Tubas

Cellos

Str.Bass

&

2
4

&

Hn.

Solist Fl.

Marimba

b b

>

>
>

b >

>

>
b >

>

>

>

>

>

>

>

>

Perc. 2

&

>

>

>

>

>

>

98

# >
J

>
J

>
J

>
#
J

j
#
>
# >
J

>
>
#
J

98

98

>

>

9
8

>
J

j
#
>
>
#
J

> #
.

j
#
>
>
#
n

>
# .

>

J
>

12
8 b
>

b >
12
8

b >
12
8

b >
12
8

. . . .

. . . . >
b b

. . . . >

. . . . >

. . . .

. . . . >
b b

. . . . >

. . . . >

. . . .

. . . . >
b

> b . . . . >
12
8

. . . . >

. . . . >

. . . .

. . . . >

. . . . >

. . . .

12
8 j
>

12
8 j
>
12 >
8 J

>
12
8 J

>

>

>


>


>


>

12
8 j
>

98
98

# >
J

> #
#
98 #
f
98 b j

>
f
b >

98

>

98

j

>

>
. . . .

12
8 j
>
b > .
12
8

> .
12
8 b #

>
j

>

>

.
.

98

>
J
F
b >
J
F
j

>
F
j
b b
>
F
j
b
>
F
>
J
F

.
.

98

98

>
. . . .

98

12
8

>
b # . . . .

j

>

. . . .

98

98

&

. . . . >

12
8

. . . . >

j

>

. . . >

98

>

. . . .

j
12
8
>

.
.

. . . . >

b
>
>

. . . . >

98

>
>

. . . >


. . . .

j

>

b b
>

>

12
8

b >

>
b >


. . . .

b >

98

>

&

Timp.

b b

98

.
.

12
8

98

b
>

. . . .

>

b b
>

1
3

j
b
>

b >

b b b
b

>

>
J

12
8

. . . .

b >

&

>
J

>

b
b

Flug. B b 1
2

Brightly (brillante)

b >

b
>

>

53

b >

>
>
#
J

Teo Aparicio-Barbern

>
12
8 J
>
12
8 J

12
8 b j
f
>
12
8
f

98

98

12
8
>
f
>
.
12
8

98

12
8

Hypothesis for parallel souls

54
401
Picc.

&

Fl. 1
2

&

Ob. 1
2

&

E. Hn.

&

Bsn. 1
2

E b Cl.

&

&

B b Cl. 2
3

Teo Aparicio-Barbern

b
b b b b

b n b n
b b b b

b b b b

b b b b

b b b b n n

b b b b

b b b b

b
n b

b b b b

b
J .

b b b b
b
J


n b
J

b b b b
b
J


n b

.
J

>

j
b >

j
>

b >

j
>

j
>

b > .

b
n #

b

b b b j
b b b
b
J
J

b b b j
b b b
b
J
J

&


b b b
J

B. Cl.

&

>
b
J

b >

Alto Sax. 1
2

&

b b
b
J

>
b.


n b

>

Ten. Sax.

&

Bar. Sax.

&

>

B b Tr. 1

&

B b Tr. 2-3


b b b
J

>

>

>


n b
J

b b
b b
J

>

>

b b
b
J

b
J

j

>

>.

b
b b
J

b >

> .

>

>

J
.

>
J .
>

b
J

J .

>
J .
>

>
J .

J .

>

>
b # ..

>

Flug. B b 1
2

&

>
b #

>

>
b # ..

>

1
3

&

>
b b

>.
b b .

&

b
>

b b ..
>
b > ..

>

2
4

>
b b

b >

b >

j
b
.
>

>

b >

b >

>
.
J

b >

Bass. Tbn.

b >

>

Euph.

Tubas

Cellos

Str.Bass

Solist Fl.

Marimba

Timp.

b >
j
b
>
j
b
>
b >
J

>

>

>
>
J

b > .

b > ..

>

j

>

b.
>

b.
>
b > .

>
>
J

&

j
b
>

>

j
b

>

>

Perc. 2

&

b b
b b b b

>

>

b >
b >

>

>

j
b

>.

>

b
>

b >
b

n
>

>

n >
n

>

>
>

>

b >

>

b >
b

>
>

b >
b >
b

j
b
>
.
j
b
.
>

>
.
J

>
J .
>

>
>.

>
J .
>

>
J .
>

>

>

>

.
.

^ ^ ^ ^ ^ ^ ^ ^ ^ ^

>
.
J

j
.
>

j .

>

j .
>

j .

>

j .

>

j .

>

j .

>

j .

>

^ ^ ^ ^ ^ ^ ^ ^ ^ ^

j .
>

j .

>

j .

>

^ ^ ^ ^ ^ ^ ^ ^ ^ ^
^ ^ ^ ^ ^ ^ ^ ^ ^ ^

^ ^ ^ ^ ^ ^ ^ ^ ^ ^

^ ^ ^ ^
#
b

j .

>

^
j .

>
J

^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
b b b
b b

j . .
>
>
J .
.

j .

>

>

>

>

>

j .

>

>

>

>
.

>
.
J

>

>

>

>

j .

>

>

>
.
J

j
>

b

n

b b b b
.

>
b
J

&

j

>
>
J

>
b #

^
j

&

Tbn. 1
2

>

b >

>

>
J .
>

>
J
.

>

Hn.

Enguera, 12-12-2010

> .

>

>

^ ^ ^ ^

You might also like