| ONTHECD & Tracks 44-47 Indian Pentatonic Scale After last month's look at the cool sounding dominant pentatonic, Shaun Baxter unveils an alternative five-note scale that’s full of Eastern promise. «sing 6? dan | (GENIC ne Although i's SSE TSIEN oI and-nth degrees masing, ot asa alitferet minor pentatonic with a major td | pantatn raplacing the mina hid onlygotf sealedike | Goad 5585 Scyotechesesilcceer | [Ramer Maderate/Advanced Gindian Pentatonic sounding favous within its just | 4 arma 5 Like theminos major and dominant acase of being selective with your | Fsus2 (Cau Wilimprove your: pentatonic scales, fs possible ote choke. The flow F 6 « ELAbity to merase over a to finger his scale wo notes alledst within Gir 1 2 5 statiedominant chord vamp per sving and tisisaften very | Famiarise yourself wth them (Gteratiay, jistthinkof 1, 42nd Henge of techical appreaches isadvsebleto | bocause mary ares thughout |b? of @) ‘ous a ne-note sale Stertffby leaning the falling study Fans’ F ® « LAST MONTH WE looked at pyng the dominant pentatonic sale fromthe rot nots ofa series trof6) dominant chore in diferent keys, DEE | crajruse Here G dominant pentatonic SORERURESEDT | FOr: 8 iAP ID 1 fe RL STS PRD (atenatey just think 13,4 in th instamert vee going to ‘andb7 of) examine another uselul dima and copula altemstive othe REACT AEST domtant pentatonic sale sian pertaton (oe RA ci GSN OSES Tis ale is popular with Jeff ac aed ayers wie are inuenced by hin suchas Frc ahnson and think of tas n withthe secre PROTIP Iferentes teva thatyou erozmour to puteveytnes thet youlezm inte sme sort of vue) ‘omee. When layrg though (atemativey, ust thinkot 3, 4,5 ard7 of) Don't get scared of bythe jou onlyhave heory atthe stat ofthe races. Te obec ito marly within the scale. Once you've dane thas you wont nave tothink any more —you jst lay. GF thisment’ssoloavd earring Jahnson quite thesis part fen! Be entnstey in GT ‘auras of Nov each of the noes sony rt try youate paying elses othe me Sievetilage? My ars Scale shepes tat you ‘aoutte abum s Grea (978), hase red you co the, sithough you shou you ll understand wat you Motivation Rad {re lajng ray be a ower procesatfirt, but so only ‘withsaproseh help youto 3 rember of Tock scene, He payed fr nance he Gong ond vias big infuence Femembersometnin, ‘on made festualisars rock ‘sohela you toapaly the sane Cuts ke OzrieTenades ‘ees and princes ieee He curently erjoyrasocess sea station. asa tec reducer This scale (like many others) has a host of different sounding flavours, it’s just a case of being selective with your note choice a al ea@ = G dominant seventh chord Root note G {ars 4.21 4s previous mentioned Inn pewtatoniccanbe seen sea ___as the somo note as Css arid produc an eft hat sounds more Trinorpontateic rh agar ihr Th fst econ stars off with phase tat _conteerary than stanhforard mer ox mina apegges Couns ikea twisted verson ofa toned G minor pentatonic ek. Note at al! [Bars 58) These for bars ate sed as reans flag something thatloks tthe notes om these fst two kasare dened fe sce shape of Gindan nwt he beg fo a whe When you compose your awn sols ts 2 good pentatriesale ‘ata tonavcacons tat re Gl est ts, Set pices hata fared up {tare 3-4) A te notes om within ese we bats belong 9 tp the bose and drums andor naerived by enethe instant wl ge he anfasd abeggi lich conespordstotheshittetherchordin 82) (gener mode indnars nd a weecme spite rom what could cere be tRebockrg) Thsarpeggionssuthn Gheaapectanesale. FSC afeneess bce ot een wig Sin? pein oe elated a sist arpegpcs Fase frexempe, 1 2 eet eee, == é = oF . : set20 se ee ; ae =[Bare 17:20] Demonerater hatte neanpertatonscae can aio be use as sour fr mle andnot tks, Mest the ntesin tis eld section ‘Be aeeved many rom scale ape to inden pentane cle [ars 24-22] Te lt Foe sche srt of or 21 sect roth the stig te fourth ting nee tomate the anion the oti Four ‘ote maton the to we strings seal ease {are 23-24) meroned cai, Weve twa balsa Tenor pate Centaring al the noes flan pertatonic se, issayed down in oiaes fnifeertsting pare, is ached eve usr amir of apa end tno [Bare 25-26) These two barman thebeginaing of afourbarsecten (ee (na) carina along sees of unbroken sigth-ote ets. oth bars feature ‘ting sping and he lace crested veritas ge the comers an apedoiostye cuss {are 27-28) ore specsos complet he secon hal af the preyeus section Heres se aarti sts} rpegg shape empiye nbs 4815. [ars 29.33) C7 arpegla notes fom wilt te sce clay ame thatlocks inh the back [ears 31:33) Fray the sos cna ith an aseringfouerote sexe |sayed inharinony nth he accompanying Keoura) hat splayed ung Scamnaton of retteg-tana go, retng han tapping and pick hand wong.