Film makers put a 21st-century spin on a Modernist classic, The Great Gatsby. One of these elements is Temporal Distortion, where writers and filmmakers use non-linear timelines. Authorial self-reference is the narrator's time they are involved in and people they interact with during that time.
Film makers put a 21st-century spin on a Modernist classic, The Great Gatsby. One of these elements is Temporal Distortion, where writers and filmmakers use non-linear timelines. Authorial self-reference is the narrator's time they are involved in and people they interact with during that time.
Film makers put a 21st-century spin on a Modernist classic, The Great Gatsby. One of these elements is Temporal Distortion, where writers and filmmakers use non-linear timelines. Authorial self-reference is the narrator's time they are involved in and people they interact with during that time.
In The Great Gatsby, by F. Scott Fitzgerald, there are various uses of
elements of Modernism. Filmmakers put a 21st-century spin on a Modernist classic. Various techniques of Postmodernism are seen in the film, The Great Gatsby. One of these elements is Temporal Distortion, where writers and filmmakers use non-linear timelines and narrative techniques to convey a brilliant story. The movie opens with Nick reflecting on his time with Gatsby to doctor in a sanitarium. For example, he says, back then we all drank too much (Lurhmann, Pearce 1). This is alluding to his time with Gatsby. Periodically throughout the movie, viewers see Nick in the sanitarium years later and him in the time he is remembering and reflecting on. This perfectly exemplifies the traits of Temporal Distortion, as the filmmaker uses the non-linear timeline of Gatsby in the sanitarium, then reflecting back on his time in West Egg. These unique narrative techniques put a different perspective on the movie, making it obviously post-Modernism. Another element of Postmodernism is seen in the film The Great Gatsby. This element is called authorial self-reference, which is the narrators time they are involved in and people they interact with during that time. This is perfectly shown in the Postmodern movie, The Great Gatsby because Nick himself is the narrator of the story. Not only is he character that is constantly involved in the story, but also an outside voice as the narrator. When he is reflecting back on his life with Gatsby and in the West Egg, he repeatedly references himself, making him somewhat bias. Nick gets to give viewers and readers the first impression on other characters, playing a big role in the movie as a whole. This is different in the book, as Nick is seen more on the outside of things, as he says Thirty the promise of decade of loneliness, a thinning list of single men to know, a thinning brief-case of enthusiasm, thinning hair (Fitzgerald 135). This quote clearly shows the isolated life that Nick believes he lives, and how he knows he will always be the outsider. This is different in the movie, as we see that Nick lives a life where he feels connected and his self-reference is much different than that of the book. Overall, the movie is unique because of its Post-modernistic elements. Lastly, Magical Realism is a technique seen in the Post-modernistic movie of The Great Gatsby. This element portrays the impossible or unrealistic events into a narrative that is otherwise realistic. An event in the book that is unrealistic is the West Egg and the East Egg. These are not real places, yet they contribute to an important theme of money in The Great Gatsby. For example, as Nick explains the history of the eggs: I lived at West Egg, the less fashionable of the two then there was East Egg that glittered along the water (Fitzgerald 5), he is explaining a magically, yet realistic, part of the Postmodern movie. This is an important trait of Post-modernism, as it engages a contemporary audience. This contemporary audience, different to that of the Modern audience in the book, is engaged because of its use of imagery and common filming techniques to portray the story to the best
possible detail. Post-modern people live in a world where escaping reality is
all they want, so showing this in the film, The Great Gatsby, is really important to many viewers. Overall, Post-modernism reigned the late 20th and early 21st century as a movement that is marked, both stylistically and ideologically, and is perfectly exemplified in The Great Gatsby through temporal distortion, authorial self-reference, and magical realism.