Besame mucho

(from Richard Clayderman's repertoire)

Концертная обработка
C. VELASQUEZ
С.Курсанова

                

Andante

    
               
mf

            
  
  
 

 
         
4           
          
         

   
       
  
  
   
       
          
  
7
           
   

       
     
 


           
    
10

             
 

    
    
    
  
 
 
13
        
3
     
     






mp 
  
пр.р.

 
     

    


        
  


      
     
    
17

           
     
        
 
cresc.

   
       
 
  
 

 
    
                   
3

    
20
      
     


      
      

 
   
        
3

  
 3
     
24

       
3

  
 

   
      
  
  
   3   3 
  
    
      
27
 
  
     
3
p

  
           
3
 
  
 
  3   3   3   3  
     
30

 
               

  
  

  
    
   
    
33  3   3   3   3       3 
                
 


 
    
    
3

       
     
    
36
   
  

    
  

accel.

 
brilliante
      

 



38

      

    
   


      
 
 



  
 
       
6
  
40

       
   
 
6 6


6


a tempo

      
  


  
 

 
   
                     
 
42

       

 



6

 
6

6 7

   
   









   
44
         



     





   








f

 
3
       
 
     



       
     
47

               

 



 



  
        
        
    
      
                
50
                 
   
       
3


         
 
    
 

 

53   
          
  
3

        

  

    
 
3
 
   
    


     
                        
56

3 3 3
  
3

  
 


  



      

  
 

      
    

           
3

           

59

           
3 3 3

  

     
    
 
    

62
     
3 3
      
    3 
3

          
       


     

 
           





 


 
 
 
               

3
 
65 3 3

           

  
    
3

   
    

 

 

   

  
67

      
  

  
          
  
  
  

  
          
3 
68
           

 
ff
       
    
        
   

  
70
          
           
   

    
     




  
 
 
  3

             
 
    
72

           
6

 
    
    
  
           
74


          

 

    
       


   


76
        
6
 
               
6

6 6
mp
 
   




 

  
        
3

         



77

             
6 

6 3
rit.

       
3
   
  
    
   


 
 
3

      

           
79
     
     
ff   
                 
      
 
81 

     
3

      
3
     
  
    

rit. sempre ff
      
          
 

Tempo I
83
 3
     
      
  
3

        

p dolce
 
rit.
   3  3
 
   
     




             
    
86
  
 
 

   
  
  
 
        
88
      
     
        
mp
 
     
  
 
90  
            
    
       

       
  
 


 

     
     

92


         
   
p

    
   
 
 

    
  
94
      

            

  
smorz.
     
 
 

       



96

        




   
rit.
 

   


 
 
 