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  • Ansel Adams' Influence on Landscape Photography

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    Ansel Adams was a landscape photographer who co-founded the Group f/64 in 1932 with other photographers including Edward Weston and Imogen Cunningham. Adams believed that true photographs need no explanation and cannot be contained in words, and that landscape photography is the ultimate test for a photographer that can often lead to disappointment. He also felt there were no rules for good photographs, only good photographs themselves.

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    Ansel Adams

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    Ansel Adams was a landscape photographer who co-founded the Group f/64 in 1932 with other photographers including Edward Weston and Imogen Cunningham. Adams believed that true photographs need no explanation and cannot be contained in words, and that landscape photography is the ultimate test for a photographer that can often lead to disappointment. He also felt there were no rules for good photographs, only good photographs themselves.

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    21 views1 page

    Ansel Adams' Influence on Landscape Photography

    Uploaded by

    arfo_unplugged
    Ansel Adams was a landscape photographer who co-founded the Group f/64 in 1932 with other photographers including Edward Weston and Imogen Cunningham. Adams believed that true photographs need no explanation and cannot be contained in words, and that landscape photography is the ultimate test for a photographer that can often lead to disappointment. He also felt there were no rules for good photographs, only good photographs themselves.

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    Attribution Non-Commercial (BY-NC)
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    Ansel Adams

    mpreun cu ali fotografi, printre care Edward Weston i Imogen Cunningham, a fondat Grupul f/64 n anul 1932. Fotografia pura se defineste prin lipsa oricarei calitati tehnice, de compozitie sau concept derivate din orice alta forma de arta

    A true photograph need not be explained, nor can it be contained in words. Ansel Adams Landscape photography is the supreme test of the photographer - and often the supreme disappointment. There are no rules for good photographs, there are only good photographs. There is nothing worse than a sharp image of a fuzzy concept.

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