(10) KALAMULASASTRA SERIES (10) General Editor Kapila Vatsyayan, AK { i el sfrargaPrantter qeeett Brhaddesi of Sri Matanga Muni Volume IL ese by Prem Lata Sharma pained by Anil Bihari Beohar uBh INDIRA GANDIHI NATIONAL CENTRE FOR THE ARTS NEW DELHI and MOTILAL. BANARSIDASS PUBLISHERS PVT.LTD. DELIFirst Published 1994 lndira Gandhi National Centre for the Arts by INDIRA GANDHL NATIONAL CENTRE FOR THE ARTS Vi, Janpath, New Dethit 10.001 MOTILAL BANARSIDASS PUBLISHERS PVT. LTD. Bagi Rol, Jawahar Nagar, Delhi 10007 ISBN: 81-208-10309 (set) $81-208-10825 (Vol) Rs.300.00 (Volt Pinte in India at Shirt fuinendra Press ‘AA, Naraina industsial Area, Phase New Delhist 10028 INTRODUCTION This volume completes the available textof on prabandhas, Itbeginswith the treatmentofJi their bhagis according to Yastikaand Sardiila, hasa very fragmentary portion on desi-rigas and concludeswith thechapter on prabandhas. Thebulk ofthe textisalmost double of thatincluded in the firstvolume. The sa of the treatment of these topics in our text have been pointed out here and there in the Vimarsa, but these are only point-wise explanations, The critique to form partof the third volume will presenta review of the contents of the total text. This will involve looking backward and forward through anterior and posterior texts, The Introduction to the first volume includes the scheme of the presentation of textual material as well as the policy of translation. It is favedless to repeat all that here. \ddestup to the chapter Acknowledgements: 1am deeply indebted to Dr. Kapita Vatsyayan, Academic Director, IGNCA, for her constant support, inspiration and encouragement. The indebtednessto Dr. Anil Behari Beohar, Lecturer in Musicology, Indira Kala Sangeet Vishwavidyalaya, Khairagarh (M.P.) has been acknowledged in the title page. Dr. Urmila Sharma, Research Officer, IGNCA has provided valuable assistance in scrutinizing the reconstructed text and in reading the proofs; | express my loving gratitude to her. My affectionate thanks are due toDr.N, Ramanathan, Reader, Departmentof Music, Madras University, my former student, for going through the press-copy and some of the proofs. His scrutiny helped in correcting many discrepancies. Dr. (Ms.) Niharika Lal has provided assistance in checking the typescript and proofs of the entire English portion; my hearty thanks go to her. Iam deeply thankful to Dr.Satkari Mukhopadhyaya, Co-ordinator, Kalikosa, IGNCAand Dr. Bettina Biumer, Hon. Co-ordinator, Kalitattvakoéa, Varanasi Office, IGNCA for their moral support. T heartily thank Dr. C.B. Pandey, former Editor and Dr. (Smt) Advaitavadini Kaul, Asstt. Editor, for looking after the typesetting and printing of the book. Prem Lata Sharma AMNAYA, 209/1,Karaundi, Vardnasi-221 005 Kartika Pairnima, Monday Kartika Sukla 15, V.S.2050 November 29, 1993| | CONTENTS Introduction Abbreviations Brhaddesiof Sri Matanga Mun (Text and Translation) CHAPTER Il Satis 1.Their number, nomenclature and types Number and nomenclature Seneral definition of jati 4. The tenfold taks 1. Thedel 2. The definition of The definition of apan forming part of that of ‘The definition of satin forming part of that of The definition of vinyzisa forming part of that of aria 3. The definition of cara 4. The definition of mandrat 5. The definition of sidava 6. The definition of audava n of alpatva 8. Thedefinition of bahuwa 9. The definition of nyaisa 10, The definition of apanyiisa 5, Optional and alternative prescription of auiéa and the like in jatis, 6. Indication of the ganas or groups of the, 7. Prescription regarding the performance of jitis 8. The and audava formation of jatis 13 15 15 7 7 19 21 21 21 23 23 3i 33