Serial No.

( ~51 ["F-DTN-L-8AD-F]
HINDI
(Compulsory) Three H~u.rs) ( Maximum Marks: 300 1

CS (WtAfN) EXA'M,2011

[Time Allowed:

INSTRUCTIONS Candidates should attempt ALL questions. The number of marks. carried, by each question is indicated at the end of the question. Answers must be written in Hindi (Devanagari Script) unless otherwise directed. In the case of Question No.3, marks willbe ... deducted if the precis is-much longer or shorter than the prescribed length. The precis must be attempted only on the special pre/is sheetprovided. 1.
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Tulasidas's imagery covers a' vast range. No poet of medieval period - not even his great contemporary Surdas ~ can vie with Tulasidas in respect of the infinite variety of imagery employed by him, He has collected 'hi's images from peasant life, court life, priestly environments, rural and civic life, philosophical treatises, literary.classics, mythological works and folk literature. His poetry is a vast gallery of all kinds of images ranging from exquisite miniature paintings to large frescoes. N onnally he likes simple and integrated images, but is quite capable of creating complex imagery as well, What he seems to abhor is a truncated image of which we can hardly search out a single example. His whole poetic creation is an endless endeavour to give a concrete tangible form to the abstract ~ to impart physical charms and mental qualities of human personality to an absolute concept. Actually the, very conception of Personified Godhood is a grand exercise in image-making. In this context, what is of special relevance to the modern reader in Tulasidas's art is his unconventional approach to literary-cultural tradition and religion. A number of poets in other Indian languages have also produced great literature in this regard, but Tulasi appears to have surpassed them all. 5.~ f.1 J:;~d"(1R4 (j J I~ j ttl CFT at it \J)~ if ~CffG· tt?!~ ~ :20 "lW (1,cffq R d :g ~ fclvq em Pi JOi fa I , Pc! CfllH q ""{en
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DO NOT WRITE YOUR ROLL NO_ ON THESE SHEETS

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