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DIGIDESIGN DIGI 002 DIGIDESIGN DIGI 002 RACK DIGIDESIGN DIGI 002 RACK DIGIDESIGN DIGI 001 (MAC) DIGIDESIGN DIGI 001 (MAC) Digidesign''s sleek Digi 002 can be used as a control surface and interface for Pro Tools LE or as a standalone digital mixer. For years, Digidesign has dominated professional music and post-production with its TDM-based Pro Tools hardware and software. The company has also made strong inroads into the lower-end, project-studio market with products such as the Digi 001 digital audio interface and the Mbox USB audio interface. With the introduction of the Digi 002, Digidesign aims squarely for the middle ground. The Digi 002 is a high-resolution, portable, host-based Pro Tools system that has robust, flexible I/O and a comprehensive integrated control surface. With four built-in microphone preamps, a terrific suite of bundled plug-ins, and a standalone mode that allows the unit to perform double duty as a digital mixer, the Digi 002 sets a new high standard in terms of bang for the buck.
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Note that the Digi 002 is clearly designed for creating music in stereo. You could conceivably connect outputs 3 through 8 to a 5.1 system, but the lack of control within the hardware (and Pro Tools LE software) for that type of configuration makes such an approach less than optimal. All analog -inch inputs and outputs are on balanced TRS connections, although unbalanced TS cables may be used as well. The unit I received for review exhibited a marked difference in noise and hum when I switched from using balanced cabling to unbalanced; I recommend using balanced cabling wherever possible. The Digi 002 supports two channels of S/PDIF I/O on unbalanced RCA jacks, at resolutions from 16-bit, 44.1 kHz to 24-bit, 96 kHz. There is also Lightpipe I/O, which can be configured to accept two channels of optical S/PDIF (running up to 24-bit, 96 kHz), or eight channels of ADAT data, also at 24 bits but limited to the ADAT standard of a 44.1 or 48 kHz sampling rate. The Digi 002 connects to your computer with a FireWire (IEEE 1394) cable and offers two FireWire ports, allowing you to daisy-chain other devices. In practice, I connected the computer to a FireWire hard drive and put the Digi 002 last in the chain, which worked well. As a bandwidth test, I tried recording and playing back 32 simultaneous channels at 24-bit, 96 kHz resolution to a single FireWire drive. The Digi 002 handled the job without a hitch, choking only when I threw edits and fades into the session. That's mighty impressive. Rounding out the connections are one MIDI input and two discrete MIDI outputs. That allows the Digi 002 to act as a 16-channel-in, 32-channel-out MIDI interface. An IEC-standard power jack and a footswitch jack complete the scene. One important connection is missing: a dedicated word-sync input on a BNC connection. While the Digi 002 can slave digitally to the S/PDIF or Lightpipe inputs, many studios have a master word clock that syncs all digital devices, using coaxial cables.
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THE EM POLL
DO YOU USE LO-FI TECHNIQUES (BIT REDUCTION, SATURATION, INTENTIONAL ALIASING, ETC.) IN YOUR RECORDINGS?
I'm intrigued by the concept, but haven't really found a place for it. Sometimes I'll add a little bit, although I don't do it very often. Of course not, I'm always trying for great sound quality. I'm totally into radical recording weirdness, especially lo-fi techniques.
FOR LE ONLY
The Digi 002 runs Pro Tools LE software, which is similar to the TDM version of Pro Tools software but with a few useful features intentionally left out. These include single-key keyboard shortcuts for most editing functions, surround capabilities, the time-code ruler, and an advanced audio-quantization tool called Beat Detective. While the lack of SMPTE rules out using the Digi 002 for any film or video work, the software is fine for music production and non-SMPTE-based sound production.
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FIG. 1: The Digi 002 offers a nice array of options for connectivity, including two FireWire (IEEE 1394) ports and I/O for S/PDIF, ADAT Lightpipe, and MIDI. However, Digidesign is bundling a variety of RTAS and AudioSuite plug-ins with the Digi 002. The ones I received include the Waves Renaissance compressor, EQ, and reverb; IK Multimedia's SampleTank software sampler and AmpliTube speaker simulator; Native Instruments' Pro-52 synthesizer; and Digidesign's D-FX chorus, flanger, and delay. Digidesign says that the contents of the bundle and the number of plug-ins included are subject to change at any time.
IN SITU
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As soon as the Digi 002 arrived, I put it to the acid test of high-resolution acoustic recording. It took less than 15 Advertising minutes to set up the Digi 002 and install Pro Tools LE 5.3.2. From there, I plugged pairs of Neumann KM 184 and Earthworks QTC-1 microphones directly in to the Digi 002's mic preamps using Blue Kiwi cables. I recorded musician Subscription Jory Prum singing folk songs while playing his steel-string guitar in a quiet, acoustically treated studio, at a resolution of 24-bit, 96 kHz. The results were clean, clear, and smooth, with a detailed top end. The highs sounded neither harsh Reprints-Licensing nor hyped but were instead extended and well integrated into the sound. The Digi 002's mic preamps are quiet, neutral, and colorless. They are solid in their performance and well suited to the rigorous demands of high-resolution Customer Service audio. I continued to throw the most difficult audio tasks that I could think of at the Digi 002: jingling keys, tambourines, shakers, metallic hits, and big low-frequency thumps all at 24-bit, 96 kHz. In each case, the Digi 002 held its own, recording everything faithfully, with a minimum of the harshness and high-end distortion that is so often characteristic of 44.1 kHz recording.
LOW-LATENCY MODE
At this stage of digital audio development, latency is still the bugaboo of all host-based systems. The Digi 002 is no exception, but it offers a Low Latency Monitoring mode to negate the problem during the overdubbing process. Enabling Low Latency Monitoring defeats any plug-ins or sends assigned to Record-enabled tracks and requires that the tracks be routed to audio outputs 1 and 2. In addition, these tracks won't register their levels to the master faders during playback. These limitations are small, though, and the improvement in timing due to lower latency is well worth it.
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TOP NOTCH
The Digi 002 is undoubtedly the coolest portable studio I have ever seen. It offers robust inputs and outputs; nice-sounding mic preamps; excellent sound quality; 24-bit, 96 kHz capabilities; a full-featured and well-designed physical interface; standalone mixer mode with built-in processing; and a generous plug-in bundle. And you get all of that for just over two grand. If you are primarily a Pro Tools user and you don't want to take the expensive step into TDM-based systems, the Digi 002 is the box for you. I give it two enthusiastic thumbs up.
PRODUCT SUMMARY
Digidesign Digi 002 digital audio interface/control surface $2,495 FEATURES EASE OF USE AUDIO QUALITY VALUE RATING PRODUCTS FROM 1 TO 5 PROS: Excellent sound quality. Capable of 24-bit, 96 kHz resolution. Comprehensive control surface. Tight integration between hardware and software. Standalone mixer mode. Generous plug-in bundle. A lot of bang for the buck. CONS: No BNC word-clock input. No scrub/shuttle wheel. No numeric keypad. No dedicated Save button. Intermittent audible click/noise bug. 4.0 4.5 4.0 5.0
MANUFACTURER
Digidesign tel. (800) 333-2137 or (650) 731-6300 e-mail prodinfo@digidesign.com Web www.digidesign.com
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