Professional Documents
Culture Documents
Na t i ve A m e r ica n s
t e
o o a s o EDWARD S. C U R T I S
c. 1904 .
[2]
Curtis was drawn to photography during his youth and grew up to become owner of a portrait studio in Seattle, W ashington.
As a photographer in the Harriman Expedition to Alaska in 1899, Curtis met Indian expert George Bird Grinnell, who asked him to photograph the Blackfeet Indian people in Montana. This assignment inspired Curtis to document the other remaining Native-American tribes.
Curtis said he wanted to
mythologies, religious rites, they were lost for all time.
however, many aspects of Native-
disappeared, having been denigrated by scientists, denounced by religious missionaries, banned by government decree, or abandoned for a more modern way of life. Although an exceptional photographer, Curtis was not a professional ethnographer. In his passion to record the old ways, he often paid Indians to reenact ceremonies. Or he manipulated the printed picture to get the result he wanted. Contrived or not, images from The North American Indianonce seencan never be forgotten. Curtiss imagesfrom the Hopi and the Apache in the Southwest to the Inuit in Alaskacapture the dignity, beauty, and the strength of his subjects. Curtiss methods may have been controversial, but his work has made an extraordinary contribution to the record of the human family.
At left, Curtiss camp among the Spokane during his 1910 survey of the interior Salishan tribes of the Columbia River Basin. Above: Edward Sheriff Curtis, 18681952, in a portrait circa 1899.
[3]
Produced by the Bureau of International Information Programs, U.S. Department of State. Editor: Mildred Sol Neely. Writer: Christine A. Johnson. Photo Research: Ann Monroe Jacobs. Design: Diane Woolverton. Photos, above: University of Washington Libraries, Special Collections,
UW2807;
The
Land
At top: Saguaro Fruit Gatherers Maricopa. Yuma Indians of Arizona, c. 1907. Bottom: R igid and Statuesque. Crow Indians of Montana and Wyoming, c. 1905.
[4]
Top: Library of Congress
Po rt ra it o f a y o u n g Ya k im a m a n , w it h b e a d e d v e st, w h e re ? ? .
LC-USZ 62-111943;
LC-USZ 62-123304
O v e r l o o k in g t h e C a mpPiegan. B l a c k fo o t In d i a n s o f t h e No rt h e r n Pl a in s .
edward s . curtis
c.
1910
Library of Congress,
LC-USZ 62-106275
[5]
edward s . curtis
c.
19 0 8
Library of Congress,
LC-USZ 62-120409
[6]
Si o u x C h i e f s . Si o u x In d i a n s o f No rt h a n d So u t h D a k o t a.
edward s . curtis
c.
19 0 5
Library of Congress,
LC-USZ 62-90800
[7]
The
People
At top: Qahatika Girl. Pima Indians of southwestern Arizona, c. 1907. Bottom: R aven Blanket Nez Perc. Nez Perc Indians of Idaho, Oregon, and Washington state, c. 1910.
[8]
Top: Library of Congress
Po rt ra it o f a y o u n g Ya k im a m a n , w it h b e a d e d v e st, w h e re ? ? .
LC-USZ 62-112215;
LC-USZ 62-47014
edward s . curtis
c.
1910
Library of Congress,
LC-USZ 62-99795
[9]
edward s . curtis
1 9 0 5
Corbis
[10]
edward s . curtis
c.
19 0 8
Corbis
[11]
Daily Life
At top: The Muskrat Hunter Kotzebue. Eskimo Indians of Alaska, c. 1929. Bottom: Gathering Seeds Coast Pomo. Pomo Indians of California, c. 1924.
[12]
Top: Library of Congress
LC-USZ 62-116540;
LC-USZ 62-116525
Th e B l a n k e t We a v e r Na v a j o . Na v a j o In d i a n s o f Ar iz o n a.
edward s . curtis
c.
19 0 5
Library of Congress,
LC-USZ 62-116675
[ 13 ]
Th e Me a l in g Tr o u g h Ho p i. Pu e bl o In d i a n s o f Ar iz o n a.
edward s . curtis
c.
19 0 6
Library of Congress,
LC-USZ 62-94089
[ 14 ]
E s k im o s in Kay a k s No a t a k. E s k im o In d i a n s o f Al a s k a.
edward s . curtis
c.
192 9
Library of Congress,
LC-USZ 62-111135
[ 15 ]