Professional Documents
Culture Documents
By Jonel Boljanac
1.03 (B -3), 1.09 , 1.16 (C#), 1.23 (D), 1.30 (D#), 1.38 (E), 1.46 (F), 1.55 (F#), 1.64
(G), 1.74 (G#), 1.84 (A), 1.95 (A#), 2.07 (B), 2.19 , 2.32 (C#), 2.46 (D), 2.61 (D#),
2.76 (E), 2.93 (F), 3.10 (F#), 3.29 (G), 3.48 (G#), 3.69 (A), 3.91 (A#), 4.14 (B), 4.39 (C),
4.65 (C#), 4.93 (D), 5.22 (D#), 5.53 (E), 5.86 (F), 6.21 (F#), 6.58 (G), 6.97 (G#), 7.39
(A), 7.83 (B -2), 8.29 (C), 8.78 (C#), 9.31 (D), 9.86 (D#), 10.45 (E), 11.07 (F), 11.73
(F#), 12.42 (G), 13.16 (G#), 13.95 (A), 14.78 (A#), 15.66 (B -1 ), 16.59 (C 0), 17.57
(C#), 18.62 (D), 19.73 (D#), 20.90 (E), 22.14 (F), 24.46 (F#), 24.85 (G), 26.33 (G#),
27.90 (A), 29.56 (A#), 31.32 (B 0), 33.18 (C 1), 35.15 (C#), 37.24 (D), 39.46 (D#), 41.80
(E), 44.29 (F), 46.92 (F#), 49.71 (G), 52.67 (G#), 55.80 (A), 59.12 (A#), 62.64 (B 1),
66.36 (C 2), 70.31 (C#), 74.49 (D), 78.92 (D#), 83.61 (E), 88.58 (F), 93.85 (F#), 99.43
(G), 105.34 (G#), 111.61 (A), 118.24 (A#), 125.28 (B 2), 132.72 (C 3), 140.62 (C#),
148.98 (D), 157.84 (D#), 167.22 (E), 177.17 (F), 187.70 (F#), 198.86 (G), 210.69 (G#),
223.22 (A), 236.49 (A#), 250.56 (B 3), 265.45 (C 4), 281.24 (C#), 297.96 (D), 315.68
(D#), 334.45 (E), 354.34 (F), 375.41 (F#), 397.73 (G), 421.39 (G#), 446.44 (A), 472.99
(A#), 501.12 (B 4), 530.91 (C 5), 562.48 (C#), 595.93 (D), 631.37 (D#), 668.91 (E),
708.69 (F), 750.83 (F#), 795.47 (G), 842.78 (G#), 892.89 (A), 945.98 (A#), 1002.24 (B
5), 1061.83 (C 6), 1124.87 (C#), 1191.87 (D), 1262.74 (D#), 1337.83 (E), 1417.38 (F),
1501.66 (F#), 1590.95 (G), 1685.56 (G#), 1785.78 (A), 1891.97 (A#), 2004.48 (B 6),
2123.67 (C 7), 2249.95 (C#), 2383.74 (D), 2525.48 (D#), 2675.66 (E), 2834.76 (F),
3003.32 (F#), 3181.91 (G), 3371.12 (G#), 3571.57 (A), 3783.95 (A#), 4008.96 (B 7),
4247.34 (C 8)
It can be viewed that early 7.83Hz increment tones (15-46Hz) are very close to the overtones
and harmonics measured at: 14, 21, 26, 33, 39, 45 and are created & strengthened by
the initial base frequency. 7.83 & 14Hz reinforce each other to rising in pitch. The
frequencies highlighted are where 7.83 and 14 increments are close or cross. Mathematical
Genesis: From 0 the first wave is generated 1Hz, then the octave 2Hz, it should go to the
octave 4Hz but instead 3.915Hz, then the octave 7.83Hz (Or it goes to 4Hz then to 7.83). The
first audible octave that resonates with the earth on a piano at A=440Hz of the Schumann
Frequency is 31.32Hz we call that note B. The fourth octave 62.64Hz we call that note B as
well. The fifth octave 125.28 is B. BUT after B3 there are no notes aligned with the octaves of
7.83 in A=440Hz. B4 is off by 7.24Hz (501.12 493.88 = 7.24). B5 is off by 14.47Hz
(1002.24 987.77 = 14.47). B6 is off even more 2004.48 - 1979.5 = 24.98Hz. B7: 4008.96
3951.1 = 57.81Hz. These notes are in between notes at A=440.