Ballet Mecanique

Osvaldo Glieca
Ballet Mcanique
for Chamber Orchestra

(2011)
Osvaldo Glieca
osvaldo.glieca@ymail.com
INSTRUMENTATION
______________________________________
2 Flutes, 1 double with Piccolo
1 Bb Clarinet
1 Bb Bass Clarinet
1 Eb Alto Saxophone
1 Bb Tenor Saxophone
2 Bb Trumpet, 1 double with Flugelhorn
1 Tenor Trombone
Percussion: three players. *
Cymbals: standard Hit Hat, 10 Splash, 12Crash, 16Crash, 20Ride, 22Ride, large Tam-Tam.
Drums: standard Bongos, standard Congas, standard set of four Tom-Toms, two Snare drums
(piccolo and tenor), standard concert Bass Drum (horizontal).
Accessories: Mark Tree, three glass bottles, standard Triangle, standard concert Temple Blocks, three-piece
woodblocks.
Tuned Percussion: Piano, Concert Marimba, Vibraphone, Glockenspiel.
Strings: Violins, Viola, Cello, Double Bass. (2-2-2-1-1)*
_______________________________________________________
Instrumentation can be doubled for larger ensembles.

*String desk is suggested; dynamics and volume of sound will apply accordingly if changed.
* The percussion lay-out is not suggested as it may vary greatly from different ensemble set up.
NOTES
______________________________________
Ballet Mecanique represents an example of futurism and surrealistic movie that display within an avantgardism influence. The images are intertwined and syncopated without a real narrative as a summary of abstract
art. Consequently, the music I composed has been spontaneously improvised as well as written and orchestrated
in details.
The film is definitely unconventional, it is a work of art that exhibits moving objects to eulogize the
machineries that symbolized the human progresses, and industrial revolution of the early twentieth century. The
music it is the only feature that can accompany the images: my approach on this was to re-create a musical plot
that function as a counterbalance element to the image in order to help the viewer to associate his own meaning.
In my opinion it could have been wrong and a banal clich, to create purely a non-diegetic experimental music. I
believe that the abstract aspects in the movie could gain interest only if the viewer can have reference points from
the music. This, however, should not be confused that the music is based on a traditional format such as
exposition, development and recapitulation, but possess fragmentations of episodes to lead into open subjective
meanings; it is fragmented in its form as well as it is the movie. The common aspect I desire to insert is the
characteristic power to define these possible meanings and express emotions as well; I want to guide a response
through the images and connect them to the listener. On doing this, I pointed out many of my efforts of keeping in
mind to write music that itself express distinct reactions such as familiar styles or personal statements, to then
unwrap these potential aspects that reflect aesthetic ideals, and direct them to the free individual imaginations.
The judgment of my music in terms of formal taste from the audience does not interest me, what I am
looking for in Ballet Mecanique is to set the free interplay of imagination from the viewers-listeners that
experience and/or stimulate emotions, intellect and imagination independently from their cultural background.
The music I written could be served as a variety of things; establish a mood, specifying a time or location, create
an atmosphere. The form, material and structure of the music want to establish a feature thorough which the work
refer to itself of being associated only with these images. This music with these images are now inseparable.
During my composition I have created my own interplay of imagination of relating the images primarily
with sounds rather then the musical expressivity, and floating between a diegetic and non-diegetic music, to
reinforce the impression of the images, and at the same time avoid narrative functions.
NOTES FOR THE CONDUCTOR
This work it is divided into sections that follow the bizarre gestures and sequences of the images; these
are signalled by the rehearsal marks on the score with the aim of giving the indication when the music changes its
pace, rhythmic pulsation and harmonic character.
The music has been scored with the assistance of music-notation software able to synchronize accurately
all the action of the images. However, I kept continuously in mind of writing the music exclusively for a live
performance, and consequently I avoided assigning each passage a clinical synchronization. Players will have the
freedom to discover a stylistic interpretation, and concentrate purely on the performance without bother too much
of what is happen in the film. In few words there is space for the performance to breath, and a certain level of
approximation of synchronization is appreciated as a human valuable factor. Nevertheless, on the other hand, it is
of paramount importance to adhere religiously with the metronome marks given, these cannot be replaced by any
other speed; they are imposed. The various metronomic speeds through the score permit the coordination between
each section, and they are an essential component of the whole musical structure. The conductor should achieve
the best possible accuracy to reach a quasi-perfect synchronization on each rehearsal mark. I have avoided of
being pedantic giving peculiar expressive direction that indicate the character of the music on the rehearsal mark
as well. I think that the images instinctively speak for themselves giving a very subjective meaning, therefore any
expressive direction would be useless; I restricted myself only to the very necessary ones.
NOTES FOR PERCUSSION PLAYERS

____________________________________________________
Symbol
indicate to hit the Tam-Tam with the open hand.
Choices of the mallets are suggested, the player can choose the most appropriate ones, providing to have the
similar timbre effect.
Symbol + indicate damping the notes at the exact place where notated. It is intended for all the percussion
instruments.
Vibraphone plays always with the foot pedal resonator down, unless where otherwise stated by the symbol +
for damping technique. The motors function and its fan-resonator speed are notated on the score.
Symbol
imply the technique of dead stroking.
Cymbals Legenda
Bongos and Glass Bottles
* Three glass bottles are vertically placed either on a tray or on a suspended frame. The bottles must be all of the same size
(standard one-litre bottles are suitable). Although non-pitched, they need to be filled with water to obtain a scale of three
different sounds, and being arranged in this order. From bottom to top stave: full, half full, and empty.
Ballet Mecanique
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Osvaldo Glieca
un poco meccanico
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Bongos
43
44
Congas
43
44
Tom-t.
43
44
S.D.
43
44
43
44 Take cloth OFF
B. D.
Tri.
43
44
T. Bl.
43
44
43
44
&
43
44
43
44
43
44
43
43
44 b
W.Bl.
Mar.
Vib.
Pno.
#
{&
&
. .
#
Vln. I &
. .
& #
B #. .
.
J
Vln. II
Vla.
Vc.
Db.
? #
. .
.
.
.
.
.
.
J
b . .
b. .
b. .
b.
ff
b . .
. .
43
.
43 . . b.
. .
. .

43
43 .
43 .
. b.
. b.
b.
b.
.
.
.
.
. .
.
.
.
.
44
44
44
44
44 b
44
#
b
gliss.
gliss.
15
&
&
54
Fl.
Fl.
& b
Cl.
mp
42
# b
38
# b

38
42
38
42
38
&
Alto Sax.
&
Ten. Sax.
&
42
&
42
38
42
38
42
38
T.-t.
42
38
Bongos
42
38
Congas
42
38
Tom-t.
42
38
S.D.
42
38
B. D.
42
38
42
38
Tpt.
&
Tpt.
Tbn.
Cymb.
j
# . .
mp
42
B. Cl.
# .
42
.
42
# .
mf
38
38
38
Tri.
T. Bl.
42
38
42
38
42
38
42
38
42
38
42
38
42
38
42
38
W.Bl.
&
Mar.
Vib.
Pno.
Vln. I
{&
&
&
Vln. II
&
Vla.
B
?
Vc.
Db.
L.V.
L.V.
mp
#w
mf

42
38
42
38
42
42
38
38
16
3
Fl. & 8
42
D
34
58
78
Fl.
& 38
42
43
58
78
Cl.
& 38
42
43
58
78
B. Cl.
& 38
42
43
58
78
58
& 38 #
.
3
Ten. Sax. & 8
b
.
3
Tpt. & 8
Alto Sax.
42 #
.
42
b .
42
43
43
43
43
3
&8
42
?3
8
42
.
43 J
42
T.-t.
3
/8
42
43 J
43
Bongos
/ 38
42
Congas
3
/8
42
Tom-t.
/ 38
S.D.
/ 38
B. D.
/ 38
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
Vln. II
3
/8
ff
b
b
78
78
58
78
bR.
78
58
58 b
R
58 .
J
58
J
58
78
78
58
78
43
58
78
43
58
78
42
43
58
78
42
43
78
42
j
43
58
42
43
42
3
/ 8
42
& 38
?3
8
3
/ 8
58 j
78
58
78
43
58
78
43
58
78
42
43
58
78
42
43
58
78
3
{& 8
42
43
58
78
3
&8
42
? 38
42
43 b
.
ff
34
D ..
b
43 J
3
/8
{
{
3
&8
& 38
b
J
b
J
42
ff
42
.
43 J
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B 38
42
Vc.
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8
42
Db.
?3
8
42
ff
.
43 J
ff
.
43 J
ff
.
43 J
ff
58
.
58
.
.
58 J
r 7
8
b .
78
.
R
78
b .
.
R
58 .
J
.
58 J
58 .
J
r
b. 78
58 .
J
b.
R
bR.
78
78
78
17
7
&8
42
58
44
Fl.
& 78
42
58
44
Cl.
& 78
42
58
44
B. Cl.
& 78
42
58
44
62
Fl.
Alto Sax.
& 78 j
b
& 8
7
Tpt. & 8
J
7 b
Tpt. & 8
Ten. Sax.
Tbn.
Cymb.
? 7 .
8J
7
/8J
T.-t.
7
/8
Bongos
42 b
b
42 b

42
42
.
42 J
42 J
58 j
58 . . . . . .
58
58
/ 78
42
Congas
7
/8
42
Tom-t.
/ 78
42
S.D.
/ 78
42
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Vla.
j
42
subito cresc.
44
44
44
44
58
44
58
44
58
44
mp
44
44
44
58
58
44
44
42
58
44
42
58
44
7
/ 8
42
58
44
& 78
42
58
44
?7
8
42
58
44
7
{& 8
42
58
44
42
.
58
#.
58
.
.
58 J
7
/8
{
{
.
& 78 J
B 78 .
J
?7 j
8
.
? 7 .
Db.
8J
Vc.
7
/ 8
7
& 8
.
Pno.
? 78
.
7 .
Vln. I & 8 J
Vln. II
58
j
/ 78
j
b
6
58 j
bj
58 b. . . . . .
42
B. D.
42 .
.
42 J
42 j
.
.
42 J
.
42 J
.
42 J
58 .
J
58 #.
J
58 J.
58 J.
44
44
44
44
44
44
44
18
4
Fl. & 4
65
w
w
ff
a tutta forza
a tutta forza
Fl.
& 44
Cl.
& 44
B. Cl.
& 44
Alto Sax.
& 44
4
& 4
Ten. Sax.
Tpt.
4
&4
ff
ff
ff
#
b b
#
b
ff
#
b
Take Flugelhorn
4
&4
mute ON
Tpt.
?4
4
mute ON
Tbn.
Cymb.
4
/4
A#
T.-t.
4
/4
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/ 44
Congas
4
/4
Tom-t.
/ 44
S.D.
/ 44
B. D.
/ 44
4
/ 4
& 44
?4
4
4
{& 4
4
&4
? 44
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
Vln. II
Vla.
4
/ 4
4
/4
{
{
4 atutta forza
&4
& 44
a tutta forza
motor ON, slow resonator
?4
4
?4
4
a tutta forza
Db.
a tutta forza
B 44

b
5
a tutta forza
Vc.
b
b
#
#
b
3
mf
b
# n #
b
5
5
5
5
b
b
> L.V.
b
3
. . . . .
pizz.
. . . . .
pizz.
b #
5
5
. . . . .
5
pizz.
pizz.
pizz.
19
q = 82 Calm and tranquil
&
69
Fl.
Take Piccolo
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
&
Fl.
j
&
Cl.
&
B. Cl.
& j
Alto Sax.
Ten. Sax.
Tpt.
Cymb.
&
&
Tpt.
Tbn.
j
b
pp
T. Bl.
&
{&
W.Bl.
Mar.
Vib.
{
{
&
Pno.
ff
w
w
w
Vln. I &
&
Vln. II
Vla.
Vc.
Db.
#
J
mf
L.V.
mf
J
mf
mf
j
b
bJ
mf
#
J
L.V.
j
b
b
J
pp
Tri.
#J
#
J
b
J
b
J
b
J
20

&
73
Fl.
&
Fl.
mp
pp
&
&
Alto Sax.
&
Ten. Sax.
&
Cl.
B. Cl.
Tpt.
&
&
Tpt.
Tbn.
pp
pp
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
&
{&
Vln. II
&
b
J
Vla.
B
?
Vc.
Db.
? bJ
mp
j
#
mf
&
Vln. I
mf
&
Pno.
mp

#
J
R
j

J #R
L.V.
mp
w
w
w
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mf
L.V.
b
b
#j
J

J
J
R
J
L.V.
pp
b
J
b
J
ff
b # n
b
J
7:4

J
J
#j
J J
21
&
77
Fl.
w
o
Fl.
& b
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
Tpt.
&
Tpt.
Tbn.
Cymb.
&
?
mf
A
!
Y
A
#
L.V.
Bongos
Congas
Tom-t.
S.D.
B. D.
T.-t.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
mf
#J
& b
?
mp
{&
<>
&
& J
Vln. II
Vla.
Vc.
J
Vln. I &
Db.
L.V.
mp
#
J
#
J
mf
w
w
w
w
w
w
L.V.
mp
Tri.
ppp
22
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
81
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
Bongos
Congas
Tom-t.
pp
bw
p
S.D.
B. D.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
&
{ &
L.V.
&
&
mf
#
J
#
J
mp
w
w
w
bj
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&
b
J
Vla.
b
J
Vc.
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?
J
#
J
mp
bj
b
b j

j

b
J
w
w
w
b
J
j
b
T. Bl.
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b
J
J
b
J
23
Fl.
85
w
&
&
Fl.
pp
&
Cl.
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
Tpt.
&
bJ
j

p
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Cymb.
Tri.
T. Bl.
W.Bl.
&
Mar.
Vib.
{&
&
Pno.
#
mf
#w
w
w
L.V.
b
b
b
mp
#
#

Vln. I & J
#
J
L.V.
mp

J
b
J
j
b
J #
J
J J
b
J
b
J
J
bJ
mp
L.V.
b
J
mp
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&
Db.
Vln. II
Vc.
j
b
mf
pp
Tbn.
&
Tpt.
mp
#
J J
b
J
J J
24
Fl. &
90
Fl.
&
Cl.
&
leggiero

J
p
&
B. Cl.
Take Flute
mp
43
43
43
43
Alto Sax.
&
43
Ten. Sax.
&
43
&
mute OFF
43
43
mute OFF
43
43
Tpt.
&
Tpt.
Tbn.
Cymb.
L.V.
T.-t.
43
Bongos
43
Congas
43
Tom-t.
43
S.D.
43
B. D.
43
43
43
L.V.
43
&
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
w
{& w
w
&
Pno.
Vln. I
&
mf
Vln. II
&
Vla.
Vc.
Db.
#
J
mp
43
w
w
w
43
43
43
b
J
L.V.
43
b
J
j
b
b
J
43 J
b
J
43
#
J
mf
#
mf
L.V.
43
43
b
J
mf
43
b
J
L.V.
F q = 108
25
&
58
78
42
58
58
Fl.
&
58
78
42
58
58
Cl.
&
58
78
42
58
58
B. Cl.
&
58
78
42
58
58
Alto Sax.
&
Ten. Sax.
&
95
Fl.

58 b b b 78 b b 42 58 58
6
58
78
42
58
58
78
42
58
&
58
78
42
58
58
58
78
42
58
58
58
78
42
58
58
T.-t.
58
78
42
58
58
Bongos
58
78
42
58
58
Congas
58
78
42
58
58
Tom-t.
58
78
42
58
S.D.
58
78
42
58
B. D.
58
78
42
58
58
58
78
42
58
58
Tpt.
&
Tpt.
Tbn.
Cymb.
58
6
5
5
8
mf
58
Tri.
T. Bl.
58
78
42
58
58
58
78
42
58
58
58
78
42
58
58
58
78
42
58
58
{&
58
78
42
58
58
&
58
78
42
58
58
58
78
42
58
58
58
78
42
58
arco
58
W.Bl.
&
Mar.
Vib.
Pno.
Vln. I
&
L.V.
Motor OFF
&
58
78
42
58
arco
Vln. II
58
58
78
42
58
arco
Vla.
58
58
78
42
58
arco
Vc.
58
58
78
42
58
arco
Db.
58
26
5
Fl. & 8
100
K q = 108 Swing feel
43
78
44
43
Fl.
& 58
43
78
44
43
Cl.
& 58
43
78
44
43
B. Cl.
& 58
43
78
44
43
43
78
44
43
43
78
44
43
43
78
44
43
Alto Sax.
Ten. Sax.
Tpt.
Tpt.
& 58
5
& 8
5
&8
5 j
& 8 .
mp
Tbn.
Cymb.
?5 j
8 b.
5
/8
mp
j
.
b.
J
j 3
. 4
j 3
. 4
43
j
.
j
.
b. bj
J
.
j 7
. 8
.
J
j
.
cresc.
78 j
b.
78
cresc.
.
b .
b.
.
b
. #.
. .
44
j
b.
44
j
b.
44
j
.
b.
J
43
j
b.
43
j
.
43
T.-t.
5
/8
43
78
44
43
Bongos
/ 58
43
78
44
43
>
>
>
5
> j 3
>
/8
Congas
Tom-t.
/ 58
S.D.
/ 58
B. D.
/ 58
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
Vln. II
Vla.
Db.
44 >
43
43
78
43
78
43
78
44
43
78
44
43
43
78
44
43
5
/ 8
43
78
44
43
& 58
43
78
44
43
?5
8
43
78
44
43
5
{& 8
43
78
44
43
5
&8
43
78
44
43
? 58
43
78
44
43
43
78
44
43
43
78
44
43
5
/ 8
5
/8
{
{
5
&8
& 58
B 58 bJ.
mf
Vc.
78
?5 j
8 b.
?5 j
8 b.
mf
mf
.
J
j
.
j
.
.
J
43
j 3
. 4
j 3
. 4
b.
J
j
b.
j
b.
.
J
j
.
j
.
.
J
cresc.
78 b.
J
j 7
j
. 8 b.
cresc.
j 7
j
. 8 b.
cresc.
. b
.
b. b.
b. b.
4
4
43
44
43
b. .
. #.
. .
44
.
J
44
.
J
44
j
b.
b.
J
b.
J
.
J
.
J
j
.
j
.
43
43
43
43
27
3
&4
58
43
78
44
Fl.
3
&4
58
43
78
44
Cl.
& 43
104
Fl.
B. Cl.
Alto Sax.
Ten. Sax.
Tpt.
Tpt.
Tbn.
Cymb.
& 43
3
&4
3
& 4
3
&4
& 43 .j
? 3 b.
4J
3
/4
b .
b.
b.
mp
j
b.
j
.
j
.
cresc.
58 j
b . cresc.
5
j 8 j
.
cresc. .
58 j
.
cresc.
mp
j
j 5
#. 8 b.
mp
.
j 5
#. 8 bJ
f
#.
.
.
j
.
b.
J
58 j
.
j
.
58 j b.j
b.
58
j
.
j
.
j
.
j
.
j
43 b.
43
43 j
.
34
.
43 bJ
j
.
j
b .
j
.
j
.
43
.
J
j
.
j
43 b.
78 bj
.
j
.
j
.
j
.
j
.
j 78 j
.
f b
.
78 j
b .
f
j 7
j
. 8 .
j
.
.
J
j
.
j
b.
j
.
j
.
78 b.
J
78
3
/4
58
43
78
Congas
>
/ 43
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Db.
43
.
b .
.
J
#.
44
.
b .
.
b. b
.
.
#.
44
43 >
58
43
58
43
58
3
/ 4
58
& 43
?3
4
78
>

>
3
4

3
/4
#.
b.
J
44
44
44
44
Bongos
B. D.
78
58
>
b. b.
44
3
/4
43
S.D.
44
b. b.
78
58
44
58
3
/4
.
J
j
b.
43
Tom-t.
.j
3
/4
58
j
.
78 j
b.
T.-t.
4
4
44
>
78
44
78
44
78
44
78
44
43
78
44
43
78
44
58
43
78
44
58
43
78
44
3
{& 4
58
43
78
44
3
&4
58
43
78
44
?3
4
58
43
78
44
>
3
/ 4
3
/4
{
{
>
3
&4
& 43
b.
.
b. b
b.
B 43 b.
J
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4 b.
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4 b.
b.
b.
j 5
. 8
j 58
.
. 58 b.
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f
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.
j
.
.
J
58 j
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f
58 j
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f
j
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j
.
.
J
.
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.
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.
j
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.
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j
.
.
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.
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43 b.j
43 b.j
.
J
.
78 J
.
J
.
J
.
J
78 .
J
.
J
b.
J
b. b.
b. b.
.
J
j
.
j
.
.
J
78 b.
J
j 7
j
. 8 b.
j 7
j
. 8 b.
.
J
44
.
J
.
44
#.
44
. b b.
.
44
44
28
4
&4
43
43
4
&4
43
43
108
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.
.
b. n.
J 78 J
.
J
78
b.
J
j
.
b.
J
78
b
b
44
43
44
43
44
>
78
j
.
44
78
43
43
43
44
43
43
43
78
78
44
44
43
43
43
44
44
78
78
5 > > 3
/8
4
b
b
43
j
.
43
j
.
j
.
43
43
. . 3
4
.
J
43
39
3
&4
78
42
44
Fl.
& 43
78
42
44
Cl.
& 43
78
42
44
B. Cl.
& 43
78
42
44
Alto Sax.
& 43
78
42
44
Ten. Sax.
3
& 4
78
42
44
78
42
44
Tpt.
3
&4
78
42
44
Tbn.
?3
4
78
42
44
78
42
44
T.-t.
3
/4
78
42
44
Bongos
/ 43
78
42
44
Congas
3
/4
78
42
44
Tom-t.
/ 43
78
42
/ 43
78
42
44
/ 43
78
42
44
78
42
44
42
44
42
44
44
163
Fl.
Tpt.
Cymb.
3
&4
3
/4
S.D.
B. D.
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
Vln. II
Vla.
3
/ 4
3
/4
3
/ 4
?3
4
3
{& 4
b
b
? 43
& 43 bj
.
B 43
j
.
j
.
j
.
Vc.
?3
4
b.
J
Db.
?3
4
b.
J
78
78
78
j
.
.
J
.
J
j
.
78 bj
.
78 j
b.
78
j
.
j
.
j
.
78
.
J
78
.
J
.
J
78
j
.
j
.
78
b
b
78
78
3
&4
3 j
& 4 b.
& 43
b
b
n
n
42
b
42
42
42
j
.
j
.
j
.
b.
n.
b.
n.
.
.
.
b
42 b
n
n
42
42
44
44
j
.
j
.
j
.
b.
42
n.
.
42 b
n.
42 .
44
44
.
.
.
44
44
44
44
44
44
40
4b
&4
166
Fl.
Fl.
Cl.
B. Cl.
Alto Sax.
Ten. Sax.
Tpt.
4b
&4
& 44
& 44 b
ff
ff
ff
ff
4 .
& 4 J
ff
4 .
& 4 J
4 j
& 4 b.
ff
ff
4
& 4 bj
.
?4 .
Tbn.
4 bJ
Tpt.
Cymb.
ff
4
/4
ff
j
b.
j
.
j
.
j
.
j
b.
j
.
j
.
j
.
j
.
j
.
j
b.
j
.
j
b.
j
.
j
b .
j
b.
j
.
j
.
j
b.
j
.
j
.
b.
b.
b.
j
.
b .
j
.
j
.
b.
j
.
/ 44
Bongos
4
/4
Congas
4
/4
4
/4
Tom-t.
S.D.
/ 44
B. D.
4
/4
Tri.
4
/ 4
4
/ 4
& 44
?4
4
4
{& 4
& 44
? 44
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
Vln. II
4
/4
{
{
4 b
&4
4
& 4
ff
ff
Vla.
Vc.
Db.
b
B 44
? 4 b
4
?4
4 b
ff
ff
ff
b
b
b
b
T.-t.
ff
.
.
.
b.
.
41
&
Straight crochets feel ( q = 108 )
169
Fl.
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
Bongos
Congas
Tom-t.
pp
L.V.
mf
L.V.
mp
S.D.
B. D.
Damp with a cloth
Tri.
T. Bl.
&
{&
&
W.Bl.
Mar.
Vib.
Pno.
Vln. I
&
Vln. II
&
Vla.
pizz.
pizz.
Vc.
Db.
>
>
j

j

>
>
>
>
j

j

>
>
>
>
j

j

>
>
42
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
173
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
Play with hands
&
{&
>
J
>
>
J
J
>
&
&
Vln. II
&
Vla.
j
>
3
j
?
Db.
>
Vc.
> >
3

>
>
j

j

>
3

>
>
>
j
> >
3
j

>
>
3
j
>
3
j

>
3
>
>
j

j

>
>
43
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
178
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
>
J
>
>
J
>
&
{&
&
&
Vln. II
&
Vla.
Vc.
Db.
>
?
>
j

j

>
>
>
>
j

j

>
>
>

>
j

j

>
>
>
>
j

j

>
>
44
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
182
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
Bongos
Tom-t.
S.D.
B. D.
Take mallets
Congas
mf
>
>

Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
>
J
J
>
&
{&
&
&
Vln. II
&
Vla.
Vc.
Db.
>
?
>
j

j

>
>
>
>
j

j

Y Y
mf
>

Y Y
>
>
45
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
186
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Y Y
Y Y Y
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
>

/ j
> j
sfz
3
>

T. Bl.
&
{&
&
W.Bl.
Mar.
Vib.
Pno.
Vln. I
{
{
&
Vln. II
&
Vla.
Vc.
Db.
Tri.
46
&
45
44
Fl.
&
45
44
Cl.
&
45
44
B. Cl.
&
45
44
Alto Sax.
&
45
44
Ten. Sax.
&
45
44
45
44
&
45
44
45
44
190
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Y Y
Y Y
Y
3
5
4
3
44
T.-t.
45
44
Bongos
45
44
Congas
45
44
>
/
Tom-t.
S.D.
B. D.
45
45
j
>
>

Tri.
T. Bl.
&
{&
&
?
W.Bl.
Mar.
Vib.
Pno.
Vln. I
{
{
&
45
Take cloth OFF
45
44
44
44
44
3
45 44
3
45
44
45
44
45
44
45
44
45
44
45
44
45
44
Vln. II
&
45
44
Vla.
45
44
Vc.
45
44
45
44
Db.
47
Fl.
Fl.
Cl.
b .
194 J
4
&4
b .
ff
& 44
ff
.
& 44
ff
B. Cl.
& 44 .
& 44
Ten. Sax.
4
& 4
Tpt.
Tbn.
Cymb.
. . .
>
>.
b .
b .
Alto Sax.
Tpt.
b .
>.
b .
. . .
>
b .
b .
.
. . . .
>
4
&4
?4
4
4
&4
4
/4
A
4
/4
T.-t.
L.V.
Bongos
/ 44
Congas
4
/4
>
L.V.
b .
>
>
>3

3
3
3
J
3
3

Tom-t.
/ 44
S.D.
/ 44
B. D.
/ 44
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
4
/ 4
4
/4
Vla.
>
& 44
?4
4
4
{& 4
4
&4
ff
. >. .
3
?4
4
Db.
?4
4
& 44 b
. ff . >. .
3
B 44 .
. b. n.
>
ff
Vc.
>.
b.
>
3
>.
b. n.
>
.
.
.
3
. >. .
. . . >.
3
3
b.
>
b.
>
. b>. .
3
n. b. n.
>
3
3
. . b. .
>
b.
. . b. n.
>
b.

>
>
4
/ 4
? 44
J
4 .
Vln. I & 4
Vln. II
>
>
>
>
>
>
>
>
48
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
199
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
Bongos
3
3
3
3
3
3
j
/ J
Congas
3
3

Tom-t.
3
3

B. D.
T. Bl.
&
{&
&
Vib.
Pno.
Vln. I
{
{
&
Vln. II
&
Vla.
Vc.
Db.
Tri.
Mar.
S.D.
W.Bl.
>
?
>
>

>
>
>
>
>
>
>
>
>
49
&
&
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
203
Fl.
Fl.
Cl.
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
Bongos
Congas
>
>
>
T. Bl.
&
{&
&
W.Bl.
Mar.
Vib.
Pno.
Vln. I
{
{
&
Vln. II
&
Vla.
Vc.
Db.
>
?
>
>
>
>
>
>
>
mp
mp
>
>
Tri.
>
>
B. D.
S.D.
Tom-t.
>
>
50
&
206
Fl.
&
&
&
Fl.
Cl.
B. Cl.

.

.
Alto Sax.
&
Ten. Sax.
&
&
Tpt.
&
Tpt.
Tbn.
Cymb.
>
/
>
>
>
>
>
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
T. Bl.
&
{&
&
W.Bl.
Mar.
Vib.
Pno.
Vln. I
{
{
&
Vln. II
&
Vla.
Vc.
Db.
>
?
>
>
>
Tri.
>
>
j

j

>
>
51
K
208
Fl. &
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
Bongos
Congas
j3
j
R
j

3
S.D.
B. D.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
&
{&
&
&
Vln. II
&
Vla.
Vc.
Db.
>
?
>
f
j

j

>
>
>
>
j

j

Tom-t.
Tri.
>
>
>
>
j

j

>
>
52
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
211
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
Bongos
>
3
/
3
Congas
Tom-t.
S.D.
B. D.
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
&
{&
&
&
Vln. II
&
Vla.
Vc.
Db.
>
?
>
>
>
3
3
3
J
>
>
>
>
>
>
j

j

>
>
>

>
j

j

>
>
53
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
215
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
Congas
Tom-t.
Bongos
B. D.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
&
{&
&
&
Vln. II
&
Vla.
Vc.
Db.
>
?
>
j

j

>
>
>
>
j

j

>
>
>
>
j

j

>
>
>
>
>

S.D.
Tri.
j

j

>
>
54
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
219
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
10:8
j
j
/
3
Bongos
Congas
10:8
S.D.
B. D.
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
Tom-t.
>
3
3
>
j >
3
3
3
3
J
3
3
3

&
{&
&
{
{
&
Vln. II
&
Vla.
Vc.
Db.
>
?
>
>
>
>
>
>
>
>
>
j

j

>
>
>

>
j

j

>
>
55
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
223
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
Bongos
3
3
3
3
3
3
3
3
/ J J
Congas
3
3

Tom-t.
3
3

B. D.
Tri.
T. Bl.
&
{&
&
Mar.
Vib.
Pno.
Vln. I
{
{
&
Vln. II
&
Vla.
Vc.
Db.
S.D.
W.Bl.
>
?
>
j

j

>
>
>

>
j

j

>
>
>

>
j

j

>
>
>

>
j

j

>
>
56
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
227
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
Bongos
3
3
3
3
3
j
/ J
Congas
3
3

Tom-t.
B. D.
3
j

S.D.
3

3
3
J
3
Tri.
T. Bl.
&
{&
&
W.Bl.
Mar.
Vib.
Pno.
Vln. I
{
{
&
Vln. II
&
Vla.
Vc.
Db.
>
?
>
>
>
>
>
>
>
>
>
j

j

>
>
>

>
j

j

>
>
j
.
57
&
42
44
Fl.
&
42
44
Cl.
&
42
44
B. Cl.
&
42
44
Alto Sax.
&
42
44
Ten. Sax.
&
42
44
42
44
&
42
44
42
44
42
44
T.-t.
42
44
Bongos
42
44
Congas
42
44
231
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tom-t.
S.D.
B. D.
42
44
42
44
42
44
42
44
Tri.
T. Bl.
42
44
42
44
&
42
44
42
44
{&
42
44
W.Bl.
Mar.
Vib.
Pno.
Vln. I
{
{
&
42
44
42
44
&
>
b
J
Vln. II
&
Vla.
Vc.
Db.
motor ON fast resonator
?
>
>
mp
>
mf
spiccato
42 .
spiccato
>
arco
arco
42 .
spiccato
42
.
.
spiccato
42 .
.
42
spiccato
44
44
44
44
44
58
L
234
4
Fl. & 4
Fl.
& 44
Cl.
& 44
B. Cl.
& 44
Alto Sax.
& 44
Ten. Sax.
4
& 4
Tpt.
4
&4
Tbn.
?4
4
Tpt.
Cymb.
4
&4
4
/4
T.-t.
4
/4
Bongos
Congas
4
/4
/ 44
Pno.
4
/ 4
4
/4
mf
4
/ 4
& 44
?4
4
4
{& 4
{
{
4
&4
>
B 44 . . . . . . . .
?4
4 . . . . . . . .
>
?
4
Db.
4 . . . . . . . .
>
Vc.
L.V.
? 44
L>. . . . . . . .
4
Vln. I & 4
>. . . . . . . .
4
Vln. II & 4
Vla.
B. D.
Vib.
/ 44
Mar.
W.Bl.
/ 44
T. Bl.
S.D.
Tri.
/ 44 j
Tom-t.
mf
>. . . . . . . .
>. .
. . .
. .
. >
. . . .
>. . . . . . . .
3
>. .

. . .
. .
. >
. . . .
>.
>.
. . . . .
>. . . . . . . .
. .

>. . . . . . . .
>.
. .
>.
. . . . .

>. . . . . . . .
>.
. .
>.
. . . . .
59
&
&
238
Fl.
Fl.
mf
w
b
mf
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
Tpt.
&
Tpt.
Tbn.
Cymb.
mf
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Vln. I
&
{&
Vc.
mf
b
J
b >.
. . . . . . .
>. . . . . . .
>.
. . . . . . .
>. . . . . . .
B
>.
. . . . . . .
>.
. . .
? b>. . . . . . .
>
b.
. . . . . . .
>
b.
b.
>
. . . . . . .
b.
>
b. . . . . . .
>
3.

.
3
&
Vla.
b
b
b >. . . . . . .
&
Vln. II
Db.
&
Pno.
L.V.
. . b
b . . > b. . . .
. .
. . > . . . .
>. . . . . .
b.
>. . . . . .

b.

>. . . . . .
. . .
. . .
60
&
&
242
Fl.
Fl.
&
Ten. Sax.
&
Cymb.
mf
&
mf
bw
mf
&
Alto Sax.
Tbn.
&
Tpt.
B. Cl.
Tpt.
& w
Cl.
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Tri.
T. Bl.
&
{&
&
W.Bl.
Mar.
Vib.
Pno.
{
{
>. . . . . . . .
&
>. . . . . . . .
Vln. II &
Vln. I
>. . . . . . . .
B b
Vla.
Vc.
Db.
b. . . . . . . .
>
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>. . . . . . . .
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b b
b
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b. . . . . . . .
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>
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.
.
.
.
>. .
. .
b>. . . . . . . .
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.
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.
.
.
.
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b.
.
.
b.
.
>. . . . . .
.
.

>. . . . . .
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61
&
246
Fl.
mp
&
Fl.
mp
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
Tpt.
&
Tpt.
Tbn.
Cymb.
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Tri.
T. Bl.
W.Bl.
b b
b
&
Mar.
Vib.
{&
b
&
Pno.
>.
b
Vln. I &
Vla.
Db.
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b>. . . . . . . .
. . .
>. . . . . . . .

. . .
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. . .

>. . . . . . . .
b>.
>
B .
?
>.
. . . b >. . . . . . . .
>
? .
Vc.
&
Vln. II
3.

3 . . . .
3
. . > . . . .
3
3
.
b. . . .

. . b> . . . .
>.
>.
>.
>. . . . . .

. . .
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>. . . . . .
. . .

>. . . . . .
62
&
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
250
Fl.
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
mf
mf
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
&
{&
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
{
{
&
Pno.
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>. . . . . . . .
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>
B . . . . . . . .
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>. . . . . . . .

>. . . . . . . .

>. . . . . . . .

>. . . . . . . .
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&
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mp
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&
L.V.
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.
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.
.
>
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3
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3
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63
&
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
254
Fl.
Fl.
Tpt.
& w
Tpt.
Tbn.
Cymb.
mp
bw
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Tri.
T. Bl.
&
{&
W.Bl.
Mar.
Vib.
{
{
&
Pno.
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b
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Vla.
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b >.
b>.
>.
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>.
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>
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>
? .
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&
Vln. II
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3
.
b.

. b.
>.
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>
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3
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b .
b.
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64
Fl. &
leggiero
&
leggiero
258
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#
J
mf
mf
rall.
&
leggiero
&
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&
Ten. Sax.
&
&
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B. Cl.
Tpt.
&
Tpt.
Tbn.
Cymb.
mf
leggiero
mf
Bongos
Congas
Tom-t.
S.D.
B. D.
Tri.
T. Bl.
#
#
W.Bl.
#
#
&
Mar.
Vib.
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#
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>
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>.
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Vc.
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J
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j
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rall.
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.
J
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mp
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J
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pp
. . .
3
65
&
q = 86
261
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&
Cl.
&
#

. #
mf
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
Tpt.
&
Take Trumpet
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
Mar.
Vib.
&
{&
&
Pno.
Vln. I
&
#
J
W.Bl.
w
w
w
w
w
w
j
###
Vln. II
&
Vla.
Vc.
Db.
66
N
265
Fl. &
accel.
q = 108
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
&
W.Bl.
Mar.
Vib.
Pno.
Vln. I
##
{ & #

& # #
&
accel.
# #
#
#
#

# # # # # #
b
b b b
b b
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&
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b
b
67
&
Fl.
&
Cl.
&
B. Cl.
&
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&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
269
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
&
{&
W.Bl.
Mar.
Vib.
{
{
&
? b bb n b
Vln. I &
Pno.

#
#
b n n
b
#
n
n
j # n
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&
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Vc.
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68
&
Fl.
&
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&
B. Cl.
&
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&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
273
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
&
{&
W.Bl.
Mar.
Vib.
{
{
& #
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&
# # b b b
b
b
#
#
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&
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69
&
42
44
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&
42
44
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&
42
44
B. Cl.
&
42
44
Alto Sax.
&
42
44
Ten. Sax.
&
42
44
42
44
&
42
44
42
44
42
44
T.-t.
42
44
Bongos
42
44
Congas
42
44
Tom-t.
42
44
S.D.
42
44
B. D.
42
44
42
44
277
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
42
44
42
44
&
42
# #
42
42
44
42
44
W.Bl.
Mar.
Vib.
{&
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&
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b
#
44 #
6
44
#
# 44
42
42
44
ff
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&
42
44
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42
44
42
44
42
44
Vc.
Db.
70
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
281
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.
&
Mar.
Vib.
6
6
6
#
#
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{&
&
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&
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&
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71
&
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&
B. Cl.
&
283
Fl.
&
Alto Sax.
Ten. Sax.
&
mf
&
b .
J
&
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Congas
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j
.
j
.
.
J
f
.
J
j
.
j
.
j
.
j
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.
J
j
.
#j
.
j
.
j
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j
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.
J
j
.
j
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#j
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.
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j
.
j
.
j
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j
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.
J
j
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j
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.
.j
.
J
j
.
j
.
j
.
j
.
.
J
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Cymb.
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
&
{&
&
Pno.
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?
J
&
j
J #
J J
j
#
&
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j
.
j
.
#j
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.
J
b b n
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#
#
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j
#
72
&
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&
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&
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&
287
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j
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#.
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Ten. Sax.
j
& .
Tpt.
Tbn.
.
?
J
.
b. . . . . . . j
.
ff
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Cymb.
Tri.
T. Bl.
&
{&
W.Bl.
Mar.
Vib.
{
{
&
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Vln. I
&
#
#
b b
b
b
b b
b b
b
bb
n
b b
b
b
b n
J #
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&
Vla.
Vc.
Db.
73
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
291
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
&
W.Bl.
Mar.
Vib.
{&
&
? b
J
Vln. I &
Pno.
#
J
n
J
b
J
#
J
bb
n
Vln. II
&
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Db.
##
74
O
294
Fl. &
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.
&
Mar.
Vib.
{& b
&
Pno.
Vln. I
mp
ff
? b
&
bb
bb
bb
bb
bb
b
bb
bb
bb
bb
b
bb
nb
&
Vla.
Db.
Vln. II
Vc.
75
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
296
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.
&
Mar.
Vib.
Vln. I
&
{&
&
Pno.
n#
##
Vln. II
&
Vla.
Vc.
Db.
76
Fl. &
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
298
Tpt.
&
Tpt.
Tbn.
Cymb.
rall.
Tri.
T. Bl.
W.Bl.
&
Mar.
Vib.
{&
Vln. I
? b
&
bb
f
& bb
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rall.
Vln. II
&
Vla.
Vc.
Db.
b
b b
bb
b
quasi tremolando
77
&
300
Fl.
q = 92
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.
& bb
Mar.
Vib.
Pno.
Vln. I
? b
{& b
bb bb bb bb bb bb bb
mf
bb bb nb b b b
b
&
&
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&
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Vc.
Db.
78
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
303
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.
&
Mar.
Vib.
Pno.
Vln. I
{&
#
#
#
&
&
Vln. II
&
Vla.
Vc.
Db.
n
n
n
b
n
79
&
Fl.
&
Cl.
&
B. Cl.
&
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&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
306
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
Vib.
Pno.
{ & b
Vln. I
mf
#b
L.V.
# # # n
L.V.
Mar.
# #
&
W.Bl.
&
&
Vln. II
&
Vla.
Vc.
Db.
80
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
309
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
&
Mar.
Vib.
Pno.
Vln. I
#
3
{&
# #
L.V.
b b
# b b b b b
3
b
b
J
f
b b b b b

6
&
&
&
W.Bl.
L.V.
Vln. II
&
Vla.
Vc.
Db.
81
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
313
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.
#
&
/
mf
L.V.
#
b
#
b b
#

&
Mar.
Vib.
Pno.
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{&
#
J
j
#
+
j

+
#
J
j
#
+
&
&
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&
Vla.
Vc.
Db.
82
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
317
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I
b
# # # # # #
&
3
# #
{&
n
b
b
b
b
b
b
Vln. II
&
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Vc.
Db.
&
&
83
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
321
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.
&
Mar.
Vib.
Pno.
Vln. I
6
# b b #
# # #
{&
&
&
Vln. II
&
Vla.
Vc.
Db.
84
&
Fl.
&
Cl.
&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
324
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.
Mar.
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Pno.
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6
6
#
&

#
6
6
6
6
6
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&
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&
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Vc.
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85
&
&
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&
B. Cl.
&
Alto Sax.
&
Ten. Sax.
&
&
Bongos
Congas
Tom-t.
S.D.
B. D.
327
Fl.
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
T.-t.
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
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ff
L.V.
fff

#
# b

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#
&
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&
&
&
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ff
86
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330
Fl.
&
Cl.
& w
&
ff
& w
Alto Sax.
ff
Ten. Sax.
& w
w
&
ff
&
Tpt.
Tbn.
Cymb.
b # n r
b
.
b
# b r
.
b
ff
? bw
ff
. . . . . . . . . . .
3
Bongos
Congas
Tom-t.
T. Bl.
W.Bl.
Mar.
Vib.
sfz
j
fi
to Glockenspiel
e e be e be e e be
e b e e be e e be gliss.
e be e e be e be e be
&
e e be e be e
e be
ff
#w
&
w
{
ff
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Vc.
?
w
?
#w
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3. . . 3. . . 3. . . 3. .
. . . . . . . . . . .
ff
ff
ff
&
ff
w
? w
w
w
Vln. I &
ff
w
Vln. II &
Db.
bw
w
&b w
Pno.
ff
Tri.
B. D.
b. . . . . . . . . . .
T.-t.
S.D.
b b n r
# n b
.
b b
3
3
3
3

. . . . . . . . . . .
ff
Tpt.
.
b # b n R
ff
B. Cl.
b .
b .
gliss.
gliss.

&
332
Fl.
&
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b
b n
b

b
b b
.
b n R
&
#
Cl.
b # b n n r
.
b
b
& b # b
#
# b
b b
&
B. Cl.
Alto Sax.
87
q = 108
.
R
.
R
.
R
.
R
.
& # n b b b b b n # n b b b n bR
. . .
Tpt. &
Ten. Sax.

& . .
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Tbn.
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? b
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
Cymb.
Tri.
T. Bl.
W.Bl.
Mar.
Vib.
Pno.
Vln. I

&
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&
. .
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3
3
B . .
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Db.
mp
b
mf
mf
b
b
bb
b
mf
b
b b
&
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bb
88
&
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&
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&
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&
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&
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&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
334
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.
&
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&
Mar.
Vib.
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b
b b
3
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b
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bb
bb
bb
b
b
b
bb
&
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b
b b
bb
b
b
b
b
b b
b
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89
&
Fl.
&
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&
B. Cl.
&
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&
Ten. Sax.
&
&
T.-t.
Bongos
Congas
Tom-t.
S.D.
B. D.
337
Fl.
Tpt.
&
Tpt.
Tbn.
Cymb.
Tri.
T. Bl.
W.Bl.

&
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London 13th May 2011
110
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Ballet Mecanique

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Ballet Mecanique

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Osvaldo Glieca

for Chamber Orchestra

Instrumentation can be doubled for larger ensembles.

NOTES FOR THE CONDUCTOR

NOTES FOR PERCUSSION PLAYERS

indicate to hit the Tam-Tam with the open hand.

imply the technique of dead stroking.

Bongos and Glass Bottles

. fij . fij . fij . fij .

. fij . fij . fij . fij .

Motor ON fast resonator

44 Take cloth OFF

motor ON, slow resonator

q = 82 Calm and tranquil

K q = 108 Swing feel

q = 108 straight crochets feel

K q = 108 Swing feel

Straight crochets feel ( q = 108 )

Damp with a cloth

Play with hands

Take cloth OFF

motor ON fast resonator

Giocoso con lo stesso tempo

piu' veloce possibile

sempre con pedale

lascia vibrare sempre

lascia vibrare sempre

Motor ON, slow resonator

London 13th May 2011

London 13th May 2011

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