for

eeecl ouds, birds e

fecun

to sing regardless of

ambiv alen

lle d da stanz of a. dirtyp retty ; These unfound; lines, oh elin linus (it has r been s noted ) conti nue register cameras, or ed as the woman frantic who like vomited fussy afterward to the 1.-We "believe" the 2.-What smell in wordsake. hypocritic we "see" estum days, dictated to of us by what, Muffled and these what dumb they, he wrote by flickering pointillist images on screens. "outside" the mind, recycleddumb be endlessly.

centation: bolreactionati onism

in the upper fastness petti- Ctre celie

brief
exposures, c

olorsur a; at resp u rafur ;fur music heard , herd, or

f e t ee

but redeem ed it unimp ortant marks on a page or sound (9) modules conveyed

4.-Mter the massacre, words

5.-A task

to recorde, be "obajective" unaput for cloudds, blackebirds (it haas, was, (has)been noted) hill co(u)ntinue
to sing fatness(ssssssssssss) of dirty trees expiring becomes a respirator

brief expo

su lo
res, co

rs

e d or e fr ic i
ar

regist

red as

ant

ke

ca

mera

s,

or the man
archive

who vomited before, afterw

(12)

ard
sightseeing

but deemed it unimportant to (of) having one's letters de- exist in and like that, and paramount among them is the

predictable question

of privacy.

Since I was never the beneficiary of the mo came in from my letters, (parade artists)

ney

that

it w

(wood)

ould be slightly

two-fa

disingenuous or ced to complain too much about it. I made them

publichaus. >ople with whom he was unaware of cor responding, whose better letters

(Delivery) :: But some pe

for various and eloquent reasons, protounhappy with that redecision. Maybe

Tribruise unlike that,

da fingertipcut
each inty

Protoerupting through impacted fishflesh .

I sold, have felt, "Just lieflow back;' he whispers

a blue

booth

and I levitate, mouth agape,

waiting for the painleash.

Windbalm rushes beneath the foam rubber

mattress like fluttering hands.

I am a roof, a tympanum, an arched mouth braced with silverquick. my guns like magnolias: Behind the opening hillheat is for.eheads' I am thirteenten diameter etched in satinborne purse. , and ten hands high.

waiting for the pain waiting for the pain waiting //for the pain waiting for the painhhh

ath

.
This

p the way to
ous gunn. This is a ffrinch. Tip. This is the flag of the Prooshi ous, the Cap and Sorrracer.

the museyroom.

Mind

your

hats g oan

This is the bullet that byng

the flag of the Prooshious. This is the ffrinch that fire on the Bull that bang the flag of the Prooshious. Saloos the Crossgunn! Up with

in! Now
yiz are in the Willingdone Museyroom. This is a Prooshi

your pike and fork! Tip. (Bullsfoot! Fine!)

This is the
triplewon hat of

Lipoleum. Tip. Lipoleumhat. This is the Willingdone on his same white harse, the Cokenhape. This is the big Sraughter Wil lingdone, grand and magentic in his goldtin spurs and his ironed dux and his quarterbrass woodyshoes and his magnates gharters and his bangkoks best and goliars goloshes and his pullupon wartrews.

This is his big wide harse. Tip. This is the

three

easyan

lipoleum boyne grouching down in the living detch. This is an inimyskilling inglis, this is a scotcher grey, this is a davy, stooping. This is the bog lipoleum mordering the lipoleum beg. A Gallawghurs argaumunt. This is the petty lipoleum boy that was nayther bag nor bug. A ,

ssaye!
mush. Dirty MacDyke. And Hairy OHurry. All of them arminus

Touchole Fitz

Tuo varminus.

This is Delian alps. This is

is Mont Tipsey

Mont Tivel, this

, this is the Grand Mons Injun. This is

the crimealine of

the alps hooping to sheltershock the three lipoleums. This is the

jinnies with their legahorns

feintin

g
mattress like fluttering hands. I am a roof, a tympanum, an arched mouth my gums like magnolias: braced with silver. Behind the opening hill is foreheads' diameter I am thirteen etched in satin purse. , and ten hands high.

waiting for the pain waiting for the pain waiting for the pain waiting for the painhhh

Wisdom beasts bud in my guns like magnolias: Behind the opening hill is foreheads' diameter etched in ebony satan. Where winter discerns the rules of winners of winter, where the meaning of the

della porca! Dalaveras fimmieras! This is the pet

protagonist is a different (Albeit jovial) subject from where the subject arrives.

It was the place where time

Where the meaninghhh

became the wrist and not anything strung out and up over Hester,

or worn as an armlet. Here was running in cadmium snow from

something which seemed fun important. Both had illusions (Politary) which later became (sonatary)sno w. Hers was that the snow capper rotten and would added also be another sweet. miscalculatio There was no taste in the n, assuming image. powered Only the sugarbone old To awaken from both of these proclivities, time might indemnify them

the daydream

would not be old. She saw it as power.

He mi xed the
image of

whet was disappointe d, as the sharpness of lice.

like a hellstorm.

Kokokkpkpk p
Arriving in the ardent hills of a beheaded memory.

Is there a pretendable

that , what,

urn into here has which I might been deposit the results coburned of all (ah) ? Could it be that our feAh to well in view to ah myself in this

pa ts pendulous and penetrable, pendent and priapic

n u The

kiss inflamed me, no t(titration)ime was to be l

(lust)

ost . No o n e

w as likely to pass.

n t m a (abasiophilian procurement) e

AND BY NAME
Astor Inez Coperuin Bill Kimo Johnathan Barney Kiki Lopuio Zed Mann Courtney Charles Enzo Cavatelli Biff Titania Cody Morsalies Polly Ackerill Thad Forgenta Mimi Eyestone Clint Poppyoil Somerset Tormance Ann Royodon Newton Goh

p'haps whisper: h 4- h h (acanthophallic accessory to numbness)

d no

time in the lake with

the

lady.

The Fire nex1 time is prO\ident and gargantuan. No more vulgar

Latin.

No m

ere

ter [not

quite

sir here]

ro

Sex:
MAS BAT E

<cnfusd yrs gone by wthout outposts of names now known to see me wee key >confsd TER by yrs witht statas TO ESTABLISH & BELAY & sedmentations of CO IRM & & T RYBAY names now ncssry t me PERRFORM & OBEY & CONVEY & 090 what if trailing deep-rooted hesitation

NF

(rpt: what if etc) (SIGNAL & SIGN) what two buds on the bottom, two buds up top. (MASTERY) "Open up"-a whisper; but is it me (MASTER)

& reluctance MOUNTED/

begging the column of flesh to loosen her dress,

(Doctor Spender called cliteromegly, or in laymens terms, an unusually oversized clitoris she would be ideal for the program.) that

her breasts, her canvas smoke flaps? Or is he asking to become my guest?

(a slip of paper with a time for her to come in the next day and told her that the experiment would take place in the basement of this clinic)

(Joanna did not even flinch as her maidenhead was pierced) (Melody then began to vigorously pump)

My inhabitant.

as I remembered, all bright, stunning colors and dizzying curves. She always made me feel as if I was looking through a kaleidoscope.

I have always been fascinated by the way architecture is a kind of stone or buffalo hide or stucco document of humanity's feelings and ideas about powder, beauty, and acaryatids, tympanums, marches, tipi poles, and flypie temporality. In my your hubristic virtuosity,

elements of architecture--

article will lead to a discussion of what the aethics of living people-EX selling their sown papers should beat. Formal me it has seen the sole Lucretia McMaven evil wonton teared crimson persper thing I've done as a poet, until recently when MOVED YOU ah [then place [yourself

> ........ ........ & what if I open & open & end up lost in expanse < ........ what if somethi

ng

prevents us from believing you

>.... what does that change

< ........ would that establish b (p) onds between (b)us > ............ or against Rus < so what's your name Dislinclivefealures:

> would that confirm anything to you

< ........ .... how do you spell that > .... .... ........ 1 suppose at first it might well do ah to ah to It's your fault if I'm impudent, for showing your legs so ahah

To place myself to ah ah well in view lky Ho flaunt mine before she

consented, and I'd introduced it to her

AND BY SPEECH

flaunt mine

flaunt mine

just pathetic; it's ludicrous to even thank about them. So to the smell of what he wrote

jobs as an outcome of my poetic (poesy peony) enterprises. But I've never gotten any

money that's worth speaking of

1.-We " marks on a page or sound modules conveyed by flickering pointillist images on screens. 3.-"Inside" and "outside" the mind, recycled endlessly. 4.-Mter the massacre, words WHO SAY lWHO Date if expiry: MOVED ............... ............... x . AND BY GESTURES GREETINGS! How she came to this setting in

TO EMPHASIZE SEDUCE & DEMARCATE

(SIGNAL & SIGN)

strange apparel and with promises of manx a great

turn unclear
she: her growing presenti ment came to outgrow herr

(*90*)

as witnessed from her lineage:

wreckages: distracted nuns: unknown cousins. How

Iycra tight name and pedigr ee. How It came to crack How she question came to able find that sources her carry presenta severe ble body marks its ("o.ra other initial at the sea ms alon g her ches t AND BY ATTI RE TO RECONNOI TRE & REVEAL & DISGUISE

and stam ps. How she came to find these usefu l In her

quest for reconnaissance: in

her quest for: as one might

put
also

it:

I
IV

identifying things signs

ach moment appears to be given a unique name

the dty ran on local town hall clock EE

V whatif E. .. this season here R each bird

minute hand ahead she'd never high bush

was like briefly indignant

VI day l en gth en s L I gamahuched her after she had washed, thinking where two pricks had been,
clearly exists in the realm of symbolic forms even at the physical, material, level

backpay and back 0'10::r ~ 0 ~ 0 '1 ~ ::r '1 not even pylon. Who rang the c

and half an hour after she frigged herself. Whilst frigging a man there though

"Ah! I wish there had been a "Hissingdissing" can even be heard from the places one thought there would be unity.) third

::r~I"0

backpay

and backhand

ur

ain

and backing into.

mechanistic Pooch

~ Q g" E '" 0 (fQ 0"' o ~ 0 0

didn't register a man not even pylon. Who

man's spunk in it."

28 I=:~ o ~ ...., .... -;J ....,0

Emman, suffers from agrypnolagnia & ankyloproctia Oman, altocalciphilia

(fQ ~ 01" All genres of knowledge formation are inclusive of futility, error, guesswork, fallibility, and the zones between the rational and irrational. Neither science nor art can propose a tyranny of truth. <: n o 0 '" ...... o e

Er

 to unique name the mean time east of its capital the speaking clock cranberry to apply a single name

at this T every clock known

not mean time N wildflower

with a second A painted trillium under sun which seems to recur 'What could bring you where the ground breaks mocks victory- oaths with Garmr's grip?' in an acknowledged cycle of time

each animal if it T he skr;:eling's saddle- the Sheraki's mountriding my tongue, I straddled storms for Howling Garmr- the Hound of Cliffs, the face of cloud- seawas impossible

411010:30

VII or lies time affects to stand still

at this presence from a finihat the worlds oj the poem should occupy a real or credible place . As such, we open the books oJSkulvaoi Ulfr via the hand oj a late 15th cerztury translator and the history oj Spanish arId Vikirlg expansion across the Atlantic; the epic's inllIlediate larldscapes oCCllrring within the context oj a fictional history placed betweerz the mid-11th centllry and begirznirzg oj the 16th century. "Ullr's IMlrds" ite set o to a moment what if it was impossible Er

to more than

at the beginning of the awareness R become more EE

particular day E. until it was L presence under

of recurrence present the end of mortality

to distinguish on this island the sense that

appears to be given a unique 411010:30

own, of me and of the sharp, swinging one which was the same. A thing for a jaw, of which his

with the same name Is white the one? Look at it without what is as each who shouted that it was. His ounce was its

to a previous state 0

advanced- the boys! " In such a fluke-look of that with skirts, with the approval of words to apply the word dawn

to the

one single instant some one T VIII would the cycle become less easy would it sharpen N A & signal & sign

& signal & sign & sign & sign & signal & & signal &

& signal & sign

&

SIGNAL & SIGN ,;gn YOU AH WELL IN VIEW & signal & sign & signal & sign & signal & ><

AND BY LITTLE FINGER TO SCRATCH & AROUSE SIGNAL & SIGN Hold

5.-A task to record, be "objective" put

Non

nascondo

a V. M

. che i repubblicani

rite

ngono impossibile un colpo di

Stato. Essi

18 settembre.

Alle 9 del mattino lasciai Wildbad-

Gastein, prendendo posto in un c

quale
bisogn attendere qualche ora alla stazione.
Latitude: 31.78934, Longitude: 1.89215, Distortion: 1.38

a rozzino, il

in tre ore mi port a Lend. Il treno non era ancora giunto e

ot

e ta
s
Paroa. Waimate.
Hokianga.

di

Lend

Tarpeetonta. Eihn tss olla Saksassa, jossa kauniitkin kasvot arvilla rumennetaan.
sciatic nerve of Tympanuchus cupido pinnatus 3L

he won a hundred louis of me in the train between Cannes and Monte Carlo No, kntyk tnne, kvelemn.
This letter is from us the chiefs of the natives of New Zealand:
chief of

WARERAHI, REWA, PATUONE, N N E , K EKEAO ,

T ITORE ,

"
"

"

Hokianga.

"

Ahuahu.

" "

Kororareka. Taiamai.

T AMARANGA ,

R IPE ,
HARA,

"

Mapere.

" Ohaeawai. " Kaikohe. MOETARA , " Pakanae.

ATUAHERE,
A

MATANGI, " TAUNUI, "

Alle 9,15

Waima. Utakura.

int ere sse diret to nell' Egi

o per venuto lo : si men disco o rso lunga non mente. venu to La ancor r a il Ge ma tem nia p nessun o

tto. Nessu n bisog no di colonizzazi oni

di pensare a s

tab
il

ire

lo
co nie. In o

bbe mai c so, n on sce gliere a gn

i
l'Egitto.

or erly K

oror areka

This Day Run away from JOHN M CCOMB, Junier, an Indian Woman, about 17 Years of Age, Pitted in the Face, of a middle Stature and Indifferent fatt, having on her a Drugat, Wast-coat, and Kersey Petticoat, of a Light Collour. If any Person or Persons shall bring the said Girle to her said Master, shall be Rewarded for their Trouble to their Content

The time comes, an the compny is aal assembled i the cock-pit at Bridgeton, grandfeythor, full o beans an bounce, backin hissel like a prize-fighter, takin snuff an handin roon the box to his friends, an sayin [13]noo an again

9 ottobre. Arrivo a Parigi alle 6 del mattino Gambetta.

"DEAR DR. MOORE: You may not deem it wise to pay attention to an anonymous communication, but let me assure you that, if you value a life, you will pay attention in this case. till the sight increased the efforts to avoid them, and Gravity had not lost his heart by any means, when he looked over the heads of his friends to decide where they were to land. The greater part of the sciences comprise but one single wordPerhaps, and the whole history of mankind contains no more than threethey are born, suffer, die.

GEORG IVS. DVX. BVCKINGAMI.

Such was the name given to a whimsical device of the later Romans, resuscitated during the renaissance period, by which a date is given by selecting certain letters amongst those which form an inscription, and printing them larger than the others. The principle will be understood from the following chronogram made from the name of George Villiers, the first Duke of Buckingham

Vacillating Newspapers
FRANCIS LEWIS, HAS FOR SALE, A Choice Parcel of Muscovado and Powder Sugars, Tierces and Barrels; Ravens, Ducks and a Negro Woman and Negro Boy. The Coach-House and Stables, with or without the Garden Spot, formerly the property of Joseph Murray, Esq.; in the Broadway, to be let separately or together:Inquire of said Francis Lewis.New York Gazette, April 25th, 1765.

To removing the alluvial deposit and oleaginous conglomerate from clock a la French,$0.50 To replacing in appropriate juxtaposition the constituent components of said clock,.50 To lubricating with oleaginous solution the apex of pinions of said clock,.50 To adjusting horologically the isochronal mechanism of said clock,.50 To equalizing the acoustic resultant of escape wheel percussion upon the verge pallets of said clock,.50 To adjusting the distance between the centre of gravity of the pendulum and its point of suspension, so that the vibrations of the pendulum shall cause the index hand to indicate approximately the daily arrival of the sun at its meridian height, .50 $3.00

fudh TUsi DOiB WSvT ksKf FXSy crkE cvBJ zhRD mMSb DscL VwUK nWaE OCkp RYta EZRb xHdf pEyr tgah WUPz Unpj sWPE HhVc bObw GMXX hcfh Jeeh HBIh eDkx fDiF uWMI owBF aOjF QnOX fqSG eLHc bujQ IvEs zcgn

Above the stalagmite, and principally in the black mould, have been found a number of relics belonging to different periods, such as socketed celts, and a socketed knife of bronze, and some small fragments of roughly smelted copper, about four hundred flint flakes, cores, and chips, a polishing stone, a ring (made of Kimmeridge clay), numerous spindle whorls, bone instruments terminating in comb-like ends, pottery, marine shells, numerous mammalian bones of existing species, and some human bones, on which it has been thought there are traces indicative of cannibalism. Some of the pottery is distinctly Roman in character; but many of the objects belong, no doubt, to pre-Roman times

tumultuous

noise within Mint rengetegen fut zaja

r bbansnak

,
niq
ue, Le journal dune femme

Les et
vingt

un jours dun neurasth

de chambre

Le jardin

des

des

des

des

des

des

supplices

THE CHAPEL OF UNREDEMPTI

bang v 1 [A2S; b] rent. Ang usa k a kwartu giabngan sa tiglang, The old man rents one of the rooms. 2 [b] hire

a prostitute. 3 [A2; a supernat ural being for

c]make an offering to

the use of l

a
tho

nd

which is

ught

to be in h
is
posses on si .

Ibang n nk

i ung

baktna lang sa uma,I will sacrifice this pig as rental for the land. the cardinal broadcast and defence of theorys spatial turn.

Avicenna $

l alone

uva k

nt m minden;
sz

b, cs

pa r

Tarboth the damned

Lo

An i

wr
e
mals.

A.

Perceptive powers.

B. Motive powers (des

ire of pleasure
1.
Sens

and

avoidance of pa

n).

(a) Five external senses. orium. These

2. Re ention

constitute
r
nal

of images.
3. Co cept on. 4. Imagi A. Perc

the five in
soul

te w h ic n
h, i

sn
e

ses of the

ma ,

nat

ion.

man

if

e ts its f as
iv

el

ep

(b) Five ti

ve

Man.

powers.

internal

pr ress e re
og

aso

n,

senses

5. Me

mo

dev o in fr
ry.

el

m human

to an

g i an d
el c

p p
ro

h e tic

reason.

B. Motive powerswill.