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ISSUE 7: SPRING/SUMMER 2012
MACHINES
4: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
ISSN 1758-9630
2012 Nyx, a
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5: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
Nyx is
Nicholas Gledhill
Dan Taylor
Charlotte Latimer
Kerry Gilnllan
Kevin Molin
Mark Rainey
Jerlyn Jareunpoon
Adam Hutchings
Izabela Lyra
Joanna Figiel
Design
Sinikka Heden
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!"#a noctournal
ISSUE 7: SPRING/SUMMER 2012 is on Machines
Cover image by CATHARINA CRONENBERGER GOLEBIOWSKA
see back cover for more information
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6: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
!"#contents
Nyx essays
Speed Machines by Benjamin Noys 10
Ecologies of Machines: Commodities and Contribution by Sy Tafel 28
Te Dehumanised Citizen: Politics versus a Machine-like Existence under the Pretext of the Greek
Crisis by Sophia Kanaouti l6
Anxiety Machines: Continuous Connectivity and the New Hysteria by J.D. Taylor 46
Accentuate the Positive by Claudia Firth 34
Te Neoliberal Time Machine: a Device to Map Capitalism? by Yari Lanci 70
Answering Machines: Video Games and the Bathos of Machinic (mis)Communication
by Rob Gallagher 83
Desiring and Destruction: Rosemarie Trockel s Painting Machine
by Katherine Guinness 9l
Deconstructing Sex Machines by Niki Duller & Mon Rodriguez-Amat 101
Game of Drones: Cubicle Warriors and the Drudge of War by Amedeo Policante 110
Resistance through the Algorithm: Saudi Arabian Anti-proxy Activities
by Chiara Livia Bernardi 116
Te Ancient Workshop of Potential Literature by James Burton 122
Te Anaesthetist Worship of Potter Liturgy
by the N+6 Madame and the Shorter Oxford English Diference 124
Abstract Machinism and Synthetic Tinking: Outlines for a Machinic Materialism
by Jon Lindblom 1l4
Editorial by Nicholas Gledhill 9
7: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
Nyx interviews
Bernard Stiegler: Call for Attention by Sascha
Rashof 20
Michael Taussig: Notes from a Conversation
by Kevin W. Molin 62
Luciana Parisi: Te Holes in the Machine by
Nicholas Gledhill 126
Nyx reviews
Howard Slaters Anomie/Bonhomie & Other
Writings by Steve Hanson 78
8: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
Image by Zoe Hunn
www.zoehunn.com
9: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
Nyx 7 is a radioactive, cybernetic, automated digital beast, slouching towards Silicon Valley to be born... This issue
brings together lor the nrst time a oiverse selection ol writers ano artists lrom lar corners ol the worlo as well as
the usual contingent that gravitate around the buzzing nucleus of our base at the Centre for Cultural Studies,
Goldsmiths College, London. This is the biggest, most ambitious and furthest-reaching Nyx yet and confronts the
vast and pressing topic of Machines.
As we are dragged ever deeper into the ideological abyss of the 21
st
Century, the increasingly ubiquitous interaction
between the human being and her technological creations has become the most engaging and dynamic point of
debate in philosophy, cultural studies and critical theory. With this in mind, Nyx invited an array of contributors
to share their thoughts on this topic in the form of essays and images, as well as conducting exclusive interviews
with some leading thinkers on the subject today. The philosophers Bernard Stiegler and Luciana Parisi and the
anthropologist Michael Taussig discuss with us their varied takes on mankinds techno-contingent fate, while a
host of talented writers and academics such as Benjamin Noys, J.D. Taylor and Jon Lindblom add their personal
musings on machines and the machinic in critically engaging essays that cut a wide cross-disciplinary swath through
a variety ol nelos lrom politics ano economics to metaphysics ano art.
We also review Howard Slaters Anhomie/Bonhomie, trace the terrifying history of the military drone, analyse the
oehumanising political maoness ol the Greek nnancial crisis, weigh up the ecological ano human impact ol the
production of our iPhones and computers, plunge into the bizarre hidden universe of sex machines, grapple
with the maddening kafkaesque protocols of the Department for Work and Pensions Logic Integrated Medical
Assessment, engage with theorists such as Benjamin, Foucault, Deleuze, Marx, Virilio, Arendt, Latour, Land
and many, many others through the conceptual lenses of speed machines, time machines, art machines, writing
machines, sound machines, anxiety machines, Detroit Techno and Saudi Arabian internet porn - before wrapping
up with a challenging speculative realist outline for a new machinic materialism.
Nyx, a Noctournal is a platform for students, idlers, artists, dreamers, mystics, drop-outs and wage-slaves to share
their ideas and publish their work. Nyx was the goddess of night, and our work takes place in the silence of the
witching hours, down in the shadows, out on the fringes, deep underground
Thank you to all our contributors and to everyone who has helped in putting this issue together.
Nicholas Gledhill, Editor
Summer 2012
!"#editorial
10: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
speed machines
text by BENJAMIN NOYS
art work by MARK SOO
Te Ship Puglia, in Gabriele DAnnunzios Garden, Gardone, photograph by Benjamin Noys
G
abriele DAnnunzios villa and garden at
Gardone Riviera, on Lake Garda, are a
commemoration of speed as the essential
sign of modernity, and speed vectored through that
other sign of modernity, mechanised warfare. They
are, more than his poetry, his truly prengurative
artwork of the 20
th
century. The Vittoriale Degli Italiani
(Shrine of Italian Victories), as the estate is named, is
a remarkable and disturbing testament to the man-
machine of DAnnunzios proto-futurist and proto-
fascist vision, containing all the speed machines that
embody this aesthetics of acceleration: the Motoscafo
Armato Silurante MAS-96 (which DAnnunzio dtourned
into the Latin motto Memento audere semper remember
always to dare) anti-submarine motorboat he had
captaineo, the SVA- aeroplane he hao nown over in
the il Volo su Vienna (Flight over Vienna) as squadron
leader of the La Serenissima 87
th
nghter-squaoron
on 9 August 1918, to orop propaganoa leanets, ano,
most strikingly, the ship Puglia, that DAnnunzio had
sailed on his raid on Fiume on 12 September 1919,
now embedded into the hillside. Writing of the Italian
futurist Marinetti, Paul Virilio notes the birth of the
inhuman type, of an animal body that disappears in
11: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
the superpower of a metallic body able to annihilate
time and space through its dynamic performances.
1
Marinettis futurism is a single art that of war and
its essence, speed.
2
DAnnunzios personal motto per
non dormire (Never Sleep) captures perfectly this trope
of the vectoring of human will into a mechanised
acceleration that displaces any organic need.
Of course, such an aesthetic of acceleration now seems
hopelessly outdated, politically dubious, and kitsch. It
shoulo remain oraineo ol its toxic innuence on lascism
and its aestheticisation of politics the conception
of politics as the total work of art (Gesamtkunstwerk)
left as, what it is, a mere tourist attraction. Only the
dclass intellectual on holioay coulo nno any lrisson
with the nirtation with this lascinating ,proto-, lascism.
The ingraineo cultural renex to conoemn totalitarian
art, the cultivated disenchantment with the passion
for the real of the avant-gardes and modernism,
3
and
emergent ecological awareness, all seemingly force
us to leave this moment buried. There seems to be no
place for the modernist linear-dynamics of progression
and acceleration in the dispersed and slackened forms
of postmodernity. And yet the dream and reality of
speed machines is not merely the province of dubious
nostalgia, the remnants of petrolhead macho
excess, or the fetishisation of contemporary military
technologies.
What I want to trace is a displacement of the dream
and reality of speed machines, and of acceleration,
from the car, the quintessential technology of mass
speed and modernity, to the computer. If the car,
as Enda Duffy argues, was the lived experience of
modernist time a new mass aesthetic, as modernism
tended to the hermetic then the computer plays
that role today.
4
It is the computer, especially for those
who work with them, that embodies the speed-up
of labour, as each new model becomes faster and
faster (or that is the promise). The Internet provides
the one-click solution, computers speed-up and slim
down, seemingly providing one of the last utopian
remnants worthy of any commodity fetishism; the very
frustration of a computer slowing down or freezing-
up indexes our own internalised demand for speed.
The computer also now vectors the alliance of speed
and war, as the acceleration of computer processing
permits the rapioity ol nre-ano-lorget` warlare, the
drone attack, and the militarisation of civilian space.
In particular, I am concerned with anatomising and
critiquing the ideological imaging of this desire, what
I want to call cybernetic accelerationism: the passion
for the real of more speed, more immersion, to jack-in
ano integrate into the nux ol inlormation, to nnally
dissolve man into machine.
This new aesthetic might well be thought of as the
attempt to recapture the energy of the classical avant-
garde in the slackened time of postmodernity. This
is achieved through recourse to the computer as the
nguration ol speeo. It is not simply the repetition
of that avant-garde, but a mutated and modulated
futurism, which, in typical postmodern fashion,
straddles between genres, forms and cultural domains.
My account of this cybernetic accelerationism will
be more impressionistic than exhaustive, and more
critical than celebratory. In particular, I will focus on
three moments: cyberpunk nction, Detroit Techno,
and what we could call cyberpunk theory. In each
instance the recovery of the energy of the avant-
garde passes through the computer. This critique,
however, will not be the usual one of disenchantment
with the avant-garde and celebration of chastened
conformity to the democratic protocols of the present.
Rather, I aim to probe the attraction of this aesthetic
as a response to the mutations and continuities of
Implicit in cybernetic accelerationism is not only the logic of increased computing
speed and power, but also the claim that capitalism is maintaining the
dynamic of acceleration frst given its most memorable form by Marx and Engels
in Te Communist Manifesto.
12: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
capitalism and, in particular, to the contemporary
moment of capitalist crisis. My contention is that
this aesthetic is not simply an historical curiosity but
one that continues to exert a gravitational pull on the
present, one which is exacerbated in the moment of a
decelerating capitalism.
The Ur-text of cybernetic accelerationism is William
Gibsons 1984 novel Neuromancer, which is perhaps
its most effective manifesto and predictive of all its
later mutant forms. The novel of cyberpunk science-
nction, ano to my mino the only successlul work ol
this form (along with its sequels), it tracks the new
shifting forms of cybernetic embodiment. The very
technology of jacking-in to cyberspace is rooted,
within the novel, in the frame of military technologies:
The matrix has its roots in primitive arcade games,
said the voice-over, in early graphics programs and
military experimentation with cranial jacks.
5
Also,
the books well-known description of Night City as a
deranged experiment in social Darwinism, designed by
a bored researcher who kept one thumb permanently
on the last-lorwaro button`, prengures the neo-
liberal future, and the compulsive attachment to the
speed that promises to break the shackles of social
connnement. The simile suggests, in the ngure ol the
bored researcher, that this deregulatory fantasy has
more than an element of (anti-)planning and direction.
While speed is the promise of the opening to a new
oeterritorialiseo nuioity ol social ano virtual space
beyond the Fordist social-compact and the static
segmentations of social democracy this is no blind
process. The historical signincance ol Gibson`s novel
(leaving aside aesthetic judgements) lies in the fact
that it is poised between anxiety and endorsement,
critical distance and immersive jouissance, in its vision
of cyberspace, augmentation and the accelerative
disembedding of social relations.
Joshua Clover has noted that Neuromancer incarnates
the thrill and threat of dematerialization subtending
neoliberalism, lrom the nexible luture to social
disappearance.
6
It is in that sense of thrill, indexed
to social disintegration and machinic integration, that
we nno the oeliberately equivocal appeal ol cybernetic
accelerationism. This speeding-up accelerates us
towards the utopian horizon of capitalism, as a
social form of pure drive and accumulation, freed
from its dependence on the meat of labour. The
thrill also lies in the discarding of the ego, the fusion
with the machine that, to use Richard Morgans
phrase, de-sleeves consciousness from its material
support,
7
and which immerses us in capitalist creative
destruction. At the same time, we have the threat of
obsolescence, social abandonment, and the experience
of being condemned to the meat of exclusion
from the delights of cyberspace (as the hacker Case
is excluded at the beginning of the novel, as a result
of medical punishment for his entrepreneurial
failure). Gibsons novel tracks a capitalist utopia in
oystopian lormulations, nguring the sell literally as
the entrepreneurial machine that Foucault would
anatomise as the subjectivity of neo-liberalism.
8
The second moment, also belonging to the 1980s, is
that of Detroit Techno. This innovative music form
is, I would argue, one of the most fascinating and
most aesthetically successful instances of cybernetic
accelerationism. Deliberately couched as a post-
industrial Afro-futurism, it aimed to erase the traces
(Brecht) of the Fordist sound of Motown and to mimic
the new robot production-lines that had displaced
the remains of variable capital (i.e. humans) for
constant capital (i.e. machines) at Ford. In this way
it traced the mutating social space of Detroit from
the white night` lollowing the 19o7 insurrection, the
de-industrialisation that followed, and its own position
in the suburban site of Belleville High, where Derrick
May, Juan Atkins, and Kevin Saunderson met. Mixing
European innuences ,Kraltwerk, New Oroer, Depeche
Mode, etc.) with the Detroit funk of Parliament/
Iunkaoelic, the result was a singular lorm that oeneo
the stuoieo renexes ol postmooern collage lor an
integrated acceleration.
The axes of Detroit Techno were an increase in
speed (in bpm) from the previous forms of disco and
House and a stripping-out of the humanist residues
that often dominated those forms not least the
voice. The singularity of its aesthetic invention lay
in this welcoming of the mechanisation, or better
computerisation, of the aesthetic (which had
obviously been prengureo by Kraltwerk`s Man-Machine
and Computer World). The apotheosis of the form, at
least as I regard it, is the work It is what it is (1988),
by Rhythim is Rhythim (aka Derrick May). This was,
as one semi-ironic description went at the time, dance
music with bleeps. Retaining funk, the insistence
13: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
If the car, as Enda Dufy argues, was the lived experience of modernist time a new
mass aesthetic, as modernism tended to the hermetic then the computer plays that role
today.
.ideo stills from Se.eral Circles (2010)
dual channel digital installation, images courtesy of Mark Soo
14: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
of Detroit Techno had the utopian, if not kitsch,
elements ol sci-n luturism coupleo to the oystopian
fragmentation of the city-space (Night Drive Thru
Babylon, as the track by Model 500 had it). Again,
the equivocations lay in a sense of abandonment: an
escape to the future, escape from labour, or the loss of
labour and the collapse of the future into permanent
unemployment?
The splicing of these two moments, and the real
instance of full-blown cybernetic accelerationism,
can be found in the 1990s work of Nick Land and
his allies in the Cybernetic Culture Research Unit
(CCRU). This nomad (anti-)academic grouping,
formed at Warwick University in 1995, couched their
disjunctive synthesis through the work of Gilles
Deleuze and Flix Guattari, and especially their Anti-
Oedipus (1972), to format an avant-garde practice that
aimed to explode the limits of 1990s inertia.
9
Quoting
Deleuze and Guattaris formulations, Land gave this
accelerationism a deliberately provocative and late-
punk anti-socialist and anti-social democratic form:
Machinic revolution must therefore go in the
opposite direction to socialistic regulation; pressing
towards ever more uninhibited marketization of
the processes that are tearing oown the social nelo,
still further with the movement of the market, of
decoding and deterritorialization and one can never
go far enough in the direction of deterritorialization:
you havent seen anything yet.
10
The posing of the market against capitalism an
argument derived from the historian Fernand
Braudel) was monstrously coupled to the cybernetic
acceleration ol now, or lines ol night, in which the
productive forces exceeded capitalist control.
11
While
Braudel saw capitalism as a monopolistic anti-market,
he conoemneo this higher-level nnancialiseo capitalism
for its accelerative features capitalism was speculative,
opaque and exceptional.
12
The revision of Land and
the CCRU is to reverse this point and argue that the
market is accelerative and disembedding, contrary
to the stagnations ol capitalism. A purineo capitalism,
shedding the dictates of the state, would traverse to a
pure market accelerated out of capitalism altogether
free-market communism in the recent formulation of
Eugene W. Holland.
13
This form of theorisation fed off the localised boom
of the 90s in which, at least in the UK and US, regimes
claiming some tenuous and residual connection to
social democracy or the left-liberal instantiated
a further deepening of the neo-liberal project. One
of the key strands of accelerationism is the anxiety
concerning the coding and constraint of state-led
abo.e and facing page: .ideo stills from Se.eral Circles (2010)
dual channel digital installation, images courtesy of Mark Soo
15: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
forms of control of the economic that go under the
name of social democracy, which in the UK were
associated with the Labour party. New Labour, which
abandoned all but a residual attachment to such forms,
could embody an ideological image of continuity.
Punks disgust with the limits of the welfare state gained
new purchase in the critique of these revised forms of
pseudo-left practice, which themselves displayed little
patience with social democratic demands.
The coupling of the boom and an occluded neo-
liberalism has bred a series of ideological tropes that
dominate the perception of that moment, the 00s, and
the present time of crisis. In this discourse it was the
left (or pseudo-left), and the left in state power, that
authoriseo, ratineo ano exacerbateo the excesses ol
nnancialisation ano consumer creoit. It was the spenoing
of the state and the public sector, not the excesses of
capitalism, which become treated as the dead weight
that was now holding us back from another great leap
forward into the future. Politicians of the present can
play the austerity card in the elimination of this state
and public debt, while accelerationist positions can
argue that the only problem was the state itself, which
did not unleash these processes far enough. It was the
humanist residues of state spending that failed to
measure up to the anti-humanism of capitalism.
The position of the CCRU, despite its radicalised
anti-humanism and inhuman immersive promise
of capitalism exploding its own limits, resonates
with these contemporary ideological claims that
capitalism wasnt really allowed to follow through
with its acceleration because it was held back by state
spending and state regulation (health-and-safety). It
was, in this story, a left failure of nerve to go all the
way to capitalism (and not all the way to the left),
that leaves us in the situation we nno ourselves in. This
was coupled, in the work of Nick Land, to a switch to
China as the only state formation really willing to go all
the way.
14
What China could offer, in its post-Maoist
embrace ol capitalism, was the nnal synthesis between
Stalinist acceleration (shock work, rapid and violent
industrialisation) and capitalist acceleration (although,
of course, the ultra-left had long argued Stalinism
was really a form of State-capitalism and primitive
accumulation). The state-directed excesses of China,
in its uncompromising developmental drive, become a
utopian element. Again, we can see that the anti-statism
of this cybernetic accelerationism is more opposition to
particular kinds of state, and the demand for a state that
is willing to acephalically decapitate itself in special
zones to engage in self-termination (allowing that
this is certainly not what the Chinese State is doing).
Certainly, this kind of cybernetic accelerationism
aimed at a baring of the (capitalist) device, to rework
the Russian Formalists; this was its anti-ideological
16: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
drift, but in a way it also bared itself to capitalism as
the core of acceleration, exposing the true ideological
roots of the drive of speed it lauded.
The political equivocations of these aesthetic forms
of accelerationism do not fall on the tired tropes of
lascism ano totalitarianism`, but rather on this oilncult
and tense imbrication with the dynamics of capitalism.
Implicit in cybernetic accelerationism is not only
the logic of increased computing speed and power,
but also the claim that capitalism is maintaining the
oynamic ol acceleration nrst given its most memorable
form by Marx and Engels in The Communist Manifesto
(1848). While we are all familiar with the line that all
that is solid melts into air, the more resonant line for
cybernetic accelerationism, especially as articulated
by Nick Land, is: [The bourgeoisie] has drowned
the most heavenly ecstasies of religious fervour, of
chivalrous enthusiasm, of philistine sentimentalism, in
the icy water of egotistical calculation.
15
The tension of the dynamic of capitalism, endorsed
by Marx and Engels in this passage as the condition
of revolution (elsewhere they were more cautious and
offered alternative formulations), becomes expressed
in the possibilities of a cybernetic accelerationism
to destroy the bourgeois ego, or Oedipus, in the
icy waters of a capitalism, a capitalism that in the
process erodes its own supports. At the most obvious
level of critique, things didnt work out quite that way.
The bursting of the dot.com bubble on Friday 10
th
March 2000 indicated the emptiness of the cybernetic
regeneration or reinforcement of the productive
forces. More broadly, we could raise the question of
the decelerative dynamics of capitalism in the period
after 1973, a deceleration that led to the switch-over to
nnancialisation ano the nctional capital` ol personal
and State debt.
16
Ol course, in this new connguration
it was, precisely, computing power and speed that
played a key role in the infrastructure and possibility of
nnancialisation. The speeo-machine ol the computer
did not index a dynamic development of capitalist
forces, rather it shifted the material drag of capital
into the supposedly weightless world of speculation.
The shedding of labour through the new computer
technologies was also the sign of the desire to re-start
ano re-intensily the generation ol value, ano to nght
the tenoency to the lalling rate ol pront.
Gopal Balakrishnan, in his recent survey of the
deceleration of global capitalism, notes that Fredric
Jamesons account of postmodernism and the excess of
global capitalism was initially predicated on unleashed
nuclear and cybernetic productive forces, before
the locus of the problem silently shifted to mapping
an opaque, pseuoo-oynamic worlo ol nnancial
markets.
17
At the centre of both is the speed-machine
of the computer. We might say that the shift in
Jamesons work is the one not fully taken by cybernetic
accelerationism, which remains at the nrst moment. In
fact, cybernetic accelerationism often implicitly posed
the nrst oynamic ol cybernetic proouctive lorces`
against the emergent sense of the opaque, pseudo-
oynamic worlo ol nnancial markets`. Ior all their
postmodern panache, these forms of thought were far
more concerned with the exploding of opacity, rather
than the revelling in the usual clichs of the play of
signs or simulacra. In that sense, they do not simply
play real proouction` against nctional nnance`, but
rather try to produce the real as the real of production.
That is why I have argued that cybernetic
accelerationism is a postmodern passion for the real,
passing through the forms of simulation and semblants
to accelerate out and beyond the antinomy of circuit
ano nesh. Ol course, the oilnculty was that it involveo
a certain attachment to an accelerative dynamic of
productive forces that proved illusory (although, in
fact, this was something of a material transcendental
illusion generated by capitalist forms of value). The
In response to the drawn-out moment of crisis, which resists being cast as the punctual
interruption to capitalist service soon to be resumed, the attraction of traversal through
the return to speed is an unsurprising desire.
17: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
future it could not grasp was the future of crash and
crisis, the terminus of acceleration in the grinding to a
halt of the speed machine of capitalism.
Whilst it might be thought that this would signal the
end of cybernetic accelerationism, this is not the case.
From Jamesons late-90s argument for a re-tooled
Brechtian productivism posed against [s]tasis today,
all over the world,
18
to the accelerationist critique
of neoliberalism posed by Nick Srnicek,
19
or the
xenoeconomics of Alex Williams,
20
or Eugene W.
Hollands free-market communism,
21
we might say
the cure is posed as more of the disease. The desire
to accelerate beyond the misery of the present is
felt and real. In response to the drawn-out moment
of crisis, which resists being cast as the punctual
interruption to capitalist service soon to be resumed,
the attraction of traversal through the return to speed
is an unsurprising desire. In fact, this desire can even
gain purchase precisely through the resistance to the
slowing-down of the moment of crisis, and the self-
serving and nostalgic language of austerity being
deployed as its remedy (Keep Calm and Carry
On). Also, the process of creative destruction that is
ensuing to supposedly free up capitalism from its own
contradictions can become re-coded as a new piercing
of existing barriers, including that of subjectivity itself.
The accelerationist desire can revel in the apocalyptic
destruction caused by the crisis, or used to resolve the
crisis, and take this as the sign of a new take-off. If, as
Marx said, [t]he real barrier of capitalist production is
capital itself, then cybernetic accelerationism can pose
itself as the transgressive desire to surpass that barrier
beyond capital.
22
The oilnculty is that this barrier` is, in lact, what
serves the dynamic of capitalism as contradictory
social formation. The perpetual desire to purify
and pierce the barrier of capital itself is encoded
within the genetic structure of the capitalist social
relation. This leaves cybernetic accelerationism in the
uncomfortable position of joining with those attempts
by the managers of capital to induce movement and
acceleration by removing the dead weight of variable
capital. This connuence can be seen as a result ol
the attempt by cybernetic acceleration to resolve
the moving contradiction of capital, which presses
to reduce labour time to a minimum, while it posits
labour time, on the other side, as sole measure and
source of wealth.
23
It does so by integrating labour
or variable capital into constant capital. The potential
obsolescence of labour is resolved by a violent sublation
into the machine, or more precisely the computer or
cybernetic device. Then the constant acceleration
of the computer, via increases in processing power,
memory, or software upgrades, promises the upgrading
ol the integrateo meat that can nnally keep pace with
capitalism: Labour 2.0, or 2.1, and so on. We have the
immortality of labour not as mere appendage of the
machine, but as integrated within it.
Virilio remarks that:
The Japanese Kamikaze will realize in space the
military elites synergistic dream by voluntarily
disintegrating with this vehicle weapon in a
pyrotechnical apotheosis; for the ultimate metaphor
ol the speeo-booy is its nnal oisappearance in the
names ol explosion.
24
This is the apocalyptic realisation of speed-body
indexed to military acceleration; another realisation
takes place in the dream of cybernetic accelerationism
indexed to capitalist acceleration the disappearance
in integration. The perpetual-motion machine of capital
generates the perpetual temptation to cybernetic
accelerationism. One more effort, if we are to really
speed-up capitalism, one more effort to dispose or
displace the drag of labour and the meat. To put the
brakes on, as Walter Benjamin suggested,
25
can only
seem recidivist from this point of view; a capitulation
to constraint.
Franco Bifo Berardi has recently traced the belief
in acceleration as a now outdated idea rooted in the
moment of Italian Futurism.
26
He argues that this
modern belief in acceleration was a masculine moment,
predicated on the male body as speed machine. Yet
he notes, in line with my analysis, that this desire
mutated into the nelo ol computing ano inlormation.
In this sense, we cannot regard accelerationism as
simply a thing of the past. While the machismo of
Futurism, its proto-Fascism, and its naivet, make it
easy to dismiss, what I have tracked is the continuing
appeal of cybernetic accelerationism. This is, not
least, because it presents itself as a critical moment,
nlleo with an ,anti-,ioeological verve ano the appeal
of a hard-edged insight that refuses any humanist
18: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
consolation. The response of Bifo is to appeal to a
reconnection of language and desire, which seems
to leave untouched the accelerationism embedded in
these forms of language and desire. While, as Steven
Shaviro has argued, accelerationist aesthetics may
provide a mapping and analysis of the trend-lines of
contemporary capitalism, it may also replicate the
fantasmatic core of capitalism.
27
It is for this reason
that the equivocal appeal of accelerationism has to be
subject to a more critical analysis. While promising
the traversing of capitalism, it instead threatens to
reinforce the thrill of capitalism as a continuing
operator of dematerialisation and rematerialisation
into new bodies of labour.
Certainly, as the case of Detroit Techno illuminates,
the attraction of the speed machine and its utopian
promise cannot be dismissed out of hand, nor should
the desire to put the brakes on or to reconnect languages
and desire appear only as weak humanist compromises
from within the position of cybernetic accelerationism.
That said, it risks granting a monopoly to capitalism
on our imagination of the future. Rather than the
reinforcement and replication of capitalist relations
being the means to achieve our future, perhaps we
could imagine new avant-gardes and a new politics
that takes seriously a reconnguration ano negation ol
those relations.
Benjamin Noys is Reader in English at the University of
Chichester and the author of The Culture of Death (Berg,
2005), The Persistence of the Negative (Edinburgh
University Press, 2010) and many other works.
Mark Soo lives and works in Berlin and Vancouver. His works
investigate social history and subjective experience through complex
photo-based languages. Central to this is a consideration of the
culturally and technologically determined role of the spectator.
Soo has exhibited widely at venues including the CCA Wattis
Institute, San Francisco; Museum van Hedendaagse Kunst
Antwerpen; Vancouver Art Gallery; Institute of Contemporary
Art, Boston; Johann Knig, Berlin; and Marian Goodman
Gallery, Paris. www.marksoo.net
!"#$%
1. Paul Virilio, Speed and Politics, trans. Mark Polizzoti,
New York: Semiotext(e), 1986, p.62.
2. Ibid.
3. Alain Badiou, The Centurv |2005|, trans. Alberto Toscano,
Cambridge, UK, and Malden, MA: Polity, 2007.
4. Enda DuIIy, The Speed Handbook. Jelocitv, Pleasure,
Modernism, Durham, NC: Duke University Press, 2009.
5. William Gibson, Neuromancer, 1984, http://lib.ru/GIBSON/
neuromancer.txt
6. Joshua Clover, Remarks on Method`, Film Quarterlv 63.4,
2010, p.9.
7. Richard Morgan, Altered Carbon, London: Gollancz, 2002.
8. Michel Foucault, The Birth of Biopolitics. Lectures at the
College de France, 1978-79, trans. Graham Burchell, Basingstoke:
Palgrave, 2008, pp. 224-225.
9. Simon Reynolds, Renegade Academia` |1999|, k-punk blog, 20
January 2005,
http://k-punk.abstractdynamics.org/archives/004807.html.
10. Nick Land, Machinic Desire`, Textual Practice 7.3, 1993:
p.480.
11. See Manuel De Landa, Markets and Anti-Markets in the World
Economy`, Alamut, 1998,
http://www.alamut.com/subj/economics/delanda/antiMarkets.
html.
12. Immanuel Wallerstein, Braudel on Capitalism, or Everything
Upside Down`, The Journal of Modern Historv 63.2, 1991: p.357.
13. Eugene W. Holland, Nomad Citi:enship. Free-Market
Communism and the Slow-Motion General Strike, Minneapolis:
University oI Minnesota Press, 2011.
14. Nick Land, China`s Great Experimentalist`, Shanghai Star,
2004, http://app1.chinadaily.com.cn/star/2004/0826/vo3-x.html.
15. Karl Marx and Friedrich Engels, ManiIesto oI the Communist
Party`, Marxist Internet Archive, 2004,
http://www.marxists.org/archive/marx/works/1848/communist-
maniIesto.
16. Gopal Balakrishnan, Speculations on the Stationary State`,
New Left Review 59, 2009: pp.5-26.
17. Ibid. p.15.
18. Fredric Jameson, Brecht and Method, London and New York:
Verso, 1998, p.4.
19. Nick Srnicek, The Accelerationist Critique oI Neoliberalism`,
2010,
ht t p: / / l se. academi a. edu/ Ni ckSrni cek/ Tal ks/ 24657/ The
AccelerationistCritiqueoINeoliberalism.
20. Alex Williams,Xenoeconomics and Capital Unbound`,
Splintering Bone Ashes blog, 19 October 2008,
http://splinteringboneashes.blogspot.com/2008/10/xenoeconomics-
and-capital-unbound.html.
21. Holland, Nomad Citi:enship, 2011.
22. Karl Marx,Capital Jol. III, Marxists Internet Archive, 1996,
http://www.marxists.org/archive/marx/works/1894-c3/ch15.htm.
23. Marx, Grundrisse, trans. Martin Nicolaus, London: Penguin,
p.706.
24. Virilio, Speed and Politics, p.134.
25. Michael Lwy, Fire Alarm. Reading Walter Benfamins On the
Concept of Historv, trans. Chris Turner, London and New York:
Verso, 2005, pp.66-67.
26. Franco BiIo` Berardi, Time, Acceleration, and Violence`,
e-ux 27 (2011)
27. Steven Shaviro, Post Cinematic Affect, Winchester: Zero
Books, 2010.
19: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
abo.e .ideo stills from Se.eral Circles (2010)
dual channel digital installation, images courtesy of Mark Soo
20: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
SASCHA RASHOF: This issue of Nyx is about
machines what paradigms is the current economic
machine based on and what are the main problems
with it?
BERNARD STIEGLER: In fact, we are in between
two. We are just leaving a consumerist model, which is
based on the opposition of producers and consumers.
It is also based on the opposition of designers, or
engineers, and manual workers. It is based on the
generalised destruction of knowledge, know-how
and savoir-vivre, and it is also based on which is the
same question in fact the exploitation of libidinal
energy which is in turn destructive of libidinal energy
itself because harnessing attention and capturing
this energy is necessarily short-circuiting what I call
the means of production of libidinal energy for
example, the relationship between mother and child,
parents and child, young people and schools. Because
parents, schools, universities and so on are institutions
for forming attention, for capturing attention; not in
a destructive way, but capturing in a way that is re-
elaborating attention. Those circuits are producing
what I call very long circuits and sometimes absolutely
long circuits. Why absolutely long? If we follow the
oennition given by Husserl, geometry is an innnite
circuit and for me the question of works, for example art
works or scientinc works, is that il they are universal`,
they are necessarily innnite absolutiseo, il you want.
Now, consumerist capitalism is based on computation
calculation that is: on the nnitisation ol everything.
This is what Max Weber called secularisation and
rationalisation`. But with this nnitisation, there is
a point at which the consumerist model becomes
interview and images by SASCHA RASHOF
CALL FOR ATTENTION:
Fedora hat, Lennon-style glasses, fddling with the headphones of his Blackberry and accompanied
by the ever-present trolley bag: et voil Bernard Stiegler arrives. Te former bank robber turned
media philosopher is one of the most prominent fgures of post-structuralism today. Deeply infuenced
by his teacher Jacques Derrida, Stieglers work explores the technical constitution and destruction of
time and memory in contemporary capitalism. Approaching media from both a philosophical and an
engineering point of view his texts investigate the complex individuation processes of technical, psychic
and collective forms. He is Director of theInstitut de Recherche et dInnovation (IRI) at the Centre
Pompidou, co-founder of political and cultural group Ars Industrialis (International Association for
an Industrial Politics of Technologies of Spirit) and Professorial Fellow at the Centre for Cultural
Studies at Goldsmiths College, University of London. He has also opened his own philosophy school in
Epineuil-le-Fleuriel. Works by Stiegler which are currently available in English translation include
Echographies of Television (.ith Derrida, 2002), For a New Critique of Political Economy
(2010), Taking Care of Youth and the Generations (2010), Decadence of Industrial Democracies
(2011) and the Technics and Time series, among many others. From the glamorous surroundings of
Goldsmiths in New Cross, South London, Sascha Rashof talks to Bernard Stiegler about the economy
of contribution, fab labs, love and tulips.
Bernard Stiegler an interview with
21: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
Vinyl cutter
Modela milling machine
22: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
necessarily self-destructive. It is destructive for
investment and it becomes a systemically speculative
system the base ol all the nrst lessons ol economics is
that speculation is the enemy of economics. Now, it is
extremely oilncult lor us to see the transition between
the olo ano the new mooel clearly, because nrstly the
old system is defending itself against the new one, and
secondly because the emergence of the new system is
phagocytal. For example: What is the Google economy?
It is based on the new model, but it is also based on the
previous one because Google is based on marketing,
albeit on a new form of it. This new form of marketing
doesnt work through an opposition of producing and
consuming; nevertheless, even if it is not based on this
opposition it is working for this opposition in other
sectors. This is what I call an economy of transition.
SR: Particularly in your work with Ars Industrialis (AI)
you have been developing a new economic model: the
economy of contribution. Can you explain on what
grounds this new type of economy would work?
BS: The economy of contribution is based on the
increase of knowledge, of shared knowledge. It is a
model in which everyone is not an employee, but a
worker. The technologies of this model are technologies
of collaboration because they are based on networks.
Knowledge is a network and necessarily an experience
that is shared with other people and criticised by
everyone. It is a peer-to-peer system. It is extremely
interesting to see that in the industrial culture industry
the main oilnculty ano the main struggle against the
new model is against peer-to-peer organisation
sharing music, for example. But for me, sharing music
is not based on hacking, in the sense of piracy, in the
sense of avoiding paying for it this is not at all the
question. The question is how to share my text with
other people. How to share my musical experience
with others and how to discuss with them and develop
a collective individuation around, for example, a
musical group or movement or around the use of an
encyclopaedia in order to develop a theory or point of
view of collective interest. The economy of contribution
is based on collaboration by individuating yourself
psychically that is also artistically, scientincally, ano
politically through discussing and developing your
capabilities with other people. Im taking the word
capabilities from Amartya Sen. Very often people say
that the economy of contribution is only a model for
the digital economy and that it doesnt work in other
sectors of industry. This is in fact not at all the case.
For example, in France you have new agricultural
organisations called AMAPs.
1
These are associations
of corporative agriculture in which you have contracts
between the producers and people who are not only
consumers, but partners of the farm. AMAPs are new
organisations, which are not only digital. AMAPs are
passing through the digital because digital is the new
form of writing. Writing is the base of money, the base
of countability, the base of investment and economy
in general. Writing is computation, calculation, but it
is also, for example, the juridical base of contracts. It is
the condition for economy. Now were entering into a
new writing system, which is the digital writing system,
which is completely different; thereby producing a new
society, a new social relation between people, which is
producing new forms of economy. These new forms of
economy are not only based on monetarisation, but on
positive externalities. In this new model, externalities
positive or negative are the main question. The goal
of society then becomes to take care of externalities:
of negative ones by struggling against them and of
positive ones by developing and increasing them, by
founding them.
SR: How, on a practical level, can the current industrial
Now were entering into a new writing system, which is the digital writing system,
which is completely diferent; thereby producing a new society, a new social relation
between people, which is producing new forms of economy.
23: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
model be transformed i.e. how can we move from an
auto-destructive to an auto-productive model?
BS: This is a very complicated question. In fact, this
is the reason for which I spoke about an economy
ol transition. It will be very oilncult because the olo
system is producing a lot of money for the shareholders
and also for the stakeholders. Even the trade unions,
for example, dont want to change the model because
they are organised for the old model. Were beginning
to have groups within the trade unions and industry
syndicates though who understand that the old system
doesnt work, that there is no future for it. Even if the
old system is producing money today, it is very bad
money; in French we say monnaie de singe monkey
money.
2
Even in the industrial milieu, they are
beginning to unoerstano that. It will be very oilncult to
change the system because we will have to completely
change the law of work, the conditions for education,
the infrastructure, the founding and organisation of
investment etc. In this context, I consider that the
public sphere is extremely important. If we want to
reinvent public power [puissance], we need to organise
while we are in-between those two economic models.
The problem is that the new model is not producing
money in the short term. You need to invest in the
long-term. And there is money for this investment. For
example, in Norway there is an oil treasure [surplus
wealth from North Sea oil] which implies: we have a
lot of money, but we dont know where to invest it. We
are obliged to speculate with it and we know that it
is destroying the economy, but we dont have any real
projects. Why? It is because those projects cannot
be private projects. They must necessarily be public
projects. At the end of the 19
th
century in France, the
railways were nationalised, and that was not because
it was a Left-wing power deciding that we needed to
nationalise them. It was because private companies
didnt gain any money from those infrastructures, as
they were precisely positive externalities. Everybody
needed to use them: The workers, the companies
for raw materials and for transporting commodities
around the national and European markets. The
return of investment for those infrastructures was
about 50 years and it was not possible for an individual
to wait for 50 years. Today, we have exactly the same
problem. Why? Schumpeter described the economy
of consumerist capitalism as permanent innovation,
which he called creative destruction. This creative
destruction has sped up more and more. The time of
transfer of research innovation to society was 20 years
at the beginning of the 20
th
century, around the 1950s
it was 10 years, now it is in certain sectors two or three
months. In the software sector it is extremely speedy.
All this is creating a very short-term economy in which
all organisation is based on this short-circuiting of time
itself that is producing the destruction of a long-term
perspective and long-term investments. Money today
doesnt know what it can invest in. I dont necessarily
say that we must nationalise banks, although why not?
Im not against this possibility. But this is not necessarily
the question. The question is to realise a project which
people believe in and decide to invest in. It is about
consumers deciding to change their lives by adopting
those new ways of living, and it is, for example, about
a student saying I will invest in my future in this way.
Maybe it is mainly the question of education, of
education and media. We must change the educational
system completely. We must base it on contributive
education and research, and I consider that it is now
really a possibility because people want it, and also
because we now have the technologies for it. However,
this is possible only if we change the mass-media
system as well. This is clearly extremely oilncult.
However, in fact, all the big newspapers in France
such as Le Monde and Libration cant make money
Schumpeter described the economy of consumerist capitalism as permanent
innovation, which he called creative destruction. Tis creative destruction has sped
up more and more.
24: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
Fab labs are exactly like the smart grids of the energy sector and based on the
decentralisation of knowledge in the terminals of the grid, not in the centre of it.
Tere no longer is a centre.
Laser cutter
Scroll saw and bench grinder
25: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
anymore. They are laying-off their employees and they
are losing readers. They will have to change out of
necessity. At IRI, we are currently developing a project
with France Tlvisions [the French publicly-owned
national television broadcaster] for transforming
television from a system of broadcasting into a system
of publishing. This publishing opportunity will be,
in part, dedicated to universities. We are proposing
that France Tlvisions becomes a system of web
publishing for students as well as a facility for teachers
and professors to design publishing systems. So, I
consider that this question is a global question and if
we dont have a global point of view its not possible
to develop a new economic model. These questions
should be at the core of European policy because they
are not national; they are at the level of the continent,
for example of Europe. In order to develop such a
new economic model and thus produce a new public
solvency, you need a market of several hundreds
of millions; because the main question is the loss of
solvency, that is, of credit. We must recreate credit, but
for recreating credit, we need to create belief. Without
belief there is no credit. And today there is no belief.
Europe, America and all those industrial countries are
now in a challenge with China about this question of
credit. Its a good challenge, a very interesting one,
but without a public initiative its impossible because
it needs coordination between different sectors, for
example construction, habitation and particularly
social habitation. In AI, we are currently developing
a model of contributive buildings with a very well
known architect in France called Patrick Bouchain.
This is extremely interesting because he says that its
possible for unemployed people to use their time for
producing these new types of construction. But if you
want to develop this you need to also synchronise your
tax policy, your educational policy, your investment
policy etc. Its impossible to treat those questions sector
by sector.
SR: You already mentioned AMAPs what potential
do you see for initiatives such as fab labs
3
as new
designs for social organisation to transform the current
economic model?
BS: Fab labs should be the base of the economy of
contribution. Because: What is really important in fab
labs? It is the decentralisation of production. Now, we
can consider fab labs as a way of one-to-one economy,
that is, personalisation. When in AI we talk about fab
labs with big companies in France, this is the way in
which they see this question. In an IKEA economy,
everyone can develop their own use of a standardised
system. It is the question of customisation. In fact, this
is not at all the question. Now, what is at stake? Its what
I call the industrial score, such as a musical score.
An industrial score is not a programme exactly, but a
text of possibilities based on the software industry. A
spime
4
for me is a score. A musical score is a spime,
a very old type of spime. Now we have the possibility
of using spimes, which are new forms of knowledge,
of industrial knowledge, that can be interpreted in fab
labs; that can be transformed by the fab labs through
bottom-up innovation. This is really creating precisely
what I called at the beginning of our meeting a new
form of shared knowledge, of contributive knowledge.
Fab labs are exactly like the smart grids of the energy
sector and based on the decentralisation of knowledge
in the terminals of the grid, not in the centre of it.
There no longer is a centre. I consider also that the fab
lab economy will develop non-industrialised countries,
such as in Africa. In Senegal for example, they have a
recuperative economy, which is extremely important.
They are selling cars to France. These cars are actually
old cars, which have been transformed into new cars in
a way that is not at all the economy of consumption.
This system works in Senegal because the mechanics
there have knowledge of bricolage [do-it-yourself]. I was
in North Africa two weeks ago and I had a really big
mechanical problem because I broke an attachment of
the motor of my car. I found a man who produced the
piece ano nxeo the problem in two hours. It was a very
oilncult piece to proouce, but he hao the tools ano the
knowledge to do it and it worked very well. In those
countries, they dont have destroyed knowledge. They
have manual knowledge, which is general knowledge
for savoir-vivre, and I think for them this new economy
of fab labs is really a chance.
SR: Fab labs are often described as a partial return
to the putting-out or workshop system, or the cottage
industry
BS: One question that is very important here is the
deterritorialisation of the economy during the second
half of the 20
th
century, which produced absurd
situations in some ways. For example, when you pay
for a commodity in a supermarket, half of what you
26: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
pay is for advertising, 40 per cent is for transportation
and 10 per cent is the price of the good itself. And
this is extremely dangerous for the future of the planet
because its producing a lot of carbon dioxide and
waste as well as destroying the mental organisation of
psychic individuals. Since those costs of advertising
and transportation are producing a lot of negative
externalities, the nrst benent ol this new economy is
to transform precisely these negative externalities and
to reduce them. Now, the other question is precisely
the development of knowledge. In France I work
with a specialist, an engineer, but also an urbanist, of
territorial economy [Pierre Veltz]. He has developed
a theory of territorial economy by showing that
there is not an opposition between territories and
deterritorialisation. For example: The Netherlands
are prooucers ol nowers, ol tulips in particular. They
sell their tulips in Provence and they sell them there at
a lower price than the tulips coming from Provence.
This is because they have developed a very strong local
system. By having developed the local system through
a co-operation between the prooucers ol nowers ano
the people developing the logistical systems, they can
exist very far away from their own territory because
of digital networks. Today with the web, this question
becomes extremely important. The question of fab labs
is the question of the development of a local, collective
intelligence. Generally, people oppose the collective on
the web and the collective on the territory and this is
an error. If you want to develop your local business
and your intelligence of the web, of a global network,
you must develop local networks for sharing a point
of view of the global from the point of view of the
local. When you make good use of a global network,
it is producing a local activity. A good example for
this is California where you have very important local
activity; everybody is connected with everybody at the
local level, but this localisation, through universities,
through companies, through start-ups, through
associations, through social movements, through art
movements, which are extremely strong in California,
also exists from very far away. In the vocabulary of
Simondon, its a transductive relation in which the
two terms are created by the relation. The problem
of Europe is in not having understood this question.
Europes new policies must develop these and fab labs
are for me extremely important for that.
SR: In your book For a New Critique of Political Economy,
as well as in various talks you have given, you refer to
the amateur` as the exemplary ngure ol a new age ol
care could you explain what you mean by the word
amateur and whether, in your opinion, fab labs could
foster the individuation of amateurs?
BS: The word amateur has its roots in Latin and
refers to love. I will think this in French because it is
oilncult lor me to shilt to the English oillerentiation
between like and love in French, we have the
same word for both. On Facebook, for example, you
like, you dont love you can love too, but the
word is like. So in French, an amateur is somebody
who loves something software, football, his wife, his
children, or politics. This is a relation of investment. I
consider that today amateurs have been destroyed by
consumerism because an amateur is attached to his or
her object. This attachment I use the word of John
Bowlby is an attachment to an object of desire. This
attachment is in contradiction with the consumerist
economy, which is an economy of disposability. The
amateur is not an object of disposability, but on the
contrary, an object ol noelity. This economy ol noelity
is based precisely on the development of knowledge.
An amateur is someone who wants to develop his or
her capacities, his or her knowledge capabilities for
discussing with other amateurs, for sharing a passion
and for sharing an investment, a project. This is
an economy of projection, in fact. When I say this,
I use the word projection in the sense of Freud, in
the psychical sense, but also in an economic sense,
I consider that today amateurs have been destroyed by consumerism because an
amateur is attached to his or her object.
27: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
as meaning to invest in a new industrial project,
following Max Weber. And it is also projection in the
sense of cinema, which is to imagine it is a process
of imagination. An amateur is necessarily somebody
who has a knowledge, who has access to tools, to
apparatuses, to means of producing his or her passion.
An amateur is a ngure ol libioinal economy. In lact,
for understanding the amateur, we must read Freud,
Lacan, Bowlby and Winnicott, because the amateur
is the one who is economising his or her drives for
investing in an object on a long-term basis. The
amateur is necessarily oriented towards long-term.
So, fab labs are clearly workshops for amateurism.
I use here the word amateurism in French we
say an amateurisme which is very pejorative and
for which reason I often use the word amatorat. A
good professional is an amateur who loves his or her
job, which is not precisely a job because a job is an
employment, it is not work. An amateur is always
working for work, not for employment. This economy
of the amateur is thus an economy that is reproducing
and re-elaborating a capacity of desire for the future.
Sascha Rashof is a PhD student and Visiting Tutor in Media
Philosophy at the Centre for Cultural Studies, Goldsmiths
College, as well as Associate Lecturer in Journalism at
Southampton Solent University. Apart from Heidegger and
Sloterdijk, Sascha likes fashion, fab labs and Johnny Flash.
sascha.n.rashof@hotmail.co.uk
All photos were taken at the fab lab at Vigyan Ashram in
Pabal, India, 2012.
NOTES
1. Association pour le maintien dune agriculture pavsanne
an association Ior the preservation oI traditional agriculture, the
AMAP is a network oI agricultural producers and consumers
with the aim oI supporting local Iarming. Its main objectives are
to struggle against land speculation and desertifcation oI rural
space, to propose to producers alternative marketing channels and
an income guarantee, to try to limit the domination oI retailing
companies on the Iood system and to develop the consumers`
awareness oI environmental and agricultural production issues.
2. Literally monkey money`, the idiom translates roughly as Ialse`
or sham` money empty promises. The phrase paver quelquun en
monnaie de singe means to Iob someone oII with Ialse assurances,
which would perhaps be the most appropriate understanding oI
Stiegler`s meaning here.
3. Fabrication laboratories, or Iab labs, are small workshops that
host an array oI computer-controlled tools (such as 3D printers,
laser cutters, printing presses and CAD/CAM soItware) that
enable the creation oI things tailored to local needs. The Iab lab
programme was initiated at Massachusetts Institute oI Technology
as a collaboration between the Grassroots Invention Group and the
Center Ior Bits and Atoms, intending to explore how the content oI
inIormation relates to physical representation and how individuals
and communities can be empowered by technology at grassroots
level. The programme began as the class How to Make (almost)
Anything` (frst taught in 1998 and still running) in which students
Irom backgrounds as diverse as architecture, engineering,
industrial design and community work produce unique personal
devices via a just-in-time-peer-to-peer learning and teaching
model. In 2002, the class developed into the setting up oI local feld
Iab labs around the world in order to explore the implications and
applications oI personal Iabrication outside oI MIT. Today, there
are 100 Iab labs worldwide in 24 countries. Sites include Tehran,
Barcelona, Nairobi, Jalalabad, Vestmannaeyjar, Amsterdam and the
South Bronx in New York City as well as several mobile Iab lab
trucks.
4. This term reIers to a new type oI industrial object`, coined by
science fction author Bruce Sterling in his book Shaping Things:
The Spime is a set oI relationships frst and always, and an
object now and then. The key to the Spime is identity. A Spime
is, by defnition, the protagonist oI a documented process. It is
an historical entity with an accessible, precise trajectory through
space and time. A Spime must thereIore be a thing with a name.
No name, no Spime. This presents a serious semantic challenge.
The labels that we attach to objects are never identical with the
phenomenon itselI; the map cannot be the territory. There is a Irail,
multiplex relationship between labels and materiality.` Spimes
ideally have 3D models, or better: are 3D models, which can be
(re-)produced, manipulated, distributed and shared by Wranglers`,
the new kind oI consumers/producers oI a synchronic society
(Sterling, B. Shaping Things Cambridge, MA: MIT, 2005).
28: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
ECOLOGIES OF MACHINES
text by SY TAFFEL
images by MATTHEW PLUMMERFERNANDEZ
Commodities and Contribution
29: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
C
ontemporary analyses of the relationships
between humans and machines - ways that
machines innuence the scale, pace ano
patterns of socio-technical assemblages
- tend to focus upon the effects, impacts, and results
ol the nnisheo prooucts: the packageo inlormation
processing commodities of digital culture. This work
is undeniably important in demarcating the multiple
and complex ways that human symbiosis with
machinic prostheses alters cognitive capacities and
presents novel, distributed, peer-to-peer architectures
for economic, political, and socio-technical networks.
However, existing discourses surrounding machines
and digital culture largely fail to explore the wider
material ecologies implicated in contemporary
technics.
Ecological analysis of machines seeks to go beyond
exploring marketable commodities, instead examining
the ecological costs involveo in the reconnguration ol
ores, metals, and minerals into smartphones and servers.
This involves considering the systems implicated in each
stage of the life-cycle of contemporary information-
processing machines: the extraction of materials
lrom the earth, their rennement ano processing into
pure elements, compounds, and then components;
the proouct-manulacturing process, ano nnally what
happens to these machines when they break or are
discarded due to perceived obsolescence. At each stage
of this life-cycle, and in the overall structure of the
ecology of machines, there are ethical and political
costs and problematics. This paper seeks to outline
examples of these impacts and consider several ways
in which they can be mitigated.
Hardware is not the only ecological scale associated
with machines: nows ol inlormation ano cooe, ol
content and software, also comprise complex, dynamic,
systems open to nows ol matter ano energy, however,
issues surrounding these two scales are substantially
addressed by existing approaches to media and culture.
We can understand scale as a way of framing the mode
ol organisation evioent within the specinc system being
studied. The notion of ecological analysis approaching
oillerent scales stems lrom the scientinc oiscipline ol
ecology and is transposed into critical theory through
the works of Gregory Bateson and Felix Guattari.
Within the science of ecology, scale is a paramount
concern, with the discipline approaching several
distinct scales, the relationships between: organism and
environment, populations (numerous organisms of the
30: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
same species), communities (organisms of differing
species), and ecosystems (comprising living and
nonliving elements within a geographical location).
1
No
particular scale is hierarchically privileged, with each
nested scale understood as crucial to the functioning
of ecosystem dynamics.
The notion of multiple, entangled scales are similarly
advanced by Bateson, who presents three ecologies
mind, society and environment.
2
Key to understanding
their entangled and thus inseparable nature,
is Batesons elaboration of distributed cognition,
whereby the pathways of the mind are not reducible
to the brain, nervous systems, or connnes ol the booy,
but are immanent in broader social and environmental
systems. The human is only ever part of a thinking
system which includes other humans, technology
and an environment. Indeed, Bateson contends that
arrogating mental capacity exclusively to individuals
or humans constitutes an epistemological error, whose
wronglul ioentincation ol the inoivioual ,lile-lorm or
species) as the unit of ecological survival necessarily
promotes a perspective whereby the environment is
viewed as a resource to be exploited, rather than the
source of all systemic value.
3
Guattari advances Batesons concepts in The Three
Ecologies,
4
expounding a mode of political ecology
which has little to do with the notion of preserving
nature, instead constructing an ethical paradigm and
political mobilisations predicated upon connecting
subjective, societal and environmental scales in order
to escape globalised capitalisms focus upon economic
growth as the sole measure of wealth. According to
Guattari, only by implementing an ethics which works
across these three entangled ecologies can socially
benencial ano environmentally sustainable mooels
of growth be founded. Ecology then, presents a
way of approaching machines which decentres the
commonly encountered anthropocentrism that depicts
machines (objects) assisting humans (subjects), instead
encouraging us to consider ourselves and technologies
as nodes within complex networks which extend across
individual, social, environmental, and technological
dimensions. Correspondingly, ecology requires a shift
when considering value and growth; moving from the
economic-led anthropocentric approach characteristic
of neoliberalism, to valuing the health and resilience
of ecosystems and their human and nonhuman, living
and nonliving components. Consequently, applying an
ecological ethics may prove useful in considering ways
to mitigate many of the deleterious material impacts
of the contemporaneous ecology of machines.
This paper will proceed by exploring the contemporary
ecology of hardware, examining ecological costs
which are incurred during each phase of the current
industrial production cycle. Additionally, the overall
structure of this process will be analysed, alongside
a conclusion which considers whether current
iterations of information processing machines presents
opportunities for the implementation of a mode
of production within which the barriers between
producers and consumers are less rigid, allowing
alternative ethics and value systems to become viable.
The initial stages in the contemporary industrial
production process are resource extraction and
processing. A vast array of materials is required
for contemporary microelectronics manufacturing,
including: iron, copper, tin, tungsten, tantalum, gold,
silicon, rare earth elements and various plastics.
Considering the ways that these materials are mined
connects information processing technologies to
the nows ol energy ano matter that comprise the
globalised networks of contemporary markets and
trade systems, refuting claims that information
processing technologies are part of a virtual, cognitive,
or immaterial form of production.
One environmentally damaging practice currently
widely employed is open-cast mining, whereby the
topmost layers of earth are stripped back to provide
access to ores underneath, whilst whatever ecosystem
previously occupied the surface is destroyed. Mining
also produces ecological costs including erosion and
the contamination of local groundwater, for example
in Picher, Oklahoma, lead and zinc mines left the area
so badly polluted and at risk of structural subsidence,
Te role of the global microelectronics industry in fnancing the most brutal confict
of the last twenty years reveals the connections between virtual technologies and the
geopolitics of globalised capitalism.
31: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
that the Environmental Protection Agency declared
the town uninhabitable and ordered an evacuation.
5
Another series of ecological costs associated with
resource extraction surrounos connict minerals,
which is increasingly being acknowledged thanks to
the activities of NGOs and activists publicising the
links between connict minerals in the Democratic
Republic of Congo (particularly coltan, the Congolese
tantalum-containing ore) and information technologies
(particularly mobile phones). Whilst coltan and other
connict minerals were not a primary lactor in the
outbreak ol civilregional connict in the DRC, which
has leo oirectly or inoirectly to the oeaths ol over nve
million people over a dozen years, as the connict wore
on and the various factions required revenue-raising
activities to nnance their continuing campaigns, connict
minerals became a major reason to continue nghting
... the Congo war became a connict in which economic
agendas became just as important as other agendas,
and at times more important than other interests.
6
Factions including the Congolese army, various
rebel groups and invading armies from numerous
neighbouring states nercely contesteo mining areas, as
controlling mines allowed the various armed groups
to procure minerals which were then sold for use
in microelectronics, in oroer to nnance munitions,
enabling the continuation of military activities. The
role ol the global microelectronics inoustry in nnancing
the most brutal connict ol the last twenty years reveals
the connections between virtual technologies and the
geopolitics of globalised capitalism.
Engaging with the ecology of machines requires
consideration of the ethical and political implications
of the consequences wrought by current patterns
of consumption upon people and ecosystems
geographically far removed from sites of consumption,
onto whom the brunt of negative externalities
generated by current practices frequently falls. In this
case the costs of acquiring cheap tantalum a crucial
substance in the miniaturisation of contemporary
microelectronics are not borne by consumers or
corporations, but by people inside an impoverished
and war-ravaged central African state.
Once extracteo, materials are renneo into pure elements
and compounds, transformed into components, and
then assembled into products during the manufacturing
phase of the production process. Since the late 1980s
there has been a shift away from the corporations
who brand and sell information technology hardware
incorporating manufacturing into their operations.
Instead, a globalised model now dominates the industry,
whereby manufacturing is primarily conducted by
subcontractors in vast complexes concentrated in a
handful of low cost regions, primarily south-east Asia.
7
This can be understood within the broader context of
changes to the global system of industrial production,
whereby manufacturing is increasingly handled by
subcontractors in areas where labour costs are low
and rigorously enforced legislation protecting the
rights of workers or local ecosystems does not exist.
Consequently, this transition has been accompanied
by marked decreases in wages and safety conditions,
alongside increased environmental damage as
companies externalise costs onto local ecosystems.
8
Information technology sweatshops are receiving
increasing attention, and have begun to punctuate
public consciousness, partially as a consequence of
campaigning from NGOs, and partially due to a spate
of suicides among young migrant workers at Foxconns
Longhua Science and Technology plant in Shenzhen,
China. Fourteen workers aged 18-25 jumped off
factory roofs to end their lives between January and
May 2010 to escape an existence spent working 60-80
hours a week and earning around US$1.78 per hour
manufacturing information processing devices such as
the Apple iPad for consumers elsewhere in the world.
Once information processing technologies have been
discarded, they become part of the 20-50 million
tonnes of annually produced e-waste,
9
much of which
contains toxic substances such as lead, mercury,
hexavalent chromium and cadmium. Whilst it is
illegal for most OECD nations to ship hazardous or
toxic materials to non-OECD countries, and illegal for
non-OECD nations to receive hazardous wastes,
10
vast
quantities of e-waste are shipped illicitly, with e-waste
Essentially, wealthy nations externalise the ecological costs of their toxic waste to
impoverished peoples in the global south.
32: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
Images taken from the project Infructescence, a project comissioned by Bloomberg, August 2010.
33: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
routinely mislabelled as working goods for resale,
circumventing laws such as the Basel Convention and
the EUs Waste Electrical and Electronics Equipment
(WEEE) Directive.
11
In 2006 estimates suggest that
80% of North American and 60% of the EUs
electronics wastes were being exported to regions
such as China, India, Pakistan, Nigeria and Ghana.
12
Essentially, wealthy nations externalise the ecological
costs of their toxic waste to impoverished peoples in
the global south.
Once e-waste arrives in these areas it is recycled:
machines are manually disassembled by workers often
earning less than US$1.50 per day,
13
who implement
a variety of techniques for recovering materials
which can be resold. For example, copper is retrieved
from wiring by burning the plastic casings, a process
which releases brominated and chlorinated dioxins
and furans; highly toxic materials which persist in
organic systems, meaning that workers are poisoning
themselves and local ecosystems. Investigation by the
Basel Action Network reveals that:
Interviews reveal that the workers and the general
public are completely unaware of the hazards of the
materials that are being processed and the toxins they
contain. There is no proper regulatory authority to
oversee or control the pollution nor the occupational
exposures to the toxins in the waste. Because of the
general poverty people are forced to work in these
hazardous conditions.
14
This activity is often subsumed under the rhetoric
of recycling, with associated connotations of
environmental concern; however, the reality is that
international conventions and regional laws are broken
in order to reduce the economic costs of treating the
hazardous remains of digital hardware.
The systematic displacement of negative externalities
minimises the cost of commodities for consumers and
improves prontability lor corporations, but in ooing so
makes the epistemological error delineated by Bateson
ano Guattari regaroing the wronglul ioentincation
of value within systems. Creating systems designed
to maximise benents lor the inoivioual consumer - or
individual corporation - while externalising costs onto
the social and ecological systems which support those
individual entities ultimately results in the breakdown
of systems which consumers and corporations rely
upon. Although such strategies create short term
prontability, their neglect lor longer term consequences
breeds systemic instabilities which will eventually
return to haunt these actors:
If an organism or aggregate of organisms sets to
work with a focus on its own survival and thinks
that is the way to select its adaptive moves, its
progress ends up with a destroyed environment. If
the organism ends up destroying its environment, it
has in fact destroyed itself The unit of survival is
not the breeding organism, or the family line or the
society . The unit ol survival is a nexible organism-
in-its-environment.
15
There have however, been numerous interventions
by NGOs, activists, and concerned citizens who have
employed the guilty machines at issue to address and
alter these deleterious effects. The deployment of social
media, for instance, to raise awareness of these issues
and pressure corporations and governments to alter
practices and laws, highlights what Bernard Stiegler
and Ars Industrialis describe as the pharmacological
context of contemporary technics:
16
machines are
simultaneously poisonous and the remedy to this
poison.
17
Thinking in terms of poison and toxicity
is particularly cogent with reference to the material
impacts of digital technologies, whereby what can
otherwise appear to be a metaphorical way of
approaching attention and desire amongst consumers,
presents an insightful analysis of the material impacts
which accompany the shifts in subjectivity, which
Stiegler argues arise from changing technological
environments.
The actions implied by this approach initially seem
entirely inadequate given the scope of the problems:
retweeting messages and liking pages in the face of
serious social and ecological problematics that relate
to the dynamics of globalised capitalism appears
laughable. However, the impacts of collective action
made possible by networked telecommunications has
effected numerous cases: Wages at Foxconns plant
in Shenzhen have risen from 900 to over 2000 yuan
in less than a year in response to sustained pressure
mobilised by assemblages of humans and machines,
many of the latter having been assembled within that
34: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
factory. In the face of widespread networked protests,
Apple cancelled a contract with another Chinese
subcontractor because of their employment of child
labour.
18
Lobbying by NGOs such as Raise Hope For
Congo,
19
supported by a networked activist community,
has convinced the US congress to examine legislating
to phase out the use ol connict minerals.
The mobilisation of attention via these socio-
technological networks effects change in two primary
ways: through raising awareness and altering vectors of
subjectivity amongst consumers, and by subsequently
mobilising this attention as public opinion to pressurise
governmental and corporate actors to alter practices. In
the face of this type of networked action, governments
are compelled to avoid the appearance of supporting
unethical practices. Corporations, as fabrication-
free entities which design and market, but do not
manufacture products, are faced with the potential
toxincation ol their brano. Corporations such as
Apple and Dell
20
have demonstrated a willingness to
take remedial action, albeit often in a limited way.
21
There are additional issues raised by the structure of
the nows ol matter associateo with the system in its
entirety. The industrial model of production involves a
near-linear now throughout the stages ol a machines
lifespan; resources are extracted, processed, used, and
then discarded. Recycling is partial, leading to the
steaoy accumulation ol waste matter in lanonlls.
By contrast, when examining how ecosystems work,
we are confronted with cyclical processes with
multiple negative feedback loops. These cycles create
sustainable processes: there is no end stage where
waste accumulates, as the outputs of processes become
inputs for other nodes in the network, allowing systems
to run continuously for millions of years. Feedback
loops within these systems build resilience, so minor
perturbations do not create systemic instability or
collapse, only when the system faces major disturbance,
a substantial alteration to the speeds or viscosities of
ecological nows which exceeo aoaptive capacity, ooes
collapse occur. In the past, ecological collapse and
planetary mass extinction events have been triggered
by phenomena such as an asteroid striking the planet.
Today a mass extinction event and new geological
age, the Anthropocene,
22
is under way because of
anthropogenic industrial activity.
Given the state of play with reference to climate
change, loss of biodiversity, and associated impacts
upon human civilisations, urgent action is required in
reconnguring the inoustrial proouction process along
alternatives based on biomimicry: cyclical processes
resembling closed-loop systems such as the nitrogen
cycle. This methodology has been adopted by the
cradle-to-cradle movement, who advocate that the
waste from one iteration of processes should become
the nutrients, or food for successive iterations. Products
are not conceived of as commodities to be sold and
discarded, but valuable assets to be leased for a period
before the materials are transformed into other, equally
valuable products. A cradle-to-cradle methodology also
seeks to remove toxic substances from goods during the
design process, entailing that there is no subsequent
connict ol interest between cheap but oamaging ano
responsible but expensive disposal at a later date.
Another movement which points towards alternative
methods of producing machines are open-source
hardware (OSH) communities, which apply an ethic
derived from free/open-source software (FOSS)
development, and implement homologous processes
to designing and producing hardware. Whereas
FOSS involves the distributed collaboration of self-
aggregating peers using the hardware/software/social
infrastructures of the Internet to create software a
non-rival good which can be directly created and
shared by exchanging digital data OSH communities
cannot collectively create the nnisheo prooucts, but
share designs for how to make machines and source
the requisite parts. Operating in this manner enables a
mode of producing rival goods, including information
technology hardware, which is led by user innovation
and the desires and ethics of the producer/user
community, rather than pront-orientateo corporations,
who have a vested interest in creating products which
rapidly become obsolete and require replacement.
OSH presents an example of the democratisation of
innovation and production,
23
and a rebuttal of the
contention that peer-to-peer systems are only relevant
to non-rival, informational ventures, whilst also
presenting one way of approaching Stieglers concept
of an economy of contribution.
Stiegler contends that the particular affordances
of contemporary computing technologies enable
the construction of a new economy which elides
the distinction between producers and consumers.
Accoroing to Stiegler, lree soltware exemplines
a historically novel methodology predicated on
35: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
communal labour and which is characterised by the
formation of positive externalities.
24
Whereas the
contemporary ecology of machines is dominated by a
model based on an econocentricism which advocates
the externalisation of any possible costs onto social
and environmental systems which are seen as outside
of economic concern and therefore valueless, Stiegler
contends that there exists the potential to construct an
alternative ecology of machines based upon broader
conceptions of growth, resembling the ecological value
systems advocated by Bateson and Guattari.
While the pharmacological context of technology
entails that an economy of contribution is by no
means certain, or even probable, a reorientation of
the ecology of machines is crucial if we are to escape
the spectre of ecological collapse. The current system
of producing the material infrastructure of digital
cultures is ecologically unsustainable and socially
unjust, with problems at the scales of the structure
of the production process as a whole, and within the
specincities ol each constituent stage. Only through a
sustained engagement with the material consequences
of information technologies, involving an eco-ethically
innecteo application ol these machines themselves,
may equitable alternatives based around contribution
rather than commodities supersede the destructive
tendencies of the contemporary ecology of machines.
Sy Taffel is a PhD researcher based between the University of
Bristol department of Drama: Film Theatre and Television
and the Digital Cultures Research Centre at the University
of the West of England. His PhD research involves utilising
an ecological approach to digital media in order to explore
the politics, ethics and materiality of hardware, software and
content.
Matthew Plummer-Fernandez studied MA Design Products at
the Royal College of Art and has received commissions through
ArtsCo, Selfridges, Its Nice That, Digit, Designersblock and
Mint Shop. www.plummerfernandez.com.
NOTES
1. Michael Begon, Colin Townsend and John Harper, Ecologv. From
Individuals to Ecosvstems, 4
th
Edition, Malden MA and OxIord: Blackwell
Publishing, 2006.
2. Gregory Bateson, Steps To An Ecologv of Mind, Northvale, New Jersey:
Jason Aronsen Inc, 1972 pp.435-45.
3. Gregory Bateson, Steps To An Ecologv of Mind, Northvale, New Jersey:
Jason Aronsen Inc, 1972 p.468.
4. Felix Guattari, The Three Ecologies, trans Ian Pindar and Paul Sutton,
London:Athelone Press, 2000.
5. D. Sutter Last Man Standing at Wake for Toxic Town, 2009, CNN,
available at http://articles.cnn.com/2009-06-30/us/oklahoma.toxic.town1
tar-creek-superIund-site-picher-mines?sPM:US#cnnSTCText last visited
22/03/2012.
6. Michael Nest, Coltan, Cambridge: Polity Press, 2011 p.76.
7. Boy Lujthe (2006) The Changing Map of Global Electronics.
Networks of Mass Production in the New Economv, in Ted Smith, David
SonnenIeld, David Naguib Pellow, (2006) Challenging the Chip, Labor
Rights and Environmental Justice in the Global Electronics Industrv,
Philadelphia:Temple University Press, 2006, p.22.
8. Rohan Price, Whv No Choice is a Choice` Does Not Absolve the West of
Chinese Factorv Deaths, Social Science Research Network, 2010, Available
at SSRN: http://ssrn.com/abstract1709315 (last visited 15/03/2012).
9. Electronics Takeback Coalition, Facts and Figures on E-Waste and
Recvcling, 2011, available at http://www.electronicstakeback.com/
wpcontent/uploads/FactsandFiguresonEWasteandRecycling.pdI last
visited 15/03/2012.
10. Under the Basel Convention which Iorbids the transIer oI toxic
substances Irom OECD nations to non-OECD nations. However, the USA,
Canada and Australia reIused to sign the convention, and so it remains legal
Ior these states to export hazardous wastes, although it is illegal Ior the non-
OECD countries they send hazardous wastes to, to receive them.
11. The WEEE directive, passed into EU law in 2003 and transposed into UK
law in 2006 states that all e-waste must be saIely disposed oI within the EU
at an approved Iacility, and that consumers can return used WEEE products
when they purchase new products.
12. Jim Puckett, High-Techs Dirtv Little Secret. Economics and Ethics of
the Electronic Waste Trade, in Ted Smith, David SonnenIeld, David Naguib
Pellow, (2006) Challenging the Chip, Labor Rights and Environmental
Justice in the Global Electronics Industrv, Philadelphia:Temple University
Press, 2006, p.225.
13. Jim Puckett and Lauren Roman, E-Scrap Exportation, Challenges
and Considerations, Electronics and the Environment, 2002 Annual IEEE
International Symposium, available at http://ieeexplore.ieee.org/stamp/
stamp.jsp?tp&arnumber1003243 last visited 15/03/2012.
14. Basel Action Network and Silicon Valley Toxics Coalition, Exporting
Harm, The High-Tech Trashing of Asia, 2002, p.26 available at http://www.
ban.org/E-waste/technotrashfnalcomp.pdI last visited 15/03/2012.
15. Gregory Bateson, Steps To An Ecologv of Mind, Northvale, New Jersey:
Jason Aronsen Inc, 1972 p.457.
16. Bernard Stiegler, For a New Critique of Political Economv, Cambridge:
Polity, 2010.
17. Ars Industrialis, Manifesto 2010, 2010, available at http://arsindustrialis.
org/maniIesto-2010 last visited 17/03/2012.
18. Tania Branigan, Apple Report Reveals Child Labour Increase, The
Guardian, 15 February 2011, available at http://www.guardian.co.uk/
technology/2011/Ieb/15/apple-report-reveals-child-labour last visited
18/03/2012.
19. http://www.raisehopeIorcongo.org/ last visited 15/03/12.
20. David Wood and Robin Schneider, Toxicdude.com. The Dell Campaign,
in Ted Smith, David SonnenIeld, David Naguib Pellow, (2006) Challenging
the Chip, Labor Rights and Environmental Justice in the Global Electronics
Industrv, Philadelphia:Temple University Press, 2006, pp.285-97.
21. For example, the similarities between the labour rights violations Iound
in reports at Foxconn in Shenzhen in 2006 and 2012 suggest that Apple`s
claims in 2006 that they would take action to redress these violations were
public relations rhetoric not substantiated by actions.
22. Jan Zalasiewicz, Mark Williams, Will SteIIen, and Paul Crutzen, The
New World of the Anthropocene, 2010, Environment Science & Technologv
44 (7): 22282231. doi:10.1021/es903118j.
23. Eric Von Hippel, Democratising Innovation, Cambridge MA: MIT Press,
2005.
24. Bernard Stiegler, For a New Critique of Political Economv,
Cambridge:Polity 2010 p.129.
36: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
T
his paper takes important
characteristics of the politically
active agent/citizen addressed by
the political theory of Hannah Arendt
and juxtaposes them with their negation.
Te intention is to examine the ways in
which this practice of negation is being
used during the current economic crisis as
a pretext for treating the Greek people as
a-political, and expecting them to behave
as such. It will then be argued that this
practice moves even further, and underlines
an implicit neoliberal worldview of men
as machines. Te paper addresses this
mechanistic way of seeing things, and
argues that the character and intentions
of neoliberalism are dangerously akin to
the evils of the past centuries that led to
totalitarianism (adding to the relevance
of Arendts political theory) and leads to
alarming fndings regarding the political
ideologies being employed across Europe at
the moment.
THE DEHUMANISED CITIZEN
text by SOPHIA KANAOUTI
images by SINIKKA HEDEN
Politics versus a Machine-like Existence under the Pretext
of the Greek Crisis
37: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
38: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
TWENTY YEARS LEADING TO THE
CRISIS: PRIVATELY OWNED TELEVISION
CHANNELS AND IMPRESSION VERSUS
ACTION AND SPEECH
Some characteristics of the citizen can be approached
from the viewpoint of the consumption of media
programmes. The past twenty years offer a good
historical terrain where such issues can be addressed in
relation to Greece, since this is when the countrys legal
framework allowed the appearance (and expanding
innuence, ol private television. Neoliberal worloviews
and similar policies in Europe are much older than that,
but the example of privately owned television channels
in Greece offers a good testimony to the forms that
the neoliberal experiment can take in accelerated ways
connected with commercialism and the considerable
power of our dominant medium, television.
1
The
treatment of news items by privately owned media
demonstrates the values and expectations harboured
by the commercial mentality that sees society as a
terrain for consumption.
THE ACCENTUATION OF POLITICAL
ABSENCES BROUGHT ON BY THE CRISIS
The socially oriented output of the privately
owned media, bent on promoting so-called lifestyle
inlormation` even in the news, became brieny numb
with the advent of the economic crisis in 2009 yet
quickly recovered lost ground. As a response to the
diminishing interest for the clothes and material
possessions of politicians, they shifted attention to a
society of interest-ridden individuals affected by the
crisis. Private television took to new ways of addressing
the social in viewers, as the political qualities in them
were now openly attacked, whereas before were
merely hidden from the public space of television. A
good example is that now the news reported strikes
solely from the viewpoint of those interest groups who
suffered from them. So, a strike by refuse collectors
was dangerous to public health, and a strike by people
working on ships was devastating to the farmers who
want their produce distributed, or the people who
would like to travel.
2
The news bulletins refused to see
the repeated strikes as the political right of the people
involved in them; they were, rather, social oversights
on their part.
This turn towards the social (the hierarchical, the
interest-group mentality, the private sphere over and
above the plurality) at the expense of the political
3
has
inevitably meant a reign of the irrelevant yet again
(just as lifestyle programmes dealt with the irrelevant
before):
[The] enlargement of the private, the enchantment,
as it were, of a whole people, does not make it
public, does not constitute a public realm, but, on
the contrary, means only that the public realm has
almost completely receded, so that greatness has
given way to charm everywhere; for while the public
realm may be great, it cannot be charming precisely
because it is unable to harbor the irrelevant.
4
As the environment of economic crisis posed some
oilncult questions ano as these questions were put to
politicians the answers became more and more evasive.
What is particularly interesting is that these television
channels and the representatives of Greek public life
who were addressing the people through them kept
nlling the public space ol television with reversals;
instead of addressing the real problematic areas of
the Greek public realm, such as that the people have
been lacking political incentives and outlets besides
the elections and thus are partly responsible for bad
political decisions taken in the past, the media and the
politicians that adhere to them blamed quite different
weaknesses on the public. They blamed the public for:
a) not being as productive as the Germans (building
on an age-old myth that sees all public servants as idle
people who are getting paid for doing nothing and are
Both the politicians and media behaved in those instances of blaming others in a
mechanistic way: as though they themselves were machines, which naturally could not
be blamed for the shifts in weather.
39: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
mainly responsible for a bureaucracy that frustrates
all citizens); b) for asking the politicians for individual
favours using, in other words, the client-system
of their parties, something that has sustained the
bureaucracy of the parties and secured them in public
olnce ,as the parties` best ano louoest voters were
employed in the state machine); and c) for being overly
rich and living beyond their means. These accusations
aimed at reminding the voters of a curious social
complicity with the parties, rather than at nnoing ano
righting a wrong. Each and every one of them was and
is irrelevant and echoes the parties own responsibility
which they try to avoid. Politicians and highly (or
not so highly but still dependent) paid journalists
seemed to forget that not all voters are members of
parties. Such blaming served as absolution for both
the commercialisation of public life that the media in
question had secured over a reign of twenty years,
5
and
also, of course, for the glaring inadequacies of the party
bureaucracies, that didnt allow competent politicians
to take responsible positions in public life and more
centrally in government.
6
Both the politicians and
media behaved in those instances of blaming others
in a mechanistic way: as though they themselves were
machines, which naturally could not be blamed for
the shifts in weather. Hence the emotional and over-
imaginative (and overly human) nature of their voters
would have to be blamed instead.
IMPRESSION VERSUS ACTION AND
SPEECH
Indeed, the impression of being in control and in the
right was more important to those politicians and
news broadcasters than correcting their conduct and
decisions so far. The image of power became more
important than reality, or than decisions which would
have a positive outcome for the economy. Just as Arendt
noted about the administration of the US government
regarding Vietnam, so too were the Greek politicians
more interested in the image and frame of mind that
their decisions and comments invoked, rather than
with taking the country out of the crisis.
How could they be interested in anything as real
as victory when they kept the war going not for
territorial gain or economic advantage, least of all to
help a friend or keep a commitment, and not even for
reality, as distinguished from the image, of power?
7
40: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
Te behavioural sameness promoted by the worldview of a society of consumers and
individuals rather than citizens is machine-like. Te Greek people were asked to
conform by continuous television news bulletins of crisis, and were indeed scared into
conforming and displaying good behaviour.
41: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
But impressions formed under calmer circumstances
were overturned because of the acceleration that the
crisis brought. Ministers who normally kept a low
pronle ano were respecteo began answering questions
and revealing how terribly ill-prepared they were,
or how terribly badly they performed under the
circumstances.
8
Such blunders, as well as attempts to
diminish political acts and present them as social,
9
seemed to be part of a wider effort to stop the people
from participating in the public realm of discussion
and decision-making. Indeed, the Greek public was
accustomeo to having a very limiteo innuence on the
political sphere, with the exception of their vote every
four years.
10
Until the advent of the crisis it seemed
adequate that the people were content with this. The
crisis showed beyond doubt that it was not enough.
As the political parties fostered sameness for the
people/viewers/consumers/party-members,
11
and
discouraged plurality of opinion and disagreements,
within and outside the parties, a movement of Greek
indignados ensued as peaceful protesters gathered
outside the Greek Parliament. The protests did have
a result in making the government crumble and
eventually submit to change, as the movement suffered
the same television coverage as the strikes had suffered
before it appeared and after it was subdued (perhaps
temporarily). Thus it emerged that the indignados were a
menace to tourism and to the shops around Syntagma,
and the mayor of Athens would have to remove them
from their tents by taking the tents away.
A MACHINE BEHAVES, THE POLITICAL
BEING ACTS
The behavioural sameness promoted by the worldview
of a society of consumers and individuals rather than
citizens is machine-like. The Greek people were asked
to conform by continuous television news bulletins of
crisis, and were indeed scared into conforming and
displaying good behaviour.
12
The news has barely
changed over the past two years. Every day there is
a crisis that doesnt seem to go away but always looms
over us every instalment of the loan is overshadowed
by a probable refusal before it comes in the hands of the
government. Frightened into non-action, the people
submit to the wishes and attestations of the leaders
and the journalists bosses, and they are expected
to take everything they hear at face-value. The
aforementioned accusations of the politicians against
the voting body that have been taking place now for
two years within the country and beyond its borders
shame the Greeks into acting as well-oiled machines;
serving the political decisions of their masters without
protest, whether we accept that these are elected and
party politicians or lenders of capital. The oil in the
current predicament of the country is of course not
money but the process of shaming the people into
accepting their punishment, and an individualistic and
social
13
view of the world.
It is decisive that society, on all its levels, excludes
the possibility of action... Instead, society expects
from each of its members a certain kind of behavior,
imposing innumerable and various rules, all of
which tend to normalize its members, to make them
behave, to exclude spontaneous action or outstanding
achievement.
14
When spontaneous action and outstanding
achievement are excluded, the machines work as the
masters expect them to without any surprises. You
are permitted to be different, but you have to do it in
your own little individual space, you can only commit
suicide in your own little space and for your own little
individual reasons. Outside your home you have to be
the hostage of the all-mighty science of economics,
which seems even to be able to predict the future with
you as a lab rat. As the experiment goes on, Arendts
observations become more and more accurate:
It is the same conformism, the assumption that men
do not act with respect to one another, that lies at
the root of the modern science of economics, whose
birth coincided with the rise of society and which,
together with its chief technical tool, statistics,
became the global science par excellence.
15
Statistical uniformity is by no means a harmless
scientinc ioeal, it is the no longer secret political ioeal
of a society which, entirely submerged in the routine
ol everyoay living, is at peace with the scientinc
outlook inherent in its very existence.
16
These sciences of numbers and percentages that
can so evidently be manipulated, as we have learned
from recent events in the Europe that united under
the common currency, address the people as a
uniform body of productivity that needs to obey the
42: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
laws of the whole industry or perish. As statistics is
one of the important tools for the measurement of
unemployment, it becomes more and more evident
that the unemployed should simply take their misery to
another country be valued and honoured by another
industry or privately accept that they will not work
at all.
As machines who dont have a say in the matter and just
become redundant through a decision that has nothing
to do with their worth or even their ability to go on
working they simply are surpassed by circumstances,
or another, cheaper model can do the same job the
individuals are discarded. The potential toxicity
that goes together with the machines that technology
invented, and which we so easily get rid of in Third
World countries,
17
is here the feelings of inadequacy,
depression, and a self-centredness that goes hand in
hand with a decisive weakening of the instinct for
self-preservation,
18
because you are convinced that
your unemployment is your own fault and no one
elses. Predictability is a value, action, with its inherent
unpredictability, is not.
19
IDEOLOGICAL LABELLING FOR MACHINES
VERSUS A PUBLIC SPACE CONSTRUCTED
BY THE MEDIA AND PLURALITY FOR
THE CITIZEN WHO CAN LEARN FROM
EXPERIENCE
A very common practice to negate disagreement in a
political sphere that is ruled by strong parties is to impose
predictability on it. The practice of labelling the
opponent in a discussion with a convenient ideological
identity is age-old in Greece. To take the example of the
Greek communist party, whoever disagrees with them
is someone that the other parties put up to do just that,
as agent provocateur; for the television news, the protesters
gathering in the squares of the country time and
again, are anarchists mainly because to the public
and populist imagination, anarchists are simply some
very badly behaving young men or belonging to the
anti-authority political space. The portrayal of these
protesters thus counteracts any claims to legitimacy
they may have as, to the popular imagination, they are
those who will always protest for no reason at all other
than because they are young.
However, these are not simply bad machines; it seems
insteao as though they are actually serving a specinc
role in the narrative of the commercial media and its
demands for machine-like people. These young men
are the machines that have the task of destroying
other machines ano property, ano this task natters the
narrative of society versus deviance and warns against
plurality, which is seen in this framework as dangerous to
property and even to the safety of innocent bystanders.
Labelling incorporates resistance, negates it even. The
unitedness of many into one is basically anti-political
20
and makes the union in question a conforming group
ol machines who serve a specinc purpose, have a
specinc place ano cannot move beyono that because
all that they will accomplish is to be judged within this
safe framework. If for instance you are an anarchist
and you protest, you are always protesting anyway,
and if you are a conservative and you protest, then it
is only because you have lost some of your precious
money. All motives and all future reactions are known
and anticipated. Thus all your actions can only be seen
as reactions, and their impact on the public realm is
limited. This labelling is a testament to the inability
to think or else the unwillingness to see phenomena as
they really are, without applying categories to them in
the beliel that they can thereby be classineo.`
21
THE HERE AND NOW AS OPPOSED TO
TRUST FOR THE FUTURE AND PROMISES
KEPT
22
As the problems of the Greek economy have been
classineo` as problems ol the here ano now`, the
claim being that without each and every instalment of
the loan the Greek state cannot pay pensions or salaries
or anything, television news bulletins play on these
continuing critical conditions. For the past two years
or so, the here and now has indeed been extended
for television news programmes: they seem absolutely
the same, as though time has not passed. The format,
the music (there are dramatic tunes over words in all
the nation-wide private television channels news) and
the sense of impending doom is always there. The
practice resembles a kind of soap opera that never
moves forward we are watching again and again the
woman who goes to say thank you to the man who did
something for her (instead of picking up the phone),
and this lasts for episodes that span over two years
And, for the sake of this exercise, the woman (young
but not so innocent) is Greece, and of course the man
that she has to say thank you to is not exactly the whole
of Europe, but what is seen as the German leadership
43: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
of the Union. The impending doom seems to be in the
hands of the Germans (or the French at other times)
every night at seven (or eight for other channels) and
it is oramatically intensineo with strong language ano
sensational music.
The troika, the politicians and the media, dont seem
to address the future at all. As though this is about the
nrst weekeno ol a Hollywooo nlm, the talk is about
results, in numbers, here and now. The future is
some obscure idea that will decide on its own if we
will survive this or not, but the main thing is that we
comply here and now and do not concern ourselves
about what will follow like machines with no feeling
and no future considerations.
Pessimism as an ideology is akin to racism and does
not require permanence.
23
Thus, not only do we not
know the future and shouldnt enquire about it, (at
any rate it seems we would only get lies)
24
but there is
also no guarantee that the efforts that the Greek people
are now making will secure them a future, or will have
some sort of permanence.
If we believe Arendt, this assumption of destruction
and temporariness has an antidote:
Worldlessness as a political phenomenon is possible
only on the assumption that the world will not last
Only the existence of a public realm and the worlds
subsequent transformation into a community of
things which gathers men together and relates them
to each other depends entirely on permanence.
25
But what is askeo lrom these specinc Greek machines
is to behave with conformity, and, like all technology,
to accept that they may at any point in time become
redundant or obsolete simply because new means of
productivity will be invented. There can be no pride
in ones work with the danger of losing ones job at
any minute, and keeping busy, like machines, in order
to lorget about the oilncult realities, is the only option.
As this was the same predicament that the Germans
found themselves in after the War, at times it seems like
a peculiar kind of revenge.
26
Only they were keeping
busy instead of working with pride because they had
to forget their past, not their future.
THE MACHINE ADHERES TO LOGICALITY
AND IDEOLOGY, AND DOES NOT IMAGINE
NOR FEEL
Keeping busy and keeping sentiments at a distance
seems to be the recipe that the media and politicians
recommend for people living through this crisis. Logic
and numbers were used early on and put at the service
of creating an impression. There has been a recent
hostility towards emotion, stigmatising it as lukewarm
sentimentality and a hurdle,
27
whilst tenets like Dont
trust anything you cant count, address a logicality of
the obvious:
The tyranny of logicality begins with the minds
submission to logic as a never-ending process, on
which man relies in order to engender his thoughts.
By this submission, he surrenders his inner freedom
The self-coercive force of logicality is mobilized
lest anybody ever start thinking which as the freest
and purest of all human activities is the very opposite
of the compulsory process of deduction.
28
Unfortunately for logicians, consistency cannot
possibly be equated with truth,
29
and yet consistency
is what is expected and demanded from the Greek
people: Absence of emotions neither causes nor
promotes rationality. Detachment and equanimity
in view of unbearable tragedy can indeed be
terrifying [when they are] an evident manifestation
of incomprehension.
30
This incitement to absence of
emotion and imagination obeys the logic that sees
moral arguments as an obstacle too.
31
In terms of morality even Greeks see the right of
the lender as indisputable, and they even disbelieve
the fact that the lenders will take too high a return
on their investment.
32
The ways in which they try to
defend themselves against what they see as the growing
hostility of European politicians are rarely if ever
based on moral grounds. This makes clear that Greece
was already the best pupil of neoliberalism even before
the crisis, and this ideology and economic worldview
only put Greece in a worse position than before.
33
Indeed the situation is reminiscent of the case of the
workers that Castoriadis quoted in his essay What
Really Matters, who believed and professed that their
lives and what they do dont really matter.
34
The importance of imagination in understanding, as
44: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
Arendt attests to again and again,
35
and in judging,
36
coulo sulnce to explain the reasons why economists
of the accumulation of wealth at the expense of the
tangible property
37
are against it. The undertones
of these political decisions and their relevance to an
era of approaching totalitarianism are particularly
disturbing:
The awareness of the social possibilities that the
modern inability to judge offered, and the ability
to exploit them, were supported by the vastly more
telling insight that in the modern worlds chaos
of opinion the normal mortal is yanked about
from one opinion to another without the slightest
understanding of what distinguishes the one from
the other. Taken together, these traditions made
appear quite plausible a curious equating of purely
technical capability with purely human activity, the
latter of which has always had to do with questions
of right and wrong. Once the moral basis of the
knowledge of right and wrong, unarticulated as it
was, began to crumble, the next step was to measure
social and political actions by technical and work-
oriented standards that were inherently alien to these
larger spheres of human activity.
38
The Greek peoples experience, imagination and
moral qualms are once again strongly discouraged
as obstacles to their integration into an industry of
machines that ought not to understand and ought not
to make any requests.
Past experiences of imperialism have shown that what
protects the colonised from the mechanistic and
brutal attacks of the exported surplus capital, and
leaves them with some benents lrom this colonialism,
is the fact that statesmen of the lending nation drew
a sharp line between colonial methods and normal
domestic policies, thereby avoiding with considerable
success the feared boomerang effect of imperialism
upon the homeland.
39
Thus the right thing to ask the
lenders now would be: Do you trust your politicians?
S/io Iooooti i o oroolit ooc oo offliot f t/ `otiool
and Capodistrian University of Athens Research Institute
for Applied Communication. She also has a PhD from the
Department of Journalism, Media and Cultural Studies at
Cardiff University. She will shortly be publishing a chapter on
economics, the media and public trust in the forthcoming Ravindra
N. Mohabeer, (ed.), Dancing with Shadows: Explorations
in Invisibility.
45: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
NOTES
1. Peter Dahlgren, The Civic Ideal in TV Journalism`, in Kees
Brants, Joke Hermes and Liesbet van Zoonen (eds) The Media in
Question, London: Sage, 1998, p.99.
2. http://www.neakriti.gr/?pagenewsdetail&DocID907725&s
rv304, accessed 16/4/2012, published 16/4/2012.
3. See Hannah Arendt, The Human Condition, Chicago: The
University oI Chicago Press, 1989, pp.52, 41-42; see also Arendt,
The Origins of Totalitarianism, New York: Harcourt, 1976, on
bourgeois mentality, Ior example p.139.
4. Arendt, Human Condition, p.52.
5. See Ior instance Thomas Meyer, Politik als Theater. Die Neue
Macht der Darstellungkunst (in German), Berlin: AuIbau-Verlag,
1998; see also Justin Lewis, Sanna Inthorn, and Karin Wahl-
Jorgensen, Citi:ens or Consumers? What the Media tell us about
Political Participation, Berkshire: Open University Press, 2005,
pp.48-49.
6. Castoriadis`s contention that the ability oI a politician to get
elected is quite diIIerent to being able to deal with the aIIairs oI the
state is exceptionally valid here. See Cornelius Castoriadis, The
Crisis oI Western Societies`, Telos, Number 53, Fall 1982, p.21.
7. Hannah Arendt, Lying in Politics: Refections on the Pentagon
Papers`, in Crises of the Republic, New York: Harcourt Brace
Jovanovich, 1972, pp.42-43, see also p.38.
8. InIamously,on 24/1/2012, Michalis Chrysochoides, who had
served in the past as a minister and is also a minister For the
Protection oI the Citizen` in the current government, admitted on
national television that he never read the Memorandum that all the
members oI parliament signed Ior the country to take the loan Irom
the IMF. Other ministers indicated that they were only given
three hours time to study the contract.
See the report and comment in the national daily newspaper
Ethnos` website http://www.ethnos.gr/article.asp?catid2279
2&subid2&pubid63606836, published 25/1/2012, accessed
16/4/2012.
9. Panos Beglitis, Iormer minister, tried to stress the social
and individual Iacets oI the suicide oI a 77-year old pensioner/
pharmacist in the middle oI Syntagma Square in broad daylight.
The pensioner leIt behind a letter accusing the political decisions
Ior pension cuts, and the politician was particularly disrespectIul
towards the pensioner and his Iamily on television, suggesting
that he or his children ate up` savings he should have had during
his liIetime (one can only presume he meant he shouldn`t have
to depend on his pension.?). To say ate up` in Greek connotes
disrespect too.
http://www.mediagate.gr/On-Screen/item/19998-VIDEO-
Mpeglitis-Den-xeroyme-an-ta-eIage-o-aytoheiras-i-ta-paidia-toy,
accessed 16/4/2012, published 4/4/2012.
10. Arendt, Civil Disobedience`, in Crises of the Republic, pp.84-
5.
11. Arendt, Human Condition, pp.213-5.
12. See also Arendt, Human Condition, p.45.
13. Social` in the sense that Arendt addressed the term historically,
namely as opposed to the political.
14. Arendt, Human Condition, p.40, see also p.41, pp.45-6.
15. Arendt, Human Condition, pp.41-2, see also Ior instance p.45.
16. Arendt, Human Condition, p.43.
17. http://www.ehow.com/inIo8012059causes-dumping-third-
world-countries.html, accessed 16/4/2012.
18. Arendt, Origins of Totalitarianism, p.315.
19. Arendt, Human Condition, pp.176-8, 191.
20. Arendt, Human Condition, p.214, see also, on sameness versus
plurality, pp.213-4, 215.
21. Arendt, Thoughts on Politics and Revolution`, in Crises of the
Republic, p.210.
22. Arendt, Human Condition, pp.237, 244.
23. Arendt, Origins of Totalitarianism, p.171
24. Arendt, Thoughts on Politics and Revolution`, in Crises of the
Republic, p.224.
25. Arendt, Human Condition, pp.54-8.
26. Arendt, Germany 1950`, in Norman Podhoretz (ed.), The
Commentarv Reader. Two Decades of Articles and Stories, New
York: Atheneum, 1966, p.54.
27. Liesbet Van Zoonen, Entertaining the Citi:en. When Politics
and Popular Culture Converge, OxIord: Rowman and Littlefeld,
2005, p.65, (quoting G.E. Marcus, The Sentimental Citi:en.
Emotion in Democratic Politics, University Park: University oI
Pennsylvania Press, 2002).
28. Arendt, Origins of Totalitarianism, p.473, see also pp. 470,
472, 474, 477.
29. Arendt, Understanding and Politics`, in Essavs in
Understanding. 1930-1954, Formation, Exile, and Totalitarianism,
New York: Schocken Books, 1994, p.317.
30. Arendt, On Violence`, in Crises of the Republic, p.161.
31. Arendt, On Violence, in Crises of the Republic, p.126.
32. George Stathakis, Fiscal Crisis and Balance oI Payments`,
ConIerence address at the Workshop oI the Deans` Summit oI the
Greek Universities, with the title Economic and social Crisis:
Approaches and Prospects Ior Development`, held at Harokopio
University, 30/3/2012 31/3/2012.
33. Stathakis (as above), stated that there is now nothing leIt to
sell, since the previous governments have sold almost everything to
private hands.
34. Castoriadis, What Really Matters`, in Political and Social
Writings, Jolume 2, 1955-1960. From the Workers Struggle
Against Bureaucracv to Revolution in the Age of Modern
Capitalism, Minneapolis: University oI Minnesota Press, 1988,
pp.223-5.
35. Arendt, A Reply to Eric Voegelin`, in The Portable Hannah
Arendt, (ed. Peter Baehr), New York: Penguin Books, 2003,
p.160. See also Arendt, Understanding and Politics`, in Essavs in
Understanding, p.323.
36. Arendt, The Life of the Mind, New York: Harcourt, Inc., 1978,
p.266, see also p.265.
37. Arendt, Human Condition, p.72.
38. Arendt, At table with Hitler`, in Essavs in Understanding,
p.292.
39. Arendt, Origins of Totalitarianism, p.155.
46: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
ANXIETY MACHINES
text by J.D. TAYLOR
images by CAROLINE YIALLOUROS
continuous connectivity and the new hysteria
47: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
A
nxiety and melancholia are increasingly the
oenning experiences ol lile ano labour in
the contemporary era. Our limbs and lower
backs are tense, tired and overworked; our minds
stressed by increasing demands by bosses, friends and
lovers to do the impossible: increase our productivity,
despite what is produced being less and less necessary.
The demand everywhere is the same: do more, do it
quicker! Never must we act, think or create better. This
article connects rising UK and US levels of anxiety
disorder to the shift to a neoliberal economic politic in
these states. Although it is not the nrst to connect
ordinary misery and capitalism, it marries together
critical theory and medical research into rising allergies
and anxiety disorders to investigate this contemporary
condition of anxiety, and how it is engendered not
by individuality and the pap of lifestyle magazines,
but by a more fundamental insecurity in the average
citizens political and working rights, compounded by
the need to remain continuously connected, and hence
continuously potentially at work. Psychopharmacology
itself, that which records and manages anxiety with its
biochemical boons, is the nnal cause ano harbinger
of this new hysteria. The intention is not to depress
the reader with more bad news that drives us back
into labours distractions, but to bring to light an
unexamined mindset of indispensability at the root
of anxiety, a drear submission to the inevitability of
current conditions, that the worker can abandon.
The graveyaros ol the worlo are nlleo with the
indispensable. Anxiety machines can disconnect from
their travails through desperation, humour, arrogance
and cunning.
For some like myself, anxiety and depression are not
technical terms but clinical descriptions of personal
experiences. I have had fairly severe allergies from the
age of 7 up to around 18. In turn, I have experienced
depression of varying severity fairly consistently from
the age of 17 to present. These might all be conditions
of modern life: rates of allergies like hayfever and
eczema in the UK population have risen to 44% in
2010, whilst rates of depression have similarly soared
and are analysed later below.
1
Rising recorded levels
of these ailments may signal a greater awareness and
ability to self-diagnose these conditions, one could
argue, but this alone ooesn`t sulnciently explain why
anxiety oisoroers began rising nrst ol all. My argument
is that they are engrained in changing lifestyles and
environments introduced by neoliberalism, a political
project that began around forty years ago in the UK.
Critical theory introduces the parameters of this
problem. Anxiety and fear are no doubt psychological
marks of domination in all social structures, but a
specinc anxiety ano lear emerges in nnancial capitalism
through the accelerating demands and pressures
of working and living in the neoliberal era. This is
facilitated by new information technologies such as
the home PC, the internet, the hand-held network
oevice, ano nnally the social networking sites, all ol
which enable and require the user to be continuously
connected and up-to-date with information streams.
Castells and Deleuze both converge in describing our
culture as shifting from the actual to the virtual, but
the virtual itself only explains how culture is present
in digitised information.
2
Digitisation itself is the
fundamental shift of the contemporary era, as content
Te modern individual must work
harder, longer, and with far more distraction in what Virilio calls a tele-present
world, where the immaterial workspace can be entered and work begun from
anywhere in the world with telecommunications coverage.
48: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
Feports in 2004 suggested that traces
of Prozac had been discovered in
London's water supply, perhaps the
ultimate perfection of biopolitical
management.
49: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
is abstracted and transformed from analogue formats
that allow works to retain their specincity, to encooeo
oigital inlormation ,the nlm-reel, painting, book ano
piano nocturne are replaced and remastered by the
.mov, .jpeg, .pdf, .docx and .mp3).
Whilst Castells ano others have observeo the signincant
global increase of mobile phones and Internet access,
an August 2011 Olcom report nnos that !7 ol
teenagers surveyed in the UK owned a smartphone,
and of these, 60% felt addicted (the report also notes
a general decline in TV and reading activities at the
expense of smartphone communications connectivity).
3
The modern individual must work harder, longer, and
with far more distraction in what Virilio calls a tele-
present world, where the immaterial workspace can
be entered and work begun from anywhere in the
world with telecommunications coverage.
4
Consider
the panic of losing a mobile phone at home now, or
the leisure of not checking and responding to emails
over a 24-hour period. Whilst digitised technologies
have abstracted and placed many cultural forms on a
single homogeneous platform, personal technologies
have the worker connected and potentially labouring
at all hours. The experience of labour is universalised:
whilst this might have lead to greater equality amongst
workers and hence a stronger position for negotiating
improved working and social rights, it has instead led
to frozen wages and isolation in the workplace: why
arent you working at midnight on a Friday, or working
overtime on your day-off ? Where is your evidence of
learning extra skills during your weekends? John and
Louise dont stop at weekends! Competition and rivalries
among workers are deliberately fomented, workers are
pushed to effectively and entrepreneurially manage
their own human capital, as Ivor Southwood has so
brilliantly analysed in his 2011 Non-Stop Inertia, whilst
stress, depression and anxiety increase and depreciate
the general experience of the contemporary era into
one of depression, cynicism and anxiety.
Tim Berners-Lee, creator of fundamental Internet
protocols like html and the World Wide Web, describes
his vision of continuous connectivity anything
being potentially connected with anything where
machines, information systems and bodies become
fused into one organic-biopolitical network that brings
the workings of society closer to the workings of our
minds.
5
Libertarian visionaries of the Internet like
Berners-Lee all celebrate the potential for continuous
connectivity to enable each of us to think better,
create more, and engage in far more varied and
inspiring social interactions across the world than ever
before. But continuous connectivity imposes a new
psychological requirement on the user to be ready and
responsive to connection. The worker now experiences
what Castells terms timeless time: biological time
is negated by the choice to have children far later in
life via IVF treatments; whilst social time, working-
time or lamily time is negateo by the nexible nature
of working, which too can now be done at home, and
at all hours.
6
Knowledge and news depreciate at an
increasing rate: new content is constantly demanded
just-in-time, causing time itsell to natten. As economist
Enzo Rullani puts it, All the actors of the knowledge
economy are engaged in a race against time, where
running is necessary simply to maintain the same
position and not fall behind.
7
Time diminishes as the space of work, family, shopping,
ano social interaction interweave into one natteneo,
expanded universal space, now located on a screen or
hand-held media device. This in itself is neither bad
nor gooo, but its signincance is that previously separate
and safe compartmentalised spaces and activities have
been encroached into by continuous connectivity,
thereby increasing the amount of opportunities to
work, buy, socialise, and so on, exponentially. The
danger I identify is how this new opportunity will
be colonised into further productiveness, and that
these technologies have themselves been invented not
with libertarian ideals in mind, but for military and
industrial usage.
The experience of social space has shifted from tangible
locations (clubs, bars, halls, and so on) to immaterial
social networks, a shilt to immateriality that renects the
declining funding, access, availability and use of public
spaces, which have either closed or become enclosed
by private security controls. As with the loss ol specinc
times considered earlier, like family time or religious
time, which could themselves be called public times,
the loss of public material spaces might not in itself be
a bad thing. Cant civic discourses take place online?
Yes, and often in stimulating public exchanges among
strangers, but only to the advantage of those who
can afford to possess the technologies to access the
immaterial. Online social spaces have become some of
50: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
the most heavily advertised and controlled areas, with
a users digitised information now the property of two
or three huge internet giants. Each of us will still pass
by town halls, use public transport and infrastructure,
so rather than bask in neophilia, how can existing
public spaces be understood in terms of anxiety and
control? Richard Sennett documented the beginning
of a trend of speed, anxiety and the shifting uses of
public architecture back in 1974. For him, public space
is an area to move through, not be in ... a derivative of
movement.
8
The accelerated city unravels the public,
as public spaces themselves are emptied of civic value
and resold at commercial value. As a commodity, the
value of space increases in its relative scarcity and
its productivity. For Virilio too, the very spatiality of
the city itself has unravelled via increased speeds of
information access; no longer a space in any sense,
but a labyrinth of interfaces and screens: the way
one gains access to the city is no longer through a gate,
an arch of triumph, but rather through an electronic
audiencing system.
9
Work is intensineo into continual
timeless activity, debt is universal, and connectivity
must be continuous. As Sennett argues:
When everyone has each other under surveillance,
sociability decreases, silence being the only form
of protection ... Human beings need to have some
distance from intimate observation by others in order
to feel sociable.
10
Whilst critical theorists have detected a sea-change
in the last forty years towards a greater instantaneity
and precarity, the medical establishment has also
transformed its understanding of rising anxiety. The
Diagnostic and Statistical Manual of Mental Disorders
(DSM) of the American Psychiatric Association has,
since the Copernican arrival of DSM III in 1980, been
considered the authoritative index of mental disorders,
cooineo within its system ol scientinc management.
Its
most recent 2004 IV-TR edition describes Generalized
Anxiety Disorder as excessive anxiety and worry,
an uncontrollable worry that largely dominates the
sullerer`s time, ano usually oenneo by three or more
symptoms, including restlessness, being easily fatigued,
oilnculty concentrating, irritability, muscle tension,
and disturbed sleep.
11
These symptoms describe those
of the precarious worker, exhausted, fed up, tired yet
compelleo to stay awake just to nnish a little more work
from home, a microwave-meal usually spilt over their
laptop.
Depression and exhaustion are endemic and act as
marks of an affective and immaterial economy where
employment is now to be found in the services retail,
leisure, call-centres, cleaning, childcare, sex work
where an innateo mooo, one inoeeo ol motivation, is
required. I can only smile for a certain amount of time
before my jaw aches. Individuality becomes another
part of the service workers uniform. Theres a raft of
recent reports detailing increasing levels of depression
and anxiety: a 2003 survey by the American Medical
Association (AMA) found that 10% of 15-54 year
olds surveyed in the US had had an episode of major
depression in the last 12 months, with 17% of these
over the course ol their liletimes, a ngure echoing the
15.1% found in the UK to be suffering from common
mental disorders (stress, anxiety and depression) by the
NHSs most recent 2007 adult survey.
12
Furthermore
women were found to be twice as likely to suffer from
depression as men on average both in the AMA and
NHS Surveys the 15.1% average comes from 12.5%
in men, 19.7% in women (the real unrecorded numbers
are probably higher). The NHS Survey also found
that self-harm and suicidal behaviours in women had
increased since 2000, with being female at one point
listed by the survey as a source of depression, without
irony or sociological comment. A nnal colo ngure:
one-nlth ol all working oays in Britain are estimateo
as lost due to anxiety and depression forcing workers
to take time off, a very shaky estimate given the stigma
and perceived weakness of openly telling managers of
mental health problems; but given the current prospect
Tere is a contemporary master narrative of cynical complacency, perhaps known by
middle-class tea-towel slogans like keep calm and carry on. It belies an era of pro-
found anxiety disorders in its machinic labour-parts.
51: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
of increasing working hours in Britain as labour
regulations are further liberalised, this anxiety will
only continue.
13
Given the general, non-personal causes of these
common mental disorders (work stress, social isolation,
inadequate housing, debt, alcohol and substance
misuse), there is clear evidence beyond the obvious
observations of ones surroundings that overall quality
of life is declining during the neoliberal era, a decline
that has affected men and women in different ways,
with a high suicide rate amongst men on the one
hand suicide is the single biggest cause of death in
men aged 15-34 in England and Wales and a higher
incidence of depression among women on the other.
14
Recent employment statistics demonstrate that women
have been adversely affected by the large redundancies
within the public services in the UK following the
neoliberal austerity cuts, with a March 2011 TUC
report nnoing lemale unemployment hao risen 0.
points to its highest level since 1988.
15
Single-parent
families are largely led by females, who are struggling
with reouceo wellare support, innation ano reouceo
employment opportunities, all the while continually
demonised by the right-wing media and Conservative
governments as feckless and irresponsible.
16
Austerity becomes the state of exception of British
neoliberalism, with the neeo lor oencit cuts being useo
both by Thatcher, Brown and now Cameron to further
reduce welfare and support services whilst justifying
wage freezes and unemployment, which adversely
affect women.
Reports in April 2011 balefully announced that
antidepressant prescriptions in the UK have risen
by !3 over the past nve years, with Lonoon health
authorities alone spending 20million annually
on anti-depressant medication.
17
Although there
are numerous problems with the reliability of
statistics concerning actual depression amongst the
population, the development and normalisation of
psychopharmacological treatments is signincant.
Indeed reports in 2004 suggested that traces of Prozac
had been discovered in Londons water supply, perhaps
the ultimate perfection of biopolitical management.
18
Carl Walker draws attention to World Health
Organisation predictions that by 2020 depressive
disorders will be the leading cause of disability and
oisease buroen across the globe. Walker nnos a poor
material standard of living accounting for nearly
25% of cases of common mental disorder in 1998, a
ngure which, given increasing poverty, oebt ano social
inequality will have risen.
19
This evidence of anxiety and increasing connectivity
points to what I term a new hysteria, as the body and
mind mutiny against the impositions for productivity
and potentiality laid upon it by neoliberal capitalism.
Neoliberalism in turn evades responsibility for caring
for the waste-products of labour (sickness, madness,
debility in workers, soldiers, the elderly, the disabled)
by privatising
education facilities, prisons, factories,
housing, hospitals and psychiatric hospitals, which have
all fallen into stagnation and decline in the US and
UK during the neoliberal era, only to be reanimated
by private companies in a grotesque, economically
prontable parooy ol their lormer operation. This coulo
present a crisis of biopolitics given that the facilities
for managing life are diminishing. Yet the semblance
of increasingly productive operation remains: the
university, workplace and medical advice are available
at all hours: one can search online for a diagnosis and
to purchase drugs, or call 111 or 112 for medical or
police advice. The problem is when one actually needs
hospital treatment or the assistance ol a police olncer.
Returning to the specinc case ol anxiety in psychiatry,
the decline of the major psychiatric hospitals
were only facilitated by the mass development of
psychopharmacology, the treatment of psychiatric
oisoroers through orug therapies. As a neogling
arena of research, a huge spate of publications on
psychopharmacology began from the mid-1970s and
appeared throughout the 1980s, during which the
fairly universal treatment of psychological disorders
by drugs was established. Psychopharmacology
assumes that psychiatric disorders are malfunctions
of neuronal chemistry which can, through the correct
rational application ol scientinc intervention, be
universally treated or managed. The onus is on both
an inlallible scientinc methoo ano the inoivioual
to conform and adhere to treatment.
Disorders are
therefore caused by the individual and their defective
neurological chemistry, and not the circumstances or
psychosocial connicts arouno them, as psychoanalysis
had previously contested. In such a manner,
neoliberal control permeates the entire sick body: the
timetableo, site-specinc ano socially-meoiateo session
52: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
on the therapists couch is replaced with the continuous
intervention of chemicals. The individual is now free
to challenge and overcome their problems, through a
mixture of prescribed treatment and usually through
the additional cognitive re-programming of more
positive mindsets. Psychopharmacology demonstrates
the entire workings of neoliberalism in one section of
society through a curious hegemonic transformation:
the postwar consensus of Keynesianism and social
democracy, Fordism and psychoanalysis with it, are all
marked by a social engagement with problems. This
was a social politic, one that addressed and engaged
with problems of deviance, health, upbringing,
employment and poverty. Although it was in some
ways a superncial consensus that sought to prevent
the onset of Communism in Western Europe and the
US, as critics like Graeber have pointed out, it was a
politic that emphasiseo the benent ano use ol society
to manage life and treat problems.
20
The shift to post-
Fordism, neoliberalism and psychopharmacology
represents a shift to an economic politic, where disorder
is manageo by a mixture ol mathematical-scientinc
reasoning, be it the market or the technological
management of illness, where unproductive
industries are outsourced and labour abstracted. In
such a setting, life is abstracted and valued only in
its capacity to increase its productivity. As the earlier
analysis of increasing smart-phone usage, common
mental disorders and continuous connectivity pointed
to, anxiety will inevitably increase as the contemporary
experience of our era so long as each worker submits
to this regime of productivity. Anxiety machines will
inevitably break down.
Freud tells us in Beyond the Pleasure Principle that
whilst lear regaros a specinc object, anxiety is an
inoennite state without object which seeks to alert us ol
an unknown danger one is ignorant of and vulnerable
to.
21
Anxiety is the condition of the disempowered,
and Freud later noted that it is only by becoming
aware of the repressed fear-object (castration, fear of
temptation, etc.) that one can overcome the anxious
state.
22
There is a contemporary master narrative
of cynical complacency, perhaps known by middle-
class tea-towel slogans like keep calm and carry on.
It belies an era of profound anxiety disorders in its
machinic labour-parts. Continuous connectivity offers
a branch of security: so long as we keep working,
applying ourselves, operating rhythmically to the
drone of the contemporary master narrative, we will
never plumb the depths of the unknown, anxiety. This
is a productive mode for neoliberal capitalism: our
managers and supervisors will never ask us to slow
down, or work less.
Finding a personal solution like abstention, escapism,
self-help, stamp collecting, football and other religions,
video games, alcohol/drug excesses or burying
ones own head in the sand keeps the focus on the
marginalised and colonised individual. Each of us could
stop working, but the prospect and poverty of this appals
us and renders anything else except passive opposition
very oilncult. Inoivioually, one is conoemneo to act out
ones discontent in panic attacks, cynicism, neurosis,
self-harm and other phenomena of the new hysteria.
Although many workers are well aware of what it
is that causes their anxiety and debt in the short-
term, perhaps the time comes now for a collective
therapeutic catharsis and overturning, turning anew. A
continuously connected labour now has the potential
to refuse to honour its debts, precarious contracts, and
obligations to law, just as neoliberal capitalism has
reluseo to. Ferhaps the nnal hysteria might occur in the
collapse of the connective networks in an unparalleled
series of violent mass eruptions, as the possibility of a
safe, healthy and viable future becomes less and less
likely. What might anxiety ano hysteria nnally look like,
on a collective scale?
J.D. Taylor is a writer from South London, whose forthcoming
book Negative Capitalism: Cynicism in the Neoliberal
Era will be published later in 2012. He also blogs at
drownedandsaved.wordpress.com
Caroline Yiallouros Studied at Leeds College of Art & Design and
Leeds Metropolitan where she became interested in photographing
abandoned machines and furniture. She is currently a support
worker for the elderly and Autistic/Aspergers sufferers and is
interested in portraying the displaced, rejected and marginalised.
A book of her work is available at:
http://www.blurb.com/bookstore/invited/527839/64ca867
0557a3481b63aff44113c2581
53: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
NOTES
1. Amelia Hill, Scientists produce postcode map oI geographical
links to allergies`, The Guardian, 7 February 2011.
2. Manuel Castells, The Rise of the Network Societv.(Second
Edition). Jolume I of The Information Age trilogv, Chichester:
Wiley-Blackwell, 2010, pp.403-406; Gilles Deleuze and Felix
Guattari, Anti-Oedipus. Capitalism and Schi:ophrenia, trans.
Robert Hurley, Mark Seem and Helen R. Lane, Minneapolis:
University oI Minnesota Press, 2000, pp.249-255.
3. OIcom, Communications Market Report. UK. 4 August 2011.
4. Paul Virilio, The Information Bomb, trans. Chris Turner, London:
Verso, 2005, p.13.
5. Tim Berners-Lee, Weaving the Web, New York: HarperCollins,
1999, pp.1-2.
6. Castells, Rise of the Network Societv, pp.495-499.
7. In Matteo Pasquinelli, Animal Spirits. A Bestiarv of the
Commons, Rotterdam: NAi Publishers, 2008, p.98.
8. Richard Sennett, The Fall of Public Man, Cambridge:
Cambridge University Press, 1977, p.14.
9. Virilio, The Overexposed City`, Irom Lespace Critique, trans.
Astrid Hustvedt, New York: Urzone, 1986, p.543.
10. Sennett, Fall of Public Man, p.15.
11. American Psychiatric Association, The Diagnostic and
Statistical Manual of Mental Disorders IJ. Text Revision. DSM-IJ-
TR, Arlington: American Psychiatric Association, 2004, p.472.
12. NHS InIormation Centre, Adult Psvchiatric Morbiditv in
England, 2007. Results of a Household Survev, Leeds: NHS
InIormation Centre, 2009, pp.11-13, 27; Carl Walker, Depression
and Globali:ation. The Politics of Mental Health in the Twentv-
First Centurv, New York: Springer, 2008, p.8.
13. NHS InIormation Centre, Adult Psvchiatric Morbiditv 2007,
p.27.
14. OIfce Ior National Statistics. Deaths Registrations Data,
Deaths by specifed cause in England and Wales, 2010. Data
requested.
15. Chartered Institute oI Personnel and Development, Overview
of CIPD Survevs. A Barometer of HR trends and developments in
2011.
16. See as indicative James Groves, David Cameron warns
Ieckless parents who expect to raise children on benefts`, Dailv
Mail, 14 June 2011.
17. NHS London, Primary Care Spend on Antidepressant Drugs`,
http://data.gov.uk/dataset/london-nhs-primary-care-spend-
antidepressant-drugs |URL accessed 03/03/12|.
18. Mark Townsend, Stay calm everyone, there`s Prozac in the
drinking water`, The Observer, 8 August 2004.
19. Walker, Depression and Globali:ation, pp.21-22.
20. David Graeber, Debt. The First 5,000 Years, New York:
Melville House, 2011, pp.373-376.
21. Sigmund Freud, Bevond the Pleasure Principle and Other
Writings, trans. John Reddick, London: Penguin, 2003, pp.50-51.
22. Freud, Bevond the Pleasure Principle, pp.172-177, 233-277.
54: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
ACCENTUATE THE POSITIVE
text by CLAUDIA FIRTH
images by PIL AND GALIA KOLLECTIV
(doctor, machine, state say: oh yes you can!)
Epaulets for the Chief Executi.e, Collage (2008)
55: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
O
n page 19 of a computer program
manual, it states that the software, the
Logic Integrated Medical Assessment
(LiMA),
1
has been programmed to
understand the content of phrases. This claim
suggests a huge development from earlier computer
soltware, like ELIZA lrom the 19o0`s, the nrst
computer program to simulate human conversation.
One of its incarnations, called DOCTOR, mimicked
the therapeutic model of human-centred counselling.
This was a reasonably simple interaction in which
statements were mirrored back through questions. It
certainly did not understand the content of what people
were telling it, but through its simple reformulation of
content, it oio create the possibility lor renection on
the part of the client. Perhaps for this reason, many
people did in fact open their hearts to DOCTOR,
telling it their life stories. LiMA, introduced in 2005,
is currently used by the multinational company Atos
Origin to assist ooctors in assessing benent claimants`
capacity to work. It claims to understand the content
of phrases, but in what sense does it understand content?
Or more importantly, how has it been programmed to
understand? Also, in being used by the state, how is it
implicated in its biopolitical machinations?
In Postscript on the Societies of Control, Deleuze follows
Foucault in describing mechanisms of power and
argues that we are in the process of replacing the
disciplinary societies with what he terms the societies of
control.
2
The corporation is a key component of this
new social formation. Atos Origin is currently paid
100 million a year by the UK government to test
people`s ntness lor work` ano has an annual revenue
of !8.6 billion. Among other contracts, Atos also has
a role in military intelligence training for the MoD and
is the Worldwide Information Technology Partner
for the Olympic Games.
3
State-sanctioned medical
assessments for work capability, military intelligence
and the Olympics are all sites for the disciplining of
bodies and minds. With the introduction of digital
technology ano artincial intelligence ,AI, into these
areas, they are perhaps pivotal points between the
disciplinary and control societies as described by
Deleuze, and therefore sites in which overlaps and
contradictions between these two types of social
formation become apparent.
The sickness ano oisability benent system is currently
undergoing a massive overhaul, with 1.5 million people
being reassessed for what is now called Employment
and Support Allowance (ESA). The change from
Incapacity Benent to ESA in 2008 was heraloeo as
placing a more positive emphasis on what people are
capable of rather than what they are incapable of. This
stated intention is present in the language used: from
incapacity to employment and support. However, the shift
occurred just after the recession alongside increasing
rhetoric about getting the wellare cheats` oll benents.
It was also accompanied by a much harsher test,
resulting in terminally ill people being found capable
of work and thousands of appeals overturning the
decisions being made.
4
Increases in precarious working conditions, temporary labour and continuous self-
management across sectors of the labour market that were traditionally more stable has
resulted in individuals personally taking on more of the burden. For Deleuze, this is
indicative of the control societies, with undulatory man having to continually under-
take retraining.
56: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
The increasing mechanisation and automation of
the medical assessment started in the 1990s with
the introduction of tick boxes and a score system.
LiMA takes this automation one step further. During
the assessment, the assessor, a doctor, sits behind
a desk with a computer on it while the claimant sits
on the other side of the desk. The doctor physically
examines the claimant, makes observations and is
prompted by LiMA to ask a series of seemingly banal
questions about the claimants lifestyle, such as: Do
you answer the phone when it rings? Do you read or
watch television? LiMA then mechanically constructs
phrases that resemble the answers the claimant gives to
these questions. These phrases are assembled through
the use of drop down menus, allowing the assessor
to choose combinations of words and numbers.
LiMA compiles the phrases into a report and uses
them to produce a score.
5
These are the phrases
that LiMA has been programmed to understand the
content of. The assemblages of words and numbers
constructed by LiMA are interpreted by the software to
derive implications from the phrases that have been put
together. This process is more like a translation than
an understanding. While understanding does involve
interpretation it is one that draws on a vast array of
different kinds of knowledge. The verb to understand is
directly connected to embodied terms such as to grasp.
It also signines the perception ol intended meanings
of words, actions etc. and therefore is totally bound
up with our social relations. LiMA cannot of course
understand in this sense. The implications that LiMA is
programmed with are connected to ideas about ability
and capability. If the claimant tells the doctor that she
can make herself snacks or use a microwave, evidence
of physical and mental capacities are derived from this
statement. These capacities are abstracted from their
context and used as functions of the body at work. The
fact that someone can walk 50 metres, open a door, take
something out of a fridge, are all taken as evidence of
being able to do a certain amount of work.
This lollows a certain oennition ol work that can be
seen in the context ol scientinc management ano
anthropometrics. These disciplines abstract the human
body and view it mechanically, aligning it with the
division of labour. In the 19
th
Century, the physiology
of labour was born in military and penitentiary
environments, the disciplinary environments of
enclosure, where labour was more simplineo ano coulo
be observeo in an instrumentaliseo ano objectineo
way.
6
As a precursor ol scientinc management,
Etienne-Jules Mareys early analysis of movement
through the photographic image of the body in
motion helped prepare the way for calibration and
standardisation. The technology of the machines of
the time, of energy and combustion, were transposed
onto the human body. Representations of Foucauldian
biopower, they distribute in space and order in time.
Marey photographed disciplined bodies: workers,
soldiers, gymnasts. Now, think Atos Origin: work
capability, military intelligence, Olympics.
The structure of the Work Capability Assessment and
the interpretations programmed into LiMA equate
human activity with the ability to work, which in turn
is equated with the ability to labour under the wage
relation. Wage labour is not just about the ability to
do something, it also involves stress: competition,
deadlines, expectations of when and how something
might be done, ever increasing time pressures and
the extension of the working day. These all have
effects on the mind and the body that are not easy to
measure. Just because someone can walk 50 metres
doesnt mean they can do it to order. This also begs
the question of what kind of work claimants are being
assessed for. It seems to be just a generalised category
called work, with no accommodation as to what kind
of work the claimant might otherwise be suited for or
what is available. In fact many disabled and chronically
ill people may be pressured to undertake mandatory
unpaid and even unlimited work placements as part
of the governments workfare scheme. Spokespersons
from mental health organisations have particularly
voiced their concern about inappropriate placements
for people with mental health problems.
7
Increases in precarious working conditions, temporary
labour and continuous self-management across sectors
of the labour market that were traditionally more stable
has resulted in individuals personally taking on more
of the burden. For Deleuze, this is indicative of the
control societies, with undulatory man having to continually
undertake retraining. The mental strain placed on an
individual can be enormous and particularly during
times of recession. Prescriptions for anti-depressants
have risen by more than 40% over the past four years.
8
And while mental capacities can be measured such as
understanding and awareness of the persons context
57: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
Up the Organi.ation!, Collage (2008)
Employment Contracts and !hy, Collage (2008)
58: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
and situation, mental health issues are much harder to
assess or understand. This is especially the case in the
context of an assessment that looks at the body at work
in such an instrumentalised way. Depression has also
been described as the soul on strike.
9
This brings up
issues of refusal and resistance. In the short story The
Apostate, Jack London charts a similar parallel in the
industrial age. A young man brought up working in
the mills in the US suffers from nervous exhaustion so
badly that he literally cannot get up, his body giving up
on him.
10
It is a study in fatigue that raises questions
about conscious and unconscious responses to working
conditions. The protagonists complaint has been
described as neurasthenia,
11
itself not a straightforward
condition: a 19
th
Century complaint of the nerves
that perhaps bears a resemblance to Chronic Fatigue
Syndrome, suggesting a more complicated relationship
between body and mind. More often attributed to the
upper classes in Britain, neurasthenia has however also
been compared to shellshock caused by the wearing
effect of modern technology, a process of psychic self
protection to survive modern industrial labour.
12
The physical examination that takes place during the
Work Capability Assessment, based on observation
and manipulation, reinforces the mechanistic view
of the body. The medical examiner moves the limbs
to see how they move, looking at upper and lower
limb dexterity, and the bodys mechanical ability to
function. What this misses are conditions in which
more complex relationships between the mind and the
body are at play. In the LiMA handbook, it states that
if the claimant is disabled by both physical and mental
problems, the assessor will need to decide which one
is the main problem, from a functional perspective
and curtail the assessment of the lesser problem.
13
This already separates the physical from the mental
and ignores complicated interrelations between
the two. As well as this separation, the assessment
also does not take into account effects of chronic or
variable pain on the body that may not be to do with
problems with dexterity. Pain is subjective and very
oilncult to assess. It can be extremely oebilitating,
causing fatigue much sooner than if the body is not
in pain. During the Work Capability Assessment, the
claimant is not directly asked about pain, leaving any
assessment of it to observation. If someone has been
suffering from pain for a long time, there may not be
any visual signs. There are assessment methods like the
McGill-Melzack Pain Questionnaire
14
which could be
used to give a better picture. This questionnaire asks
patients to choose from a range of different kinds
of descriptors including both sensory and affective
adjectives. Terms like throbbing, pounding, shooting,
cutting or burning; and tiring, sickening, nagging or
vicious can be chosen to create a constellation of words
that characterises their particular kind of pain. While
it is impossible to exactly know what someone elses
pain feels like, these descriptions can give some kind of
insight or understanding. Not only is pain not directly
discussed during the Work Capability Assessment, but
with the recent changes to the test, assessors have been
asked not to take variable pain into account.
15
These
omissions create more misunderstandings.
The results of the physical examination are fed into
the nnal report along with any other observations the
doctor might make. The intelligence distributed across
the system, between the doctor and LiMA decides
whether the claimant is capable of work or not. The
relationship between the doctor and the software
program could be seen as somewhat symbiotic. LiMA
As a precursor of scientifc management, Etienne-Jules Mareys early analysis of move-
ment through the photographic image of the body in motion helped prepare the way for
calibration and standardisation. Te technology of the machines of the time, of energy
and combustion, were transposed onto the human body.
59: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
is a systematised formulation of the medically trained
mind while at the same time the very structure of LiMA
is programmed with these particular interpretations,
thereby compelling the assessor to think more like the
program:
Doctors pay more attention to the computer than
the client, the system is innexible ano gives rise to
inappropriate stock phrases in reports; options for
investigation ano nnoings are blockeo oll by the
system inappropriately; doctors sign off reports
without checking what they say, because the phrases
have been generated by the system, not the doctor.
16
The autonomy of the doctor is undermined here by
the rigid machinery of the software but also by that of
the bureaucratic system. The relationship between the
doctor and the software exacerbates a situation already
existent within the technological system of the state.
The phrases that LiMA constructs and understands
always already exist before the claimant has spoken.
The machine speaks for the claimant, translating and
interpreting. The claimant is interpreted by the state
through the machine and written by the machine.
And it makes mistakes. The results of these automated
cutups can be surreal. A recent report by the Citizens
Advice Bureau revealed that 43% of assessments
included serious levels of inaccuracy.
17
Several Social
Security judges when overturning cases ruled that
reports contained nonsensical statements. And this
is all the more horrifying precisely because it is used
as evidence against the claimant by the state. When
someone arrives at a Work Capability Assessment they
are at the point at which they are unable to take part in
wage labour because of medical issues and will therefore
not be productive to the state. This is where the state
intervenes, the claimants medical issues, their personal
and private life, all becomes the business of the state.
Over the last three years, 31 people have died while
waiting lor their appeals shortly alter being louno nt lor
work.
18
Rather than genuinely supporting people back
into work it seems to be a way of disproving someones
claim that they cant work. In Kafkas The Trial,
19
the
situation is at once banal and horrifying. The opacity
of the crime, the arrest and the proceedings in general
result in a frightening situation. It is one in which logic
is obscured, there is no sense, no understanding. It is
the most fearsome of judicial forms in which the law
itself is in crisis. It is at a transitionary point between
the apparent acquittal of the disciplinary societies,
and the limitless postponements of the societies of
control.
20
This creates a situation that ultimately results
in cruelty. Kafkas guards know little about why he has
been arrested, whether he is being charged or what will
happen next. They claim to know only what they need
to and no more, like cogs in a machine. Unthinking,
they are perhaps an example of what Hannah Arendt
calls the strange interdependence of thoughtlessness
and evil
21
-where the inhuman becomes inhumane.
Increasing complaints about the inhumanity of
the Work Capability Assessment by the Citizens
Aovice Bureau, oisability activists ano others nnally
led to an independent review in late 2011. The
Harrington review found the need to increase the
transparency of the assessment and improve support
and communications for people as they moved onto
Jobseekers Allowance. It also called for checks to be
introduced on the decisions to ensure fairness and
consistency and for disability groups to be involved in
providing guidance for Atos healthcare professionals
and Decision Makers. However despite a successful
trial in which Atos stall were oeployeo in benents
centres, which the government found was an
effective way of improving communications to discuss
borderline cases, Atos decided it would not be able to
continue with the initiative because of its own capacity
pressures.
22
The nnancial cost ol provioing more lace-to-lace
communications was obviously too much for Atos.
Automation in the name ol streamlining, elnciency
savings and speed often results in loss of personnel,
in job losses. In this case providing more support
for disabled people to go back into work themselves.
Any change in the sickness ano oisability benent
system should be about providing real employment
support rather than elnciency savings on the part ol
a corporation. This is indicative of the policy of small
government, minimising the cost ol benents without
taking responsibility for providing jobs. Employers
in general are not very good at understanding or
accommodating the needs of workers with health
problems. They are often not keen to take on people
who have a history of mental health issues for example,
and might need support and encouragement to do this.
In the LiMA manual it is stated that assessors should
60: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
emphasise what people can do, and while this should
promote more understanding and support in getting
people back to work, as we have seen, it is used as
evidence against the claimant, to prove them wrong.
Computers make mistakes precisely because they dont
unoerstano. It is olten oilncult enough lor people to
feel that the medical profession understands their
complaint or condition particularly if it is chronic or
complicated. There also seems to be little understanding
of how work is changing and the shift to more self
managed working practices and the toll these can take.
If work is becoming more modulated, the assessment
still takes its core ideas from the disciplinary model.
Complex health conditions are separated into mind
or body functional problems by the assessment but
this builds on problems already inherent in the medical
model itself. These mismatches and misunderstandings
create the possibility for harshness and cruelty. Rather
than understanding the claimant, the assessment
seems to work to obscure or mystify. Another aspect
of understanding is of course sympathy, or perhaps more
importantly empathy. Without the ability to think
and feel ourselves into the shoes of others we are left
only with categories instead of people, and ultimately
inhumanity. For Deleuze, neither disciplinary or
control regimes are harsher than the other although
the modulations of control may be more complex.
And with this in mind, I wonder how the need for real
understanding and empathy could be harnessed.
Claudia Firth is an artist, activist, educator and writer. A
founding member of Nyx, she completed the MA in Cultural
Stoci ot Clcoit/ io !00. S/ /o ot foi/c t/ /rt
flo Somewhere Else and installation/performance A War
of Nerves Indeed. Her interests include art and radical
politics, technology and the body, and cultural memory.
Pil and Galia Kollectiv are London based artists, writers and
curators working in collaboration. Their work addresses the
legacy of modernism and explores avant-garde discourses of
the 20th Century and the way these operate in the context of a
changing landscape of creative work and instrumentalised leisure.
They have had solo shows at Te Tuhi Center for the Arts, New
olooc; S1 Jrto., S/fflc; ooc T/ S/oro Collr,,
London. They have presented live work at the Berlin Biennial
and the Montreal Biennial, as well as at Kunsthall Oslo and
Late at Tate. They are lecturers in Fine Art at the University of
Reading and are also the directors of project space xero, kline &
coma and the London editors of Art Papers magazine.
Te phrases that LiMA constructs and
understands always already exist before
the claimant has spoken. Te machine
speaks for the claimant, translating and
interpreting. Te claimant is interpreted
by the state through the machine and
written by the machine.
61: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
NOTES
1. Atos Computer Programme Manual (LiMA)`, n.d. http://issuu.
com/atosvictims/docs/lima-v2-technical-manual.
2. Gilles Deleuze, Postscript on Societies of Control. http://nadir.
org/nadir/archiv/netkritik/societyoIcontrol.html
3. http://atos.net/en-us/aboutus/CompanyProfle/deIault.htm
4. Amelia Gentleman, No turning back work capability
assessment`, The Guardian, September 2011 http://www.guardian.
co.uk/society
5. Employment and Support Allowance: a New Harsher Test`,
Brighton Benehts Campaign, n.d. http://brightonbeneftscampaign.
wordpress.com/2010/05/08/employment-and-support-allowance-a-
new-harsher-test/.
6. Bernard Doray, From Tavlorism to Fordism. A Rational
Madness, London: Free Association Books, 1988, p.73.
&' Shiv Malik, Disabled people Iace unlimited unpaid work or cuts
in beneft`, 16
th
February 2012
http://www.guardian.co.uk/society/2012/Ieb/16/disabled-unpaid-
work-beneft-cuts?commentpage32#start-oI-comments
8. Nick Triggle Money Woes Linked to Rise in Depression` 7
th
April 2012 http://www.bbc.co.uk/news/health-12986314
9. Franco BiIo` Berardi, The Soul at Work. from alienation to
autonomv, Los Angeles: Semiotext(e), 2009.
10. Jack London, The Apostate`, http://www.jacklondons.net/
theapostate.html. First published in Woman`s Home Companion,
1906.
11. Mark Seltzer, Bodies and Machines, New York and London:
Routledge, 1992.
12. Peter Leese, Shell Shock. Traumatic Neurosis and the British
Soldiers of World War 1, New York & Hampshire: Palgrave
MacMillan UK, 2002, p.16.
13. Atos Computer Programme Manual (LIMA)`, n.d. http://issuu.
com/atosvictims/docs/lima-v2-technical-manual. p.32.
14. Ronald Melzack and Patrick Wall, The Challenge of Pain,
London: Penguin Books, 1982, p.40.
15. Citizens Advice Bureau, Not working, CAB evidence on the
ESA Work Capability Assessment`, March 2010, http://www.
citizensadvice.org.uk/notworking
16. Citizens Advice Bureau, Decision-making and appeals in the
beneht svstem, September 2009.
www.citizensadvice.org.uk. p.4.
17. Citizens Advice Bureau, Right hrst time? An indicative studv
of the accuracv of the ESA work capabilitv assessment reports, Jan
2012 www.citizensadvice.org.uk
18. Amelia Gentleman, Inaccuracies dog 'ft to work test`, The
Guardian, 10 January 2012
19. Franz KaIka, The Trial, Middlesex: Penguin,1977.
20. Deleuze, 1998.
21. Hannah Arendt and P.R. Baehr, The Portable Hannah Arendt,
New York: Penguin, 2003, p.380.
22. Atos Failed to Comply with Government Policy Social
WelIare Advocacy`, n.d. http://socialwelIareadvocacy.wordpress.
com/2012/02/04/atos-Iailed-to-comply-with-government-policy/.
N
n
by ndy !eir (2012) http:andy.eir.info
62: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
NOTES FROM A CONVERSATION WITH
At the Goldsmiths Excelente Zona Social event
1
in January this year a chance emerged to talk to Michael
Taussig about his recent work and perhaps get a more sideways take on machines, a subject upon which
he touches tangentially in a few of his works. A Professor of Anthropology at Columbia University,
Taussig has written on a variety of subjects from shamanism to the commercialisation of peasant
agriculture to studies on the enticing evils of gold and cocaine and is the author of What Color Is the
Sacred? (2009) and the recent I Swear I Saw Tis: Drawings in Fieldwork Notebooks, Namely
My Own (2011) as .ell as many other .orks. He is often referred to as a ma.erick academic due to
his approach of narrating ethnographic accounts with fction and critique, weaving in surprising and
unusual threads of associations. I decided to let the conversation fow rather than pave a set route; see
where it would lead, somewhere, nowhere or in all directions, with some notes on which to draw, in a
sense modelling the interview on some of Taussigs own techniques of ethnographic research. I told him
we were interested in machines, in exploring to what extent they are to be dreaded or treasured, and
this triggered him to kick the conversation of by drafting a talk he would be giving in Berlin at the
House of World Culture.
2
MICHAEL TAUSSIG
MICHAEL TAUSSIG: A good starting point would
be B. Travens book The Death Ship,
3
an intricate study
about work Ive never seen equalled. The paradox here
is that these machines, which enslave and destroy the
sailors, are also story-tellers, human or para-human,
and the sailors talk to them, in their imaginations, in
their actual beings. This aspect is part of actually a
much larger project I have, which is collective work,
and songs in collective work, songs recorded by
anthropologists, sometimes from Africa work,
songs, large groups of people Im thinking of old
stuff, pre-tape recorders, todays anthropologists dont
even do that stuff like that, its still like in the 50s, as
Laura Bohannan pointed out in her book Return to
Laughter.
4
I talk about this a little bit in my What Color
Is the Sacred? book, where I have a photograph of so-
called tribesmen in Bengal up to their chins, 12 or 15
of them in a bath, a vat, working through the hours,
paddling this indigo stuff which stinks like crazy and
of course is deeply coloured, and their job is to froth
it up and to get it to oxygenate and theyre supposed
to sing obscene songs. So I am actually interested in
collective work, songs and obscene songs, and I think
it is obscene songs at work that have something to do
with this animistic quality I see in this person-object,
or if you want person-machine relationship that is
animated. I want to explore what Marx calls praxis;
that comes from Hegel, where the worker acts on
the object and the object works on the worker, they
form a sort of mystical unity, which at the same time
is incredibly practical. Craftsmen and craftswomen
are famous for their knowledge of the work process
and the skill of their body, working on whatever it is,
leather, glass, silver, frothing, or even unskilled labour.
text by KEVIN W. MOLIN
images by CENTREFOLD
63: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
I want to explore what Marx calls praxis; that comes from Hegel, where the worker
acts on the object and the object works on the worker, they form a sort of mystical unity,
which at the same time is incredibly practical.
Centrefold scrapbook 8: Fe.a ramesh
64: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
Thats the larger horizon, and I would string together
The Death Ship with stills lrom a nlm calleo The Wages
of Fear, I dont know if youve ever seen it, made in
the 0s, Irench nlm, it`s about lour guys oriving two
trucks in Central America, full of dynamite, to snuff
out a nre, but il they orive too carelessly they coulo
be blown to smithereens, ano so the nlm is extremely
tense. That`s the nlm, it`s stuoying that tension. In
certain parts ol the nlm you see the truck sort ol on
the verge of a huge pothole, the camera zooms in onto
the tyres, these huge tyres, and the tyre becomes like
the main character in the nlm, it becomes like a person
and youre sitting at the edge of the seat, sort of trying
to get this thing to move without moving too much.
K.W. MOLIN: So the tyre has a kind life of its own,
sort of independent from the human, would you say?
MT: It might turn out that way if one studies it very
carefully, but I would say more that its very dependent
on
KWM: On being fetishised by someone?
MT: No no, youre making me think I was thinking
its very dependent on the worker: the workers job is to
somehow try and harness that life, but the life escapes
him or her to some extent too. How it takes on a life
ol its own I`m not sure, but I oo think nlm can almost
automatically enhance this phenomenon, I dont know
why, nlm has a magical power. The thiro relerence I
want to make is lrom an Amazonian Inoian, in a nlm
called The Laughing Alligator, a 45 second shot of him
ntting a blue leather to an arrow, which is just tuckeo
under his armpit, and hes just got a loin cloth type
ol thing, muscley guy, the nlm works very close to the
body and the face, and this arrow comes out like its
lrom his booy. He rolls the nbre on his thigh, makes it
into a thin string, and that takes him about 10 seconds,
and with incredible skill he connects this feather to
the end of the arrow, and it turns as hes doing it, the
blueness of the feather goes black, gets light blue and
dark blue, and the feather seems to have a life of its
own, it seems to be thinking. This connection is so
seductive where youve got this beautiful guy, beautiful
body, this thing is like emerging from his body, this
feather is totally magical, and its twirling away, and the
skill is incredible and hes so relaxed. It looks so easy.
And the last example I have is the magic of some
descriptions of these shamans taking stuff out of their
Centrefold scrapbook 1: Ellen Cantor
65: Nyx, a noctournal: ISSUE 7: MACHINES: SPRING/SUMMER 2012
mouths that I have in my essay Viscerality, Faith, and
Skepticism. This is a description by a white man in
around 1900 of a shaman who he wanted to teach him
magic stuff, and a substance comes out of the body,
a sort of white substance and it stretches like crazy
and then it collapses, gets back into his body, he takes
it out of his body again, revolves it in his hand; its a
very detailed description, maybe a page, and I think
we might call it conjuring, its supposed to be like the
power, to contain the power: a material substance that
is also the spiritual power to kill or to cure, and because
this substance has all these unreal, surreal properties,
so intimate to the human body but it can stretch across
mountains to kill other people, this to me is like the
ur-materiality. Its the magical art of the big guys who
through nature are themselves endowed with power by
a shaman. Im so intrigued by this substance, to call it
a machine might be seen as stretching things, but on
the other hand its probably nice to have a very broad
oennition ol what a machine is. That`s eno ol my story.
KWM: That is a fascinating question; what is a
machine? And even now that you are mentioning the
body, the body as separate from the machine
MT: Because a lot of people look at machines as if they
are unrelateo to the booy, right? Almost by oennition.
KWM: Well, at least as something separate, sure.
A connection here could be made with William
Burroughs, whose cut-up technique you acknowledge
as a great innuence to your work. This technique is
employed at large in The Soft Machine, a machine as
control system, be it language, time or the regulated
body, a machine however gone berserk that spits
out broken and erratic sentences because whatever
you feed into the machine on subliminal level the
machine will process So we feed in dismantle
thyself and authority is emaciated.
5
It is almost as if
the book was written by this machine, or a body that
is indiscernible from the machine: We fold writers of
all time in together and record radio programs, movie
sound tracks, TV and juke box songs all the words
of the world stirring around in a cement mixer and
pour in the resistance message Calling partisans of
all nationCut word linesShift lin-gualsFree
doorways Vibrate touristsWord failing Photo
fallingBreak through in Grey Room
6