Ge.llery ia full ot illustrations 1 o bis """'iliitlietio , full of worka of a master (we do not deny it), but of a ll.la8Uir wbo hu ou.ly been atblmpting begitwiuga, and who haa not por- ' Huaded us tbat hia commenoeweut8 are to finisheci wo:ko. Oue might u well .ear t.hat the jotteci, blurred., bloited liuea whiah S.helle;r scrswled m the pine folellt of RavelUla were iin.iahed poem11lte the,. Wi&cb of.Atlaa," aa use the " tlnished 11 in appli010tion &o Mr. W , brilliant notes aud scri.bbles. Thev IU'6 emineuUy clevbl' and afrootive jottinga,' put they are tbe kit.!d of thillga wbicl& arti8&8 do not U.!lllally 6%hibit. and whicb the publio willlook oa ratb.ar aa .. Jas paintings or dnwiDga. Howevu, !!'! ";;!:t!ft to be aud expreaaea f thua in a. plea.sant moreol of prose. whioh be write"s aa wellns a" literary ma.n " - 'l'he l!lUtolpiece ehollld appea.r o.; \he fiower to th1l painto:-perteet. in ita bu.d a.s lD 1ta bloom, wilh uorea- sou to !!Jtl'l&io ita ID3&Oil to flUil- joy to the arnet, a delusiou to the pbtlauthropiet, t.he bot..uiat, tD &eeiolut of Ud ' to lile lit.ll.vy maD. Thele ia perhape_no uon to explam the of " uotee " in Bond-: Btreet, ucept that flf are tes.t for the atti.stlJ' briof aerwoD 011 est.betica. O lber- wiae they 111.-.e so fu lll&8torpieeee t.hat they have emphatiaally no misaio11 to faltil. We shall uow pl'<Xleed to beatow our eentiment aud al.litenAtiona on a few' typical blOSIIOms, :ilowera of what some peopl.a will think Goethe would have called " th$ typi<:al pl\nL." (o)" Grey and Silver il a beautii ttla watar-c:oJour drawing (Mr. . 6 kindly and not superfl.u.ous\y na.mcs tha medium in wbich he works) 11bedy pale clouds, iD a skf. (9) Pio- cadilly. ?lh. calll tbia a m FllY gol!L" 0ne faintly makea out tbe 011 tbe top of a.n omli.ibllS, and very yellow light eLr&amiD(l from windows. The honaa are " iw.donrtood. ' \\V Chelse yellow and grey'' ia one of rapid, BUggestive Btudiea of ow-browed hoU!Iel. shope. and the pie- turesqua of dn.ba. yellowa, dirly brioks, and dropping " .PatU DjeOnijr" mdicatee a lady who hu brealdasted in . bed, and ia rcading a novel. A tine irow&ioeBII ia delicately CODVeyed to aen.se of thespeutator. " l 'ha Little Gro<:ery" { 8} appeare . tb bint iD the foreground a small bl.Ok fi without
MK.<:SB.S. Q.J.LLBRr. At gallery in Xe Boad-street M-n. Dowdeswell aml Dowlieswcll havo now an eshibi t iou which <'llll hnl'\lly rnil tu provo genemlly attt*l:- tivo, suitom as it is t m:m,v talll 'l'ho and tb., injuJicious will IJ l cou:oual onter- Hcru ,. malt"r foc :tll fcclin:;"-much t o luv" :.nli a.lmirc. anl mt :r. little tu and l:m:;h at. i3 t ' &u sol .. exhihitur. Bis, :u._l only. aru thu wurks un l 'cw - h uuctuma.." notes. " brrn' IU'D', ' l'ariations, '' J:w mvnic.," :.ntl tbu oi it. Thct'U uo allo ncl of lho UlUKt ...., amuug 1 '.a->m na '" lnt yenr s show, n. mr.nacnant. wh051l (nc.., and : clothca nre in esact. :oc..:.,ru with tho whitCP, the aml lh., 11 ah-tinls um tbu wnlla and iuruiture. Wo lill uu ) l r. tho juatice to :Wmit o( all bi" exhibit;- t hi.s yuun:; "' "" is t he true tu aaturc. \\ bether tho cclobrntcd critic who on .;u accu.octl a artiat, who ah:Ul 1 be oamel""" thou;h 11;,. uame be, o( .. shyia'-' a pot of pa 'aat ' at hiA camas, will Ji..:ocr ju.oti h cation for a similar churo i11 tho prcs.,nt c>llcctiol\ rem ... ius t o bo accn. Uur conccru 8 ,. itl1 lllr . '1 Whi:it'.er, who. still "'' evcr, huvorl! bo twwu tho Anblimo allll tho rioliculuua, wu h 1 on tbe a r:other l(rnvit:t .,, n tu tho btter t tbe former . Ccrt.1in ,, 11 .h works ar.. ery bt-autiful ; Cl'rl:lin a ru loO 1 laugh.ahly the TC\'01'3e tha' it is :ocarccly posaihlo lll 1 rn:utaiu onu'a;l'l\vity in tho ooutewpbtion of thcm. &>me of tho "hunnunica aro autliciently bar 1 monioua ; othcrs louk aa thou:h thcy ha(\ becn 1 cumpo$eu .. whon lllusic, he:\\euly mail, ,....,.. 1 young,'' :mu ere yet sbo h:11l tintu t mnstor hcrarL l . What 1'\IVUkl'l wou.Ier is that a raintcr ol .i\fr. mus unucniable au.I ln!lh :.mbi tion shoulu licom it conducivo to hia fama t.u <lisplay iu Jlnblic thins, which,. ao far from bcJ&I( 'picturcs" properly 110 called, are m mauy caaes no bctter th" n ' pictorial memornnda-mere sugr;eson1 from which to thiuk out aud work ou' futuro ricturcs. .\ml thi!J, thougl1 in hia curious littlo prcf:wu ' whicb he calls " L'Envoie" he ecen1.' to U .'!Nt. t l1at t hat whicb ,. "incompletr." ia afso, "uutit fvr view," which it ccrt:&inly is. El se whero woui.I htt 1 the use of cmnploling anything iu :ut 1 Says J\f r. 1 " tho m;ut.,r-piece ahuuhl uppenr aa tite llower to tbo pniutcr, in its bu,\ aa n l3 bloom, with IU) to explain its un mi'<Sinn to fultil. " jny to th.o :arti.t, a liclusion tu 1 t !to philanthropit, :a puzzle to the botaniat, All dent of aentimcnt aud a!Jiter:&tion tu th.e htcrary 1 m:m. Frnu& thit, whkh t.u tho uuiniliated is justa. lihle bazy iu oxprussion, may loast be hnz.uded tho inference tbut tbe \\'Tter ia a prunlcr of tloa " totus t erca attnu rot undus" type, goes in
(Transition) Georges Braque, Eugene Jolas, Maria Jolas, Henri Matisse, Andre Salmon, Tristan Tzara-Testimony Against Gertrude Stein - Servire Press (1935)