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All good things must come to an end, they say, but that doesnt make it
any easier. The Weekender/Mountaingrown Original Music Series is one
of those good things. It was good for local musicians, it was good for music
fans, and it was good for The Weekender and 102.3 The Mountain, so why
stop after 10 years? Read our cover story this week to nd out. Whatever
the reasons, its not easy for local bands to be heard on such a large scale,
and its not easy to reach the audiences that will appreciate them. Alan K.
Stout has worked for decades to close this gap, and while he will continue
to do so with his writing and his weekly Music on the Menu show on
The Mountain, its sad to see this monthly tradition come to a close.
When I chatted with Alan, however, he wasnt sad. He remembered his
time with this series and our publication fondly, and he wants to go out
with a bang rather than a whimper. Judging by the killer lineup of local
talent he put together, that is inevitable.
It is also inevitable that something else will come along to showcase
local musicians on such a grand scale. Whether or not it will be organized
by The Weekender Im not sure, but Ive learned as long as there is music,
there are fans willing to spread the good word by any means at their dis-
posal. Thanks, Alan, for being that fan.
-Rich Howells, Weekender Editor
letter fromthe editor
By going out to local
venues, through Facebook
or at the Gallery of Sound.
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can you do to help out a local arts venue?
Simply log on to your computer and become a monthly donor for The Vintage Theater (326 Spruce
St., Scranton).
For nearly ve years, the all ages visual/performing/literary arts space has hosted over 1,000 different
events with over 2,000 local talents. The Vintage is seeking monetary donations in order to not only
keep putting on such shows, but to be able to offer the bulk of them for free or donation-based, allowing
NEPA residents to enjoy local culture and talent as much as they can.
To donate in any amount (even as low as $1) visit fracturedatlas.org/site/scal/prole?id=8397.
will you be able to catch at the 9th Annual Scranton Jazz Festival and Jazz Walk?
can you see perform at the Tresckow Fire Hall (28 E. Oak St., Tresckow) this weekend?
Take a trip back in time with 70s Flashback, an 8-piece band that recreates the era. The last time
the band was there the show sold out, so be sure to snag your tickets quickly.
We are so thrilled and excited to have the 70s Flashback show return to Tresckow, Shirley
Matrone, event organizer, said. We expect to have a sold out show.
Doors open at 7 p.m. with the show starting at 8, and tickets are $15 at the door. The show will
benet Marian Palucci who is ghting a rare cancer of the bone known as multiple myelonma.
will you nd thousands of rubber duckies oating about for a good cause this weekend?
At the 25th annual American Cancer Society Duck Derby, which will take place July 20 from noon
to 2 p.m. at Coal Street Complex in Wilkes-Barre.
Six thousand of the little guys will go for their annual swim during a chance to win a variety of
different prizes from area businesses. Ducks are $5 or 6 for $25. Winning ducks will be pulled at
approximately 1:15 p.m.
We expect to have a sold out show.
Shirley Matrone
would anybody want to hang out with a bunch of zombies? Because Infect Scranton is the only
place you could do so safely!
The second annual event will take place the weekend of Sept. 20, and this year theres something
new to look forward to this year: The Undead Fed.
The Undead Feds goal is to collect non-perishable food donations for the Scranton Rescue Mission.
At 6 p.m. on July 20 at the Steamtown Mall in Scranton, a Guinness World Record will attempt to be
broken. 8,028 people are needed to attend and registration is required in order to verify the number,
so if youd like to be a part of this record-breaking attempt sign up at undeadfed.eventbrite.com.
One thing that was denite-
ly on everyones mind at the
World Cafe Live in Philadelphia
on July 11 was that The Front
Bottoms are the real deal.
They are not an up-and-
comer that may one day rise
to playing arenas and headlin-
ing huge festivals or fall into
the pit of many other bands
and dissolve. The only ques-
tion surrounding them is how
long it will take them to get to
the top, because if Thursday
was any indication, The Front
Bottoms are here to stay.
Playing to a sold-out crowd
made up mostly of young
adults, the indie punk group
from New Jersey put together
a crowd-pleasing 17-song,
70-minute set.
Perhaps the toughest task
for TFB was following a very
good and energetic perfor-
mance from Georgias The
Wild, an indie/folk/rock hybrid
that could not have done a bet-
ter job warming up the crowd.
The band is like a fast, punk-
rock version of Mumford &
Sons, incorporating catchy riffs
from the banjo while rocking
out and stomping the stage.
TFB took the stage after
setting up a great party atmo-
sphere in the crowd. As DMXs
Party Up (Up in Here) blast-
ed through the speakers, beach
balls were circulating around
and glow sticks that were hand-
ed out just before the lights
dimmed, shined, and soared
through the air as everyone
loosened up and prepared for
the headliner.
The Front Bottoms, made up
of Brian Sella (guitar/vocals)
and Mathew Uychich (drums),
were accompanied by tour-
ing musicians Tom Warren
(bass) and Ciaran ODonnell
(guitar/keys/trumpet). The
four opened with Skeleton, a
popular song off the bands lat-
est release, and went right into
Fireworks.
Every person in the crowd
was singing along as Sella
overlooked and watched with a
huge smile on his face through
the set. About 20 minutes in,
he even exclaimed, This is the
biggest headline we have ever
played to date.
Its easy to pick up on why
the Jersey natives are so popu-
lar among young adults. With
the lyrics of every song telling
a story that is accessible to
everyone, the band is easy to
relate with.
The Front Bottoms may have
related to people in a different
way as well. With many refer-
ences to marijuana and alco-
hol, its clear there is a sense of
rebellion while listening to the
band.
Sella even gave thanks by
saying, I want to thank every
single one of you for making
this the best night of our lives,
and Im going to get fked
up think of every single one of
you.
Without ever hear-
ing a song from the
group, they are able
to keep you listen-
ing, engaged, and
wanting to hear
more. Seeing this
band live is going to
generate a lot more
interest, especially
with their sopho-
more release Talon
of the Hawk being
far from a slump.
People seem to
have an intense con-
nection with The
Front Bottoms,
and the live show
explains it all.
W
Courtesy Photo
The Front Bottoms played to a sold-out crowd
at the World Cafe Live in Philadelphia on July
11.
Front Bottoms havebest
night of their lives
By Matt Morgis
Weekender Correspondent
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index
July 17-July 23, 2013
COVERSTORY
Mountaingrown Original Music Series 28-29
LISTINGS
The W 5
Concerts 19
Speak and See 38
Theater 30
Agenda 33, 36
Live Entertainment 22
MUSIC
The Front Bottoms 5
Bruce Springsteen 7
Styper 10
Dave Matthews Band 10
Album review 12
Charts 12
Sixteenhundred 17
Mac Miller 31
Mayhem Festival 41
STAGE &SCREEN
Movie review 21
Cats 21
Innite Improbability 30
Ralphie Report 32
Starstruck 32
ARTS
Novel Approach 38
Third Friday Wilkes-Barre 39
LIFESTYLE
Weekender Deck Series 37
Not Your Mamas Kitchen 42
Makeup Rules 43
Show Us Some Skin 43
Single in Scranton 47
For the Health of It 47
Man 53
Model 54
HUMOR&FUN
Pet of the Week 32
Puzzle 33
Id Tap That 40
What is a witbier? 40
News of the Weird 50
Sorry Mom and Dad 50
Sign Language 52
GAMES &TECH
Get Your Game On 46
Motorhead 46
ONTHE COVER
Design by Amanda Dittmar
Volume 20 Issue 36
Stuart Murdoch of Belle & Sebastian. Philadelphia, PA. 7/10/13
Rob Zombie
37 MY, WHAT A BIG DECK YOU HAVE
Check out what you missed at the latest Weekender Summer Deck Series
ONLINE
Need more Mayhem? Check out even more photos from the recent music fest.
17 A FAIR TIME
Belle and Sebastian, Yo La Tengo rock Philadelphia venue
Director Baillie Walsh
wasnt a diehard fan of
Bruce Springsteen when
he was asked to make
a documentary about
The Boss and his mas-
sive following, but he
soon gained a newfound
respect for the singer/
songwriter when he com-
pleted Springsteen & I.
The 53-year-old New
York resident has direct-
ed music videos with
Massive Attack, INXS,
and New Order; a docu-
mentary on Oasis; and a
lm he also wrote star-
ring Daniel Craig called
Flashbacks of a Fool,
but this was a completely
new and innovative proj-
ect. The lmmakers asked
Springsteen fans from
around the world to sub-
mit videos to a website
that explained how Bruce
changed their lives, and
the response was touch-
ing, funny, and inspiring.
Produced by Ridley
Scott Associates, the
lm will be broadcast in
almost 500 select theaters,
including the Cinemark
theaters in Moosic and
Stroudsburg on Monday,
July 22. The Weekender
talked with Walsh about
the difculties of putting
together such a massive
project, what he learned
about Springsteen and his
fans, and what the Rock
and Roll Hall of Famer
thought of the nished
product.
THE WEEKENDER:
What is your personal
connection to Bruce
Springsteen? Were you
a fan of his music before
this?
BAILLIE WALSH: No.
I was an admirer; I cant
say I was a fan, and I think
that was a good thing to
walk into this lm kind of
objective about
it. In a sense, I
kind of didnt
come with my
own playlist here.
I allowed the fans
to kind of lead me
through the expe-
rience of Bruce
and to learn as I went
along.
The idea essentially
came from the lm Life
in a Day, in the sense that
it was a user-generated
lm and it was the same
kind of concept where you
put a call out to fans. On
that lm, basically they
asked people around the
world to make a lm of
their day, a particular day
of the year, and they com-
piled a lm from those
lms. So its the same
kind of essential idea
we put a call out to Bruce
Springsteen fans asking
them to make lms of why
they love Bruce and his
music.
W: What made you
want to direct this lm?
BW: Well, I loved the
concept of how to make
it. I loved the idea that I
had no idea what the lm
would be, and that puts
the fear of God in me,
which is always a good
sign; it means I dont
know what Im going to
do and I havent done
it before. I havent seen
a lm like this. Thats
always very exciting. And
I love the idea that it was
Bruce because he
is a brilliant sto-
ryteller, and I was
very aware of that,
and I thought that
that might inspire
his fans. I thought
that they might be
good storytellers
too, which they are.
W: What kinds of sub-
missions did you receive
from fans? Did you have
any crazy ones?
BW: I didnt really have
any crazies. The only
crazy I can think of is
someone who sends in 60
lms. That starts to be a
bit kind of extreme, and
we had a few of those
The lms that stood out
to me are the lms that
you watch in the lm.
For me, these people
have heart. I believe
theyre emotional, and
they have incredible
charm and honesty about
them. And thats a thing
that I kind of ltered
through in the sense that
there were much bigger
stories, much more obvi-
ously emotional stories,
but somehow these sto-
ries spoke about Bruce
in a very discreet way
in a sense, and in a very
charming way. That was
the appeal for me.
W: Did anything sur-
prise you about these
stories?
BW: Most of it sur-
prised me, Id say
Therere lots of surprises
in there, lots of humor
and lots of laughs. The
amount of humor within
the lm, I think sur-
prised is the wrong word
I was delighted by the
amount of humor in the
lm. I didnt know I was
going to get that.
W: Was there a par-
ticular song or certain
traits about Bruce that
people seemed to latch
onto more than any-
thing else?
BW: Obviously I got lots
of stories of Dancing in
the Dark because Bruce
includes his audience in
that and he pulls up his
Courteney Coxes from
the audience and always
gives them an opportunity
to participate That was
very difcult to choose
which one because I had to
use one of those because I
think its a very big part of
his live performance, so
it was difcult to choose
which one I was going to
show. We eventu-
ally showed a girl
called Rachel,
an English girl.
I tried it with a
montage of lots
of different people telling
the same story, but some-
how it lost its charm and
lost its power.
What I found about this
lm is the smaller I kind
of kept it, in a way, and
the less grandiose I made
it, the more charm the
lm had.
W: What were some of
the biggest challenges
of putting all this foot-
age together?
BW: The biggest chal-
lenge was to make a lm
out of ve-minute clips,
thousands of them, and
how do you make some-
thing that you can sit
down and watch for an
hour and half without
feeling that youre watch-
ing hundreds of clips and
not connecting with that?
What was very, very dif-
cult for me, and the chal-
lenge for me was how do
I make this all connect?
There is no structure
here; theres nothing to
hang this on, apart from,
of course, Bruces music,
which plays an enor-
mous part in the lm,
and Bruces career that
expands 40 years. I do
have a lot of archive foot-
age in there, and I think
that thats a very big part
of the lm.
W: Would you make
another lm like this,
using crowdsourced
footage again?
BW: Yeah. I dont know
that I could do it about
another rock star because
I think that this is a per-
fect project for Bruce, but
I would certainly, with the
way this lm was made,
be interested in making
another lm like that.
Its such a collaborative
experience, and I really
enjoyed that.
W: Did you hear from
The Boss or his camp at
all?
BW: Yeah. They real-
ly, really love it. Bruce
watched it and really, real-
ly enjoyed it.
W: What are you hop-
ing people take away
from this lm when they
see it?
BW: A broader idea of
it is that music can really
change your life and help
you through your life and
inuence your life in a
really positive way.
Bruce is a really good
inuence on people, and
I think hes a brilliant role
model. Hes inspiring to
me. Hes 63 years old and
making some of his best
work.
W
Photo by Danny Clinch
Bruce Springsteen knows how to connect with his fans, and it
shows in Springsteen & I.
Fans pay tribute toThe Boss inSpringsteen &I
RICH HOWELLS
Weekender Editor
Walsh
Springsteen & I: July 22, 7:30 p.m.,
Cinemark (40 Glenmaura National
Blvd., Moosic, and 160 Stroud Mall,
Stroudsburg). $13-$15.
WEEKENDER
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facebook.com/
the weekender
W
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Always
more
to love.
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A fan on her way to a Dave
Matthews concert in Hershey
pulled over to help a stranded
bicyclist who turned out to be
none other than the singer him-
self.
Emily Kraus and her boyfriend
pulled over Saturday to give a
ride to a man whose bike had
apparently broken down, she
told WHP-TV in Harrisburg.
They realized it was Matthews,
who didnt have a cellphone on
him to call for help. They helped
him stow his bicycle on their bike
rack and he got in their car for
the rest of the ride.
We didnt know how to make
conversation with him, in fact, so
we were talking about his tour
and where he had come from,
Kraus said. He had just been in
Cincinnati and he said, Im tak-
ing a short break after this one
because I have to drop my daugh-
ters off at camp. He was just a
very humble guy.
He invited them to dinner,
took them backstage and got
them front-row seats. Kraus said
she woke up the next morning
still amazed at what had hap-
pened.
I rolled over and I said, OK,
yeah that really happened yes-
terday, she said with a laugh,
recalling that Matthews auto-
graphed their concert tickets and
thanked them for the ride. It
was surreal. We couldnt believe
it. w
Emily Kraus, one of Dave Matthews
fans, pulled over to give a stranded
cyclist a ride and soon realized it
was the frontman himself.
Fan gives Dave
Matthews a lift
Associated Press
If you missed strypers signature
harmonies and spiritual messages
back in the80s, youre getting another
chance this Wednesday to sayTo Hell
with the devil.
The original lineup is back together and
rocking Brews Brothers West (75 Main
st., luzerne) in support of the groups
latest eP, second Coming, and theyll
be playing at least one newsong from
their upcoming album, no More Hell to
Pay, due out this fall.
The Weekender caught up with singer/
guitarist Michael sweet to relive the
days of spandex and big hair, but also
to talk about the future of the Christian
glammetal band.
THE WEEKENDER: So many stories
have come out of the 80s music
scene in California. What were some
of your experiences there?
MICHAEL SWEET: Oh, gosh. I just
remember, being so young, I was
wide-eyed and mouth open, just kind
of lost in the awesomeness of it as a
kid. I was somewhat protected fromall
the crazy stuf that you hear about and
read about in peoples autobiographies.
at the same time, I was there in it. I had
many times when I was falling down
drunk and couldnt remember the night
before. I was just a kid, for the most
part 16, 17, 18 years old playingwith
Mickey Ratt, which went on to become
Ratt, and hanging out with stephen
Pearcy and drinking and smoking.
I remember themas very good times.
It was just an incredible journey, and
to be a part of that scene that was so
explosive. everyone went to l.a. to make
iteveryone was going there to break
and to make, and many of themdid, and
we were blessed and fortunate enough
to be one of those that did.
W: Stryper is often credited with
helping to bring Christian rock to the
mainstream. Would you agree with
that?
MS: I think so. It always feels a little odd
saying that when youre the one who
was a part of it. It feels a little awkward,
almost like youre boasting or bragging,
but since Imbeing asked the question
and answering it, yeah, I think so. We
were certainly on the front lines. There
were other bands that had brought
Christian music to the masses, but not
the mainstream: bands like Petra.
They hadnt crossed over. They had
primarily played to and performed
to Christian audiences, but when we
came out, we were performing to
mainstreamaudiences in clubs and
venues around the world, death metal
festivals with bands like Testament and
Raven. We were doing that whole thing.
We were doing it a little bit well, a
lot diferently. It just kind of evolved
and exploded and turned into this thing
where we wound up eventually, as you
know, getting airplay on MTVand having
no. 1 videos up against Mtley Cre and
Bon Jovi. There was no explanation for it
other than what we believed at the time
and what we still believe today, and that
is that god was driving the ship.
W: What was it about your music that
you think spoke to people?
MS: I think because we were raised in
the church to a degree we all grewup
around god and knowing about church
and god and religion and spirituality
and the Bible and all that stuf. We all
knewabout that, but yet, at the same
time, we all walked away fromgod and
dabbled in mainstreamsecular music.
We werent listening to Petra. We were
listening to Iron Maiden and Van Halen
and Judas Priest and all these bands
that we grewup on uFO, scorpions,
Kiss and thats what we were drawn
to. Thats what excited us and inspired
us musically, so I think because of that,
because of the history that we have,
we were uniqueyeah, our lyrics were,
Jesus is the way, and really bold, we
were throwing out Bibles, yes, but still,
at the same time, the delivery was
completely diferent.
W: And Stryper has never shied away
from playing with or covering those
types of bands.
MS: no, not at all. Its funny, because we
always seemto take fak for whatever
we do. I think thats just par for the
course; were always going to take fak
for whatever we do. But were staying
true to ourselves and true to our own
convictions and who we are as believers,
and people either accept it or they
dont. We just did a cover albumto show
people where we come frommusically.
yeah, we took a little heat for it, but
yet, at the same time, there are a lot of
people that never really listened to us
before who were drawn to that album
and enjoyed that album.
W: You took some time of from
Stryper, then started a solo career.
What made you come back?
MS: after putting my equipment in a
closet and literally considering giving it
up altogether, I realized this is not me.
Music is me, and its so in me. Its so
instilled in me that I cant escape it. I
cant run fromit. Theres always a song
in my head. Its my life. Its who I am, so
I aggressively started pursuing it again
in 99.
W: How do you retain your legacy as
an 80s band but also stay relevant
today?
MS: I think you walk that tightrope, that
fne line of trying to stay with modern
production and keep things sounding
like when you put it up against anything
else that comes out nowthat sounds
relevant and holds its own against that,
but yet at the same time, you stay true
to who you are in terms of what people
expect to hear. and with stryper, people
want to hear harmony vocals, high
screams, harmony guitar solos theres
a certain thing they want to hear.
W: Do you guys still have your
famous striped jumpsuits?
MS: We do have some striped clothes.
We wear less stripes these days, but
one of these days, Imsure its coming,
where well put on the full head-to-toe
yellowand black and maybe even go
do a tour, kind of like Kiss putting their
makeup on again. Imsure that day will
come, and when it does, I think itll be
awesome. w
Photo by Tina Enos
The original lineup of the 80s Christian glam rock group Stryper is
back together and playing Brews Brothers West on July 17.
The yellowand black is back
Stryper: July 17, 7:30
p.m., Brews Brothers West
(75 Main St., Luzerne). $24
advance, $28 day of show.
RICH HOWELLS
Weekender Editor
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,
Phil Anselmo embodies the
deepest, darkest spirit of heavy
metal itself; that corner of our
minds that we fear to tread. Phils
lived there most of his career, and
hes lived to tell the tale. Through
substance abuse issues, band fall-
outs, and basically coming back
from the musical dead a handful
of times, Anselmos cut a swath
through the metal underbrush
always delivering something
intense, heart-stamped, and a
notch heavier than whatever his
last project was.
Althoughbest knownfor his ten-
ure as Pantera vocalist, Anselmos
pushed the limits of the heavy
in heavy metal with his multitude
of bands like Down, Superjoint
Ritual, and Arson Anthem. On
this, his rst solo album, released
on his well-established Housecore
Records label, Anselmo digs into
the abyss of his oft-tortured exis-
tence and hurls tracks at us like
Battalion of Zero a syncopated
nightmare of riffs and caterwauls.
Anselmos scream, which hon-
estly hasnt been this startlingly
graphic since Panteras The
Great Southern Trendkill, lacer-
ates through sobering thought
processes like the very regression
of society into chaos, with caustic
dissolve.
Tracks like Betrayed seem to
rail against Anselmos feeling of
being scapegoated for situations
like the breakdown of Pantera a
decade ago, with infected lines
like Ive been betrayed, revoked!
while questioning How do they
sleep with themselves at night?
The animalistic quality to the
rhythms are unlike anything any
of his previous projects have con-
tained akin to a madmans vio-
lent, aimless stabs in the dark:
angry, heavy, and purging of any
sense of regret.
There are elements of the fre-
netic-paced death metal grooves
on cuts like Bedridden, while
Irrelevant Walls and Computer
Screens has a trace of the groove
metal of Pantera past. Anselmos
writing here is creatively volatile,
a little disconcerting, and free of
any sort of self-limitations.
-Mark Uricheck, Weekender
Correspondent
Anselmo pushes his limits further
Shira E, a Brooklyn-based singer/
songwriter, artist, and Pushcart Prize-
nominated poet, has been particularly
busy this year. She has independently
released her self-produced rst full-length
studio album, Shouts & Sparks. Shira
E has shared stages and a fanbase
with CocoRosie, tUnE-yArDs, and Ani
DiFranco in over a decade of indepen-
dent music making, and has recently
kicked off her rst solo tour, fanning
the ame of Shouts & Sparks west-
ward across the country. The previously
acoustic artist has plugged in, navigat-
ing new musical terrain with a sampler
and her trusty Casio. Shira Es electronic
explorations veer between generations
of Animal Collectives textured sonic
adventures and the grounded swellings
of Cat Powers stripped-down electro
experiments in 2012s Sun. Shira E lay-
ers chants, tinged with the ancient, until
shes fashioned a stack of stunning vocals
crafted into a contemporary beat.
Myth loops hauntingly gorgeous
vocals, propelling by poetic verses that
spin into deep, bellowy soul before bub-
bling up to a catchy melody. The lyrics
venture between visceral and tender
You wrestled me down, down to the
ground / and you kissed both of my eyes
/ said if you cant see, what I see in you
/ you must be blind allowing dynamic
images to rise and fall with the pulse of
the lyric, the breath of the synth.
Shouts & Sparks leads the listener
like an electric wood nymph, breezing
through dense musical forests of organic
vocals, rattling the rings on tree trunks,
and leaving a trail of blooming narrative
and the ickering echo of Shira Es voice.
-Kait Burrier, Weekender
Correspondent
Shira E plugs in, causes
Sparks
8. Maroon5: Love Somebody
8. Kelly Clarkson: People Like Us
7. Maroon5: Love Somebody
6. Bruno Mars: Treasure
5. JasonDerulo: The Other Side
4. Imagine Dragons: Radioactive
3. Robin Thicke/Pharrell Williams/T.I.:
BlurredLines
2. Selena Gomez: Come andGet It
1. Daft Punk/Pharrell Williams: Get
Lucky
1. Dirty Heads: Cabin By The Sea
1. Jay Z: Magna Carta Holy Grail
2. Black Sabbath: 13
3. Imagine Dragons: Night Vision
4. J. Cole: Born Sinner
5. Kayne West: Yeezus
6. King Kobra: II
7. Alice In Chains: Devil Put The Dinosaurs
Here
8. Bob Marley: Legend Remixed
9. Macklemore & Ryan Lewis: Heist
10. Daft Punk: RandomAccess Memories
Top 8 at 8 with Ralphie Aversa
Top 10 Albums at Gallery of Sound
Rating
WWWW
TuctuShira E
Shouts and Sparks
Rating
WWWW
Philip H. Anselmo and
The Illegals
Walk Through Exits Only
The Court Yard Hounds open their
second album, Amelita, with a portrait
of a friend who wallows in negativity. But
the arrangement and lyrics of Sunshine
express how this sisterly duo isnt going
to let their downer friend dampen their
day. The breezy, buoyantly melodic song
is a perfect introduction to a collection
of songs that nd two members of the
Dixie Chicks expressing joy in music
once again a drastic shift from their
self-titled rst album and from the dark
musings found on the recent solo debut
of their longtime singing partner, Natalie
Maines.
Sisters Emily Robison and Martie
Maguire keep on the sunny side for most
of Amelita, concocting a distinct acous-
tic blend rife with life-afrming energy
and clever, engaging lyrics to match.
Robison sounds more condent as a lead
vocalist. And the writing of the two sis-
ters, sometimes with guitarist Martin
Strayer, Robisons recently wed husband,
takes on a shine reminiscent of the bliss-
ful elation of early Chicks hits such as
Wide Open Spaces.
They occasionally bring rock swag-
ger to their acoustic sound, as in the
wonderful Rock All Night, about the
excitement of the moments leading up to
attending an eagerly anticipated concert.
Similarly, the aggressive, multi-layered
Phoebe features a ery arrangement
highlighted by a wicked ddle solo by
Maguire.
In the song The World Smiles, the
sisters say they are determined to put
the blues behind them. Amelita implies
that, musically at least, these former
country stars have a spring back in their
step and their infectious way of con-
veying it will lighten the souls, and soles,
of listeners, too.
Court Yard Hounds return
withAmelita
HCourt Yard Hounds
Amelita IllegalsAmelita
Rating
WWWW
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Photos by Jason Riedmiller
Belle and Sebastian
light up the Skyline
Philly, you seem like a
good kind of indie, kind
of Belle and Sebastian
town, cooed Stuart
Murdoch, frontman for
Glasgows iconic indie
band.
I got a great view of
the skyline from here; this
is a great place, admired
Murdoch, looking out
over Philadelphia from
the aptly named Skyline
Stage at the Mann Center
in Fairmount Park. Belle
and Sebastian were the
rst to play the 2013
summer stage on July
10. Murdoch uttered
more Philly tidbits, talk-
ing about news of a pack
of dogs chasing park
visitors. Gesturing to
the vast band, he smiled,
Theres enough of us
here. We can take a pack
of wild Chihuahuas.
Openers Yo La Tengo
also integrated Fairmount
Park into their set. Singer
Ira Kaplan gazed across
the faces of fans sitting
in the grass in the wan-
ing light before calmly
suggesting, Lets sing a
couplea park songs, pic-
nic numbers, and began
Big Day Coming, a duet
with Georgia Hubley. The
trio of multi-instrumen-
talists Kaplan, Hubley,
and James McNew
have played together
for decades, mastering
their many between-song
instrumental switches
with perfectly smooth
transitions.
Yo La Tengos set start-
ed with hits, including
Autumn Sweater and
Stockholm Syndrome,
and ended, in true YLT
fashion, with plenty of
reverb. Kaplan wished
the crowd, Good dusk,
everybody. The sky had
evened to darkness by the
time spotlights searched
the stage and colorful
lights drenched the Belle
and Sebastian backdrop,
likening it to one of their
many monotoned album
covers.
Belle and Sebastian put
on an exceptional perfor-
mance, playing across
nearly two decades of
discography with about a
dozen musicians onstage,
including a string quartet
backing core members
Murdoch, Bobby Kildea,
Stevie Jackson, Chris
Geddes, Mick Cooke,
Richard Colburn, and
Sarah Martin.
Martins breathy voice
knocks rst before enter-
ing a song and quickly
charms its way into the
sway of shoulders, add-
ing a signicant whimsy
to the enchanting band.
Stevie Jacksons rounded,
droll vocals jaunt through
early generations of clas-
sic Brit pop, a perfect
balance to Martin and
Murdochs wispy war-
blings in the Belle and
Sebastian vocal trinity.
Blue light ooded the
stage, setting the scene
for the somber Lord
Anthony, off 2003s
Dear Catastrophe
Waitress. Stuart navigat-
ed the down-tempo tune
with lanky strides across
the stage, stopping to
prop his foot on a speak-
er, hand on hip, dipping
to an occasional lunge.
As the strings and vocals
built, Stuart ran a hand
over his forehead, casu-
ally knocking his song-
specic porkpie hat to the
oor. Stillness took the
stage in anticipation of
the singers hop into the
audience, where he asked
a fan to apply eyeliner
according to the lyrics.
After the theatrics, the
stage brightened with the
bounce of fan favorites
Seeing Other People
and Funny Little Frog.
This is a song about
two American cities
not Philadelphia, sorry,
apologized Murdoch.
But theyre in the same
league, if you know what
I mean, he hinted before
the strum of their hit
single, Piazza, New York
Catcher. The tune was
slowed down to a gentle
Americana version, com-
plete with a harmonica
bit by Stevie and a sweet
sing-along gestured on by
Stuart.
Your Covers Blown,
a catchy EP treasure,
brought undeniable
beats that are likely still
rattling around in fans
heads. It will be fea-
tured in the forthcom-
ing Third Eye Centre,
a new release of rarities
akin to Push Barman
to Open Old Wounds.
Having warmed up the
venues dance moves,
Stuart announced, Were
going to do a short song
and a long song, and in
between, were going to
have someone dance.
Several someones danced
onstage to the short
song, Simple Things,
which led straight to the
long song, The Boy with
the Arab Strap, warm-
ing up the audience and
allowing the dancers to
settle into the clap-along,
sway-along songs before
launching the lively
Legal Man.
The onstage crowd
bounced and spun
about, weaving between
bandmates while the
psychedelic vibe was
enlivened by keys and
bongos. Stevie Jacksons
sass-factor rose with his
right hand, as if nudged
skyward by his swiveling
hips, then, in an instant,
his hands were out front
at eye level, parting
across the plane in a deli-
ciously 60s move.
After the song ended
and dancers begrudgingly
shufed offstage, Stuart
shared what a fan had
offered him that her sis-
ter married a Scotsman
named Neil Young. Stevie
began strumming a Young
tune. Go on, Stevie, give
us something, nudged
Stuart. The pair shifted
gears and announced that
Stevie would instead play
Neil Diamond, which, for
a few bars, he did, before
hushing the crowd with
B&S classic Judy and
the Dream of Horses.
Hypnotized, fans whis-
pered lyrics along with
Stuart, swaying under the
spill of red evoking the
album cover of 1996s If
Youre Feeling Sinister.
Following a brief exit, the
Glasgow crew surprised
fans with their rst
encore playing of Dirty
Dream Number Two off
The Boy with the Arab
Strap.
Get Me Away From
Here, Im Dying, anoth-
er song off the beloved If
Youre Feeling Sinister,
started sleepy and
swelled to a buzz. Stuarts
soft repetition of Get me
away, Im dying / Oh, Im
dying, was joined by the
echo of the crowd as the
nal verses ickered into
the night with Fairmount
Parks dancing lightning
bugs.
W
Travel. Music. Musings.
Kait Burrier (words) and Jason Riedmiller (photos) | Weekender Correspondents
80014067
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11 & 12 Models 3.99% APR For 72 Mos. All With Approved Credit. Not Responsible For Typographical Errors. Select Photos For Illustration Purposes Only. Offer Ends 7/31/13.
1109 N. Church Street (Rt. 309) Hazle Twp., PA 18202
www.fairwaysubaru.com 570-455-7733
Mon. - Fri. 8:30am-8pm; Sat. 8:30am-3pm; Sun. Closed
OR
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VIN# 9H769713
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Every Certied Pre-Owned Subaru offers:
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$0 deductible
Factory-backed coverage
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CARFAX Vehicle History Report
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BASE AWD
5 Spd Manual,
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15K Miles.
VIN# BG510312
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Auto, AWD, Alloys,
Black Beauty,
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VIN# 67363421
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299
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11 SUBARU FORESTER
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Auto, AWD, All Weather Pkg.,
Remote Starter, Moonroof,
Alloys, Local Trade, Only
16K Miles, Super Clean!
VIN# BH776812
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11 SUBARU IMPREZA
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Navigation, Moonroof,
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VIN# BH511920
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Auto, AWD, Special
Edition, Alloys, Sold
New At Fairway, 36K
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VIN# AH801396
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Auto, AWD, Moonroof,
Heated Seats,
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VIN# AH801471
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VIN# BG746375
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A RARE FIND!
80014075
HAPPY HOUR TUES-THURSDA Y,
SAT. & SUN 9- 1 1
F RI DA Y 5- 7 & 9- 1 1
SATURDAY
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LI VE ON STAGE
" "6,
ROX 52
BAR & GRILLE
52 E. Main St., Plymouth 779-7876
www.rox52bar.com Find us on Facebook
KITCHEN
OPEN TIL
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No cover
DJ Bigg rigg
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www.theweekender.com
WEEKENDER
EEKENDER
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facebook.com/the weekender
THE COOPERAGE PROJECT
(1030 Main St., Honesdale)
570.253.2020,
thecooperageproject.org
(Donations accepted and
appreciated at the door at all
events.)
Open Mic Night: July 17, 7:30-
10 p.m.
Dance Journey: July 18,
7:15-9 p.m. $7 suggested
donation. Donation-based event,
contributions are appreciated.
DJ Dance Party: July 20, 9
p.m.-midnight. $5 suggested
donation.
F.M. KIRBY CENTER
(71 Public Square, Wilkes-Barre)
570.826.1100, kirbycenter.org
Jason Isbell: Aug. 9, 8 p.m.
$25; $50, VIP.
Theresa Caputo of Long Island
Medium: Aug. 18, 3 p.m. $39.75.
The Onion Live!: Oct. 24, 7:30
p.m. $19, $34.
Merle Haggard: Nov. 2, 8 p.m.
$40-$99.
YAMATO: The Drummers of
Japan: Nov. 20, 7:30 p.m. $25,
$35.
MAUCH CHUNK OPERA
HOUSE
(14 W. Broadway, JimThorpe)
570.325.0249,
mauchchunkoperahouse.com
Incendio: July 20, 8 p.m., $23
Benny &The Jets: July 26, 8
p.m. $24
The Vagabond Opera: July 27, 8
p.m., $22
Marrakesh Express: Aug. 2,
8:30 p.m. $25.
Joe Louis Walker: Aug. 9, 8:30
p.m. $20.
Forward Motion: Aug. 10, 8
p.m. $15.
Dustbowl Revival: Aug. 15, 8
p.m. $15.
Coryell, Bailey, and White: Aug.
17, 8 p.m. $27.
Billy Burnette Band: Aug. 30,
8:30 p.m. $23.
Solas: Sep. 6, 8 p.m., $25
Todd Snider: July 19, 8:30 p.m.
$28.
MOHEGAN SUNARENA
(255 Highland Park Blvd.,
Wilkes-Barre)
800.745.3000,
mohegansunarenapa.com
Cirque Musica: Sept. 22, 7 p.m.
$25-$65.
MOUNT AIRY CASINO RESORT
(44 Woodland Rd., Mount
Pocono)
877.682.4791, mountairycasino.
com
Kansas: Aug. 11, 7 p.m., $25-
$45
The Stylistics: Oct. 19, 8 p.m.,
$45
Aaron Lewis: Nov. 9, p p.m.,
$45-$65
PENNS PEAK
(325 Maury Rd., JimThorpe)
866.605.7325, pennspeak.com
Old CrowMedicine Show: July
25, 8 p.m.
Ted Nugent: Aug. 14 8 p.m.
Glenn Miller Orchestra: Sept.
17-19, 1 p.m.
Josh Turner: Sept. 26, 8 p.m.
The Swing Dolls: Tribute to
Andrews Sisters and McGuire
Sisters: Oct. 1-3, 1 p.m.
King Henry and the Showmen:
Oct. 15-17, 12 p.m.
Real Diamond: Neil Diamond
Tribute: Oct. 23-24, 1 p.m.
Gordon Lightfoot: Oct. 26, 8
p.m.
America: Nov. 2, 8 p.m.
PENNSYLVANIA BLUES
FESTIVAL
(Blue Mountain Ski Area,
Palmerton)
610.826.7700, skibluemt.com
Featuring Robert Randolph
&The Family Band, more: July
26-28, $30-$449
The Ramada
(820 Northern Boulevard Road,
Clarks Summit. 570.586.2730.)
Comedians Doug Karpf,
Johnny Vand Father Paul: July
26, doors 7 p.m., showat 8:30.
$15, advance; $18, at the door.
RIVER STREET JAZZ CAFE
(667 N. River St., Plains)
570.822.2992,
riverstreetjazzcafe.com5
The Aristocrats: July 31, 8 p.m.,
$20
Settlers Inn
(4 Main Ave., Hawley.
570.226.2993)
Jazz on the Deck Series, 6-9 p.m.
July 17: Thos Shipley Trio
July 24: Kelley Suttenfeld
Trio with Tony Romano & Matt
Aronof
July 31: Compass Jazz Quartet
Aug. 7: Liberto Trio featuring
Ralph Liberto, Stephen Faubel,
Bob Wilson and Steve Kurilla
Aug. 14: Nick Niles
Aug. 21: Vibraphonist Stefan
Bauer and special guest from
NYC
Aug. 23: NewOrleans Jazz BBQ
- Wally Lake Fest Opening Party
Aug. 28: Judi Silvano and her
Quartet
SHERMANTHEATER
(524 Main St., Stroudsburg)
570.420.2808, shermantheater.
com
Dave Mason: July 18, 8 p.m.,
$29.50-$39.50
Christian Porter: July 19, 8 p.m.,
$15-$30
Electric Hot Tuna: July 25, 8
p.m.
We the Kings: Aug. 14, 6:30
p.m., $20
TOYOTA PAVILIONAT
MONTAGE MOUNTAIN
1000 Montage Mountain Road,
Scranton
Americas Most Wanted II Tour
featuring Lil Wayne: July 21.
$25-$89.75.
Rockstar Energy Drink Uproar
Festival: Aug. 9, 8 p.m.
Peach Music Festival: Aug. 15.
$35.
Jason Aldean: Aug. 25. $31.50-
$61.25.
Honda Civic Tour featuring
Maroon 5 and Kelly Clarkson:
Sept. 1. $30-$120.
PHILADELPHIA
ELECTRIC FACTORY
(3421 WillowSt., Philadelphia)
215.LOVE.222, electricfactory.
info
Smash Mouth / Sugar Ray /
Gin Blossoms / Vertical Horizon
/ Fastball: Aug. 3, 7 p.m.
This is Hardcore: GWAR / Kid
Dynamite / Modern Life Is War /
7 Seconds: Aug. 8-11.
City and Colour: Sep. 18, 8 p.m.
KESWICK THEATRE
(291 North Keswick Ave.,
Glenside)
215.572.7650, keswicktheatre.
com
Buddy Guy: July 30, 7:30 p.m.
Ten Years After / Canned Heat
/ Edgar Winter Band / Rick
Derringer / Pat Travers: Aug. 14,
8 p.m.
AdamAnt and The Good, The
Mad, and The Lovely Posse: Aug.
15, 8 p.m.
Sinbad: Sep. 14, 9 p.m.
Steve Hackett: Genesis
Revisited: Oct. 11-12, 8 p.m.
The Piano Guys: Oct 18, 8 p.m.
The Fab Faux: Oct. 19, 8 p.m.
Steven Wright: Nov. 3, 8 p.m.
NORTH STAR BAR
27th & Poplar St, Philadelphia
Phone: 215.684.0808
July 17: Ode To Omni w/Matt
McAndrew, Doctor Hunter,
Vinchelle Woods
July 18: The Lawsuits w/
Tallahassee, Commonwealth
Choir
July 19: Lifecurse w/ Void of
Kings, Seven Second Suicide, No
Remorse For The Fallen
July 20: The Draft (feat.
members of Hot Water Music)
w/ Cheap Girls, Luther
July 21: CALEB w/ Anderson
East, Wild Rompit
July 22: Guitar Legend: Dick
Dale
July 24: Kalin and Myles
July 26: Borracho w/ Thee
Nosebleeds, King Giant
July 27: The End Of The Ocean
/ Horseburner
July 28: Turbo Fruits w/ The
Chelsea Kills
July 31: Blameshift w/ Dive,
Screaming for Silence
Aug. 2: The Aristocrats w/
Guthrie Govan, Bryan Beller,
Marco Minnemann
Aug. 3: The Weeks w/ Scott
Lucas &The Married Men, Junior
Astronomers
Aug. 7: Good Luck Varsity / Me
Equals You
Aug. 9: SlimCessnas Auto
Club w/ The Sterling Sisters
Aug. 14: XPNWelcomes: Little
Comets
Aug. 15: D-Pryde
Aug. 17: Magnets and Ghosts
(Members of Collective Soul)
w/Revolution, I Love You, Krissy
Krissy
Aug. 21: The Bulletproof Tiger
w/ North End, Mohican, Aug.
31: Siamese Sundown (Single
Release Party) w/ Ballroom
Spies, Lion in the Mane, The
Mahlors
Sept. 11: Pere Ubu
Sept. 17: Morglbl w/ Thank You
Scientist
Oct. 2: Calabrese
Oct. 3: The Toasters/Voodoo
GlowSkulls
Oct. 5: Mephiskapheles w/
Inspector 7, Post Sun Times
TROCADEROTHEATRE
(1003 Arch St., Philadelphia)
215.336.2000, thetroc.com
LucIano: July 20, 9 p.m.
The Mission UK: Sept. 4, 8 p.m.
Kamelot / Delain / Exlipse:
Sep. 5, 8 p.m.
SUSQUEHANNA BANK
CENTER
(1 Harbour Blvd., Camden, N.J.)
609.365.1300, livenation.com/
venues/14115
Train: July 24, 8 p.m.
Miranda Lambert / Dierks
Bently: July 26, 8 p.m.
The Lumineers: July 27, 8 p.m.
Blake Shelton: Aug. 10, 8 p.m.
Jason Aldean: Aug. 24, 8 p.m.
Keith Urban / Dustin Lynch /
Little Big Town: Sept. 14, 8 p.m.
WELLS FARGO CENTER
(3601 South Broad St.,
Philadelphia)
215.336.3600,
wellsfargocenterphilly.com
Justin Beiber: July 17, 7 p.m.
Beyonce: July 25, 8 p.m.
Muse: Sep. 9, 8 p.m.
Selena Gomez: Oct. 18, 8 p.m.
P!nk: Dec. 6, 8 p.m.
Rod Stewart: Dec. 11, 8 p.m.
ELSEWHERE IN PA
CROCODILE ROCK
(520West Hamilton St,
Allentown)
610.434.460, crocodilerockcafe.
com
Great White: Sep. 18, 7 p.m.
Bullet Boys: Sep. 15, 6 p.m.
GIANT CENTER
(950 Hersheypark Dr., Hershey)
717.534.3911, giantcenter.com
Selena Gomez: Oct. 22, 7 p.m.
The Fresh Beat Band: Dec. 4,
7 p.m.
HERSHEYPARK STADIUM
100W. Hersheypark Dr., Hershey
717.534.3911,
hersheyparkstadium.com
Victoria Justice / Big Time
Rush: July 19, 7 p.m.
Journey / Rascal Flatts: Aug.
1, 7 p.m.
Jay Z and Justin Timberlake:
Aug. 4, 7 p.m.
Jason Aldean: Aug. 10, 7 p.m.
Matchbox 20 / Goo Goo Dolls:
Aug. 14, 7 p.m.
SANDS BETHLEHEM EVENT
CENTER
(77 Sands Blvd., Bethlehem)
610.2977414, sandseventcenter.
com
Los Lobos / Los Lonely Boys
/ Alejandro Escovedo: July 10,
7 p.m.
Slash: July 16, 7 p.m.
Tony Bennett: July 26, 8 p.m.
Bad Company: July 29, 8 p.m.
Godsmack: Aug. 7, 8 p.m.
The Wanted: Aug. 24, 8 p.m.
Hanson: Sept. 2, 6 p.m.
Sarah Brightman: Sept. 22,
8 p.m.
Steely Dan: Sep. 27, 7 p.m.
Celtic Thunder: Oct. 9, 8 p.m.
Diana Krall: Oct. 10, 8 p.m.
WHITAKER CENTER
(222 Market St., Harrisburg)
717.214.ARTS, whitakercenter.org
Hot Tuna Electric: July 26, 8
p.m.
Ana Popovic: Sep. 19, 8 p.m.
NEWYORK / NEWJERSEY
BEACONTHEATRE
(2124 Broadway, NewYork, N.Y.)
212.465.6500, beacontheatre.
com
Alice Cooper: July 18, 8 p.m.
Tedeschi Trucks Band: Sep.
20-21, TIMES VARY
Joe Satriani: Sep. 26, 8 p.m.
An Evening with Ian Anderson:
Oct. 11, 8 p.m.
The Fab Faux: Oct. 26, 8 p.m.
Zappa Plays Zappa: Oct. 31,
8 p.m.
BETHEL WOODS CENTER
(200 Hurd Road, Bethel, N.Y.)
866.781.2922,
bethelwoodscenter.org
Natalie Merchant w/ The
Hudson Valley Philharmonic:
July 20, 8 p.m.
The Eagles: July 25, 8 p.m.
TimMcGraw: July 26, 7 p.m.
Bad Company / Lynyrd
Skynyrd: July 27, 7 p.m.
George Thorogood &The
Destroyers / Buddy Guy: Aug.
8, 7 p.m.
Blake Shelton: Aug. 11, 7 p.m.
Cheech & Chong: Aug. 15, 7
p.m.
Yo-Yo Ma / Stuart Duncan /
Edgar Meyer / Chris Thile: Aug.
16, 8 p.m.
Zac Brown Band: Aug. 17, 7 p.m.
John Mayer: Aug. 20, 7 p.m.
Luke Bryan: Aug. 23, 7 p.m.
Kid Rock / ZZTop: Sep. 6, 7
p.m.
Joan Osborne: Sept, 13, 8 p.m.
IRVING PLAZA
(17 Irving Place, NewYork, N.Y.)
212.777.6800, irvingplaza.com
The Psychedelic Furs: Aug. 3,
8 p.m.
Ron Pope / The District: Aug.
10, 7 p.m.
Parachute: Aug. 13, 6:30 p.m.
Barones: Aug. 14, 7 p.m.
AdamAnt: Aug. 16-17, 7 p.m.
The Mission U.K.: Sep. 5, 8 p.m.
Marky Ramones Blitzkrieg w/
AndrewW.K. on vocals: Oct. 3,
7 p.m.
IZOD CENTER
(50 State Rt. 120, East
Rutherford, N.J.)
201.935.3900, meadowlands.
com
The Mrs. Carter Show/
Beyonce: July 31, 8 p.m.
MADISON SQUARE GARDEN
(7th Ave., NewYork, N.Y.)
212.465.6741, thegarden.com
Rod Stewart: Dec. 9, 8 p.m.
RADIO CITY MUSIC HALL
(1260 6th Ave., NewYork, N.Y.)
212.247.4777, radiocity.com
Sarah Brightman: Sep. 21, 8
p.m.
Rodriguez: Oct. 10, 8 p.m.
Tony Bennett: Oct. 11, 8 p.m.
ROSELAND BALLROOM
(239 52nd Street, NewYork,
N.Y.)
212.247.0200, roselandballroom.
com
Kaiser Chiefs: July 30, 7 p.m.
BORGATA HOTEL CASINO &
SPA
(1 Borgata Way, Atlantic City,
N.J.)
609.317.1000, theborgata.com
Jonas Brothers: July 26, 8 p.m.
Jay Leno: Aug. 10, 8 p.m.
JimGafgan: Aug. 24, 7 p.m.
John Mayer: Sep. 1, 8 p.m.
Expanded listings at
theweekender.com w
This Saturday, July 20, at the River Street Jazz Cafe (667 N. River St., Plains Township), its the
Freigth Train Reunion show, featuring all the original members of the band, as well as the Jeff Pettit
Band and Dann Ottemiller from Hexbelt. Doors open at 8 p.m. with the show starting at 10. Tickets
are $5 in advance online and $8 at the door. Tickets can be purchased by visiting www.riverstreet-
jazzcafe.com.
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Summer Deck Series
Weekender
CONCERT TICKET GIVEAWAYS,
COORS LIGHT GIVEAWAYS,
FUN GAMES, & MORE
WERE BRINGINGTHE PARTYTOYOU
MAY 24TH GROTTO
HARVEYS LAKE 5:30-7:30PM
MAY 31ST TOMATO BAR
PITTSTON 5:30-7:30PM
JUNE 7TH OLD BROOK INN
SPRINGBROOK 5:30-7:30PM
JUNE 14TH BEER BOYS
WILKES-BARRE 8-10PM
JUNE 21ST OAK STREET EXPRESS
SCRANTON 5:30-7:30PM
JUNE 28TH METRO BAR & GRILL
DALLAS 5:30-7:30PM
JULY 12TH RIVER GRILLE
PLAINS 5:30-7:30PM
JULY 19TH WOODLANDS
WILKES-BARRE 5:30-7:30PM
JULY 26TH MORGANZ
PUB & EATERY,
SCRANTON 5:30-7:30PM
AUGUST 2ND KINGS PIZZA
MOUNTAINTOP 5:30-7:30PM
AUGUST 9TH THIRST TS
BAR & GRILL
OLYPHANT 5:30-7:30PM
AUGUST 16TH ARENA
BAR AND GRILL
WILKES-BARRE 5:30-7:30PM
AUGUST 23RD RODANOS
WILKES-BARRE 5:30-7:30PM
AUGUST 30TH KILDARES
SCRANTON 5:30-7:30PM
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Rating: WWWW
Its time to take all of your DVDs
of of the shelf and toss them
into the street where they can
be crushed by oncoming trafc.
If you subscribe to Netfix, cut
your broadband connection with
kitchen scissors and kick your
television until its a shapeless
pile of plastic and sparks.
It fnally happened. After more
than 100 years of flmmaking, the
perfect movie has fnally arrived
in theaters. Congratulations,
Hollywood. It was a long and
frequently pointless trip, but you
did it. Nowits time to cancel all
of those plans for that Avengers
sequel and burn every single
print of every movie thats
coming out for the next year and
a half, because once audiences
seePacifc Rim theyll only
ever want to seePacifc Rim.
Every movie they attempt to sit
through after Pacifc Rim will
be like watching grainy, Super 8
footage of fnger puppets being
tossed against a screen door.
Seriously, Imnot overhyping
this. Everybody needs to get their
hopes as high as possible before
they even consider watching this!
Of course, if youre the kind of
Grumpy Gus or Sour Samantha
whos been living under a rock
made of despair for the past few
months you might ask, whats
so special about Pacifc Rim?
Well, Ill tell you whats so special:
Pacifc Rim takes place in an
unspecifed future where giant,
Lovecraft-inspired monstrosities
(or Kaijus, as the flmdubs
them) have emerged froman
inter-dimensional portal to wreak
all sorts of havoc on earth. This in
and of itself would be enough for
most movies, but Pacifc Rim
isnt just about giant creatures
that creep and stomp, its also
about giant robots (or Jaegers
as the flmdubs them) that
punch and strangle the giant
creatures that creep and stomp.
Additionally, the giant robots are
operated telekinetically by a pair
of humans that awkwardly trot
in place inside of the Jaegers
grotesquely enlarged head.
Basically its Transformers
if it was directed by a brilliant,
schizophrenic madman instead
of a bottle of Axe Body Spray in
an Ellen DeGeneres wig.
Unfortunately, some have
complained that the storyline
is clichd and the dialogue
silly. And, well, it is. It is silly
and clichd. But is this really
an issue? First of all, most of
the dialogue is being spoken
by Idris Elba, Charlie Day, and
Ron Perlman in elaborate
copper shoes. These are the
kinds of actors that could shout
indecipherable techno jargon
about neural drifts or mechs
and still make it compelling and/
or funny.
As for the story, well, any
Godzilla fan knows that the
storyline is something you
endure rather than enjoy. The
longer you can endure the
storyline in any giant monster
movie, the greater your reward
will be. And let me tell you, once
you patiently sufer through all
of the scenes where a maverick
loner (Charlie Hunnam) learns
to be less maverick-y and
respect the wishes of his stern
(but caring) commander youre
rewarded handsomely with
scenes of giant robots reaching
into gaping maws of razor-
headed Cthulhu-esque beasts,
tearing their luminescent, lotus
tongues out of their mouths and
eventually stabbing themwith
immense wrist mounted swords.
Its intense and if Silver Linings
Playbook had ended that way, I
probably would have been a lot
more tolerant of its grating little
quirks.
Really, what more can I say at
this point? If this newspaper isnt
currently hovering in mid-air
because youve suddenly run of
to your nearest theater to catch
the latest showing of Pacifc
Rim, I will fnd out who you
are and I will punch all of your
goddamned pets! And I love pets
(except ferrets, hippy).
-Mike Sullivan, Weekender
Correspondent w
Robots, monsters, Charlie Day - run, dont walk, to see Pacific Rim.
The awe-inspiring
spectacle of Rim
By Mike Sullivan
Weekender Correspon-
dent
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The phenomena begin
in 1981 in Londons West
end and took a leap into
American waters on
Broadway the following
year. The London produc-
tion ran for 21 years, the
Broadway for 18, and it
is the second-longest run-
ning show on Broadway
so why hasnt the area seen
a production of Cats yet?
Outside of some youth
performances, the famed
stage show has yet to hit
adult theater in the area,
but that will all change
with performances at
Theatre at the Grove in
Nuangola from July 26 to
Aug. 11.
Cats is a musical com-
posed by Andrew Lloyd
Webber thats based on
the T.S. Eliot work Old
Possums Book of Practical
cats. It follows a tribe of
cats called the Jellicles and
the night they make the
Jellicle choice, the picking
of which cat will ascend to
Heaviside Layer and come
back to a new life.
Cats is one of director
Michael Marones favorite
shows, but that has posed
some challenges that go
along with putting on
a show youve seen ve
times.
If theres something you
like so much, you try your
damnedest to replicate it,
of course, he said, but
its a little hard to replicate
dance numbers you see on
Broadway on a stage thats
an eighth of the size.
Theres a huge positive
to the small venue, how-
ever an element of inti-
macy.
Cats will come right
up to your seat and table
and we have entrances that
happen through the audi-
ence, Marone said. The
cast is on stage for about
80 percent of the show and
even when they arent, its
fun to still see that theyre
in character. Someone
might be hanging out in a
corner watching another
cat on stage but theyre
still licking themselves,
pretending to be a cat. Its
constant acting.
Though the show is
wildly popular and has
stood the test of time,
actor Paul Winarski said
the biggest criticism is
that theres no plot.
But, there actually is,
he continued. Each little
moment is a plot and its
all tied together by the
Jellicle Ball.
Each little moment is
brought about by a pletho-
ra of different cats, all with
characters so strong that it
makes up for the supposed
lack of plot.
Its all about the per-
sonality that T.S. Elliot
brought to each individual
character in the poems,
Winarski said. Theyre
really strong and theres a
variety of different person-
alities. The cats are like
human beings.
You have legions of
fans of this show that you
see online talking and dis-
cussing each cat. Everyone
has their favorite. It could
be the smallest role, but
someone identies with
that.
Winarski plays two
roles, one of which is Gus,
the Theatre Cat. That
character in particular pro-
vides insight that Winarski
and his fellow cast mem-
bers can relate to.
Gus is an elderly cat
whos seen better days,
Winarski said. Hes spent
his entire life on stage
and hes looking back at
his career at a time when,
as he says, the theater is
certainly not what it was.
Its very touching, and of
course its something we
also see in our profession,
with shows full of spec-
tacle and overwhelming
effects. It takes millions
to mount a show any more
and the characters are
often forgotten.
Winarksi said another
cat in the show, Rum Tum
Tugger, is reminiscent of
a 70s rock star, with a lot
of people equating it to a
Mick Jagger-type of per-
sonality.
Marones favored cat is
Mr. Mistoffelees, a young
cat with magical powers
he cant fully control.
I like that song and
the big dance number
that goes along with it,
Marone said of the charac-
ter. Ive also always been
a fan of magic and magi-
cians, so to pair wonderful
music and dancing with
the concept of magic is
great.
The cats all came to life
thanks to the talents of the
actors, but another facet to
them that makes the show
so strong is the spectacu-
lar costuming and makeup
that comes along with it,
giving each cat an even
more distinct personality.
Grove will be doing a mix-
ture of things for its cos-
tuming, in making its own
pieces and renting from
another theater that put on
the show in the past, and a
local salon will provide the
makeup.
For those involved with
Cats, its no wonder why
the show has lasted in pop-
ularity as long as it has,
and the folks at the Grove
hope to show the audience
why.
Its just a novelty,
theres nothing else like
it, Marone said. What
other show do you know
that you can see non-stop
dancing and singing from
beginning to end by non-
human characters? I think
that now, other than some-
thing like The Lion King,
theres nothing like this.
Its truly whimsical, care-
free, and unique.
Or perhaps its some-
thing not as deep.
I mean, who doesnt
want to watch men dance
around in unitards?
Marone said with a laugh.
w
The claws are out at the Grove
By Sara Pokorny
Weekender StafWriter
Cats:July 26-Aug.
11, 8 p.m. Fridays and
Saturdays; 3 p.m.
Sundays, Theatre at the
Grove (5177 Nuangola
Road, Nuangola). $20.
Family Night special
performance Aug. 8, 8
p.m. For reservations
call 570.868.8212.
OPeNiNG ThiS Week:
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R.I.P.D.
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Released on DVDJuly 16:
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WE WILL BEAT ANY COMPETITORS PRICE ONANEW
KIAGUARANTEEDOR WE WILL PAY YOU$1,000!
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The Kia 10-year/100,000-mile warranty program includes various warranties and roadside assistance. Warranties include power train and basic. All warranties and roadside assistance are limited. See retailer for details or go to kia.com. *24-hour Roadside Assistance is a service plan provided by
Kia Motors America, Inc. **Plus tax and tag. Picture may not represent exact trim level. Plus tax & tag, 12k miles per year with 1,500 down & fees due at signing. Kia Soul payment based on 39 month lease with approved credit. Sorento, Optima and Sportage based on 36 month lease with approved credit.
*** Must be a documented deal. Dealer reserves right to buy that vehicle.
Wyoming Valley Motors Kia
560 Pierce Street , Kingston, PA
570-714-9924
www.wyomingvalleykia.com
10-year/100,000-mile limited power train warranty
5-year/60,000-mile limited basic warranty
5-year/100,000-mile limited anti-perforation
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2013 KIAOptimaLX
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* PHOTOMAY NOT REPRESENT TRIM
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Our shelves are restocked! We have the cars and we have the deals!
HIGHEST PRICES PAID FOR TRADES! COME IN TODAY!
WEDNESDAY
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THURSDAY THURSDAY
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FRIDAY FRIDAY
Wednesday-Saturday
8 pm until 2 am
Kitchen open until Midnight/ music @ 10pm
$2.50 All Magic Hat beers from 8 pm until 10 pm
$1.50 Pints of MILLER LITE AND LAGER 9 pm
until 11 pmAlways $1.75 Lions Head &
$2 Miller High Life
www.riverstreetjazzcafe.com
RIVER STREET JAZZ CAFE
667 N. River Street, Plains Pa. 570-822-2992
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Music @10pm
ONLY $5
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all proceeds go to beneft Domestic Violence Service Center
WOMENWHOROCK
sponsored by Te Weekender
Featuring all the great female rockers in the area
Doors @6pm
Music @7pm
FREIGHT TRAINREUNION
returns to play the Jazz
f all the original members w/ special guest Jef Pettit Band w/ Dan fromHexbelt
Music @ 10pm
on the patio
Te Beaumont Inn
Friday 7 to 10 pm
Big Daddy Dex
Sunday 4 to 8 pm
Alicia Lynn Duo
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,
Shredder, a typically Japanese character, will be Caucasian in the 2014 film
adaptation.
Bay plans to shred
Turtles legacy
Despite making hit movie after
hit movie, Michael Bay has become
an easy punching bag for critics
and Internet commenters alike due
to the fact that everything he does
reeks of typical Hollywood. His
upcoming live-action adaptation of
Teenage Mutant Ninja Turtles is
no different, and its not even done
lming yet.
Last year, Nickelodeon obtained
the rights to the popular and iconic
80s characters and created a wide-
ly praised cartoon that updated
the Heroes in a Half Shell for a
new generation. It makes a lot of
changes, but some are for the bet-
ter, and I say that as a fan who grew
up with the original TV series and
the comic books. For one, April
ONeil is now a teenager interested
in learning martial arts along with
her green friends, which transforms
her character from dumb damsel
to relatable rebel, so a movie pro-
duced by the same company has to
be progressive too, right?
Nope. Like a robotic vessel with-
out a Krang, Bay marched right in
and put an end to such feminist
nonsense, casting Megan Fox as
the airhead our computer-generat-
ed reptiles will be saving. You could
ask how I already know what type
of character shell be playing, but
if you did, Id have to refer you to
the rest of her career, and we really
dont want to relive any of that.
The latest bit of news that has
fans oozing disgust is the casting
of William Fichtner as Shredder,
the evil leader of the Foot Clan and
main antagonist for the Turtles.
Fichtner, who you may remember
as the bank manager in The Dark
Knight whose pathos ultimately
leads to nothing, is a great charac-
ter actor in the I know that guy!
roles he plays, but I doubt he has
the ability to change his ethnicity.
Shredders real name is Oroku
Saki, and throughout his many dif-
ferent incarnations over the years,
he has always been portrayed as a
Japanese man (except when he was
an alien brain in that weird 2003
cartoon), but now, like the entire
main cast of this new lm, hes just
another white guy. And speaking
of white guys, Danny Woodburn
of Seinfeld fame will play Master
Splinter, the Turtles sensei, anoth-
er character typically portrayed as
Japanese, particularly in his accent.
Why did Bay go out of his way to
whitewash this cast?
Im sure hell argue that these
gentlemen were just so right for
the roles that he wasnt going to be
bound by race, attempting to turn
the racist card back on his accus-
ers, but the issue here lies in the
fact that their race is actually quite
important to their origins in this
case. These are martial artists from
Japan in a story where ninjas play
a signicant role making them
Caucasian (and likely American)
forces the script writers (and
I use the term loosely) to either
explain how they learned ninjutsu
or to change their stories com-
pletely.
On the other end of the spec-
trum, Marvel Studios shot extra
(and superuous) scenes for
Iron Man 3 specically to court
Chinese audiences, though it was
met with mixed results. It seems
that Hollywood cant decide if it
wants the attention of foreign audi-
ences or not, though at the end of
the day, fans care much more about
staying true to what they already
love and appreciate over any bla-
tant pandering. I know plenty of
black people who identify just
ne with a white Spider-Man, and
I know plenty of white guys who
think Blade is one of the best super-
natural heroes ever created because
theyre just awesome characters,
black or white. I have yet to hear of
any Japanese fans being offended
by Shredder or Splinter, so why the
dramatic shift?
Jonathan Liebesman, the direc-
tor of lame sequels (Wrath of
the Titans) and prequels (The
Texas Chainsaw Massacre: The
Beginning) nobody asked for, has
mostly avoided criticism despite
sitting in the directors chair, but
we all know that Bay is the one
pulling the strings here. It would
have made sense for Nickelodeon
Movies to produce a lm closer to
its source material that respects
and builds upon the franchise like
the cartoon does, even if it were
just for tie-in purposes, yet they
let Bay run this movie right into
the sewer from the get-go. This is
the same guy who almost made
the Turtles aliens until Internet
riots ensued why build another
Transformers when you can pull
in Marvel-type money by taking the
material seriously?
Because sexism is safe. Because
white characters are safe. Because
the title is safe, in the sense that
people will see it, no matter how
bad they expect it to be, just
because they like the old cartoons
and comics. If you are one of those
people, I suggest you stay home on
June 6 next year and enjoy what
you love, because you wont nd
it in theaters. Hollywood is still
busy pleasing a demographic that
doesnt exist.
-Rich Howells is a lifelong
Marvel Comics collector, wannabe
Jedi master, and cult lm fan.
E-mail him at rhowells@civitas-
media.com. w
Actors Circle at Providence
Playhouse
(1256 Providence Rd,
scranton, reservations:
570.342.9707, actorscircle.org)
A Little Murder on the Side:
July 18-20, 25-27, 8 p.m.$10, gen-
eral admission; $8, seniors; $4,
students.
Audtions for Ghost of a
Chance:July 22-23, 7 p.m. Show
dates are Sept. 19-22, 27-29.
Needed: adults ages 20 and up,
three male, three female.
Jason Miller Playwrights
Project
(570.591.1378, nepaplay-
wrights@live.com)
Dramatists Support Group:
Third Thursday of each month, 7
p.m., The Olde Brick Theatre (126
W. Market St., Scranton).
Lakeside Players
(570.226.6207, www.lakeside-
players.net)
Annual Free Theater Camp:
July 22-26, 6:30-8:30 p.m.,
Lakeville Community Hall (Route
590, Lakeville). Open to children
ages 9 to 13 who have never
stepped foot on a stage.
M.P.B. Community Players
(531 Garfeld St., Hazleton.
570.454.3305, mcgroganj@
gmail.com)
Wonderful Town: Sept. 27,-
29
Music Box Players (196Hughes
St., Swoyersville: 570.283.2195or
800.698.PLAY or musicbox.org)
Childrens Theater
Summer Theatre Workshop
2013: Mondays, Wednesdays
and Fridays from July 22-Aug. 16,
9 a.m.-noon. Performances by
the students of Winnie the Pooh
Aug. 16-18. Any child attending
performance of Little Red Riding
Hood has chance to win a full
scholarship to workshop.
Gala Night: July 27. $50.
Les Miserables: July 19-21,
25-28, Aug. 1-4. $34, dinner and
show; $28, dinner and show for
children 12 and under; $16, show
only.
Pennsylvania Renaissance
Faire
Auditions for the 33rd sea-
son, mansion at Mount Hope
Estate, Route 72. Callbacks will
be held in the afternoon and will
stress movement. Those audi-
tioning should wear loose ft-
ting or comfortable clothing. By
appointment only, 717.665.7021,
ext. 120.
The Phoenix Performing
Arts Centre
(409-411 Main St., Duryea,
570.457.3589, phoenixpac.
vpweb.com, phoenixpac08@aol.
com)
Auditions:
Clue: Through July 20,
Friday/Saturday shows 8 p.m.,
Sunday shows 2 p.m. $12.
Spamalot: Aug. 9-25.
Pines Dinner Theatre
(448 North 17th St., Allentown.
610.433.2333. pinesdinnerthe-
atre.com)
Footloose:ThroughAug. 18,
Weds., Thurs. and Sun. 12:30 p.m.
dinner, 2 p.m. show; Fri. and Sat.,
6:30 p.m. dinner, 8 p.m. show.
$48.50.
Raymond the Amish Comic
with John Walton:
Aug. 9, 8 p.m., The Gravity
Inn (40 Gravity Planes Road,
Waymart). $15.
Scranton Public Theatre
Youth Theatre Project
Teens Teaching Teens: Aug.
2-3, 9-10, 8 p.m., Olde Brick
Theatre (Rear 128 W. Market St.,
Scranton). $10. For reservations
call 570.344.3656.
Shawnee Playhouse
(570.421.5093, theshawneeplay-
house.com)
Broadway Cabaret: July 18, 7
p.m. $8 suggested donation.
Stage Directions Performing
Arts Academy
July 28-Aug. 3, 9 a.m.-5 p.m.
daily, Ferrwood Music Camp (257
Middle Road, Drums). Co-ed ,
ages 6-18.
Theatre at the Grove
(5177 Nuangola Road,
Nuangola. nuangolagrove.com,
570.868.8212, grovetickets@
frontier.com)
Ticket pricing: $18, plays; $20,
musicals; $86, summer pass,
frst fve shows; $120, season
pass. All shows are BYOB and fea-
ture cabaret seating.
Cats: July 26, 27, Aug. 2, 3,
8-10, 8 p.m.; July 28, Aug. 4, 11, 3
p.m.
The Mousetrap: Sept. 13,
14, 19-21, 8 p.m.; Sept. 15, 22, 3
p.m.
Sweeney Todd: The Demon
Barber of Fleet Street: Oct. 18,
19, 25, 26, Nov. 1, 2, 8 p.m.; Oct.
20, 27, Nov. 3, 3 p.m.
Its a Wonderful Life: Nov.
29, 30, Dec. 6, 7, 12-14, 8 p.m.;
Dec. 1, 8, 15, 3 p.m.
Expanded listings at
theweekender.com. w
Send your listings to WB-
Wnews@civitasmedia.com,
90 E. Market St., Wilkes-
Barre, Pa., 18703, or fax to
570.831.7375. Deadline is
Mondays at 2 p.m. Print
listings occur up until three
weeks from publication
date.
Geek Culture & more
Rich Howells | Weekender Editor
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LOOK WHAT YOU MISSED
Mac Miller @ Sherman Theater 07.11.13
Photos by Jason Riedmiller For more photos, visit theweekender.com
It is ofcial: Katy Perry and John
Mayer have penned a song togeth-
er, and that track will appear on
Mayers album Paradise Valley.
The only question left unanswered
for sure is: Will Perrys vocals be fea-
tured on the single as well? My ini-
tial sources conrmed a version of
the song with the Teenage Dream
singer has in fact been recorded. But
with Perry and Mayer under differ-
ent record labels, there is no guar-
antee that nancials for her cameo
were worked out before the LP was
sent to be mastered.
The Ralphie Show broke the
exclusive on June 27: Mayer was
nalizing his fourth studio album,
and it was a possibility that a duet
he recorded with his on-and-off girl-
friend could make the cut. This isnt
exactly uncharted territory for the
Who Says singer; 2009s Battle
Studies saw a Taylor Swift cameo
on Half Of My Heart. But while
Swift is noted as a featured artist,
it is Mayer who receives the only
writers credit for that song.
Paradise Valley is now slated for
an Aug. 20 release according to its
Amazon.com page. Under Perrys
catalog listing on the Warner/
Chappell Music web site, she and
Mayer are co-writers for Who You
Love. Amazon places it as track
six on the album, and snippets of
the song can be heard in footage
released by Mayer of himself in stu-
dio recording the project.
DOC GOODEN RESPONDS
TO MICHAEL LOHANS
COMMENTS
Michael Lohan will tell anyone
willing to listen that former pitcher
Dwight Doc Gooden has fallen
off the wagon. Lindsays father
claims he and Gooden were in rehab
together, and that lately the baseball
player wont return his or anyone
elses calls.
Doc has appeared in the media
since, at-out refuting Lohans
claims that he relapsed from his
drug addiction.
(He) makes his success on his
daughters success or failure, and I
just wish him the best and her the
best, Gooden told me at Citi Field
in Queens, N.Y., before playing in
the Taco Bell All-Star Legends and
Celebrity Softball Game. I have
no comment at all for what he said
because its not true.
Gooden has not reached out
directly to Lohan either since the
headlines broke. He believes theres
no reason to.
Coincidentally enough, Goodens
comments came right before a TMZ
report that Lindsay is planning on
moving back to New York City fol-
lowing her latest stint in rehab.
- Listen to The Ralphie Show
weeknights from 7 p.m.-midnight on
97 BHT.
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ENTERTAINMENT REPORT
Ralphie Aversa | Special to the Weekender
Mayer and Perry inParadise
John Mayers newest release, Paradise Valley, will feature a pop singer that has been in
and out of his life numerous times.
Had an encounter with someone famous? If so, the Weekender wants
your picture for our Starstruck.
It doesnt matter if it happened fve months ago or fve years ago. Send
us your photo, your name, hometown, the celebrity you met, and when
and where you met them, and well run one photo here each week. E-mail
high resolutin JPEGs to weekender@theweekender.comor send your
photos to Starstruck, c/o The Weekender, 1 N. Main St., Wilkes-Barre, PA,
18703.
Brittany Burns, of Throop, with Johnny Knoxville, star
of MTVs Jackass, at The Knight Library in Orlanda, Fla.,
2010.
Enter your pet for Weekenders PET OF THE WEEK
by sending photo, pets name, breed if applicable, owners name
and hometown to: weekender@theweekender.com subject line:
Pet of the Week
Owner: JUSTINAND MELISSABRYK
JENKINS TOWNSHIP
CAT
ALICE
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BAZAARS/FESTIVALS
2nd Annual Pennsylvania
Organic FarmFest:
aug. 2-3, grange Fairgrounds,
Centre Hall. For more info visit
farmfest.paorganic.org, or call
Kathryn Tokarz at 814.422.0251.
27th annual Pocono State
Craft Festival
(www.poconocrafts.comor call
570-476-4460.)
Aug. 24-25, Quiet Valley (347
Quiet Valley Road, Stroudsburg).
$6, adults; Free, children 12 and
under.
St. John the Baptist Orthodox
Church
(93 Zerby Ave, Edwardsville)
15th Annual Ethnic Food
Festival: aug. 24, 11 a.m.-6 p.m.
BENEFITS/CHARITY EVENTS
5th Annual Golf Tournament
benefting the 1st Lt. Jefrey
dePrimo Memorial Fund,
luzerne Foundation: aug.
17, 1:30 p.m., Wilkes-Barre
Golf Club. $75. Register at
deprimogolf.comor call
570.709.0916 for more info
American Cancer Society
Making Strides Against Breast
Cancer of Wyoming Valley walk
kickof breakfast: Aug. 20, 7:30
a.m., Wilkes-Barre/scranton
Railriders stadium, Moosic.
American Red Cross of
Lackawanna County
Roof-A-Thon: Aug. 7-9,
Wendys, davis street, scranton.
Camp Papillion Pet Adoption
and Rescue
(570.420.0450, camppapillion.
org)
Information day: July 28, 11
a.m.-3 p.m., Wal-Mart (Route
940, Mount Pocono)
Adoption Day: Aug. 4, 11 a.m.-3
p.m., Ertles Subaru (789 N. 9th
St., Stroudsburg).
Meet & Greet/Adoption
day: aug. 17, 11 a.m.-3 p.m.,
Tractor Supply (Route 209,
Brodheadsville)
Candys Place (570.714.8800)
4th Annual Luncheon and
Fashion show: July 28, 11 a.m.-3
p.m., Woodlands Inn (Wilkes-
Barre). $25, per person; $250,
table of 10.
Commonwealth Medical
College
(525 Pine st., scranton)
Community day Health Fair: July
19, 9:30 a.m.2:30 p.m.
Dog Days of Summer
with Traceys Hope Hospice
Care Program, Rescue for
Domestic Animals, Inc., and Ben
& Georges Ice Cream: Aug. 10-11,
5:30-10 p.m., Ben & Georges
(194 e. Oak st., Pittston).
Psychic readings on saturday,
dogs for adoption on sunday.
Doing it for Lola breast
cancer fundraiser:
aug. 10, 1-10 p.m., american
legion Post 781, Mountain
Top. $15 donation, kids 12 and
under free. Bike run/scavenger
hunt begins at 12:30 p.m. at
Outsiders in Wilkes-Barre.
Family Service Association
of NEPA
5th annual Pauly Friedman
Family 5KWalk/Run: Aug. 11,
registration 8:30 a.m., race
9:30, Misericordia university,
dallas. $25. For more info or to
pre-register call 570.823.5144
or emailfsawv.ruthkemmerer@
verizon.net.
For the Love of Pete,
blood drive in memory of Peter J.
Bonczewski Jr.: July 27, 8 a.m.- 2
p.m., st. anthony and st. george
Maronite Church (311 Park ave.,
Wilkes-Barre).
Mike Meoni Memorial
Scholarship Fund
1st Annual Mike Meoni
Memorial golf Tournament: aug.
10, sleepy Hollowgolf Course,
Greenfeld Twp. Tournament
format is a four person captain
and crewteamfor 19 holes. $65
per person; $260 per foursome.
For more information visit
MikeMeoni.com.
Safe Haven Dog Rescue
(www.safeHavenPa.org,
safeHaven@epix.net)
Adoption day: July 21, 11 a.m.-3
p.m., Tractor Supply (Route 209,
Brodheadsville)
Adoption day: Aug. 18, 11 a.m.-
3 p.m., Tractor Supply, Rte. 209,
Brodheadsville.
Susan G. Komen for the Cure
6th Annual Rally for the Cure
Golf Tournament: July 27, Villas
Crossing golf Course (521 golf
Road, Tamaqua). $65 covers
green fees, golf cart, food, soda,
and prizes. Registration for the
four person scramble begins at
11:00 amwith a shotgun start
at 12:30 pm. For more details or
for sponsorship opportunities,
contact Debbie at 570-386-
4515.
The Tipsy Turtle
Annual Golf Tournament for
the Make life Count Charity,
aug. 4.
Wayne Memorial Auxiliary
Hospital
Crazy for Patsy, a concert
of songs by the late country
legend Patsy Cline: July 21, 3-6
p.m., edhardts Waterfront, lake
Wallenpaupack. $32, includes
hors doeuvres. Tickets must be
purchased in advance by calling
committee Chairwoman Katy
Wood at 253-5779.
CAR & BIKE EVENTS
570 Riders Bike Nights
Runs every Monday in the
summer. 6 p.m., Dairy Queen,
Rt. 315
Coal Cracker Cruisers Car
Club (570.876.4034)
Cruise Night: Aug. 2, Sept. 6,
6-9 p.m., advance auto Parts
(Route 6, Carbondale).
15th Annual Car Show: Sept.
15, 9 a.m. For more info contact
Joann spalnick, 570.876.4034.
McDonalds (Route 590 Hamlin,
Pa)
Car Cruise: Every second
Friday of July, august,
September, 6 P.M.
Montage Mountain Classics
(Thurs., 6-9 p.m., Fri., 6-10 p.m.,
sat., 5-9 p.m.)
Car Cruises:
July 20, Aug. 17, Sept. 21, 5-9
p.m., Johnny Rockets, Montage
Mountain.
St Joes Car Show: Aug. 18, 9
a.m.-3 p.m., Pittston Bypass.
Rain date Aug. 25.
Aug. 2, Sept. 6, 5-9 p.m.,
Pittston Cruise, Tomato Festival
parking lot.
Cruise to Beneft Ronald
Mcdonald House: sept. 22, 2-6
p.m. Rain date Sept. 29.
Mount Hope Estate and
Winery
(2775 Lebanon Road, Manheim.
717.665.7021.)
Brews and Blues: July 20, 12-3
p.m., 5-8 p.m.
Shickshinny Forwards 2nd
Annual Car Show and Party in
the Park:
Aug. 3, North Susquehanna
Avenue along Susquehanna
Warrior Trail in shickshinny. Car
registration 10 a.m.-noon, show
noon-3 p.m., party until 5 p.m.
Judging at 2:30 p.m. $15, show
vehical registration in advance;
$20, at the gate. For info visit
shickshinnyforward.com/car or
call 570.550.0721
SCHOTT Car and Bike Show
benefts SCHOTT colleague who
is bravely facing cancer: July 27,
rain date July 28, 9 a.m.-3 p.m.
$10, registration fee. For more
info contact ed at camaro@ptd.
net or 570.474.6484.
The Ekumen Chorale free
concert performances:
July 21, 3 p.m., St. Georges
SEE AGENDA, PAGE 36
ACROSS
1 Burst
4 answer an invite
8 Mid-June honorees
12 Georges brother
13 - out (supplements)
14 Out of the storm
15 Unimprovable place
17- do for now
18 Back
19 great commotion
21 Americas Got -
24 First st.
25 Wall climber
26 listener
28 distance down
32 nap
34 Crazy
36 avis adjective
37 Basin accessories
39 Pie flling?
41 deteriorate
42 Last (Abbr.)
44 Political argument
46 Colored like hippie
shirts
50 Website section,
often
51 Opposed to
52 south american
country
56 Old card game
57 Thing
58 Heady brew
59South Park kid
60 Knighted woman
61 Playing marble
DOWN
1 spot on a domino
2man - mouse?
3 Render immobile
4 given a makeover
5 Tackle moguls
6 Two-piece suits lack
7 Intellectual pretender
8 Company that merged
with Benz in 1926
9 Choir member
10 sandwich shop
11 Vend
16 Census stat
20 Roulette bet
21 Ocean motion
22 acknowledge
23 Highlanders hat
27 aries
29 Strong herbicide
30Jog
31 loathe
33 scholarly
35 Flop
38 Crafty
40 Malign
43 lukewarm
45 satchel
46 Chore
47 Black
48 List-ending abbr.
49 Information
53 sleep phenom
54 Carte lead-in
55 evergreen type
last week
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