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Hello, there!

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Ladies and Gentlemen hello, my name is Mike Rugnetta.

@mikerugnetta

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I write and host a YouTube show called Idea Channel,

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about popular culture, philosophy, critical theory and technologyand am on third of a live, lecture based performance-art trio called MemeFactory.

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We make performances about the internet and internet culture. If you know what either of those things are and we havent already I would love to

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high-ve you in thanks, at some point before the end of the day. Speaking of which!

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I want to thank Andy for inviting me. It's a thrill

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to share this space with you guys. I mean, some of you are nothing short of internet heroes.

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Without your shoulders to stand on, nothing that I do would exist; I never would have thought it possible to make a living speaking quickly about and on the internet. It is a huge honor to stand up here and wax presentational at a group of such distinguished

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pillars of internet,

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cultural monoliths,

SORRY
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hackers,

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jammers aaaaannnnnndddd

SORRY AGAIN
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[PAUSE]

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disruptors. And that is what I want to talk about. Not how much I love you guys,

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which I do but rather how the successes of others can give someone permission to be themselves.

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My little presentation here is going to be sorta different. Im not really going to talk about MAKING something. Well. Sort of. Im not going to be talking about making THINGS, Im gonna talk about making YOURSELF. And how that process might, now, relate to that 7-but-really-4 letter word weve all come to know and love.

D****PT
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We have and will continue to hear the internet and it's related technologies described as..D-WORD..technologies. Which is maybe a little unfair because this suggests that the internet has come along and causedtrouble

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- that it's interrupted the natural and just order of things and has thrust upon the world its own agenda

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where previously nothing was the matter. It does, though, properly capture the spirit, attitude or position held by one side of the resultant rift in the status quo: It evokes a kind of UPSET.

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It is rather fair to say that many people, because of the internet, are upset. Some are upset because the likelihood of encountering spoilers

#109
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has effectively skyrocketed, many OTHER people are upset about the internet because, practically, it provides a great many economic ...

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shortcuts. If "disruption" is the million dollar word then the $2 million word is "disintermediation".

DISINTERMEDIATION

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And talk surrounding disintermediation has a certain tenor to it as well. It suggests there is infrastructure

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which was built and existed and now the internet is tearing it down

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, un-building it or at the very least supporting its dereliction and eventual implosion.It describes a kind of DECONSTRUCTIVE INTERNET. It's not BAD. for the most part it's not

DESTRUCTIVE

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DESTRUCTIVE

DECONSTRUCTIVE

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it's deCONstructive and y'know, sometimes you have to get out with the old to make way but for the new butI'm not so sure it's the whole story. I think there is another internetwhich is to say, really, it is the

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SAME internet just different parts and even some of the same parts viewed differently, and I'd like to call it the CONSTRUCTIVE INTERNET.

CONSTRUCTIVE

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The constructive internet connects locales unreachable not because of

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TOLLS or ROADBLOCKS but because there were. no. roads.

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The constructive internet is not a wrecking ball,

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it's a pathway.

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It's not a saws-all,

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it's a ag in the sand.

bit.ly/1blH0nb
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The difference between the deconstructive and constructive internet is the difference between a shortcut

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and adesire path.

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A shortcut is, strictly speaking, a less traveled,

DECONSTRUCTIVE

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faster route; a desire path

CONSTRUCTIVE

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is a user-group built rethinking of what routes should exist, but don't. If the worldwide, media ecosystem is the park

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and dominant modes of business and communication are the landscape-architect approved and department of parks and recreation installed pathways

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then the DECONSTRUCTIVE internet is knowing that it's faster to get to the

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food trucks if you just go THROUGH the woody part

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where all the couples are constantly making out

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and the CONSTRUCTIVE INTERNET is that weird strip of worn

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down grass where you might hesitate for a moment to walk down it because well it's clearly not SUPPOSED to be there but wait who more than you, the person IN THE PARK, gets to decide where you are and are not SUPPOSED TO WALK, anyway? And clearly there are a good many people who feel the same way. Practically, the constructive internet is many things.

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IFTTT, Seamless, Evernote and the countless animated reaction GIF albums on

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IMGUR are all new routes not available or even CONSIDERED pre internet. Most signicantly and importantly, though, the constructive internet is

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communities:connections created between people who, before now, would neveror only with signicant efforthave crossed paths.Some of them are AD HOC:

Permanent

Small

Large

Temporary
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[ANIMATING SLIDE] on the small-large, temporary-permanent matrix HERE are communities which develop around the funny hash- or tumblr tag; and communities which subscribe to a blog feed or comment on a post. Many of these communities, though, are larger and more permanent: HERE, is thefandom.

(
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Now before we get too much further let me totally and completely acquiesce to the fact that "fandom" existed for a long time before the internet. I'd argue, though, that the para-internnetfandom is a totallynewsense of "fandom". It is not a geographically far-ung group of people who point their faces in the same directiontowards the movie screen, book, tvwith a shared regularity but rather a fully networked group of creatively involved fans constantly working and celebrating alongside one another. Fandoms no longer meet exclusively at the book release, yearly con or regular local meet-up near the Panda Express at the mall (not drawing from personal experience).

bit.ly/1blIuO6
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In other words: "Fandom" has reached a kind of cultural prevalence it has not previously enjoyed, especially not under the name "fandom". Shakespeare and Liszt

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certainly had "fandoms" but today fandoms are COUNTLESS and FAR FLUNG:

bit.ly/194KNQK
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The Sherlock Fandom,

bit.ly/194L0U0
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the Doctor Who Fandom,

bit.ly/1blJrpD
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The My Little Pony Fandom

bit.ly/1blJqlF
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Homestuck,

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Arrested Development,

bit.ly/1a4JCC5
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Welcome to Night Vale,

bit.ly/194MRbs
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Harry Potter,

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Breaking Bad,

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Nerdghters,

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Game of Thrones,

bit.ly/194NmST
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Star Wars,

bit.ly/194NDFr
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Torchwood,

bit.ly/194Ox4Z
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The Walking Dead,

bit.ly/1blLjyS
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Avatar and HECK there are even some people claiming to be in

bit.ly/1blLI4f
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MY FANDOM. For whom I am very grateful and by which I am very, VERY attered. As a side note: the

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"list of fandoms" tag on tumblr is VERY interesting. If the internet ever has it's own

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Art of War, except,

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Art of the Internet, and not about War but about being a smart and respectful internet user, something my good friend

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Kenyatta Cheese said should go in there. He said that

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"fandoms are not about the fans gathering around the media they love, but about gathering around

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each other NEAR the media they love." The Deconstructive Internet allows fans access to the

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media and personalities they are absolutely bonkers over; the Constructive Internet allows fans access to

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EACH. OTHER. The theory, actually, is that the most "successful"which I realize is a wily concept

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in and of itself but, bear with me herethe most successful fandomsdon't have the best media or the best top-down provided access to that media

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but rather the best interpersonal

bit.ly/1blH0nb
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relationships, the best stories

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and most engaging, ongoing conversations.

bit.ly/1egMxwg
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Deviant art,

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twitter,

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tumblr,

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steam,

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reddit,

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Live journal, and

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forums-upon-

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forums-upon-

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forums allow fans to create and share

bit.ly/1egRKEC
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art, fan ctions, GIFs, remixes and parodies. They develop

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fan theories and headcanon, theorize 'ships and generally

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relate toone another as much ormorethan they do directly to the media which has caused them to gather in the rst place. The weird thing that this seems to suggestand you'd be correct in thinking it is both weird and merely suggestedis that canon media

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(the tv show, the book, the video game, the youtube show, the whatever)

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isn't REALLY the most important part of the fan community.Rather, it is the bond between and excitement of the people

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in that communitycertainly INSPIRED by the media but by no means part and parcel with itwhich allows and encourages its persistence. The hypothesis, then, is that maybe there couldand given the

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innite-alternate-universes size of the internet, certainly there MUSTbe a fandom WITHOUT canonical media. It would subsist primarily, instead, on the attitude and interpersonal connections

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of the fans involved and not a perfectly pervasive devotion to one particular spectacle. As my close friend and MemeFactory amigo Patrick Davison points out in the forthcoming MemeFactory book,

BLATANT SELF PROMOTION


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... there is. And than fandom isno laughing, please

bit.ly/1dkfZi5
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the furries. The Furry Fandom does not have ONE piece of canonical media around which the community gathers. There is a SET of media, like:

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Black Sad,

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Lackadaisy, and even

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The Lion King,

bit.ly/1dkhLjb
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with different signicance and different meanings for different furs. Whats more: not every creator contributing to that set of Furry Media self-identies as a fur, or set out to create "furry media". There is even /debate/ within the community about what actually qualies as FUR MEDIA and FURDOM itself. The Furry Fandom is not organized by one particular piece of media or even canonical denition of what a Furry is; it is at once singular and diasporadic. They are, in a sense, more "remote",

bit.ly/1ek7HK0
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[ANIMATED SLIDE] more far ung, MORE uid than a standard fandom. As such, the internet and furries are a match made in heaven. Did the internet create furries, then? Well,

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No. There were furries pre-internet,

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and they did just ne. There are, however, more furries now than before the internet. Is it fair to say, then, that the internet has created SOME Furries? I think so, yes. I

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I've spoken to a couple furs and they think so as well. This is signicant, and relateseventuallyto our broader point about a weird and different kind of disintermediation and being given permission to be yourself. Because. Imagine you're a teenager.

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Or, really image you're yourself. And you'resitting at home in your bedroom, tortured and lamenting

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[ANIMATING] "I am theonlyperson in the WORLD *fascinated* with anthropomorphic depictions of ... bears, or cats". That seems a

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ridiculous thing to think, now, doesn't it? Of course you're not the only one:

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Furries exist. And forat least one, though likelymany more people, the discovery of the furry fandom and their ability to connect with itthe fact that they happened down the

bit.ly/187WeHk
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"Furry Desire Path"if you'll allow me such an unfortunately suggestive phrasewas of signicant personal importance. This disintermediation is not really media

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or BRAAANNNDDDDS or

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access to celebrities.

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It's not the news

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or video content or

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access to scholarly knowledge.

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Alongside all these things, which yes the internet has game-changed, the internet has also changed the way peoplecan construct themselves.

bit.ly/187XJFp
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It has provided access to knowledge and communities and media and people who can help to un-ball the

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complex knot that is self-constitution. I mean, the self is a complicated thing because it isn't accessed DIRECTLY.

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The REASON you have to spend lots of long nights staring out the window looking at the moon,

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visiting all the coffee shops and

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smoking all the cigarettes

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in an effort to gure out what you feel, who you are and what you believe or desire is because you can't just shut your eyes andobservehow you feel.The self is a little like a pitch-dark room:

its back here

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[ANIMATED SLIDE] if you want to nd the sofa, you'll have to go feeling around for it. Maybe its right in front of you, maybe it's not. If you want to know how you feel about the conict in

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Syria, maybe you immediately know or maybe you have to really consider it for a while. The philosopher Immanuel Kant

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described thesystematic elusiveness of the 'I'.He wasn't talking about knowing if you're a furry

bit.ly/1880F4U
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or not, but he was talking about apprehension of the self and how it's always kind of

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retreating. For some certainly more than others and for many, very different reasons.A common difficulty, I think it's fair to say, is a preoccupation

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with knowing what is acceptable or evenpossibleto believe, or want, or do. The self retreats

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not just as an effect of its complexity but sometimes as an effect of it's inevitable comparison

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to other selves. It's difficult to condently construct one's self without placing it alongside others; thetrueself, if there is even

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ONE, can retreat behind cultural norms, community practices, social and societal expectations. So we're at this weird spot, right? And not like,

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the dog park in Night Vale weird

DO NOT THINK ABOUT THE DOG PARK


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but metaphysically weird. You want to be TRUE to your SELF

THINK ABOUT YOURSELF INSTEAD


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but you might not know what OPTIONS are available for inclusion in that truth unless you go shopping, I guess, is one way to put it. But are they "true" if they came from somewhere outside your own brain?This is actually a big, important question: is there a truly and totally internal self? Or put another way: would every person who currently self-identies as

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goth or pro-life or democrat or an evanescence fan

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[MUSIC VIDEO] - until childish fears

bit.ly/1882M8Q
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or who identies as a furry have come to that conclusion independent of the actions and preferences of others?

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I don't have an answer. Because one doesn't exist. But here's what I think: the self is understood only through itsPROPERTIES.

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You only know what you think and believe based on your experiences, which are themselves an inscrutable stew of nature, nurture and environment; action, reaction, expectation, rebellion and also probably a fair amount of

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luck and entropy. Asking whether someone is truly this or truly that is ultimately unhelpful and honestly just brings me right back to the

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McCarthy-era-esque "poser"

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witch hunt of the 1990s. More so than whether someoneisthis-or-that I think it is important to ask if someone FEELS COMFORTABLE identifying asthis-or-that; part and parcel with that comfort in self-discovery is seeing and recognizing in others

bit.ly/1dkfZi5
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in people, in communities, in media and in the worldthat which you feel

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stirring in yourself. Since were talking about the internet, it's easiest to connect this line of thinking to those thought of as having a special home online,

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thought of as existing because of or with a reliance on the internet. Communities like furries. Or "demisexuals",

DEMISEXUAL
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who have been a recent and frequent topic of tumblr's

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Social Justice community. Demisexuals do not experience sexual attraction based upon looks or personality but rather only once they've formed a strong romantic bond with a partner. Or Otherkin:

OTHERKIN
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a community of people self identifying as partially or entirely non-human:

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part spirit, mythical being, life form from another dimension, normally inanimate object or animal

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slash cartoon character, positioning them rather, though not entirely, in line with furries.According to wikipedia, Otherkin have had a persistent online presence since about 1990. Eventually, though, we will be talking not JUST about those people

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who seem only to have a home because of the internet, but abouteveryone for whom the internet and

262
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"self" are somehow related. That number is going to get bigger, always; I would guess it is represented with abnormal distinction in this room, right now.I mean, thats why were here, right?

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Whether its for art, business, media or technology the internet is the tool which helped US all peel away those layers to get at that ... inside thing. But you know, its not a special club. And that peeling away process works just as well for people who CONSUME as it does for people who MAKE, because the more, and more different, media you are exposed toas an effect of the Great Disintermediation

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[ANIMATED SLIDE - EARTH GETTING LESS BLURRY] and the more and moredifferent people you encounterbecause of those desire pathsthe more accurate and complete and ne grained and detailed and complex and confusing and exciting your conception of the world is. And, as follows, the more you know that no matter who you are, your self is worth celebrating. This is most notable and visible, for me at least, in the young

bit.ly/15CPzq6

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queer and uidly gendered communities nding each other and media which speaks to them online.A very recent pillar of that media has been the podcast

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Welcome to Night Vale, whose main characterradio host

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Cecilhas a romantic relationship with the town Scientist

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Carlos. Amidst the pages and pages of fan art,

harlequinpants.tumblr vasyenka.tumblr

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most common are romantic depictions of

memphs.tumblr

dragon-draws.tumblr night-vale-arts.tumblr
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Cecil and Carlos. It is also probably worth mentioning that

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Welcome to Night Vale has been hovering like a

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glow cloud around the

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#1 Podcast in America spot for quite. A while. Are these things related? I'm not sure, but it's certainly a big deal. In writing about Night Vale for Policy Mic, Zainab Akande points out justhowbig a deal. She wrote that:

night-vale-arts.tumblr
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"It is these two characters that make Welcome To Night Vale so central in giving media representations status quo of white and heteronormative a run for its money.Why does this matter? Because media representation matters. Why does media representation matter? Because the media is aprettycentral force and plays a vital role in society at large. Mass media in particular has the power to change or reinforce the habits of its consumers. It also aids in constructing worldviews of its consumers by reproducing realityto an extent. Perception is the name of the game and its difficult to perceive what is non-existentor in the case of POC and LGBTQ characters, severely lacking compared to the real world the diversity scale."

oilandsugar.com
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Night Vales universe features oating cats, mountain deniers, clocks that arent real, hooded gures, a taco place with a forsaken menu and a woman without a face who lives in your house. In the world of the show, Cecil and Carlos relationship is just about the most normal, traditional thing going on.

bit.ly/15CQXJh
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One particular reading of Night Vale shows how welike, people in the real worldpay absolutely no mind to all kinds of absurd nonsense, and yet homosexual relationships remain a thing to focus on, to treat as separate from the norm. I cant help but make at least a passing comparison to that one Lonely Island Video about Spring Break:

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[video]

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To say this indicates something a of a sea-change might be prematurely optimistic but welcome to Night Vale is in good Internet-only company:

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Orange is the New Black features a cast of not only primarily women, but many incredibly complex, women of color and one transgendered actress cast as her own. gender.

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Laverne Cox as Sophia Burset accomplishes much of what Akande attributes to Cecil and Carlos: a challenge to major market white heteronormativity with the added

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challenges to male cis-gendered norms. Coxs portrayal of Burset

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charming, complicated, motivated, awedhas earned her a huge following and has given the trans* community a voice in a piece of nearly-major market media. So... maybe this is a little internet utopian,

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but I'm gonna allow myself this pie in the sky dream:

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that as the internet and access to media and access to distribution and audiences for that media continues to grow, so too will challenges to the idea of "normal". The internet isnot a system beholden, at least not in the way most broadcast is, and certainly not solely, to the dominant

READ: COMFORTABLE, PROFITABLE


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attitudes about culture and, by extension, self identication. And it is not some place that exists opposite or

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instead of or in subjugation to "real life". The internet is real life and it is changing the way people are living their real lives, the way they are being themselves. Its kind of like what Andy described at the very beginning of the conference...

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At the heart of all these buzzwords, the fun and sometimes overplayed ways to talk about how were changing the world and upsetting the status quo and going into all the board meetings and ipping all the tables is the really simple-but-complicated-and-isnt-that-the-beauty-of-it search for independence. And I think weve learned thatcounterintuitivelyyou sorta need a community to be independent. And that is what were building: this community of independent people, forging out alone, together. Doing our thing and showing other people it CAN be done. And that works for products and services and websites and media but also for social and cultural communities. This, I think, is the greatest

DI***PTION
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*cough*disruption*cough* we can hope for. Not that

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travel sites and publishing and manufacturing and distribution and whatever else didn't need to change, but there is something about people nding each other and in that process nding themselves that feels primary. To have not only routed around barriers

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stopping the distribution of media, but also to have built

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pathways between people consuming that media, so they can nd and identify with and celebrate one another and THEMSELVES all, of course, WHILE backing

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Hyper Light Drifterand paying

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Chelsea Wolf directly for her newest record...

Neat!

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I think that's pretty neat.

Thanks

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Thanks.

@mikerugnetta

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