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The zodiac signs are called Raashi in Jyotish. Raa (as pronounced in fRAnce). Shi (as pronounced in SHE). The word is said to be derived from Ram and his spouse Seeta. As also from Rahu and Si hi (Si hi is another name for !etu). Raashi also means a heap. "ere it means a heap of stars or a cluster of star forming a particular zodiac sign. The whole zodiac belt is divided into twelve e#ual parts of $% degrees each (a circle of $&% degrees divided by twelve). The Zodiac belt- Bhaa chakra. 't was observed that the increase and decrease in daylight was due to lateral motion of the sun from north to south and vice(versa. The )odiac belt in the celestial sphere e*tends to about +, on either side of the ecliptic- the apparent path of the Sun among the stars. The width of the zodiac was determined originally so as to include the orbits of the Sun and .oon and of the five planets (.ercury- /enus- .arsJupiter- and Saturn) that were nown to the people of ancient times. 0iagram 12
22.5
22.5
't was further observed that- when the Sun is e*actly at the center of these two e*treme points- the day and night were of e#ual length. This is termed as e#uino*. There are two e#uino* in a year. 3ne is the vernal e#uino* and the other is the autumnal e#uino*. The /ernal e#uino* is at the centre or mid point while traveling from south to north. Autumnal e#uino* is vice(a(versa. The /ernal e#uino* is also called spring e#uino*. The Sun travels from e*treme south point towards e*treme north point is called4ttarayana5. "ere 64ttar7 means north and 6Ayana7 means movement. Similarly- the Sun5s movement from e*treme north point towards e*treme south point is called the 0a shinayana. "ere again- 60a shin7 means south and 6Ayana7 is movement. "ence in one year or one complete rotation of the 8arth around the Sun gives us four points.
1. 2. 3. 4.
8*treme north point of Sun or the Summer solstice. Autumn e#uino*. 8*treme south point or the 9inter solstice. Spring e#uino* point.
:ow we have four points- by which we get four divisions of the zodiac (;haa cha ra). 8ach division is of ninety degrees. And here is the most important part of JyotishThe Rig /eda '.<<''.</''' states2 trini pada vi chakrame vishnur gopa adabhyah ato dharmani dharayan 'n three great strides /ishnu the protector- who is undefeatable upholds the perennial principles of sanaatan dharma or eternal righteousness. .eaning in three steps /ishnu covered the whole cosmos. Simplistically spea ing this means that from each of the four points if we imagine /ishnu ta ing three steps then we get the twelve signs of the zodiac. 0iagram =2
Earth
NORTH
;ut if we really want to understand what the above mantra means in Astrological perspective- then we have to understand a few things. The cosmos is infinite. "ow can we see infinity> Simply place two mirrors facing each other perfectly. 8ach will reflect the other infinitely. ?et us imagine two mirrors facing each other. 3ne at the vernal e#uino* point and the other at the solstice point- placed in a straight line. /ishnu ta es the first step and this is .esha. "e ta es the second step and covers the second sign- then the third step on the third sign. The mirror opposite to him will reflect this- as also the mirror behind but( in reverse order. "ere you need to have a very good visualization. 'f you can visualize this properly then you have learnt a great secret of Jyotish. Suppose 1=$ are the three steps ta en by ?ord /ishnu 9e put two mirrors facing each other and ?ord /ishnu ta es three steps between these two mirrors. 't will be reflected in the mirror li e this2 $=1 1=$ $=1
:ow imagine the reflection of the images of the mirror in each other. @orget for a moment the original steps ta en by ?ord /ishnu. The .irrors will reflect each others image li e this2 1=$ $=1
| |$=1|1=$
This is the same as the original three steps of ?ord /ishnu and completes the cycle. 3r 'n other words- that which is finite in the infinite.
0iagram2
MIRROR
MIRROR
1 2
2 3
This is how the twelve Raashis are made. This concept has great use in Jyotish even in advanced stages and it is better that the learner gets it very clear in his mind right now. A12 9hat does the word /ishnu mean> A=2 9hich story in "indu mythology depicts these three steps> A$2 's the day and night really e#ual on the day of e#uino*> 9hy is it so>
2 1
To do2 ?earn and find out more about the orbital motion and the a*ial rotation of the 8arth and its effect on the seasons.
midnight the star will seem to have Fmoved bac wardsF (1 degree). At some point in time the two zodiacs coincided- but now there is a great difference between the two. This value is called the BAyanamsha5 (Aayanamsha).The value is ta en differently by different authorities in Jyotish and it is a very controversial subGect. :ot going into too much technical detail- we will be using the Sidereal zodiac (:irayana) and Ayanamsha we will follow is the BHhitra pa sha5 or ?ahari5s Ayanamsha for the entire length of this course. To do2 0ownload the free software BJagannath hora5 and install it in your computer. The help file is a veritable Jyotish course in itself. 't is totally free and the best Jyotish tool you will find. This software uses the ?ahari ayanamsha by default. 4se it to ma e your own chart (stic data. 9e will be using this software for all our Jyotish calculations. to the Rashi chart for now) by entering your birth
The Raashis starting from .esha onwards have the limbs of the ?ord mapped onto then in the following manner. .esha I "ead. /rishabhaI @ace. .ithunaIArms. !ar I"eart SimhaIstomach. !anyaI"ips. TulaIspace below the navel (se*ual organs) /rischi aI "idden parts (Crocreative and Anus) 0hanusIThighs. .a araI!nees. !umbhaIShan and an les. .eenaIfeets. @or individual horoscopes- the body parts are also studied from the bhava (twelve houses) rec oned from the lagna (ascendant). The body part indicated by the houses from lagna corresponds to those rec oned from .esha or the !aalapurusha.
lanets connected to the houses&si'ns art (hile #ale$ic arts $ro# e*ternal
lanets connected to such houses&si'ns indicate i# ro er 'ro(th and&or da#a'e to the bod% art. In 'eneral) da#a'e to bod% a'ents or sources is indicated b% the raashi +si'ns) o$ the ,aala urusha (hile da#a'e or #al$unctionin' o$ bod% arts caused b% internal a'ents or sources is indicated b% the houses reckoned $ro# the la'na. 8*ample2 Suppose a horoscope has .angal- Shani and Rahu in /rishabha then- that person to whom the horoscope belong may have some wea nessJscar visible on the face. ;ut suppose /rishabha is in the fifth house then- the person may have some internal problem in the stomach. ?i e some digestive problem etc. This has uses also in horary (Crasna Shastra). :ote2 9hen ever a predictive principle is given- we will use the short form as KC.CK and the principle itself will be given in bold green.
large rivers are indicated by this sign as well as places of reGuvenation and cure li e hospitals- spiritual retreats. 't is ruled by Luru. The places ruled by the Raashis are the bac ground where events happen. An easy way to remember the ?ordships (Raashi adipati) is2 9e already now the Solar system and the order of the planets from Sun (Surya). Sun (Surya) .ercury (;udha) /enus (Shu ra) 8arth (Crithvi) .ars (.angal) Jupiter (Luru) Saturn (Shani). @orget or ignore earth and you will get the following lordships (two raashi for each)
Luru
.angal
Shu ra
;udha
Surya (Hhandra)
Surya
Luru
.angal
Shu ra
;udha
polarity principle.these are the two luminaries. The ne*t sign from Simha is ruled by ;udha. Same way the ne*t sign in reverse from !ar a is ruled by ;udha. And so on for the other signs as per the order of planets in the Solar system. 'mportant2 .any people don5t accept dual lordships for vrischi a and !umbha- but we will ta e them to be lorded by both .angal and !etu for /rischi a and Shani and Rahu for !umbha. So the final lordships will be as below2
Luru
.angal
Shu ra
;udha
Hhandra
Surya
Luru
.angal !etu
Shu ra
;udha
Cundit SanGay Rath gives the following e*planation for the mobility of the Raashis (Clural of Raashi).
BThe word chara means movable and implies e*cessive energy- acceleration and the power of creation that goes along with e*cess energy. The word sthira means fi*ed and implies low energy- deceleration to the stage of stopping and the power of destruction. The word dwishbhaava means having a dual nature5 and indicates balanced energy level. 'n an ideal state his can mean a body in perpetual motion. Some astrologers use the word mutable5 or changeable for the dual signs and this is definitely not correct from the Jyotish viewpoint. 'n fact- chara raashi are more mutable as they are movable signs. All motion is relative to another and in the conte*t of horoscopy- it is relative to the observer on earth. Hompare two runners who run a cross country race and a 1%% meter race. The cross country runner wins if he is able to maintain his pace at a uniform balanced level throughout the long run while the 1%% meter race is won if the runner can pump in a huge burst of energy. The cross country runner should have stronger dual signs indicating his running style while the 1%% meter runner should have movable signs indicating his style. 'magine a three(lane highway with cars at various speeds traveling in it. 't is natural that the fast cars will fall into the right e*press lane while the slow cars will stic Accidents are prevented if these cars stic to the safe left lane. The cars traveling at middling speeds will stic to the middle lane. to their lanes. 'n a sense- the cars in the different lanes are Bcooperating5 with each other or wor ing mutually to maintain their relative speeds at high- middling or low levels respectively. 'f they cooperate and drive at a uniform Bfast5- Bmiddling5 or Bslow5 speed respectively- they will reach their destination (analogous to achieving their obGective) without an accident.5 Another use is to see the distance +Sa% $or tra0els)) 1hara is $ar a(a% $orei'n lands) Sthira is in the cit% and -(ishbhaa0a is inside the countr% itsel$. In 3rasna +Horar%) it is used to see the lost ob4ect distance or about the (hereabouts o$ a #issin' erson or thie$. It is also used to 4ud'e (hether a re#edial #easure (ill be e$$ecti0e or not. I$ a bad co#bination +5o'a) is $or#ed in a 1hara Raashi then it can be easil% o0erco#e b% correcti0e beha0ior or re#edies. I$ the co#bination +5o'a) is $or#ed in Sthira Raashi then it is di$$icult to o0erco#e. I$ it $or#s in the -(ishbhaa0a Raashi then (ith so#e e$$orts it #a% be o0erco#e. It has also uses in 4ud'in' the lon'e0it% o$ the nati0e - (ith 1hara sho(in' hi'h le0el o$ ener'% and $ull lon'e0it%) Sthira sho(s lo( ener'% le0el and short li$e and -(ishbhaa0a sho(s #iddle le0el o$ ener'% and #iddle li$e. The use o$ this $or 4ud'in' the lon'e0it% (ill be sho(n later in the course.
Raashi Mesha Vrishabha Mithuna Kark Simha Kan a !ula Vris"hika $hanus Makara Kumbha Meena
Color Blood red White Green Pink Off white (Khakhi) Gre Bla"k #ellow Gold Blue Violet Sk blue
Color
These colors of the Rashis are very useful while deciding the colors to wear when wanting to activate certain combinations present in a horoscope (Kundali . This is a very useful and cost effective remedial measure! we will learn about this in detail as the course progresses. This is as effective as wearing a costly gem stone at not even one percent cost. "o please learn it to ma#e it such a part of you that the colors of the Raashis are always at the tip of your tongue. $hy do you thin# all my Titles for the %essons start with green& $ell you see my 'uru is placed in (ithuna and i am teaching here (The graha 'uru is the teacher in the planetary cabinet . 'uru is also the lord of my %agna (first house . "uch innumerable uses can be found and made use of.
pushing to achieve their ob/ectives. These are (esha! (ithuna! "imha! Tula! 0hanu! and Kumbha. These are the fire and air signs of which the fire signs can be more harsh and ,burning- whereas the air signs can be slower to react but very harsh in their continued aggression (The elements of the Raashis will be given later . The even numbered signs (sama Raashi are female in their inner nature and are not harsh. They are passive in their attitudes and behavior. These are the water signs 1 Kar#! 2rischi#a! (eena and the earth signs 1 2rishabha! Kanya! (a#ara. The water signs are more passive than the earthy Raashis.
gu;a talent gu;a virtue gu;a good result gu;a credit gu;a use gu;a efficacy gu;a efficacy gu;a advantage 3n "an#hya system (5 philosophical system of 3ndia it means an ingredient or constituent of 6ra#riti! the chief 9uality of all e)isting beings sattva! ra/as! and tamas i.e. goodness! passion! and dar#ness! or virtue! foulness! and ignorance respectively. 5 short introduction to the "an#hya philosophy is warranted here. Meta'h si"s of Samkh a *rom here+ htt'+,,en(wiki'edia(or-,wiki,Samkh a <roadly! the "am#hya system classifies all ob/ects as falling into one of the two categories: 6urusha and 6ra#riti. (etaphysically! "am#hya maintains a radical duality between spirit=consciousness (6urusha and matter (6ra#rti . 6urusha 6urusha is the Transcendental "elf or 6ure +onsciousness. 3t is absolute! independent! free! imperceptible! and un#nowable! above any e)perience and beyond any words or e)planation. 3t remains pure! >nonattributive consciousness?. 6urusha is neither produced nor does it produce. 6ra#riti 6ra#riti is matter. (atter is inert! temporary! and unconscious. 3t is composed of three 9ualities (gunas corresponding to creation! sustenance! and destruction. They are: sattva (goodness 1 pure! elevating! enlightening ra/as (passion 1 motivates us to create! ac9uire and en/oy tamas (ignorance 1 dirty! degrading! deluding! and destructive. 5ll physical events are considered to be manifestations of the evolution of 6ra#rti! or primal ;ature (from which all physical bodies are derived . 7ach sentient being is a 6urusha! and is limitless and unrestricted by its physical body. "amsaara or bondage arises when the 6urusha does not have the discriminate #nowledge and so is misled as to its own identity! confusing itself with the physical body . which is actually an evolute of
6ra#riti. The spirit is liberated when the discriminate #nowledge of the difference between conscious 6urusha and unconscious 6ra#riti is reali@ed. ;ature of 0uality: 5ccording to "am#hya! the efficient cause of the world is 6urusha (5vya#ta or 5bsolute and the material cause is 6ra#riti. 4ere 6urusha stands for the ,"upreme "elf- and 6ra#riti stands for ,(atter-. 6urusha ("elf is the first principle of "am#hya. 6ra#riti is the second! the material principle of "am#hya. Theory of 7)istence: The "am#hya system is based on "at#aryavada. 5ccording to "at#aryavada! the effect pre.e)ists in the cause. +ause and effect are seen as different temporal aspects of the same thing . the effect lies latent in the cause which in turn seeds the ne)t effect. (ore specifically! "am#hya system follows the 6ra#riti.6arinama 2ada. 6arinama denotes that the effect is a real transformation of the cause. The cause under consideration here is 6ra#riti or more precisely (ula.6ra#riti (6rimordial (atter . The "am#hya system is therefore an e)ponent of an evolutionary theory of matter beginning with primordial matter. 3n evolution! 6ra#riti is transformed and differentiated into multiplicity of ob/ects. 7volution is followed by dissolution. 3n dissolution the physical e)istence! all the worldly ob/ects mingle bac# into 6ra#riti! which now remains as the undifferentiated! primordial substance. This is how the cycles of evolution and dissolution follow each other. "an#hya theori@es that 6ra#riti is the source of the world of becoming. 3t is pure potentiality that evolves itself successively into twenty four tattvas or principles. The evolution itself is possible because 6ra#riti is always in a state of tension among its constituent strands . "attva . a template of balance or e9uilibriumA Ra/as . a template of e)pansion or activityA Tamas . a template of inertia or resistance to action. 5ll macrocosmic and microcosmic creation uses these templates. The twenty four principles that evolves are . 6ra#riti . The most subtle potentiality that is behind whatever that is created in the physical universe! also called Bprimordial (atterB. 3t is also a state of e9uilibrium amongst the Three 'unas.
(ahat 1 is the first product of evolution from 6ra#riti! pure potentiality. (ahat is also considered to be the principle responsible for the rise of buddhi or intelligence in living beings. 5ham#ara or ego.sense 1 is the second product of evolution. 3t is responsible for the self. sense in living beings. 3t is also oneCs identification with the outer world and its content. B6anch TanmatrasB are a simultaneous product from (ahat Tattva! along with the 5ham#ara. They are the subtle form of 6anch (ahabhutas which result from grossification or 6anchi#aran of the Tanmatras. The Tanmatras are sight! smell! taste! touch and hearing 7ach of these Tanmatras is made of all three 'unas. (anas or B5ntah#aranB evolves from the total sum of sattva aspect of 6anch Tanmatras or the B5ham#araB 6anch /nana indriyas or five sense organs . also evolves from the sattva aspect of 5ham#ara. 6anch #arma indriya or five organs of action . The organs of action are hands! legs! vocal apparatus! urino.genital organ and anus. They evolve from the ra/as aspect of 5ham#ara. 6anch mahabhuta or five great elements are ether! air! fire! water and earth evolving in that order with each succeeding elements containing the preceding ones in them. %i#e 7ther or space (aa#ash is the prere9uisite for any thing to e)sist! then comes movement! which is air (vaayu ! this contains within it the aa#ash also! ne)t comes fire (5gni caused due to the friction produced by movement! this contain within it aa#ash as well as vaayu. 5gni (fire produces heat which also is complimented by coolness (polarity this is water (Dala ! this again contains within it all the preceeding three elements. Too much coolness solidifies and this is the earth (6rithvi element! prithvi contains within it all the preceding four elements in it..The five elements are said to evolve from the BtamasB aspect of the B5ham#araB. This is the grossest aspect of the physical universe. The evolution of primal ;ature is also considered to be purposeful . 6ra#rti evolves for the spirit in bondage. The spirit who is always free is only a witness to the evolution! even though due to the absence of discriminate #nowledge! it misidentifies itself with the manifest. 3n Dyotish the chara Raashis are said to have Ra/as guna. The 'una of Raashis. The "thira Raashis are of Tamas 'una and The 0wishbhaava Raashis are of "atva guna.
3f you have read the mobility post in this lesson you will understand why this is so. The Tatvas and raashis. The whole of bhaa cha#ra (@odiac is said to be of 5a#aash tatva. 5ll Raashis have aa#aash tattva in them that #eeps them together and ma#es them wor# in harmony. Dupiter is the greatest natural benefic and represents ,'od- in all signs simply for the fact that it is the governor of the aa#aash tattva that ma#es all the other signs and planets wor# in harmony for all purposes. 5ll signs have the panch (pronounced as punch and meaning five tattva in them with a dominance of one of the other four tattva (e)cluding aa#ash . The Raashis (esha! "imha! 0hanu have agni (fire in predominanceA the Raashis Kar#! 2rischi#a and (eena have a predominance of /ala (water A the Raashis (ithuna! Tula and Kumbha have a predominance of vaayu (air while 2rishabha! Kanya! (a#ara have a predominance of prithvi (earth . E1: %ist out the twenty four tattvas of "an#hya 6hilosophy. E2: The three gunas correspond to the three main deities of the 4indu pantheon! list them and find who corresponds to which guna. E3: 5fter how many Raashis do the 'unas repeat& E4: 5fter how many Raashis do the Tattvas repeat& To do :%oo# at the picture of "ri 2ishnu given above in a previous post and in his four arms you will see him holding weapons and other things. Try to correlate the five tattwas with them. 8ind the representation of the 5a#aash tattwa in the picture.
$hata
.r ama
Mitra
Varun
Vishnu
/ndra
$waadasa .adit aa
!%astha Vi%aswan
Bha-a
.nshuman
Par0an a
Pusha
These names are as per 2ishnu 6urana. "ome have given a different order of names but we ta#e the above as authentic. The mantras for worshipping are derived from the "urya mantra: Fm 'rinih "uryaaditya Fm.