Professional Documents
Culture Documents
May 2006
EMMY 2006
at ABC 7 the past 15 years. Last month, the chapter also
Besides keeping things running ® announced the nominees for the
smoothly at the San Francisco ABC Emmy® 2006 competition. The list
affiliate, Ward has volunteered for
numerous non-profit agencies and Sa
Satt. May 20
May was unveiled at parties in San
Francisco, San Jose, Sacramento,
helped raise thousands of dollars
Fresno and Reno.
for charities.
There are a record 226
“There will never be an Emmy®
nominations with 583 indi-
category to describe what Cheryl
vidual certificates.
Ward does,” said ABC 7 editor
CBS 5 in San Francisco led
Lynn Friedman, the San Fran-
the way with 31 nominations.
cisco vice president of the NATAS
Close behind was NBC 11 in San
chapter. “Cheryl’s enthusiasm for
Jose with 30 nominations and
the arts, her quiet participation in
KTVU 2 in Oakland with 21.
almost every community service
DAVIS NOYES FRIEDMAN In Sacramento, KVIE and
event that crosses her desk and
her super human energy deserve our attention.” KXTV both had eight nomina-
The NATAS governors also voted to give the Gover- tions. In Fresno, KFSN received the most nominations
nors’ Service Medallion to board members Terri Amos with 11. In Reno, KTVN came away with four nomina-
and Bob Goldberger. Amos, an independent producer in tions as did KSBW in Salinas. FSN Bay Area had the
San Francisco, has overseen the after-party at the most nominations of the cable outlets with 10.
Emmy® show the past two years. Goldberger, an execu- KFSN news director Joel Davis, ABC 7 reporter Dan
tive producer at ABC 7, has overseen the production of Noyes and ABC 7 editor Lynn Friedman were the
Off Camera the past year. continued on page 3
Off Camera, May 2006, page 1
BEHIND THE NUMBERS
NUMBERS
An inside look at the blind scoring system
used to select nominees and winners
By Wayne Freedman
Unless you’re a statistician or a top ten from each category onto a
mathematician, raw sets of numbers blind scoring sheet. In the case of
can be boring. That said, contemplate craft categories, where judges score
the relative merits of a 27.1 as for only Creativity and Execution, the
compared to a 26.9 on a 30 point firm adds an average of the first two
scale. Would those figures be more numbers, rounding up to 30 points.
interesting if you knew they deter- Again, the Awards Committee
mined who receives an Emmy® has no idea which category a set of
Award? And what if the next highest scores represents. Given such
scores measure 24.2, 23.6, 22.5, and blindness, we award for excellence,
19.7? based solely on the numbers.
It is worth noting that scores
Such are the statistical decisions have declined in recent years. Other
facing the Northern California chapters judge us as harshly as we
Chapter’s Awards Committee. Every do them. Our committee rarely sees
year we look at raw numbers to a perfect 30, or even a 27, often
determine nominees and recipients, awarding statues for 25’s, 24’s 23’s,
never knowing the category, but and an occasional 19, depending on
trusting the good taste of mystery a category’s bell curve. We rate
judges in unknown markets who we them all, often rejecting Emmy®
can only hope cared as much about Awards in low scoring categories.
their responsibilities as the entrants When the scores came back, this
did about their work. year, we nominated 226 entries and
We take that as an act of faith.
presented 583 certificates. Four categories did not score
Every Emmy® season begins with a certification of
high enough to receive nominations. At least five others
entries by this same committee. If you double-entered
will have multiple recipients. None of us on the Awards
or inadvertently broke a rule, or submitted in the wrong
Committee knows which they might be.
category, or failed to pay an entry fee, you heard from
Finally, regarding the scoring scenario at the begin-
us.
ning of this article—it is relatively simple when compared
We then send the entries to a panel of peers from with others we see every year. One could argue that the
another, unidentified NATAS chapter. At least six judges 27.1 reflects an average score of 9+ (definitely Emmy®
must view the entire category, scoring each entry on its worthy), while the 26.9 falls just short. But, they are so
merits: 1-10 points for Content, Creativity and Execu- close and so superior to the other scores that we would
tion. The maximum score is 30 points. The worst is 3. probably grant Emmy® awards to both, while the 24.2
The judging panel does not pick nominees or recipients, and 23.6 would receive nominations—a decision reached
nor should members speak to each other about an entry. after ten minutes of discussion, several more of debate,
When finished, they place ballots in a FedEx envelope three votes, and one or two cold chicken legs consumed
and send them to our accountants, Spalding and throughout the process.
Company. There, members of the firm add scores for See you May 20th. May you have the best of
each entry and divide the total by the number of judges. evenings. Members of the Awards Committee will be as
They sort scores from highest to lowest, and place the surprised when the winners are announced, as the rest
of you.
EDITOR - PROGRAM
The Gangs of Paradise, KCBA
Brian Speciale, Editor Michael Hatfield will be at the Emmy® show keyboard.
DeVore Composite, KNTV, KTEH/Media Center/Digital Masterpiece will provide music during dinner and
Turbulence, Inc. dancing at the Exploratorium on May 20th.
Douglas DeVore, Editor
Off Camera, May 2006, page 9
REFLECTIONS ON THE NAB 2006
By Keith Sanders
Just like the other 105,000 were deployed near a giant stage
attendees at NAB 2006 in Las where a young man in black Jobsian
Vegas…I was on a mission. San Jose garb promoted the virtues of New
State University (my employer) Media.
wanted to buy two HD camcorders “We will be showcasing the whole
for less than $10,000 each. There range of formats that Final Cut
were four models to choose from. My Studio now supports, from 24P HD
job was to recommend one. all the way up to 2K,” said Kirk
It took the better part of two Paulsen, senior director pro applica-
days to attend NAB seminars where tions marketing for Apple, “and we
experts demonstrated the strengths now have the tools to deliver those
of each model. It took another day to formats by outputting them in a
visit the Panasonic, Sony, Canon variety of high-quality output options
and JVC booths where they were on from DV for the Web to streaming for
display. But the hard part was podcasts.”
staying focused while wading Even though Apple had an-
through several hundred thousand nounced the introduction of a new
square feet of other gizmos, gadgets 17” Macbook Pro at NAB, most of
and widgets. their exhibit was not about the
I admired the InnoVision mini computer alone. Macs have become
probe that turned an HD camera into just one cog in Apple’s New Media
a microscope. It made Lilliputian still machine that governs content
life scenes look as big as a set from Photos by Keith Sanders creation, distribution and presenta-
the “Chronicles of Narnia.” Next I tion.
inspected an Ultimatte keying Final Cut Pro has developed
system that seamlessly put a some- into the defacto NLE standard for
what bored model into dozens of broadcasters. The iPod is by far the
high-resolution virtual 3D sets. I most popular mobile platform for
finally found myself staring at the enjoying music & video. iTunes is
NHK ultra high-definition theater responsible for more than 8 million
with an amazing 4,320 scan lines, 16 video Podcasts being delivered to
times the resolution of today’s HDTV. end-users.
My last day at NAB was surreal. I On Saturday May 20th Apple
walked into the South Hall as the Computer will receive a well-
Avid and Apple Computer exhibits deserved honor at the Emmy® show
towered above me like a stand of because of its special technological
Redwoods. They were planted Keith Sanders, is the NATAS achievements in the media industry.
directly across from each other. The vice president for San Jose and a Now that I’m home from Vegas,
exhibits competed for space inside video producer for San Jose State all I have left is a bag of brochures,
University. In some final HD camcorder recommen-
the hall, just like the companies
addition to being dations and a pocketful of receipts.
compete for market share outside.
our technology
Slowly…inescapably…I was drawn Less than five dollars remained in my
chair he also
into the gravitational field of Apple produces the wallet, but I wasn’t surprised as
Computer’s domain. There seemed Emmy® show. water in this desert town goes for
to be dozens of Final Cut Studio Send your technol- $2.75 a bottle…
solutions for any HD or SD format, ogy stories to
including Podcasts. Collaborative Keith.Sanders@sjsu.edu
editing systems using Xsan servers
Off Camera, May 2006, page 10
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