CO

en
h-

T
4DO

MU 786.41 DUET ALBUMS FOR BEGINNER

Q(

VOL. 2

^.50

NNBR 841219620
iiiiiii1iiiiiiKiiiiffi^.f?.^s,^"-BR.R,es

s^
Ihe Newark
Aator.

3 3333 01433 9259

Public Library
Lenox and Tilden Foundations

The Branch

Libraries

PUBLIC LIBRARY IS^ ^i^^^Xx^^'^ AT LINCOLN CENTER

111 Amsterdam Avenue New York, N.Y. 10023

MY

BOOKS MAY BE RETURNED TO ANY BRANCH OF THE NEW YORK PUBLIC LIBRARY ALL RECORDINGS MUST BE RETURNED TO BRANCH FROM WHICH BORROWED NO RENEWALS ARE ALLOWED FINES FOR OVERDUE MATERIAL PER

CALENDAR DAY:

Adult books \04 Juvenile books $4 Recordings 10^ ^orm #0709

Sir->

R-PAGE

DUET ALBUMS
FOR BEGINNERS
Price, $

Second /^^^coH
The

1.50
f/U

BROWN

DUET BOOK

G.

Schimier,

Inc.,

New York

Digitized by the Internet Archive

in

2008

with funding from

IVIicrosoft

Corporation

http://www.archive.org/details/duetalbumsforbeg02dill

DILLER-PAGE
the

fii

us

brown
duet book

DUET ALBUMS
FOR BEGINNERS
The
The

GREEN DUET BOOK

Second /4l6am

BROWN DUET BOOK

Each Containing
Thirty Folk-Tunes

Arranged by

ANGELA DILLER
Texts by

KATE STEARNS PAGE

Ed.

1209

G.

Schirmer,

Inc.,

New York

Copyright, 1924, by

O.

Schirmer, Inc.

Si768 c

Priated in th U. S. A.

\^^^

G\

av

.3S

To Kendrick and Barbara

THB KKW TOTIK VmiJC

BBNEIllL LIBR-ARY OF THE
111

TTTIT?

ATfT

I'EltroilMlN'G

AKTb

AMSTBEDAM AV& MEW

0M

10023. .I.

THE DILLER-QUAILE
GRADE
The following books and
story.

SERIES

II

pieces provide a variety of correlated material for the Second solos, duets, pedal studies, technical exercises, a Carol book and an piano comprising Grade,

Opera

SECOND SOLO BOOK

This book contains folk-tune arrangements and easy classics. Like the First Solo Book, the pieces have permanent musical value, and the book is edited with greatest attention to phrasing and fingering.

SECOND DUET BOOK

These duets are folk-tune arrangements and easy classics. The duets are for teacher and The book is crosspupil; the teacher's parts are, however, of only moderate difficulty. used course, be independently. of may, each book though Solo Book with Second indexed the

FIRST PEDAL STUDIES

simplest use of the syncopated pedal. pedaling.

This book consists of twenty-four progressive exercises and pieces. It begins with the damper pedal in broken and held chords, followed by exercises using The volume concludes with eight pieces illustrating various types of

A PRE-CZERNY BOOK
This book provides an abundance of easy, carefully graded exercises with a variety of Some of these, drawn from Czerny, have been transposed in order to technical demands. avoid the use of the treble clef for both staves; others have been adapted in order to provide more studies for the left hand, and to make possible the very gradual grading that cannot be found in any one volume of Czerny studies. Special attention is given to the introduction of scale-playing, with the particular problem of passing the third or fourth finger over the thumb. A generous number of suggestions for study and practice have been given throughout the book.

BROWN DUET BOOK

is a collection of pieces written for two children of the same grade to play together. They are exof the pieces are folk-songs with the words printed above both parts. cellent for adding color and variety to Pupils' Recital programs.

This

Many

THE DARING PRINCE AND

DILLER-PAGE CAROL BOOK

OTHER

PIECES
poems by James Whitcomb

These 10 little pieces are piano solos inspired by children's Riley. The poem is printed at the top of each piece.

This book is rapidly becoming a "Christmas-time Classic" as the Carols are played and sung by hundreds of children all over the country. The collection contains ten very familiar Carols, Silent Night, O Come All Ye Faithful, etc., ten less familiar Carols from many lands, and four duet arrangements including the March of the Three Kings and a Bach Chorale.

THE STORY OF SIEGFRIED

re-told for children, with very simple arrangements of 23 of the musical motives, carefully fingered, phrased, and pedaled. This book makes a delightful feature of a pupils' recital, with one child reading the narrative, and other children playing

The opera-story

is

the motives as they

come

in the text.

SHEET MUSIC ^^

^j^^ j^^

Carnival

The Goldfish Pond

Pop! Goes the Weasel Great Grandfather's Clock A Ride in an Aeroplane The Star-Spangled Banner (Key of G). Every child should be able to play the National Anthem. This is an easy arrangement in a key low enough to be sung with ease. The story of the origin of the words and music is printed on the back page. A complete list of Diller-Quaile material for all grades is printed on the back cover of this book.

PREFACE
The
choice of Folk-Tunes, as material for the child's
first

piano study,

needs no explanation.

word should be

said,

however, as to the marks

used in editing these pieces.

The
staccato,

slur

dot

and dot and

slur

"T^

signify legato,
is

and portamento, respectively.

is

The mark

means that there

is

a slight break in the sense, and

ating English.
is

used

much

as a

comma

used

in

punctu-

The brace

'

indicates the length of the phrase,

and

used to aid intelligent reading.

The brace does

not refer to legato or

staccato.

For example:

means that the notes

are to be played

portamento;

means that the notes are

to be played staccato.

There are often several ways

of phrasing a passage, but since

an inex-

perienced child usually reads from bar to bar, irrespective of the rhythmic

grouping of the piece, these indications of one

superfluous.

way

of phrasing

may

not be

Most

teachers agree as to the value of words in developing the child's

feeling for phrasing,

and rhythmic
in the

sense.

As

far as possible, the original

words, or translations
this book.
It is

rhythm and

spirit of the original, are

used

in

hoped that

this little

volume may help supply the need, expressed

Duets
for

by many
31768

teachers, of a collection of

two beginners

in

piano playing.

INDEX
Pace

a-hunting we will go

English
Irish

20

Avenging and bright

40
56

Banks of Doon (The)

Bird's

Scotch

Message (The)
is

Slavikovsky

Bohemian
French
English

46
12

Born

He II

est ne

British Grenadiers (The)

36
26
18

Disagreeable Lover (The)

Yak do tihbeh Law deetih

etait sur
la

Russian
English

Gaily the Troubadour Touched His Guitar

Goat and the Wolf (The)

Going through

La chevre Lorraine En passant par

face

un arbre

French French
English

4 24

Lorraine

Go NO MORE A-RUSHING Her dear round little

Horses of Eger (The)

50
22

Bielalitza Kruglalitza

Russian

Az Egri menes

Hungarian
English English

52
12

How
I

should

your true love know?

saw three

ships

2 32

Kalinka
Little

Russian

Men

(The)

Veak

je si je-ste to

dovedu

Bohemian
English
English
Polish

30
54
16

Love will find out the way

Lusty Gallant (The)

Mazurka
Noel
Oh, the days are gone

58 10 48
28

French
Irish

Over the
Rigaudon

hills

and far away

English

French

38

Russian Dance

Russian

60
34

Sedlak (The Peasant)

Shepherdess (The)

Bohemian
French

Under the

Mon pere avait cinq cent moutons Cherry-Tree Oi peed veeshnievo

my own true love

42
8

Russian
English
Scotch

Well

met, well met,

6
44

White Cockade (The)

J 1 768

SECOND ALBUM

THIRTY FOLK -TUNES

Thirty Folk-Tunes
SECONDO
Texts by Kate Stearns Page
I

Arranged by Angela DiUer

Saw Three Ships Come Sailing

in,

In

saw three ships come sailing

On Christmas day, On Christmas day, saw three ships come sailing in, On Christmas day in the morning.

O they sailed into Bethlehem, On Christmas day. On Christmas day, O they sailed into Bethlehem, On Christmas day in the morning.

Pray, whither sailed those ships all three. On Christmas day.

On Christmas

day,

Pray, whither sailed those ships all three. On Christmas day in the morning?

And all the bells on earth shall ring, On Christmas day, On Christmas day, And all the bells on earth shall ring. On Christmas day in the morning.
Traditiomd

Old English Carol

Andante con moto

"1

^^m

^
'

^^
i
pp
5

^
">

'>^

%r

<,

^^
mp

P^^^
ff^

55^

^=F
Copyright, 1924, by O. Schirmer, Inc. Printed in th* U.S. A.

178

Thirty Folk-Tunes
PRIMO
Texts by Kate Stearns Page
I

Arranged by

Angela Diller

Saw Three Ships Come Sailing

in,

In

saw

three,

ships

come sailing
day, day,

On Christmas On Christmas
I

O they sailed into Bethlehem, On Christmas day,

On Christmas day, O they sailed into Bethlehem, On Christmas day in the morning.

saw three ships come sailing

in.

On Christmas day

in the

morning.

Pray, whither sailed those ships all three,

On Christmas On Christmas

day, day,

Pray, whither sailed those ships all three On Christmas day in the morning?

And all the bells on earth shall ring, On Christmas day, On Christmas day, And all the bells on earth shall ring, On Christmas day in the morning.
Traditioiud

Old English Carol

^
I

Andante con moto

I

s
1

J
4

;j
1

i'

^
"1

"1

fe
~\

^
r

j>

^^

E
4
1

^
1

^m
1708 C

mf

^rn ^

Copyright, 1924, by

O. Schirtner, Inc.

Printed in the U.S.A.

THE NKW YORK PUBLIC LIBRARY wwiroTrTnilUEY OF THE PEEFORillNG ARTS

JS^ySli Im

KE^V YORK, .Y.

lOOM

SECONDO

The Goat and the Wolf

(La chevre
Once a
little

etait sur

un arbre)

Came

goat was sitting on a tree, hungry wolf, so fierce to see.

Wolf, the wil}-, said so slyly,"Come down, do!" Goat, the wary, said, "I'm 'fraid of you!"

"But on Friday meat's forbidden, my good dame." Thus he fooled the goat, and down she came.

Then

the wolf he caught and shook her, seized her beard,

I

"Mercy!" cried the goat, "'Twas this

feared!"

French Folk-tune

Allegretto

>g

Cr

Lf

^m ^^
1 r

rp

F
J-

p/> leggero

'>-\

U^ ^
1/^
3

^ ^^ ^^
VI

(/

cresc.

m
^
1768

]^

^^ ^^ ^ /
1/
-^

PRIMO

The Goat and

(La chevre
Once a
little

the

Wolf

etait sur

un arbre)

goat

was

sitting on a tree,
to see.

Came

hungry wolf, so fierce

Wolf, the wily, said so slyly, "Come down, do!" Goat, the wary, said, "I'm 'fraid of you!"

Thus he fooled
Then

"But on Friday meat's forbidden, my good dame." the goat, and down she came.
the wolf he caught and shook her, seized her beard, "Mercy!" cried the goat,"'Twas this I feared!"

French Folk-tune

Allegretto

li i ,f

^^

^^
1

^
^^

cresc.

f
-&-

^ ^

1708

SECONDO

Well met, well met,

Well met, well met,

my own true
true love!

love!

my own

Long time am I a-seeking of thee; I'm lately come from the salt, salt wave,

And
I

all for the

sake, sweet love, of thee.

might have had a princess fair. For she would fain have wedded with me; But I cared not for her crown of gold. And all for the sake, sweet love, of thee.

English Folk-tune

Andante, molto moderate

K
i

n r

p
I

legato

[7

^^
~\

"m ^^^

?^^

ll;"^

^m
Trr-

^
I178

PRIMO

Well met, well met,

my own true

love!

Well met, well met, my own true love! Long time am I a-seeking of thee; I'm lately come from the salt, salt wave. And all for the sake, sweet love, of thee.
I might have had a princess fair. For she would fain have wedded with me; But I cared not for her crown of gold. And all for the sake, sweet love, of thee.

English Folk-tune

Andante, molto moderato

1 r
4
2^
-|

(^^

}i

S
jip

11

>

^^

t
pp

^m
w

^^
VP

81768

SECONDO

Under the Cherry-tree

(Oi peed veeshnievo)
In a wood, long ago,

Stood a tree, white as snow. Underneath it sat a lady Pretty, young, and sweet to see. Close beside her stood her husband,

"Husband dear, I must go; With my friends I would be.

Let me frolic, let me wander, I should like the world to see." "No my sweet one, if you leave me, Wretched lonely I should be."

Wizened, old, and

gre}'

was

he.

Russian Folk-tune

Allegro

v
4

^
.

^^
1

^^>n

\)

.t.

^ 1

'
'

"^

^ 7

'

. 7

p"
r

. 7

pE=q r

^ 7

^ ^

^ 7

P=q
'

,'

F
^*^n -^^)

J/

f
J
4

Vw

J
1

=J
'

V m,

^
cresc.

^
1

i>
ITTT'

i^

^^

1768

PRIMO

Under the Cherry-tree

(Oi peed veeshnievo)
In a wood, long ago, Stood a tree, white as snow. Underneath it sat a lady, Pretty, young, and sweet to see. Close beside her stood her husband, Wizened, old, and grey was he.

"Husband dear, I must go; With my friends I would be.

Let me frolic, let me wander, should like the world to see." "No my sweet one, if you leave me. Wretched lonely I should be."
I

Russian Folk-tune

Allegro
n

^
f

^m =
i

jM r] i
i ^
\

s
///

UU
'/

^
#:

t'

no
uu
cresc.

81768

10

8EC0ND0

Noel
Noel now we sing, Noel with joy we cry!
Faithful people
all,

Give thanks

to

God on high!
to-day,

There in Bethlehem, Of Mary He is born; There the ox and ass Stand near his bed forlorn.
Sing, sing Noel,

Sing, sing Noel,

The King is born Noel now we sing, Noel with joy we cry!

The King is born to-day, Noel now we sing, Noel with joy we crjM

French Folk-tune

Andante

rj^TYT
P

i ^g!

m
m

^m

iMM

^=^^

I^M f

to ^

fe

^?
ai78

cresc.

PRIMO

11

Noel
Noel now we sing, Noel with joy we cry! Faithful people all, Give thanks to God on high!
Sing, sing Noel,

There in Bethlehem, Of Mary He is born; There the ox and ass Stand near his bed forlorn.
Sing, sing Noel,

The King is born Noel now we sing, Noel with joy we cry!

to-day,

The King is born Noel now we sing, Noel with joy we cry!

to-day.

French Folk-tune

Andante
"1

I'-i .n
mf

io i
1

^^
^

3t;

m
'*
s

^
^=ff^
"if

mi

^.

cresc.

m
1768

^fe

12

How

should
"How
"By

your true love know?

I

should

your true love know,

From another one?"

his cockle hat

and

staff,

And
"He
is

his sandal shoon."

dead and gone, lady. is dead and gone; At his head a grass-green turf, At his heels a stone."

He

Shakespeare

Andante
"1

English Folk-tune

^^^
m
te

15^*:

--

-^zsz

Born
He, the Child divine; Oboes, bagpipes, sound your greetings! Born is He, the Child divine, Pipe and voice in song combine.
is

is

He
During many thousand years,
Prophets wise foretold the story; During many thousand years We did wait 'mid hope and fears. Born is He, etc.

(II est

ne)

Born

His bed, Filled with straw His lowly cradle; In a stable is His bed. Humble place for kingly head.
In a stable
is

Born

is

He, etc.
1

Allegro vivace

qj^ French Carol

m^ /
I

m
-zr

^i
DC

"cr

1768

PRIMO

13

How

should
"How

your true love know?

should I your true love know, From another one?" "By his cockle hat and staff, And his sandal shoon."

dead and gone, lady, He is dead and gone; At his head a grass-green turf, At his heels a stone."
is

"He

Shakespeare

Andante
-I

English Folk-tune

^
1

~n-

^
2

Tf"
i^i"

[^

-&

Born
(II

is

He
During many thousand years, Prophets wise foretold the story; During many thousand years We did wait 'mid hope and fears. Born is He, etc.

est ne)

Born is He, the Child divine; Oboes, bagpipes, sound your greetings Born is He, the Child divine. Pipe and voice in song combine.

In a stable is His bed, Filled with straw His lowly cradle; In a stable is His bed, Humble place for kingly head.

Born

is

He,
"1

etc.
r

Allegro vivace

,./-., ^ Old French Carol

m
11768

^ P P
zai

^^

14

SECONDO

m=^^

c r

^
f^

^
f
1

mf

^
-c^

i^
r-0

^>^

^-p
I

^-^nH^rP
p

1
1

^ ^

_F

P0

3
1

_F

-^

-F

a
2

pp
^

i^^;^

-:-

=-^

^^?

r-

Ci

^
1

p'
^^
J
:^

,->/

^H
^^^1

T
^
^

^r

k
F F

-1r

r
'

Ij
1

~r

rf

r
ritard

-F

-3-73

e;TSV.

f
^J
r.

-^ .J-,

'

r.

r.

r.

V7

1 I

A
fa tempo

-^^

-4

i
mf

^
1

i g
r

^
^
li^
s
t

s / ^
1768

ii

Fine

PRiMO
n
^^^i:^

15

m
P

:^ Z2Z

P
ZZ3Z

i
PP

laz

zaz

izz:

"77"

^ iE^ ^
i i

^^
^

^
to
/'rt

^^ ^
^
IZZ

P
"I

^
ritard.

r
J

u.
cresc.

M^ M
i
-fm-

i ?

P
n

f
vi/

^^^
-ijO^ =^
tempo

S P
PP

P i

i^
^

122;

:i

Fine

81788

16

SECONDO

The Lusty Gallant

Fain would
I
I

have a pretty thing,

To give unto my lady; have no thing, and mean no thing

But as pretty a thing as may be.

For some do long for pretty knacks, And some for strange devices; I'll buy whate'er my lady lacks,
I

care not what the price

is.

Traditioital

English Folk-tune

Allegretto
5 5

n r

'>--^
ii

J'

^
-

*r

^
P

^
*i

^^
^

=P

^=^F=^

M
n r

^P m
5

'r

"^

E^

Cdl

^
ffi

^
cresc.

:s
11768

^ 5^
w; ip

^
7
I

PRIMO

IT

The Lusty Gallant

Fain would
I

have a pretty thing,

To
I

give unto

my

lady;

have no thing, and mean no thing But as pretty a thing as may be.

For some do long for pretty knacks, And some for strango devices; I'll buy whate'er my lady lacks,
I

care not what the price

is.

Traditiontil

English Folk-tune

Allegretto

##^
8

^^

n r

m
if

m -f

^
n r

^m
s

^ ^^
2

P
J

i^ni
~i

#
^7 ig
I

s
1

5^ ^ife
cresc.

i'

11768

18

SECONDO

Gaily the Troubadour Touched his Guitar

Gaily the troubadour touched his guitar, As he was hastening home from the war; Singing, "From Palestine hither I come, Ladye love, Ladye love, welcome me home!" Singing, "From Palestine hither I come, Ladye love, Ladye love, welcome me home!"
Traditional

English Folk-tune

Andantino
n

'y-\,'i

i
P
=^

:f
4\.

nr

^g

m
"I

^
r

vm,

T
^

i
pp
^>LJ
^

#
;
n

^^^
m
^^^

^ ^
H

r^

i'
b

i-

m^

81768

PRIMO

19

Gaily the Troubadour Touched his Guitar

As
Gaily the troubadour touched his guitar, he was hastening home from the war; wSinging,"From Palestine hither I come, Ladye love, Ladye love, welcome me home!" Singing, "From Palestine hither I come, Ladye love, Ladye love, welcome me home!"
Tniditiotud

English Folk-tune

Andantino
~i

:fe ^
)i

1^3

0^ i

2
4.

^m
5

m
4

m
3

P^E^ i i
m ^>f

^
^

^
i^

i
i^

"1

:?^

ritnrd.

-d-*-

S
V^

1768

20

SECONDO

A-hunting

We

Will Go

The dusky night rides down the sky, And ushers in the morn; The hounds all join in glorious cry, The hounds all join in glorious cry, The huntsman winds his horn, The huntsman winds his horn. Then a-hunting we will go, A-hunting we will irn, A-hunting, hunting we will go, A-hunting we will go.
Fielding-

Old English Air

Allegro
"1

"1

S^
10

fei:
\

^f

^^

1.

i'

m.
;i S'
j'J

i ?
7

).

Jl
nt\

W^

^*^
^

rf
[7

s
n r

^^ ^ ^^
S

'i

r S

>

fl

./

^
1 r
w. ;/-

^^
1

-y-^

3=:
i'

^-^

;i g i

^ ^w

U ^ ^ ^ ^ ^^
1^

r\

r
)

u^^pr

= .//

allargando

^
i

m^

/'

j--^

at78

PRIMO

21

A-hunting
The dusky night

We
rides
in the

Will Go
down
morn;
the sky,

And ushers
Th(-

hounds

all

join in glorious cry,

The hounds all join in glorious cry. The huntsman winds his horn. The huntsman winds his horn. Then a-hunting we will go,
A-hunting we will go, A-hunting, hunting we will go, A-hunting we will go.
Fielding-

Old English Air

Allegro

10

g=5 ii
2

mf

^
5

-\

r
5^

^
^
"1

fe
1 w

^
r

P^
m f
J
J'-l

w
fe

^
~\

^
n

f
5

i
"I

^^^

i ?^

^n

^
2 y*^
=*T

;/
^2^

allargando

IS

^^

17C8

22

SECONDO

Her Dear Round

Little

Face

(Bielalitza Kruglalitza)

Round and white as

Is the face of a

the petals of a flower

sweet

little

maiden,

Fair

is she as the flow'rs of the kolena, Fair and sweet is she.

would weave from the flow'rs of the kolena Fragrant wreaths for her neck and her shoulders, Blossoms rare, to adorn her pretty person; Fair and sweet is she.
I

Russian Folk-tune

Andante con moto

"1

r
4
1

^ntj
11

^
p

^^

^^

1T8

23
PRIMO

Her Dear Round

Little

Face

(Bielalitza Kruglalitza)

Round and white

Fair
is

as the petals of a flower

Is the face of a

sweet

little

maiden,

she as the flow'rs of the kolena, Fair and sweet is she.

would weave from the flow'rs of the kolena

Fragrant wreaths for her neck and her shoulders,
rare, to adorn her pretty person; Fair and sweet is she.

Blossoms

Russian Folk-tune

Andante con moto

I

[^

^
1

^ S

J^J

11

mi

i^

tfi

"f^

i
4
1

riiard.

ai76a

24

SECONDO

Going through Lorraine

(En passant par
Through Lorraine I came a-walking, In nij- wooden shoes; Through Lorraine I came a-walking, In my wooden shoes; Met three captains gaily marching, In my wooden shoes, Dondaine,
Oh, oh, oh!
In

la

Lorraine)

And

my wooden

shoes.

they laughed and called me ugly, In my wooden shoes; And they laughed and called me ugly, In my wooden shoes; I am not so very ugly. In my wooden shoes, Dondaine, Oh, oh, oh! In my wooden shoes.
I

Met three captains gaily marching, In my wooden shoes; Met three captains gaily marching. In my wooden shoes;

And

they laughed and called me ugly, In my wooden shoes, Dondaine, Oh, oh, oh! In my wooden shoes.

not so very ugly. my wooden shoes; I am not so very ugly. In my wooden shoes; For the Prince declares he loves me, In my wooden shoes, Dondaine, Oh, oh, oh! In my wooden shoes.
In

am

French Folk-tune
Allegretto
"1

^):i

>

-r-m

^ 7
i)

K 7

e
\

, i

7 1 -J==t==

K 7

12
^Vi

1>

^ * ?
>

^ ^

f'

*r

*r

*!'

"r

'
1

^=:l

s=^= 5=^^

=iF

3
'^ i
* ?^
1768

E^^
4
.1

4
1

^
;/ /,

^
/

5
1

-y

PRIMO

25

Going through Lorraine

(En passant par
Through Lorraine I came a-walking, In my wooden shoes; Through Lorraine I came a-walking, In my wooden shoes; Met three captains gaily marching, In my wooden shoes, Dondaine,
Oh, oh, oh!
In

la

Lorraine)

And

they laughed and called my wooden shoes; And they laughed and called In my w^ooden shoes;
In
I

me me

ugly.
ugly,

am

my wooden

shoes.
I

not so very ugly, In my wooden shoes, Dondaine, Oh, oh, oh! In my wooden shoes. not so very ugly,

Met three captains gaily marching, In my wooden shoes; Met three captains gaily marching, In my wooden shoes; And they laughed and called me ugly. In my wooden shoes, Dondaine,
Oh, oh, oh!
In

am

In my wooden shoes; am not so very ugly.

In my w^ooden shoes; For the Prince declares he loves me, In my wooden shoes, Dondaine, Oh, oh, oh!
In

my wooden

shoes.

my wooden

shoes.

French Folk-tune

Allegretto

12

~i

^
1

'

f
tf

^^
2
1

<1768

26

SECONDO

The Disagreeable Lover

(Yak do tehbeh Lawdeetih)
I'd wed,mj' Sweetheart dear, Did I not your Father fear." "Father roams far and wide, Never stays by my side;

"You

Sweetheart dear.

"You Id wed, my Sweetheart dear, But your dog I greatly fear." "But my dog does not bite. Here he sits, day and night; Sweetheart dear,

Do

not fear."
dear.

Do

not fear."

"You Id wed, my Sweetheart Did I not j-our Mother fear." "To a feast she has gone,
I

am

left quite alone;

"You I'd wed, my Sweetheart dear. But your mice I greatly fear." "If my mice fright you so. Out of here you must go;

Sweetheart dear.

Do

not fear."

Come Come

no more, no more."

Russian Folk-tune

Allegro moderato
1

13

g^ m3 /
? ^
"1

^
p
r

p
.i.

I
p

^ p

^
5

1 r

^m
;.

^
i j=k
r
\

.^ ^
f
4

^
^^
P
:^

'4

3i8

PRIMO

27

The Disagreeable Lover

(Yak do tehbeh LawdeetiH)
"You I'd wed, my Sweetheart dear, Did I not your Father fear." "Father roams far and wide, Never stays by my side; Sweetheart dear,

"You Id wed, my Sweetheart dear, But your dog I greatly f#ar." "But my dog does not bite, Here he sits, day and night; Sweetheart dear,

Do

not fear."

Do

not fear."

"You Id wed, my Sweetheart dear, Did I not your Mother fear." "To a feast she has gone,
I

am

left quite alone;

Sweetheart dear.

Do not

fear."

"You Id wed, my Sweetheart dear, But your mice I greatly fear." "If my mice fright you so. Out of here you must go; Come no more, Come no more."

Allegro moderato
rr
i

Russian Folk-tune

iMr
v\p
:sr

Hr

g
*L

fe^^^
^

rr

13

=s=j

^
n
I

m
?

^^ ^
4

i
m

^ p

^^

(T)

f^

it

31768

28

8EC0ND0

Over the Hills and Far Away

Tom
he

was

a piper's son,

to play whsn he was young, But all the tune that he could play, Was, "Over the hills and far .twa}-. Over the hills and a great way oft, Winds will blow my topknot off; All the tune that he could play Was, "Over the hills and far away."

He learned

with his pipe made such a noise. That he pleased all the girls and boys; But when they stopped to hear him iplay, 'Twas,"Over the hiHs and far away." Over the hills and a great way off, Winds will blow my topknot off; All the tune that he could play Was, "Over the hills and far away."
Traditional

Tom

Allegretto

English Folk-tune

m
14
\

^^
^

^
^

m
izz

pdelicatamente

i:

e^
p

m^
i
f.t

r"
5

^^^
i
1 r

.3

i
in,

'/

m
^\^

L'TL

'i^

^
E-

/
I

mp
3

1 r

r\
4

^^^ I
"f

^
p
ritard.

:!2i_

a morzando

PP
o

"^^^
178

I
3

-o-

PRIMO

29

Over the
Tom
He

Hills

and Far Away

with his pipe made such a noise. That he pleased all the girls and boys; But when they stopped to hear him play,

he was a piper's son, learned to play when he was young, But all the tune that he could play, Was, "Over the hills and far away." Over the hills and a great way off,

Tom

Winds

will

blow my topknot
hills

off;

'Twas,"Over the hills and far away." Over the hills and a great way off. Winds will blow my topknot off;
All the tune that he could play

All the tune that he could play

Was, "Over the

and

far away."

Was, "Over the

hills

and far away."

Traditional

English Folk-tune

Allegretto
1 r

ii
14
S

V delicatamente

lij JTr p=gi P

^ ^
"!f

^
r

m
\t
~\

n rg-

r
I

^
J
1

mp
1^

g ^
V

Vlf-

^
smorzando

PP

^^
81768
ITTIHART THT? >reW YORK PtJBT.IC ARTft ORNRRAL LIBRARY OF THE rF.IUORMlNG BW YORK 10023. li.l gl^TKMAil

im

30

SECONDO

The
(Veak je
Deep
in the

Little
si

Men
shad}',

je-ste to dovedu)

woods, cool and

Far within the p^len, There's where it's fun to be hiding With the little men. Some now are dancing, Some now are singing, Merrily treading light, Care not for weather.

Troop all together. Morning till night.

^
15 i

Andantino

^
P
^

Bohemian Folk-tune

i^
d *

r^^

k
VP

M ^

i^

^^^
k
^

^ ^

^
81708

<

^ ^ ^^

PRIMO

81

The
(Veak je
Deep
in the

Little
si

Men

je-ste to dovedu)

woods, cool and shady, Far within the glen, There's where it's fun to be hiding With the little men. Some now are dancing,

Some now

are singing,

Merrily treading light.

Care not for weather. Troop all together. Morning till night.

Bohemian Folk-tune

Andantino

:i ^
15

^=^
P

J.

J'

m
f

l^Xn

i
p

^fd

FP

i
;i
s

JJ^J

^ ?

^ i
*
^

m
I1T68

THJB

NEW YORK PDBUC LIRRAHV

^'^ in fS^STnliiriv^^ AMSrEUDAlI AVE. MiW ^' VORK,

WS-G ARM
N. Y. 10023

8S

8EC0NDO

Kalinka
Pine-tree tall and slender, Casting shadows tender, Under thy branched would I sleep and rest.

Kalinka, Kalinka, Kalinka my dear. There was never yet a flower,so

fair

and sweet as thou.

Pine-tree tall and slender, Casting shadows tender, Here would I slumber till the night

is

past.

Kalinka, Kalinka,

Kalinka my dear, There was never yet a flower, so

fair

and sweet as

thou.

Andante con moto

rg

m ^i
i

i S

16

Allegro
1

^
EZS
peon

m
2

ir
3

^
p

Russian Folk-tune
1

#i

r\

^^^
E^2
E^^^
mp

^-Ac/

'^

Set

^a
cresc.

spirito

^s

^ ^^

^ ^^

^PF^

^^

1^^ ^^^

m
5

m If

Andante con moto

ppcon

spirito

31768

^^^^

PRiMO

88

Kalinka
Pine-tree tall and slender,

Casting shadows tender, Under thy branches would I sleep and rest. Kalinka, Kalinka,

Kalinka my dear, There was never yet a flower,so

fair

and sweet as thou.

Pine-tree tall and slender, Casting shadows tender, Here would I slumber till the night is past. Kalinka, Kalinka, Kalinka my dear, There was never yet a flower, so fair and sweet as thou.

Andante con moto

Russian Folk-tune
1 r

16

^
Allegro

nif legato

i^
i it

^m
^
mp

1 r

w/,

5^3

spirito

^'i

hii

P
peon

^
1

i
li
i>

^
-|

cre.se.

-0,/?s

m'/

m
r

Andante con moto

^
spirito

^^
ir

-i

^^^
Allegro

^^

^m ^ m
Peon
1708

i
dim.

^ W^
1

^^

;e

34

SECONDO

Sedlak
(The Peasant)
Sedlak, sedlak, sedlak, Surely a gentleman Sedlak, sedlak, sedlak.

is

he,

Haughty is he. his waist wears a belt, they say. Coat of fur, trimmed with tulips gay;

Round

Sedlak, sedlak, sedlak.

Haughty

is

he.

Sedlak, sedlak, sedlak. Stupid the peasant seems to be, Sedlak, sedlak, sedlak. Stupid is he. When at morn to the fields he fares, Watches two in his coat he wears-, Sedlak, sedlak, sedlak. Stupid is he.

Allegro

Bohemian Folk-tune

^fs
17

l:

^
i

^EEE

^=^

f
w

t=^

^=^

^
m
p

e:

mp
-&^

^ ^ ^ ^
"I

^
^^
1768

^
2

f
r
^ t

77"

35

Sedlak
(The Peasant)
Sedlak, sedlak, sedlak. Surely a gentleman Sedlak, sedlak, sedlak,

is

he,

Haughty

is

he.

Round

wears a belt, they say, Coat of fur, trimmed w^ith tulips gay,
his waist

Sedlak, sedlak, sedlak,

Haughty

is he.

Sedlak, sedlak, sedlak, Stupid the peasant seems to Sedlak, sedlak, sedlak, Stupid is he.

be,

When at morn to the fields he fares, Watches two in his coat he wears,
Sedlak, sedlak, sedlak. Stupid is he.

Allegro

Bohemian Folk-tune

'^
17

^m

c/r ir
81768

^^^^

mf

8EC0ND0

The British Grenadiers

Some talk of Alexander, And some of Hercules,
Of Hector, and Lysander,

And such
But

great

names as

these.

of all the world's great heroes,

There's none that can compare

With atow row-row, row-row, row-row, To the British Grenadier!

Truditio/iul

English Folk-tune

Maestoso

18

^ ^m ^^ ^m ^^ ^
r r r
"/ m

^^
f
1 r

g
P

m ^^
22
22Z:
3

^ ^EE^

m^

19^

^
5

i P

^
1

2^

^ ^ ?
* 2

^
-ir
>

WJ
3

n r

i
'

m
4

m
1^-

'a

i ^=^
1

grf r=^=f
cresc.

^^
f

cresc.

"y-v

^r=f^

J
4

Mj
4

i
r
'

ITtS

PRIMO

37

The British Grenadiers

Some talk of Alexander, And some of Hercules,
Of Hector, and Lysander,

And such
But of
all

great

names as

these.

the world's great heroes,

There's none that can compare.

With a tow row-row, row- row, row- row, To the British Grenadior!
Tradittofial

18

^
w

Maestoso

English Folk-tune

^^
P

^P ^
-f
11

?
^

^ ^ P^
-rrr

^^^
cresc.

w/?_

m
tlT

mf

^'

m 4"

^
cresc.

mp
y

^*j

38

8EC0ND0

Rigaudon
Mother, if you knew where I've been a-roaming, Mother, if you knew, you would frown and scold! I ve been in Toulon, in Toulon I ve been a-dancing, Ive been in Toulon, where they dance the Rigaudon!

you knew all the joy of dancing, you knew, you'd ne'er frown nor scold! I've been in Toulon, in Toulon I've been a-dancing, Ive been in Toulon, where they dance the Rigaudon!
Mother,
if

Mother,

if

French Folk-tune

Allegretto
1

19

"1

^m

3^

^
S

^
^

^
-|

rit.

f^

?
^M.

i
i ^

m ^^
'

"'/'ff

tempo-

^f^

^
i

n
1768

m -f
\

Jallargando

=^

PRIMO

39

Rigaudon
if you knew where I've been a-roaming, Mother, if you knew, you would frown and scold! I ve been in Toulon, in Toulon I've been a-dancing, Ive been in Toulon, where they dance the Rigaudon!

Mother,

Mother,

if you knew all the joy of dancing, Mother, if you knew, you'd ne'er frown nor scold! ve been in Toulon, in Toulon I've been a-dancing,

Ive been in Toulon, where they dance the Rigaudon!

Allegretto

French Folk-tune

19

^
P
4
fit.

81768

40

8EC0ND0

Avenging and Bright

Avenging and bright
falls the swift

sword of Erin

Usna betrayed. For ev'ry fond eye he hath wakened a tear in, A drop from his heart-wounds shall weep o'er

On

him, who the brave sons of

his blade.

Moore

Irish Folk-tune

Maestoso

20

mf.

mp

5-2

S ^

cresc.

'S

^
g^
Cr^SC.
laz.

V
1

Pi

s
3^
aiTtt

^eeeI:
=

i
i

ii

!f

^^

allnrgando

/r

PRIMO

41

Avenging and Bright

Avenging and bright
falls the swift

sword of Erin

the brave sons of Usna betrayed. For ev'ry fond eye he hath wakened a tear in, A drop from his heart- wounds shall weep o'er his blade. Moore

On him, who

Irish Folk-tune

Maestoso

fe
20

?
f
J

fe

nn
,

ttf

"-^
cresc.

-r.

^-^ P

cJ-Lf

P
'

J wv-J
9)

^u^y
^

i i
3
1

r
"/ m.

zsu
cresc.

allargando

^^

178

4S

SECONDO

The Shepherdess
(Mon pere
Once on
a time lived a fair maid,
Brittanj-

avait cinq cent moutons)

"Prithee, good sir, leave them alone, Each one to me is precious, Morning and night, sunshine or storm, Daily I watch and tend them."

was her country,

Five hundred sheep daily she watched, Proud of her flock so gentle.

Shepherdess She, tra-1 a- la, la- la-la- la- la, Shepherdess she, tra-la, la-la!
But the king's son, passing that way. Looked at the sheep with envy; "Shepherdess fair, give me, I pray,

Shepherdess she,tra-la-la, la-la-la-la- la. Shepherdess she, tra-la, la-la!

One

Fourof j'our sheep so gentle." Shepherdess she, t'a-la-la, la-la-la-la-la, Shepherdess she, tra-la, la-la!

married you'll be. watch and tend them? "Why,gentle sir, married or no, Shepherdess I, for ever." Shepherdess she, tra-la- la, la- la- la- la- la, Shepherdess she, tra-la, la-la!
day, fair maid, will

Who then

Allegretto

French Folk-tune

^m ^s
21

^^ ^m ^^
m

'^^

^M
^ylfT

W^

^
^^
lives

mi

rt ^ ^^ ^^

^ ^
1 r

i=^=^
i
4^

m^

'I

faE^

.5

*f

*/

*f

/j/j

*r

*7

-Tr^

PRIMO

4S

The Shepherdess
(Mon pere
Once on
avait cinq cent moutons)
"Prithee, good sir,leave them alone, Each one to me is precious, Morning and night, sunshine or storm.
a time lived a fair maid, Brittany was her country, Five hundred sheep daily she watched, Proud of her flock so gentje.

Shepherdess she, tra-la-la, la-la-la-la-la, Shepherdess she, tra-la, la-la!

But the king's son, passing that way. Looked at the sheep with envy; "Shepherdess fair, give me, I pray, Four of your sheep so gentle." Shepherdess she, tra-la-la, la- la-la- la-la. Shepherdess she, tra-la, la-la!

Daily I watch and tend them." Shepherdess she, tra-la-la, la- la-la-la-la, Shepherdess she, tra-la, la-la!

One

day, fair maid,

Who then will

"Why, gentle sir, Shepherdess I, for ever." Shepherdess she,tra-la-la, la-la-la-la-Ia, Shepherdess she, tra-la, la-la!

married you'll be, watch and tend them? married or no,

French Folk-tune

21

m
I
ni

U:
mp

^
^

rrn

fcfc5
'If

^
HI

fet

^S i

f-

PP

EJ:

1768

44

8EC0NDO

The White Cockade

My love was born in Aberdeen, The bonniest lad that e'er was seen, But now he makes our hearts fu' sad,
He takes
the field
wi'
I

11

sell

my

rock,

my

reel,

my

tow.

gude grey mare, and brawkit cnw, To buy mysel' a tartan plaid

My
To

O O

he's a ranting, he's a

his white cockade. roving lad,

follo-w the lad wi' the

brisk and bonny lad, Betide what may, I will be wed, And follow the boy wi' the white cockade!

O O

white cockade. a ranting, roving lad, he's a brisk and a bonny lad, Betide what may, I will be wed. And follow the boy wi' the white cockade!
he's

Allegro moderato
I

Scotch Folk- tune

1 r

22

^m ^m

^
mp

S
J

^
J
J
^

^
J

3
m

'^

1 r

1 r

#=t=^
mi

^=^=^
m\

^
P

wwm

^^ ^^

17S8

PRIMO

46

The White Cockade

My love was born in Aberdeen, The bonniest lad that e'er was seen, But now he makes our hearts fu' sad.
He
takes the field wi' his white cockade.
Ill sell

my

rock,

my

reel,

my

tow,

My
To

gude grey mare, and brawkit cow, To buy mysel' a tartan plaid
follow the lad wi' the white cockade.

O O

a ranting, roving lad, he's a brisk and a bonny lad, Betide what may, I will be wed. And follow the boy wi' the white cockade!
he's

O O

he's a ranting,

roving lad,

and a bonny lad, Betide what may, I will be wed. And follow the boy wi' the white cockade!
he's a brisk

Scotch Folk- tune

Allegro moderato
1 r

P
22

mi

^
m,

nf

^^
m
~i

1 r

P^
/
nt.

i
p

^m
m
r\

nf

i
m, nf

J J
S1768

JT

ff

46

8EC0ND0

The

Bird's

Message

(Slavikovsky)
high on the flm-troe,

Prettj' bluebird,

Pretty bluebird, sing

me your music; Gentle greeting, full of meaning, You have brought to me,
Singing sweetly, telling surely,

That

my

love loves

me.

Bohemian Folk-tun

Andante con moto

*>--i-t^

23

^
H
> 4

w
~\

^
r

-zz

^^
SE

^
?
n

#5

^^
?=^

JEEJ;

^
J
'-4
.

^^

'ffi

^;;^ fcHif

S
ai7<8

-^^i?

^^ 3^

^=^
^ 3=^

^^^
rit.

g3

^^ w

PRIMO

47

The

Bird's

Message

(Slavikovsky)
Pretty bluebird, high on the elm-tree, Pretty bluebird, sing me your music; Gentle greeting, full of meaning,

You have brought to me. Singing sweetly, telling surely,

That

my

love loves

me.

Bohemian Folk- tune

Andante con Tioto

23

^^^
W
^ i
i
i

^^
81768

^
3
rit.

4H

8EC0ND0

Oh, the Days Are Gone

Oh, the days are gone, when beauty bright My heart's chain wove, When my dream of life, from morn till night,
"Was love, young love. For new hope may bloom, and days

may com^

Of milder, calpier beam;

But there's nothing half so sweet As love's young dream.
in life,

Moore

Irish Folk- tune

Andantino

^^n=f=^
24
'--mrt-r-

g^
p legato
1

-*

i=
i
i

i
f

^ ^^
1

^ E

^
"I

I:5iP!^

^=^

^P
.

^^
I

?=^

^^ ^^
t
1.

5S

^
?.

3^
sA

^^
1

':p

4i

5A-

jt>2^

ritard.

^
tl788

EE^EEE

^ ^

PRIMO

49

Oh, the Days Are Gone

Oh, the days are gone, when beauty bright My hearts chain wove, When my dream of life, from morn till night, "Was love, young love. For new hope may bloom, and days may come Of milder, calmer beam; But there's nothing half so sweet in life, As love's young dream.
Moore

Irish Folk-tune

Andantino
I

^
24

legato

^^
t^

^
T

^^

1 r

-i

f
*

^^ ^
1

mp

cresc.

1 r

? p
m]

nf

te ^
81768

sm

^
2
3

i?p

ritard.

60

SECONDO

Go No More
Go
r.o

a-

Rushing
fair

more a-rushing, maidens

is

Winter

No No more time

a- coming, trees are bare, more time for straying,

for playing.

Go no more a-rushing, maidens fair. Rushes green in the meadows grow,

Cool and fresh, -where the brooks and rivers flow. Soon the dark will spread its mantle there; Go no more a-rushing, maidens fair.

Go no more a-rushing, maidens

Winter
is

fair.

No No more time
Spring
is

a- coming, trees are bare. more time for straying.

for playing.
fair.

Go no more a-rushing, maidens

sweet, by the waters clear. Summer too, happy playtime of the year, Winter cold will come and linger there; Go no more a-rushing, maidens fair.

Andante
1 r

English Folk- tune

m^
25

^
^
t5
{

m.

"f

t
1 r
ri
;:

^^
"^

gg

1
''.'31

PP

ii'^-i:

\P

m i

ttfts

PRIMO

51

Go No More
Winter
is

a- Rushing
fair,

Go no more a-rushing, maidens

No more time No more time
for straying,

a-coming, trees are bare;

for playing,

Go no more

a- rushing, maidens fair. Rushes green in the meadows grow, Cool and fresh, where the brooks and rivers flow, Soon the dark will spread its mantle there; Go no more a-rushing, maidens fair.

Go no more a-rushing, maidens

Winter
is

fair.

a-coming, trees are bare; No more time for straying. No more time for playing, Go no more a-rushing, maidens fair. Spring is sweet, by the waters clear, Summer too, happy playtime of the year. Winter cold will come and linger there; Go no more a-rushing, maidens fair.

Eng-lish Folk- tune

Andante
1 r

25
r ^

m
^it f

m ^p

v%^

1768

52

8EC0ND0

The Horses

of

Eger
Ladies in Eger all are proud, Ladies in Eger all are proud, See them a-prancing, See them a-dancing, Ladies in Eger all are proud.

(Az Egri menes)

Horses in Eger all are white, Horses in Eger all are white, See them a-prancing, See them a-dancing, Horses in Eger all are white.

Why Why

are the ladies there so proud?

are the ladies there so proud? White are the horses,

White are the

That's

horses,

why

the ladies all are proud!

Hung-arian Folk- tune

Allegro con fuoco

^ ^^"^
26
^V .k '*
:

p=

pm ^^
m
m.

P ^
>5;

^
1

^ ^j-^y

p.

^-

-1^ t

s ^^
I

E 7

h 2=

>
-

>>
p.
J

-T

p F=^ -7-fr /-'

'

ni'p

'y
-'^ >

&

-&

=^i=

&

-&
2

ft

n r

9'^^M^^f
sg
1768

l>'F"F
w;

p
\

^f-^^'

'f

PRIMO

S8

The Horses
Horses in Eger all are white, Horses in Eger all are white, See them a- prancing, See them a-dancing. Horses in Eger all are white.

of

Eger
Ladies in Eger all are proud, Ladies in Eger all are proud, See them a-prancing, See them a-dancing, Ladies in Eger all are proud

(Az Egri menes)

Why Why

are the ladies there so proud? are the ladies there so proud? White are the horses,

White are the horses.

That's

why

the ladies all are proud

Hungarian Folk- tune

Allegro con fuoco

^
26

t 5C

^^
mi

^
^
^

^^
P ^

^
3,

^
P

t^
81768

^
~\

tf

nf'.

*f

64

8EC0ND0

Love Will Find Out the

Way

Over the mountains, and over the waves, Over the fountains, and under the graves, o'er floods that are deepest, which Neptune obey. O'er rocks that are steepest, Love will find out the way.

Some think to lose him, which is too unkind; Some too, suppose him, poor thing, to be blind;
too close ye wall him, and high as ye may. Though blind ye may call him, Lovt- will find out the way.

But

if

Traditio7ial

English Folk- tune

Andante con moto

W ?^3 i
27

3
P 3

^ ?
n r

1
1

J
3

^=-#i^

i
^-nr

-nz.

nt]

mf
4

P^
"S7
I

cresc.

^
"1

f
'1

^^
1768

/w/*

meno mosso

~a-'

PRIMO

55

Love Will Find Out the

Way

Over the mountains, and over the waves, Over the fountains, and under the graves. O'er floods that are deepest, which Neptune obey. O'er rocks that are steepest, Love will find out the way.

Some think to lose him, which is too unkind; Some too, suppose him, poor thing, to be blind;
But
if

too close ye wall him,

call

Though blind ye may

and high as ye may, him. Love will find out the way.
Traditional

English Folk- tune

Andante con moto

i^
27

m
I

^
V

i
p

^
r

i^

"I

n r

f f
V

m ^^
1 r

^
3z:

mf

1 r

m i

mm
cresc.

m, nf

mf meno mosso

tl768

66

8EC0ND0

The Banks
Ye banks and braes
o'

of

Doon
Oft hae
I

bonnie Doon,
fair?

rov'd

by bonnie Doon
its love,
I o'

How can ye bloom sae fresh and How can ye chant, ye little birds,
And
I

To

see the rose and woodbine twine.

sae weary,

fu' o'

care!

And ilka bird sang o' And fondly sae did

mine.

Thou'lt break

my

heart, thou warbling bird,

That wantons thro' the flowering thorn. Thou minds me o' departed joys, Departed- never to return.

Wi' lightsome heart I pu'd a rose Fu' sweet upon its thorny tree;

And my

fause lover staw my rose, But ahl he left the thorn wi' me. Burns

Scotch Folk- tune

Andante con moto

^fe^^
28

1 r

^
p

S
P

^^

legato

^==^

5-2

^
"I

s
r

^ ^m w^m
s
'

^m ^^
^
5-a

^^^
1 r

s
I

W^
i

^EjEE^

g
f"/'

^
i

^
^n^tl:tt1>

^
17t8

F^
"I
I

f^^

5-2

PRIMO

87

The Banks
Ye banks and braes o' bonnie Doon, How can ye bloom sae fresh and fair
?

of

Doon
I rov'd by bonnie Doon To see the rose and woodbine twine, And ilka bird sang o' its love, And fondly sae did I o' mine.

Oft hae

can ye chant, ye little birds, And I sae weary, fu' o' caret Thou'lt break my heart, thou warbling bird, That wantons thro' the flowering thorn, Thou minds me o' departed joys, Departed- never to return.

How

Wi' lightsome heart I pu'd a Fu' sweet upon its thorny And my fause lover staw my But ah! he left the thorn

rose
tree;

rose.
wi'

me. Burns

Andante con moto

Scotch Folk- tune

28

m
F^ S m

^^
g
i

^
s

f^
1 r

^^^^
LJ
^'

W
m nf
'

te

E5

&

#^JUUJ

1768

68

SECONDO

Mazurka
Come away, come away,
Dance the livelong day. Come away, come away. Dance the livelong day.
Fairest maid, my heart's delight Tripping gaily in the morning light, Ever laughing, never weary, Dance the livelong day! Fairest maid, my heart's delight Tripping gaily in the morning light, Ever laughing, never weary, Dance the livelong day!

Allegro moderato

Polish Folk-tune
"1

^^
29

1 r

25
S4-

S ^'
s
"1

4
<-4

JJ
>

1
1 r
-4

:=:

^l
-\

9_
3

r
= ==

^^r
s

^
WJ

-^

4>

U
1 r

=:^^

^^

^^
^Ij

*=#= V
w/>

P
Z

^
i

p%=^
(

p^i
1768

^ ^

^
w:

'/
-

g-r

^^

PRIMO

59

Mazurka
Come away, come away, Dance the livelong day, Come away, come away. Dance the livelong day.
Fairest maid, my heart's delight, Tripping gaily in the morning light. Ever laughing, never weary, Dance the livelong day! Fairest maid, my hearts delight. Tripping gaily in the morning light. Ever laughing, never weary.

Dance the livelong day!

Allegro moderato

Polish Folk-tune
1

29

1 r

(^
i

^ti

4 '^

rrr^i
m.

p
1

'f

wsm
ii

t-

S^=*
2

-w4-

* J. 2

3=

^P^
m '/

^P
I

#=^
4

^
m ^
'
'

:>

^ ^P^
3

17 98

60

SECONDO

Russian Dance
Allegro con brio
1

MF^
30
feV
.

^m f^^

r>^

i t^
1

j'

^
r

T?
CJ

^
'CJ

=tS
WJO

*=1?
CJ

^^
i

f=T5
CJ

^
^g^

^^
T-cj

CJ

CJ

:?==^

S5=5

ss
E ^j,''
i

^ :j

p-

.>ni

^
h-i,

-^ff^p p ^f^g'

^
VP
>

>

f
jpg^
3E

T*

^
U
r
<
\

^^^
==i5

^^
s
tt:"
s

s ^^^
'

m
^^-tJ

^
V
i3^=S n T

^5 ^s *^=^
^O
"I
\

Jn

^ i

-^

^ fe

irWtJ

:^m
i
I

V~liK^
Ji

7^1-

v'j'^tl

ir

\ f^^
'

\\

PP

J^> j^

J' ^
l

T?

w ^^^ga

1$^^=s

^m
ti7a8

at

ifel

a#

PRIMO

I
61

Russian Dance
Allegro con brio

1^^^ tnr
30
mip

^
/
-

^mm
trf

"1

m
i

f^
1

*^
S r

M n ^ ^^ g^
3^*
y
"!

^m
J*
"f

^"-M

^ ^^ S ^^
44^^-4
n r

e
i
V

J*il

t i

1>

t^'fep.^]? ^ ^ >
1

i^ 4=^

^ ^^ ^^ ^^
vf

^e

t^^_J^

i^

i
VP

^^^^

tires

^iadedLlst'

i^
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