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Atlas Shrugged
This article is about the novel. For the film adaptations, see Atlas Shrugged: Part I, Atlas Shrugged: Part II, or Atlas Shrugged: Part III.
Atlas Shrugged
The first edition Author(s) Country Language Genre(s) Ayn Rand United States English [][][] Romance novel, Mystery fiction, Science fiction, Philosophical novel. Random House
Publisher
Publication date October 10, 1957 Media type Pages ISBN OCLC Number Print (hardback and paperback) 1168 (first edition) ISBN 0-525-94892-9 (hardback centennial edition), ISBN 0-452-28636-0 (paperback centennial edition) 412355486 [1]
Atlas Shrugged is a novel by Ayn Rand, first published in 1957 in the United States. Rand's fourth and last novel, it was also her longest, and the one she considered to be her magnum opus in the realm of fiction writing.[2] Atlas Shrugged includes elements of romance,[][][] mystery, and science fiction,[3] and it contains Rand's most extensive statement of Objectivism in any of her works of fiction. The book explores a dystopian United States where many of society's most productive citizens refuse to be exploited by increasing taxation and government regulations and disappear, shutting down their vital industries. The disappearances evoke the imagery of what would happen if the mythological Atlas refused to continue to hold up the sky. They are led by John Galt. Galt describes the disappearances as "stopping the motor of the world" by withdrawing the people that drive society's productivity. In their efforts, these characters hope to demonstrate that the destruction of the profit motive leads to the collapse of society. The title is a reference to Atlas, a Titan of Ancient Greek mythology, described in the novel as "the giant who holds the world on his shoulders".[4] The significance of this reference is seen in a conversation between the characters Francisco d'Anconia and Hank Rearden, in which d'Anconia asks Rearden what sort of advice he would give Atlas upon seeing that "the greater [the titan's] effort, the heavier the world bore down on his shoulders". With Rearden unable to answer, d'Anconia gives his own response: "To shrug". The theme of Atlas Shrugged, as Rand described it, is "the role of man's mind in existence". The book explores a number of philosophical themes from which Rand would subsequently develop Objectivism.[5][6] In doing so, it expresses the advocacy of reason, individualism, capitalism, and the failures of governmental coercion. Atlas Shrugged received largely negative reviews after its 1957 publication, but achieved enduring popularity and consistent sales in the following decades.[]
Atlas Shrugged
Synopsis
Setting
Atlas Shrugged is set in an alternative dystopian United States at an unspecified time, in which the country has a "National Legislature" instead of Congress and a "Head of State" instead of President. Writer Edward Younkins noted, "The story may be simultaneously described as anachronistic and timeless. The pattern of industrial organization appears to be that of the late 1800s the mood seems to be close to that of the depression-era 1930s. Both the social customs and the level of technology remind one of the 1950s."[19] Many early 20th-century technologies are available, and the steel and railroad industries are especially significant; jet planes are described as a
Atlas Shrugged relatively new technology, and television is a novelty significantly less influential than radio. Although other countries are mentioned in passing, there is no mention of the Soviet Union, World War II, or the Cold War. It is implied that the countries of the world are organized along vaguely Marxist lines, in references to "People's States" in Europe and South America. Characters also refer to nationalization of businesses in these "People's States", as well as in America. The "mixed economy" of the book's present is often contrasted with the "pure" capitalism of 19th century America, wistfully recalled as a lost Golden Age.
Structure
The novel is divided into three parts consisting of ten chapters each. Robert James Bidinotto noted "the titles of the parts and chapters suggest multiple layers of meaning. The three parts, for example, are named in honor of Aristotle's laws of logic... Part One is titled 'Non-Contradiction'... Part Two, titled 'Either-Or'... [and] Part Three is titled 'A Is A,' a reference to 'the Law of Identity'."[]
Plot summary
As the novel opens, protagonist Dagny Taggart, the Operating Vice President of Taggart Transcontinental, a railroad company originally pioneered by her grandfather, attempts to keep the company alive against collectivism and statism. Her brother, James Taggart, the railroad's President, is peripherally aware of the company's troubles, but will not make difficult decisions, and seems to make irrational decisions, such as preferring to buy steel from Orren Boyle's Associated Steel, rather than Hank Rearden's Rearden Steel, despite the former continually delaying delivery of vital rail. In this as in other decisions, Dagny simply continues her own policy; but is herself disappointed to discover that Francisco d'Anconia, her childhood friend and first love, appears to be destroying his family's international copper company, which has made him one of the richest and most powerful men in the world. Hank Rearden, a self-made steel magnate, has recently developed an alloy called Rearden Metal, now the strongest and most reliable metal in the world; but keeps its composition secret, sparking jealousy among competitors. As a result of this, pressure is put on Dagny to use conventional steel; but she refuses. Hank's career is hindered by his feelings of obligation to his wife, mother, and younger brother. Dagny also becomes acquainted with Wesley Mouch, a Washington lobbyist initially working for Rearden, whom he betrays; and later notices the nation's most capable business leaders abruptly disappearing, leaving their industrial businesses to failure. The most recent of these is Ellis Wyatt, the sole founder and supervisor of Wyatt Oil, and one of the few men still loyal to Dagny and Hank's efforts against government control, who leaves his most successful oil well spewing petroleum and fire into the air (later named "Wyatt's Torch"). Each of these men remains absent despite a thorough search by ever-anxious politicians. While economic conditions worsen and government agencies continue to enforce their control on successful businesses, the citizens are often heard reciting the street phrase, "Who is John Galt?", in response to questions to which the individual can find no answer. It sarcastically means, "Don't ask important questions, because we don't have answers", or more broadly, "What's the point?" or "Why bother?". Having demonstrated the reliability of Rearden Metal in a railroad line named after 'John Galt', Hank Rearden and Dagny Taggart become paramours; and later discover, amongst the ruins of an abandoned factory, an incomplete motor that transforms atmospheric static electricity into kinetic energy, of which they seek the inventor. Eventually this search reveals the reason of business-leaders' disappearances, when Dagny pursues a scientist to 'Galt's Gulch', where the character John Galt is leading an organized "strike" of business leaders against their constraint by the government. Reluctant to forsake her railroad, Dagny leaves Galt's Gulch; but Galt follows Dagny to New York City, where he hacks into a national radio broadcast to deliver a long speech (70 pages in the first edition), serving to explain the novel's theme and Rand's philosophy of Objectivism.[20] As the government begins to collapse, the authorities capture Galt; but he is rescued by his partisans, while New York City loses its electricity. The novel closes as Galt announces that they will later re-organize the world.
Atlas Shrugged
Themes
Philosophy
The story of Atlas Shrugged dramatically expresses Rand's philosophy of Objectivism: Rand's ethical egoism, her advocacy of "rational selfishness", is perhaps her most well-known position. For Rand, all of the principal virtues and vices are applications of the role of reason as man's basic tool of survival (or a failure to apply it): rationality, honesty, justice, independence, integrity, productiveness, and pride each of which she explains in some detail in "The Objectivist Ethics".[21] Rand's characters often personify her view of the archetypes of various schools of philosophy for living and working in the world. Robert James Bidinotto wrote, "Rand rejected the literary convention that depth and plausibility demand characters who are naturalistic replicas of the kinds of people we meet in everyday life, uttering everyday dialogue and pursuing everyday values. But she also rejected the notion that characters should be symbolic rather than realistic."[] and Rand herself stated, "My characters are never symbols, they are merely men in sharper focus than the audience can see with unaided sight. ... My characters are persons in whom certain human attributes are focused more sharply and consistently than in average human beings."[] In addition to the plot's more obvious statements about the significance of industrialists to society, and the sharp contrast it provides to the Marxist version of exploitation and the labor theory of value, this explicit conflict is used by Rand to draw wider philosophical conclusions, both implicit in the plot and via the characters' own statements. Atlas Shrugged caricatures fascism, socialism and communism any form of state intervention in society as fatally flawed. In addition, positions are expressed on a variety of other topics, including sex, politics, friendship, charity, childhood, and many others. Rand said it is not a fundamentally political book, but a demonstration of the individual mind's position and value in society.[22] Rand argues that independence and individual achievement enable society to survive and thrive, and should be embraced. But this requires a rational moral code. She argues that, over time, coerced self-sacrifice must cause any society to self-destruct. Similarly, Rand rejects faith (that "short-cut to knowledge", she writes in the novel), along with belief in divinity apart from the absolute of existence, itself. The book positions itself against religion specifically, often within the characters' dialogue.
Atlas Shrugged
Rand's heroes must continually fight against "parasites", "looters", and "moochers" who demand the benefits of the heroes' labor. Edward Younkins describes Atlas Shrugged as "an apocalyptic vision of the last stages of conflict between two classes of humanity the looters and the non-looters. The looters are proponents of high taxation, big labor, government ownership, government spending, government planning, regulation, and redistribution."[28] "Looters" are Rand's depiction of bureaucrats and all forms of government officials, who confiscate others' earnings by force ("at the point of a gun") whose demands are backed by the implicit threat of force. Some officials are merely executing government policy, such as those who confiscate one state's seed grain to feed the starving citizens of another; others are exploiting those policies, such as the railroad regulator who illegally sells the railroad's supplies for his own profit. Both use force to take property from the people who "produced" or "earned" it. "Moochers" are Rand's depiction of those who have no ability or work ethic whatsoever and are thus unable to produce value themselves. Therefore they demand others' earnings on behalf of the needy; however, they curse the producers who make that help possible and are jealous and resentful of the talented upon whom they depend. They are ultimately as destructive as the looters destroying the productive through guilt, and appealing to "moral right" while enabling the "lawful" looting performed by governments. Looting and mooching are seen at all levels of the world Atlas Shrugged portrays, from the looting officials Dagny Taggart must work around and the mooching brother Hank Rearden struggles with, to the looting of whole industries by companies like Associated Steel and the mooching demands for foreign aid by the starving countries of Europe. One of the novel's heroes, Francisco d'Anconia, indicates the role of "looters" in relation to money itself: "So you think that money is the root of all evil?... Have you ever asked what is the root of money? Money is a tool of exchange, which can't exist unless there are goods produced and men able to produce them. Money is the material shape of the principle that men who wish to deal with one another must deal by trade and give value for value. Money is not the tool of the moochers, who claim your product by tears, or the looters who take it from you by force.
Atlas Shrugged Money is made possible only by the men who produce. Is this what you consider evil? ...Not an ocean of tears nor all the guns in the world can transform those pieces of paper in your wallet into bread you need to survive tomorrow. ...Whenever destroyers appear among men, they start by destroying money, for money is men's protection and the base of a moral existence. Destroyers seize gold and leave its owners a counterfeit pile of paper. This kills all objective standards and delivers men into the arbitrary power of an arbitrary setter of values... Paper is a mortgage on wealth that does not exist, backed by a gun aimed at those who are expected to produce it. Paper is a check drawn by legal looters upon an account which is not theirs: upon the virtue of the victims. Watch for the day when it bounces, marked: 'Account Overdrawn.'"[27]
Theory of sex
"Through Dagny's associations... Rand illustrates what a relationship between two self-actualized, equal human beings can be... Rand denies the existence of a split between the physical and the mental, the desires of the flesh and the longings of the spirit." Mimi Reisel Gladstein, Ayn Rand and Feminism: An Unlikely Alliance
[29]
In rejecting the traditional altruistic moral code, Rand also rejects the sexual code that, in her view, is the logical implication of altruism. In Atlas Shrugged Rand introduces a theory of sex that is based in her broader ethical and psychological theories. Rather than considering sexual desire a debasing animal instinct, Rand portrays it as the highest celebration of human values, a physical response to intellectual and spiritual values that gives concrete expression to what could otherwise be experienced only in the abstract. In Atlas Shrugged, characters are sexually attracted to those who embody or seem to embody their values, be they higher or lower values by Rand's standards. Characters who lack clear purpose find sex devoid of meaning. This is illustrated in the contrasting relationships of Hank Rearden with Lillian Rearden and Dagny Taggart, by the relationships of James Taggart with Cherryl Brooks and with Lillian Rearden, and finally in the relationship between Dagny and John Galt. Adultery is committed by three characters in the novel. The first and predominant act is of Hank Rearden, who sleeps with Dagny after the opening of the John Galt Line, to celebrate the success of his metal and her determination to have the line built. The affair continues for some time - even including a cross-country vacation for the two - until Hank's wife finds out; his wife does not want to divorce him, but instead wants to maintain her image as Mrs. Rearden and allows the affair to continue until Hank manipulates the judicial system to obtain a divorce. Later in the novel, as Mrs. Rearden knows the divorce will be processed shortly, she has sex with Dagny's brother James (who is also married, and despises Hank), as an act of revenge for them both against him. Having caught them, James' wife proceeds to commit suicide. Yet adultery is never addressed on moral grounds; the sex is addressed on its own, either as celebration of accomplishment or as an act of revenge.
Atlas Shrugged
Reception
Atlas Shrugged debuted on The New York Times Bestseller List at #13 three days after its publication. It peaked at #3 on December 8, 1957, and was on the list for 22 consecutive weeks.[]
"Both conservatives and liberals were unstinting in disparaging the book; the right saw promotion of godlessness, and the left saw a message of greed is good. Rand is said to have cried every day as the reviews came out." Harriet Rubin (2007) in The New York Times
[7]
Atlas Shrugged was generally disliked by critics, despite being a popular success. The book was dismissed by some as an "homage to greed", while author Gore Vidal described its philosophy as "nearly perfect in its immorality".[7] Helen Beal Woodward, reviewing Atlas Shrugged for The Saturday Review, opined that the novel was written with "dazzling virtuosity" but that it was "shot through with hatred".[32] This was echoed by Granville Hicks, writing for The New York Times Book Review, who also stated that the book was "written out of hate".[33] The reviewer for Time magazine asked: "Is it a novel? Is it a nightmare? Is it Superman in the comic strip or the Nietzschean version?"[34] In the magazine National Review, Whittaker Chambers called Atlas Shrugged "sophomoric" and "remarkably silly", and said it "can be called a novel only by devaluing the term".[] Chambers argued against the novel's implicit endorsement of atheism, whereby "Randian man, like Marxian man is made the center of a godless world".[] Chambers also wrote that the implicit message of the novel is akin to "Hitler's National Socialism and Stalin's brand of Communism" ("To a gas chamber go!").[] The negative reviews produced responses from some of Rand's admirers, including a letter by Alan Greenspan to The New York Times Book Review, in which he responded to Hicks' claim that "the book was written out of hate" by saying, "...Atlas Shrugged is a celebration of life and happiness. Justice is unrelenting. Creative individuals and undeviating purpose and rationality achieve joy and fulfillment. Parasites who persistently avoid either purpose or reason perish as they should."[35] Greenspan had read unpublished drafts of the work in Rand's salon at least three years earlier.[36] In an unpublished[37] letter to the National Review, Leonard Peikoff wrote, "...Mr. Chambers is an ex-Communist. He has attacked Atlas Shrugged in the best tradition of the Communists by lies, smears, and cowardly misrepresentations. Mr. Chambers may have changed a few of his political views; he has not changed the method of intellectual analysis and evaluation of the Party to which he belonged." Positive reviews appeared in a number of publications. Richard McLaughlin, reviewing the novel for The American Mercury, compared it to Uncle Tom's Cabin in importance.[38] Well-known journalist and book reviewer John Chamberlain, writing in The New York Herald Tribune, found Atlas Shrugged satisfying on many levels: science fiction, a "Dostoevsky" detective story and, most importantly, a "profound political parable".[39][40] However, Mimi Reisel Gladstein writes that reviewers who have "appreciated not only Rand's writing style but also her message" have been "far outweighed by those who have been everything from hysterically hostile to merely uncomprehending".[41] Former Rand friend, associate, business partner and lover Nathaniel Branden, to whom the book was originally dedicated, has had differing views of Atlas Shrugged in his life. He was initially quite favorable to it, praising it in the book he and Barbara Branden wrote in 1962 called Who Is Ayn Rand?[42] After he and Rand ended their relationship in 1968, both he and Barbara Branden repudiated their book in praise of Rand and her novels.[43] As of 1971 though, in an interview he gave to Reason he listed some critiques, but concluded, "But what the hell, so there are a few things one can quarrel with in the book, so what? Atlas Shrugged is the greatest novel that has ever been written, in my judgment, so let's let it go at that."[44] But years later, in 1984, two years after Rand's death, he argued that Atlas Shrugged "encourages emotional repression and self-disowning" and that her works contained contradictory messages. Branden claimed that the characters rarely talk "on a simple, human level without launching into philosophical sermons". He criticized the potential psychological impact of the novel, stating that John Galt's recommendation to respond to wrongdoing with "contempt and moral condemnation" clashes with the view of psychologists who say this only causes the
Atlas Shrugged wrongdoing to repeat itself.[45] Rand herself, however, would not have regarded a novel as needing to portray such "ordinary" human interaction at all, even if an entire philosophy of life does need to address this.[46]
In the late 2000s, the book gained more media attention and conservative commentators suggested the book as a warning against a socialistic reaction to the finance crisis. Conservative commentators Neal Boortz,[56] Glenn Beck, and Rush Limbaugh[57] have offered high praise of the book on their respective radio and television programs. In 2006 Associate Justice of the Supreme Court Clarence Thomas cited Atlas Shrugged as among his favorite novels.[58] Republican Congressman John Campbell said for example: "People are starting to feel like we're living through the scenario that happened in [the novel]... We're living in Atlas Shrugged", echoing Stephen Moore in an
Atlas Shrugged article published in The Wall Street Journal on January 9, 2009, titled "Atlas Shrugged From Fiction to Fact in 52 Years".[59] In 2005 Congressman Paul Ryan said that Rand was "the reason I got into public service" and later required his staff members to read Atlas Shrugged.[60][61] In April 2012 he disavowed such beliefs however, calling them "an urban legend" and rejected Rand's philosophy.[62] Bioshock, the critically acclaimed 2007 videogame is widely considered to be a deconstruction of Atlas Shrugged. The story depicts a collapsed objectivist society, with the player learning of how it fell apart after the fact. The game features objectivism as its central theme and even goes so far as to give the characters names that are connected with the book. Examples of this include Atlas, Andrew Ryan(a play on the name Ayn Rand) and Alisa Rosenbaum (Rand's birth name). When asked about the influences for Bioshock, the creator of the game Ken Levine replied- "I have my useless liberal arts degree, so I've read stuff from Ayn Rand and George Orwell, and all the sort of utopian and dystopian writings of the 20th century, which I've found really fascinating."[] Sales of Atlas Shrugged have increased since the 2007 financial crisis, according to The Economist magazine and The New York Times. The Economist reported that the fifty-two-year-old novel ranked #33 among Amazon.com's top-selling books on January 13, 2009 and that its thirty day sales average showed the novel selling three times faster than during the same period of the previous year. With an attached sales chart, The Economist reported that sales "spikes" of the book seemed to coincide with the release of economic data. Subsequently, on April 2, 2009, Atlas Shrugged ranked #1 in the "Fiction and Literature" category at Amazon and #15 in overall sales.[63][64][65] Total sales of the novel in 2009 exceeded 500,000 copies.[66] The book sold 445,000 copies in 2011, the second-strongest sales year in the novel's history. At the time of publication the novel was on the New York Times best-seller list and was selling at roughly a third the volume of 2011.[]
Atlas Shrugged The film was met with a generally negative reception from professional critics, getting an 11% (rotten) rating on movie review aggregator Rotten Tomatoes,[] and had less than $5 million in total box office receipts.[] The producer and screenwriter John Aglialoro blamed critics for the film's paltry box office take and said he might go on strike.[73] However, on February 2, 2012, Kaslow and Aglialoro announced Atlas Shrugged: Part II was fully funded and that principal photography was tentatively scheduled to commence in early April 2012.[74] The film was released on October 12, 2012,[75] without a special screening for critics.[76] It suffered one of the worst openings ever, 98th worst according to Box Office Mojo, among films in wide release.[77] Final box office take was $3.3 million, well under that of Part I despite the doubling of the budget to $20 million according to the Daily Caller. Those figures should be treated as tentative as the Internet Movie Database estimates Part 1 budget at $20 million and the Part II budget at $10 million, while Box Office Mojo says Part 1 cost $20 million and Part 2 data is "NA".[78][79] Critics gave the film a 5% rating on Rotten Tomatoes based on 21 reviews.[] The third part in the series, Atlas Shrugged: Part III, is scheduled to be released on July 4, 2014.[80]
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In popular culture
In Mad Men season 1, episode 8 ("The Hobo Code"), Bert Cooper urges Don Draper to read the book, and Don's sales pitch tactic to cosmetics client Belle Jolie indicates he's been influenced by the "individuals of mind" on strike plot: "If you don't appreciate my hard work, then I will take it away and we'll see how you do." In the animated television show South Park, episode "Chickenlover", Officer Barbrady stopped reading after reading "Atlas shrugged". The 2007 survival horror game Bioshock took many of its story and elements from this novel. Atlas Shrugged is briefly featured in the film Men In Black during the morgue scene with David Cross.
References
[1] http:/ / worldcat. org/ oclc/ 412355486 [2] Rand, Ayn. Journals of Ayn Rand, edited by David Harriman. (1997) Dutton. ISBN 0-525-94370-6 p.704 Harriman quotes from a 1961 interview in which Rand says, "Atlas Shrugged was the climax and completion of the goal I had set for myself at the age of nine. It expressed everything that I wanted of fiction writing." [4] As recorded in Hesiod's Theogony, Atlas holds the sky in punishment for waging war against Zeus. [5] Michael Shermer. The Mind of the Market. (2008). Times Books. ISBN 0-8050-7832-0, p. XX [6] "Scandals lead execs to 'Atlas Shrugged'" USA Today, September 23, 2002 (http:/ / www. usatoday. com/ money/ companies/ management/ 2002-09-23-ayn-rand_x. htm) [7] Ayn Rand's Literature of Capitalism (http:/ / www. nytimes. com/ 2007/ 09/ 15/ business/ 15atlas. html?_r=3& oref=slogin& pagewanted=print) by Harriet Rubin, The New York Times, September 15, 2007 [11] David Harriman, edit., Journals of Ayn Rand, pp. 311-344, 566-578, 617; Michael Berliner, edit., Letters of Ayn Rand, pp. 311,378, 381-383, and 457-459, and "letter to Isabel Paterson", Feb. 7, 1948, pp.188-193. [12] Rand, Ayn, "Favorite Writers", reprinted in Schwartz, Peter, edit., The Ayn Rand Column, Second Renaissance Books, 1991, pp. 113-115. [19] Younkins, Edward Wayne. Ayn Rand's Atlas Shrugged: A Philosophical and Literary Companion. Ashgate Publishing, Ltd., 2007 ISBN 0-7546-5549-0, ISBN 978-0-7546-5549-7. pp. 9-10. [20] Atlas Shrugged, Centennial Edition, Signet, 1992. Peach Wilkins [21] On Rand's normative ethics see also Smith, Tara, The Virtuous Egoist: Ayn Rands Normative Ethics Cambridge University Press, 2006 ISBN 978-0-521-86050-5 . [22] Peikoff, Leonard. "Introduction to the 35th Anniversary Edition", in Ayn Rand, Atlas Shrugged (1996/1957) Signet. ISBN 0-451-19114-5 p. 6-8. [23] Leonard Peikoff, "The Philosophy of Objectivism" lecture series (1976), Lecture 8. (http:/ / aynrandlexicon. com/ lexicon/ sanctionofthevictim. html) [24] The concept of societal stagnation in the wake of collectivist systems is also central to the plot of another of Rand's works, Anthem. [27] Atlas Shrugged, p. 410-413 [29] Gladstein, Mimi Reisel. "Ayn Rand and Feminism: An Unlikely Alliance" In: Feminist interpretations of Ayn Rand by Mimi Reisel Gladstein, Chris Matthew Sciabarra. Penn State Press, 1999 ISBN 0-271-01831-3, ISBN 978-0-271-01831-7. p. 52. [32] Woodward, Helen Beal, "Non-Stop Daydream", Saturday Review 12 Oct. 1957, p. 25. [33] Hicks, Granville, "A Parable of Buried Talents", The New York Times Book Review 13 Oct. 1957, pp. 4-5.
Atlas Shrugged
[34] Time, "Solid Gold Dollar Sign", 14 Oct. 1957, p.128. [38] McLaughlin, Richard, "The Lady Has a Message...", The American Mercury, Jan. 1958, pp.144-146. [39] Chamberlain, John, "Ayn Rand's Political Parable and Thundering Melodrama", The New York Herald Tribune, 6 Oct. 1957, sec. 6, p.1. [40] See also: (http:/ / www. noblesoul. com/ orc/ books/ rand/ atlas/ ), retrieved August 9, 2006, for a list of reviews and bibliographical information. [41] Gladstein, Mimi Reisel, The Ayn Rand Companion, Greenwood Press, 1984, p. 98. [42] Reason: An Interview with Nathaniel Branden October 1971 p. 16 (http:/ / reason. com/ assets/ db/ 12563232233861. pdf) [43] Reason: An Interview with Nathaniel Branden October 1971 p. 12 (http:/ / reason. com/ assets/ db/ 12563232233861. pdf) [44] Reason: An Interview with Nathaniel Branden October 1971 p. 17 (http:/ / reason. com/ assets/ db/ 12563232233861. pdf) [45] Branden, Nathaniel. " (http:/ / www. nathanielbranden. com/ catalog/ articles_essays/ benefits_and_hazards. html)". 1984. [46] Rand, Ayn, Romantic Manifesto, Revised Edition, p. 26 [47] Books That Made A Difference in People's Lives (http:/ / www. englishcompanion. com/ Readings/ booklists/ loclist. html) [48] Subject of article: Headlam, Bruce. " Forget Joyce; Bring on Ayn Rand (http:/ / query. nytimes. com/ gst/ fullpage. html?res=9B01E5DC1738F933A05754C0A96E958260)." The New York Times July 30, 1998, G4 (Late Edition, East Coast). [49] Subject of article: Yardley, Jonathan. "The Voice of the People Speaks. Too Bad It Doesn't Have Much to Say." The Washington Post August 10, 1998, D2 (Final Edition). Retrieved from ProQuest Historical Newspapers. [50] " (http:/ / www. modernlibrary. com/ top-100/ 100-best-novels/ )". RandomHouse.com. Retrieved Feb 1, 2011. [53] von Mises, Ludwig. Letter dated January 23, 2958. Quoted in [58] ; 60 Minutes, "Interview with Clarence Thomas", 30 Sept. 2007; [63] (http:/ / freakonomics. blogs. nytimes. com/ 2009/ 03/ 09/ the-atlas-shrugged-index/ ) The New York Times.com 3/9/09. Retrieved March 9, 2009. [64] (http:/ / www. economist. com/ finance/ displaystory. cfm?story_id=13185404& fsrc=rss) The Economist, 2/26/09. Retrieved March 9, 2009. [65] (http:/ / washingtonindependent. com/ 32415/ congressman-were-living-in-atlas-shrugged) The Washington Independent.com 3/4/09. Retrieved March 9, 2009. [69] Murty, Govindini (July 21, 2010). (http:/ / www. libertasfilmmagazine. com/ exclusive-lfm-visits-the-set-of-atlas-shrugged-director-paul-johanssons-first-interview-about-the-film-part-i/ ) "EXCLUSIVE: LFM Visits the Set of Atlas Shrugged + Director Paul Johansson's First Interview About the Film". Libertas Film Magazine. Retrieved 2010-08-26. [71] "Atlas Shrugged" (2011) (http:/ / www. imdb. com/ title/ tt0480239/ ) Internet Movie Database. [73] Keegan, Rebecca. 'Atlas Shrugged' producer: 'Critics, you won.' He's going 'on strike.' (http:/ / latimesblogs. latimes. com/ movies/ 2011/ 04/ atlas-shrugged-producer-critics-you-won-hes-going-on-strike. html), The LA Times. [76] http:/ / www. breitbart. com/ Big-Hollywood/ 2012/ 10/ 05/ Atlas-Producer-Has-Choice-Words-for-GOP-VP-Candidate-and-Media-Elite [78] http:/ / boxofficemojo. com/ movies/ ?id=atlasshruggedpart2. htm
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Further reading
Publications
Rand, Ayn (1992) [1957]. Atlas Shrugged (35th anniversary ed.). New York: Dutton. ISBN0-525-94892-9. Branden, Nathaniel (1962). "The Moral Revolution in Atlas Shrugged". Who is Ayn Rand?. Book co-authored with Barbara Branden. New York: Random House. pp.365. OCLC 313377536 (http://www.worldcat.org/ oclc/313377536). Reprinted by The Objectivist Center as a booklet in 1999, ISBN 1-57724-033-2. Gladstein, Mimi Reisel (2000). Atlas Shrugged: Manifesto of the Mind. Twayne's Masterwork Studies. New York: Twayne Publishers. ISBN0-8057-1638-6. Hunt, Robert (1983). "Science Fiction for the Age of Inflation: Reading Atlas Shrugged in the 1980s". In Slusser, George E.; Rabkin, Eric S. & Scholes, Robert. Coordinates: Placing Science Fiction and Fantasy. Carbondale, Illinois: Southern Illinois University Press. pp.8098. ISBN0-8093-1105-4. Mayhew, Robert, ed. (2009). Essays on Ayn Rand's Atlas Shrugged. Lanham, Maryland: Lexington Books. ISBN978-0-7391-2780-3. Michalson, Karen (1999). "Who Is Dagny Taggart? The Epic Hero/ine in Disguise". In Gladstein, Mimi Reisel & Sciabarra, Chris Matthew. Feminist Interpretations of Ayn Rand. Re-reading the Canon. University Park, Pennsylvania: The Pennsylvania State University Press. ISBN0-534-57625-7. Wilt, Judith (1999). "On Atlas Shrugged". In Gladstein, Mimi Reisel & Sciabarra, Chris Matthew. Feminist Interpretations of Ayn Rand. Re-reading the Canon. University Park, Pennsylvania: The Pennsylvania State
Atlas Shrugged University Press. ISBN0-534-57625-7. Younkins, Edward W., ed. (2007). Ayn Rand's Atlas Shrugged: A Philosophical and Literary Companion (paperback ed.). Burlington, Vermont: Ashgate Publishing. ISBN0-7546-5549-0.
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Quem John Galt? (Editora Expresso e Cultura, 1987), ISBN 85-208-0248-6 (paperback). Translator: Paulo Henriques Britto. A Revolta de Atlas (Editora Sextante, 2010) ISBN 978-85-99296-83-7 (paperback, box). Translator: Paulo Henriques Britto. Russian: ( , 2007 .), ISBN 978-5-9614-0603-0. Translator: ., ., . . Spanish: La rebelin de Atlas. (Editorial Grito Sagrado), ISBN 987-20951-0-8 (hardcover), ISBN 987-20951-1-6 (paperback). Swedish: Och vrlden sklvde. (Timbro Frlag, 1986), ISBN 0-394-41576-0. Translator: Maud Freccero. Turkish: Atlas Silkindi. (Plato Yaynlar, 2003), ISBN 975-96772-6-1. Translator: Belks orap.
Atlas Shrugged
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External links
Atlas Shrugged: (Centennial Edition) (http://books.google.com/books?id=0gLzGn-LYAQC& printsec=frontcover&dq=atlas+shrugged&hl=en&ei=9sW4Tb8vhODRAe357NwP&sa=X&oi=book_result& ct=result&resnum=1&ved=0CD0Q6AEwAA#v=onepage&q&f=false) on Google Books Free Online CliffsNotes for Atlas Shrugged (http://www.cliffsnotes.com/WileyCDA/LitNote/Atlas-Shrugged. id-7.html) Website dedicated to Atlas Shrugged (http://atlasshrugged.com/) Timeline of major events in the novel (http://www.atlassociety.org/atlas-shrugged-timeline) Atlas Shrugged Essay Contest (http://essaycontest.aynrandnovels.com/AtlasShrugged.aspx) Atlas Shrugged (http://www.shmoop.com/atlas-shrugged/) study guide, themes, quotes, literary devices, teaching resources
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License
Creative Commons Attribution-Share Alike 3.0 Unported //creativecommons.org/licenses/by-sa/3.0/