Punchinello, Vol. 1, No.

3, April 16, 1870

Various
Project Gutenberg's Punchinello, Vol. 1, No. 3, April 16, 1870, by V rious !3 in our series o" Punchinello #opyright l $s re ch nging ll o%er the $orl&. 'e sure to chec( the copyright l $s "or your country be"ore &o$nlo &ing or re&istributing this or ny other Project Gutenberg e'oo(. )his he &er shoul& be the "irst thing seen $hen %ie$ing this Project Gutenberg "ile. Ple se &o not re*o%e it. +o not ch nge or e&it the he &er $ithout $ritten per*ission. Ple se re & the ,leg l s* ll print,, n& other in"or* tion bout the e'oo( n& Project Gutenberg t the botto* o" this "ile. -nclu&e& is i*port nt in"or* tion bout your speci"ic rights n& restrictions in ho$ the "ile * y be use&. .ou c n lso "in& out bout ho$ to * (e &on tion to Project Gutenberg, n& ho$ to get in%ol%e&. //0elco*e )o )he 0orl& o" 1ree Pl in V nill 2lectronic )e3ts// //e'oo(s 4e & ble 'y 'oth 5u* ns n& 'y #o*puters, 6ince 1771// /////)hese e'oo(s 0ere Prep re& 'y )hous n&s o" Volunteers8///// )itle9 Punchinello, Vol. 1, No. 3, April 16, 1870 Author9 V rious 4ele se + te9 +ece*ber, :00; <2'oo( !7;=7> <.es, $e re *ore th n one ye r he & o" sche&ule> <)his "ile $ s "irst poste& on ?ctober 8, :003> 2&ition9 10 @ ngu ge9 2nglish #h r cter set enco&ing9 A6#-/// 6)A4) ?1 )52 P4?A2#) GB)2N'24G 2'??C PBN#5-N2@@?, V?@. 1, N?. 3 ///

Pro&uce& by #ornell Bni%ersity, Aoshu 5utchinson, 4on l& 5ol&er n& the ?nline +istribute& Proo"re &ers

,)he printing 5ouse o" the Bnite& 6t tes., G2?. 1. N26'-)) D #?.,

Gener l A?' P4-N)246, '@ANC '??C E nu" cturers, 6)A)-?N246, 0holes le n& 4et il, @-)5?G4AP5-# 2ngr %ers n& Printers, #?PP24FP@A)2 2ngr %ers n& Printers, #A4+ E nu" cturers, 2NV2@?P2 E nu" cturers, 1-N2 #B) n& #?@?4 Printers. 163, 16;, 167, n& 167 P2A4@ 6)., 73, 7;, 77, n& 77 P-N2 6)., Ne$F.or(. A+VAN)AG26. All on the s *e pre*ises, n& un&er the i**e&i te super%ision o" the proprietors. / / / / /

0A@)5AE 0A)#526. 3F= P@A)2. 16 n& :0 6iGes. )o the * nu" cture o" these "ine 0 tches the #o*p ny h %e &e%ote& ll the science n& s(ill in the rt t their co** n&, n& con"i&ently cl i* th t, "or "ineness n& be uty, no less th n "or the gre ter e3cellences o" *ech nic l n& scienti"ic correctness o" &esign n& e3ecution, these $ tches re unsurp sse& ny $here. -n this country the * nu" cture o" this "ine gr &e o" 0 tches is not e%en tte*pte& e3cept t 0 lth *. 1?4 6A@2 '. A@@ @2A+-NG A202@@246. / / / / /

E?@@24'6 PB426) N?402G-AN #?+F@-V24 ?-@. ,?" l te ye rs it h s beco*e l*ost i*possible to get ny #o&F@i%er ?il th t p tients c n &igest, o$ing to the objection ble *o&e o" procuring n& prep ring the li%ers.... Eoller, o" #hristi n , Nor$ y, prep res n oil $hich is per"ectly pure, n& in e%ery respect ll th t c n be $ishe&.,FF+4. @.A. 6A)42, be"ore Ac &e*y o" Ee&icine. 6ee HEe&ic l 4ecor&H, +ece*ber, 1867, p. ==7. 6?@+ '. +4BGG-6)6. 0.5. 6#5-2112@-N D #?., 6ole Agents "or the Bnite& 6t tes n& # n & . / / / / /

Vol. 1 No. 3. PBN#5-N2@@?

<-llustr tion9 PBN#5-N2@@? 0ill 23hibit 2%ery 6 tur& y A&*ission 10 cts> 6A)B4+A., AP4-@ 16, 1870. PB'@-652+ '. )52 PBN#5-N2@@? PB'@-65-NG #?EPAN., 83 NA66AB 6)422), N20F.?4C. PBN#5-N2@@?. AP4-@ 16, 1870. APP@-#A)-?N6 1?4 A+V24)-6-NG -N ,PBN#5-N2@@?, 65?B@+ '2 A++42662+ )? A. N-#C-N6?N, 4oo* No. =, 83 NA66AB 6)422). / )52 ,'4206)24 0AG?N., )he 6t n& r& "or 6tyle n& Iu lity. '4206)24 D #?EPAN., o" 'roo*e 6treet. 0A424??E6, 1i"th A%enue, corner o" 1ourteenth 6treet. 2@2GAN) #A44-AG26, H-n ll the 1 shion ble V rieties,H 2J#@B6-V2@. ?1 ?B4 ?0N 'B-@+. / / / / / / / / /

)ho* s A. 4 yner D #o., :7 @-'24). 6)422), Ne$F.or(, EANB1A#)B4246 ?1 )52

H1inest #ig rs * &e in the Bnite& 6t tes.H All siGes n& styles. Prices %ery *o&er te. 6 *ples sent to ny responsible house. Also i*porters o" the ,1B64?6, '4AN+, 2Ku l in Ku lity to the best o" the 5 % n * r(et, n& "ro* ten to t$enty per cent che per. 4est ur nt, ' r, 5otel, n& 6 loon tr &e $ill s %e *oney by c lling t :0 @-'24). 6)422). / / / / /

G2?. '?0@2N+, A4)-6), 4oo* No. 11, No. 160 1B@)?N 6)422), N20F.?4C. / / / / /

02V-@@ D 5AEEA4, 0oo& 2ngr %ers, No. :08 '4?A+0A., N20F.?4C. PBN#5-N2@@?. / / / / /

0ith l rge n& % rie& e3perience in the * n ge*ent n& public tion o" p per o" the cl ss here$ith sub*itte&, n& $ith the still *ore positi%e &% nt ge o" n A*ple # pit l to justi"y the un&ert (ing, the PBN#5-N2@@? PB'@-65-NG #?. ?1 )52 #-). ?1 N20F.?4C, Presents to the public "or ppro% l, the N20 -@@B6)4A)2+ 5BE?4?B6 AN+ 6A)-4-#A@ 022C@. PAP24, PBN#5-N2@@?, )he "irst nu*ber o" $hich $ill be issue& un&er & te o" April :, 1870, n& there "ter $ee(ly. PBN#5-N2@@? $ill be HN tion lH, n& not Hloc lHL n& $ill en&e %or to beco*e househol& $or& in ll p rts o" the countryL n& to th t en& h s secure&

VA@BA'@2 #?4P6 ?1 #?N)4-'B)?46 in % rious sections o" the Bnion, $hile its colu*ns $ill l$ ys be open to ppropri te "irstFcl ss liter ry n& rtistic t lent. PBN#5-N2@@? $ill be entirely origin lL hu*orous n& $itty, $ithout %ulg rity, n& s tiric l $ithout * lice. -t $ill be printe& on superior tinte& p per o" si3teen p ges, siGe 13 by 7, n& $ill be "or s le by ll respect ble ne$s&e lers $ho h %e the ju&g*ent to (no$ thing $hen they see it, or by subscription "ro* this o""ice. )he Artistic &ep rt*ent $ill be in ch rge o" 5enry @. 6tephens, $hose celebr te& c rtoons in VAN-). 1A-4 pl ce& hi* in the "ront r n( o" hu*orous rtists, ssiste& by le &ing rtists in their respecti%e speci lties. )he * n ge*ent o" the p per $ill be in the h n&s o" 0-@@-AE A. 6)2P52N6, $ith $ho* is ssoci te& #5A4@26 +A06?N 65AN@., both o" $ho* $ere i&enti"ie& $ith VAN-). 1A-4. ?4-G-NA@ A4)-#@26, 6uit ble "or the p per, n& ?rigin l +esigns, or suggesti%e i&e s or s(etches "or illustr tions, upon the topics o" the & y, re l$ ys ccept ble, n& $ill be p i& "or liber lly. 4ejecte& co**unic tions c n not be returne&, unless post geFst *ps re inclose&. )er*s9 ?ne copy, per ye r, in &% nce M= 00 6ingle copies, ten cents. A speci*en copy $ill be * ile& "ree upon the receipt o" ten cents. ?ne copy, $ith the 4i%ersi&e E g Gine, or ny other * g Gine or p per price, M:.;0, "or ; ;0 ?ne copy, $ith ny * g Gine or p per price, M=, "or 7 00 / / / / /

goo&

All co**unic tions, re*itt nces, etc., to be &&resse& to PBN#5-N2@@? PB'@-65-NG #?., No. 83 N ss u 6treet, N20F.?4C, P. ?. 'o3, :783. HN1or ter*s to #lubs, see 16th p ge.OH Eerc ntile @ibr ry, #linton 5 ll, Astor Pl ce, N20F.?4C. )his is no$ the l rgest circul ting @ibr ry in A*eric , the nu*ber o" %olu*es on its shel%es being 11=,000. About 1000 %olu*es re &&e& e ch

*onthL n& %ery l rge purch ses re * &e o" ll ne$ n& popul r $or(s. 'oo(s re &eli%ere& t *e*bers' resi&ences "or "i%e cents e ch &eli%ery. )24E6 ?1 E2E'2465-P9 )? #@24C6, M1 -niti tion, M3 Annu l +ues. )? ?)5246, M; ye r.

6B'6#4-P)-?N6 )AC2N 1?4 6-J E?N)56. '4AN#5 ?11-#26 A) N?. 76 #2+A4 6)422), N20F.?4C, AN+ A) .on(ers, Nor$ l(, 6t *"or&, n& 2liG beth. / / / / /

AE24-#AN 'B))?N5?@2, ?V2462AE-NG AN+ 620-NGFEA#5-N2 #?., ;63 'ro &$ y, Ne$F.or(. )his gre t co*bin tion * chine is the l st n& gre test i*pro%e*ent on ll "or*er * chines, * (ing, in &&ition to ll the $or( &one on best @oc(F6titch * chines, be uti"ul 'B))?N AN+ 2.2@2) 5?@26L in ll " brics. E chine, $ith "inely "inishe& ?-@2+ 0A@NB) )A'@2 AN+ #?V24 co*plete, M7;. 6 *e * chine, $ithout the buttonhole p rts, M60. )his l st is beyon& ll Kuestion the si*plest, e siest to * n ge nt to (eep in or&er, o" ny * chine in the * r(et. E chines $ rr nte&, n& "ull instruction gi%en to purch sers. / / / / /

52N4. 6P2A4 6)A)-?N24, P4-N)24

AN+ '@ANC '??C EANB1A#)B424. A##?BN) '??C6 EA+2 )? ?4+24. P4-N)-NG ?1 2V24. +26#4-P)-?N. 8: 0 ll 6treet N20F.?4C. )52 P@A.6 AN+ 65?06. 14?BF14?B. <-llustr tion $ith letter ')'> )his nice little 1rench &r * h s no$ been running t the 1-1)5 AV2NB2 )52A)42 *ore th n se%en $ee(s. -t is the story o" * n $ho (ille& the se&ucer o" his $i"e, n& then "org %e n& recei%e& b c( g in the guilty $o* n. )he s *e tr gic " rce $ s pl ye& in 0 shington so*e ele%en ye rs go. )he ctor $ho pl ye& the p rt o" the outr ge& husb n& * &e n e""ecti%e hit t the ti*e, but he h s ne%er repe te& the per"or* nce. 6ince then he h s beco*e &oubleFst r ctor in $i&er "iel&, )here re those $ho insist th t he is n illFst rre& ctor in gener l $ yL but s he h s le"t the country, $e c n le %e those $ho reg r& his bsence s goo& ri&& nce o" b & rubbish, n& those $ho c ll it E &ri&& nce o" goo& rubbish, to &iscuss his *erits t their leisure. A"ter the e3ecution o" unnecess ry Ku ntities o" noisy o%erture by the orchestr , the pl y begins. 6oon "ter, the u&ience rri%es. -t is rule $ith our pl yFgoers ne%er to see the "irst scene o" ny &r * . )his rule origin tes in bene%olent $ish to per*it the ctors to sli&e gr &u lly into consciousness th t so*ebo&y is loo(ing t the*L thus s %ing the* "ro* the possibility o" st geF"right. 6i*ple "ol(s, $ho &o not un&erst n& the *e ning o" the custo*, erroneously reg r& it s n e%i&ence o" %ulg rity n& &iscourtesy. )he "irst ct is not e3citing. Er. G.5. #@A4C2, in irrepro ch ble clothes, Nthe clothes o" this ctor's pro"ession l li"e beco*e hi*, i" ny thing, better th n his cting,O o""ers his h n& to 14?BF14?B, s* ll girl $ith rec(less &ispl y o" b c(Fh ir, n& is ccepte&, to the e%i&ent &isgust o" her sensible sister, @?B-62. H6y*p thetic .oung @ &y $ho &ores th t &e r Er. #l r(eH.FF,5o$ s$eetly pretty8 +o the people on the st ge t l( just li(e the Hre lH 1rench ristocr cyP, H)r %elle& "rien&, (no$ing th t persons in the neighborhoo& re listening "or his replyHFF,0ell, yes. )o cert in e3tent, th t is., NH-t su&&enly occurring to hi* th t nobo&y c n (no$ ny thing bout the @egiti*ists, he s ys con"i&entlyH.O ,)hey h %en't the ir, you (no$, o" the genuine ol& @egiti*ist HnoblesseH. As to '?NAPA4)2'6 nobility, &on't (no$ *uch bout the*.,

H5e "l tters hi*sel" th t he h s s i& ne t thing, but is pose& by n une3pecte& Kuestion "ro* the 6y*p thetic .oung @ &y, $ho s(sFFH,0ho re the gre t @egiti*ist " *ilies, no$ & ysP, ,0ell, theFFtheFFNHc n't thin( o" ny n *e but 6t. Ger* in, n& so s ys bol&lyH,O the 6t. Ger* ins, n& ll the rest o" 'e*, you (no$., NH5e is sorely te*pte& to && the 6t. #lou&s n& the @u3e*bourgs, but pru&ently re"r insH.O )he secon& ct sho$s the husb n& l %ishing e%ery sort o" ten&erness n& je$elry upon the $i"e, $ho is &e%eloping strong ten&ency to "lirt. 6he insists th t her sister @?B-62 sh ll join the " *ily n& ccept the position o" Acting Assist nt 0i"e n& Eother, $hile she hersel" gi%es her $hole *in& to innocent "lirt tion. H0orl&lyF$ise E tron o" e%i&ent e3perienceHFF,)he girl's *e t (ing pretty sister into *y house8, "ool. # tch

H'rut l 5usb n& o" the E tron suggestsHFF,'ut she *ight h %e &one so *uch $orse, *y &e r. 6uppose she h & gi%en her husb n& *otherFinFl $ s house(eeperP, HE tron, $ith suppresse& "uryHFF,Very $ell, *y &e r. -" you c n't re"r in "ro* insulting &e r *other, - sh ll le %e you to sit out the pl y lone., NH6hFFshFFsh8 "ro* e%ery bo&y. #urt in rises g inH.O Eore ttentions to pretty $i"e, rep i& by *ore "lirt tion t her husb n&'s e3pense. 1in lly 14?BF14?B &eci&es th t @?B-62 * n ges the househol& so &*ir bly th t *isery *ust be the result. As necess ry conseKuence o" this logic l conclusion, she rushes out o" the house $ith gesture borro$e& "ro* 4-P VAN 0-NC@2, n& n e3presse& &eter*in tion to elope. HAocul r E n re* r(sHFF,No$, then, #@A4C2 c n go to #hic go, get &i%orce, n& * rry @?B-62., H)his pr ctic l suggestion is $ r*ly reprob te& by the l &ies $ho o%erhe r it, one o" $ho* re* r(s $ith $ithering scornHFF,6o*e people thin( it HsoH s* rt to ri&icule e%ery thing. )o *y *in& there is nothing *ore %ulg r., H)he Aocul r E n, re"using to be $ithere&, ssures the )r %elle& E n con"i&enti lly th tHFF,)he pl y is "right"ul tr sh, n& s "or the cting, $hy, your little *illiner in the 4ue &e l P i3 coul& gi%e E-66 2)52@ ny o&&s you ple se., NH'oth loo( s though they re*e*bere& so*e &elight"ully i*proper P risi n &issip tion, n& in conseKuence rise r pi&ly in the esti* tion o" the respect ble l &ies $ho re $ithin he ringH.O A"ter the orchestr h s gi%en speci*ens o" e%ery *o&ern co*poser, the "ourth ct begins. 14?BF14?B is "oun& li%ing t Venice $ith her lo%er. 5er husb n& surprises her. 5e is p le n& $e (L but, returning her the *ount o" her &o$er, goes out to shoot the lo%er. H4ur l Person nnounces s st rtling &isco%eryHFF,)h t's Eiss AGN26 2)52@ $ho's Fpl yin' 14?0F14?0. 0ell, no$, she in't nothin' to @.++. )5?EP6?N.,

HAocul r E n s ys to his )r %elle& 1rien&HFF,)he i&e o" Eiss 2)52@ trying to ct li(e 1renchF$o* n8 +i& you he r ho$ she pronounce& HEonsieurHP, H)r %elle& E n s*iles $e (ly, conscious o" the i*per"ections o" his o$n pronunci tion. )o his &is* y, the 6y*p thetic .oung @ &y s(sHFF,0h t &oes th t horri& * n *e nP 5o$ &o you pronounce the $or& he t l(s boutP, H)r %elle& E n, $ith &esper tionHFF,-t ought to be pronounce& *FF*FF*FF, NHen&ing in n in u&ible *ur*urH.O ,0h tP - &i&n't Kuite he r., H)he )r %elle& E n $ill c tch t *e, but the curt in is rising., str $. 5e &oes so, n& s ysHFF,23cuse

14?BF14?B, in &ying st te n& bl c( &ress, $ith her b c(Fh ir ne tly rr nge&, is brought into her husb n&'s house to &ie. 5e (neels t her "eet. ,.ou *ust not &ie. - * lone t " ult. 1orgi%e *e s$eet ngel, n& li%e., 0ith the only gle * o" goo& sense $hich she h s yet sho$n, 14?BF14?B re"uses to li%e, n& &ropping her he & he %ily on the r* o" the so" , $ith blin& con"i&ence th t the thic(ness o" her chignon $ill s %e her "ro* "r cture& s(ull, she pere*ptorily &ies. H6ub&ue& sobs "ro* the u&ience, $ith the single e3ception o" the Aocul r E n, $ho s ysHFF,0ell, i" th t's *or l, - &on't (no$ $h t's i**or lL n& - &i& thin( - h & li%e& long enough in P ris to (no$ th t., 0ith $hich opinion $e he rtily coinci&e, &&ing lso the seriously critic l re* r( th t though Eessrs. +AV-+G2 n& @20-6 pl y their co*ic p rts $ith honest e3cellence, n& though Er. #@A4C2 is re lly goo& ctor in spite o" his popul rity $ith the l &ies o" the u&ience, Eiss 2)52@, upon $ho* the $hole pl y &epen&s, is so ob%iously inco*petent to person te brilli nt n& HspirituelleH P risienne th t one $on&ers t the popul rity o" 14?BF14?B. )he * jority o" the u&ience re l &ies. # n it be th t they li(e the pl y bec use it te ches th t the sins o" pretty $o* n shoul& be con&one& by her husb n&, pro%i&e& she loo(s $ell $ith her b c(Fh ir &o$nP EA)A+?4. / / / / /

PBN#5-N2@@? AN+ )52 A@+24E2N. )he #ity Al&er*en h %e c lle& in bo&y to p y their respects to PBN#5-N2@@?. PBN#5-N2@@? h s not returne& the co*pli*ent, since he li(es neither their loo(s, their &i *on&s, or their &i *on&FcutF&i *on& $ ys. )hey curb streets by resolution, but they h %e not resolution enough to (eep the streets "ro* curbing the*. )hey gutter high$ ys, but o"tenest let @o$ 0 ys gutter the*. )hey $e r "ine shirtF"ronts, but resort to sorry n& &isreput ble shi"ts in or&er to procure the*. )hey re gorgeously n& gorge&Fly b &ge& $ith the #ity Ar*s in gol&, but no city r*s open to b &ger the* $ith gol&en opinionsL n&, ltogether, the Al&er*en p ss so * ny b & things th t PBN#5-N2@@? c n ""or& to let the* p ss li(e b & &i*es, be"ore they re n ile& to the counter o" th t Public ?pinion to $hich they run counter.

0ill the Al&er*en 4espon&P +o they $ho too( up the 620A4+ inten& to perish by the 620A4+P <1ooter9 2ntere&, ccor&ing to Act o" #ongress, in the ye r 1870, by the PBN#5-N2@@? PB'@-65-NG #?EPAN., in the #ler('s ?""ice o" the +istrict #ourt o" the Bnite& 6t tes, "or the 6outhern +istrict o" Ne$F.or(.> 5-N)6 1?4 )52 1AE-@.. 6ince the "irst public tion o" the hints to econo*ic lly &ispose& " *ilies, PBN#5-N2@@? h s recei%e& gre t nu*ber o" letters "ro* ll p rts o" the country, cor&i lly in&orsing his course. ?ne gentle* n $rites th t he h s lre &y s %e& enough *oney "ro* the &i*inution in the cost o" his $i"e's pins Nin conseKuence o" her h %ing &opte& the pl n o" (eeping the* stuc( into stu""e& b gO to $ rr nt hi* in subscribing to this p per "or ye r. E ny o" the re &ers o" our "irst nu*ber $rite us th t they no$ ne%er t (e *e l e3cept "ro* bo r&, or series o" bo r&s, supporte& by legs, s PBN#5-N2@@? reco**en&e&. 5ighly encour ge& by this e%i&ence o" their use"ulness, PBN#5-N2@@? h stens to o""er "urther &%ice o" the s *e % lu ble ch r cter. -t * y h %e been "reKuently notice& th t ll " *ilies reKuire "oo& t cert in inter% ls, gener lly three ti*es & y, n& in the c se o" chil&ren e%en o"tener. )he cost o" pro%i&ing this "oo& t the butcher, b (er, n& pro%ision shops is necess rily %ery gre t, n& it is $ell, then, to un&erst n& ho$ %ery goo& substitute "or storeF"oo& * y be prep re& t ho*e. -n or&er to * (e this prep r tion, procure "ro* your grocer's Ku ntity o" "lourFFor&in ry $he t "lourFFbuying *uch or little, ccor&ing to the siGe o" your " *ily. )his *ust then be pl ce& in tinFp n, n& *i3e& $ith $ ter, s lt, n& ye st, ccor&ing to t ste. -" the * ss is no$ pl ce& by the "ire, singul r pheno*enon $ill be obser%e&, to $hich it $ill be $ell to &r $ the ttention o" the $hole " *ilyL ol& n& young $ill $itness it $ith eKu l surprise n& &elight. )he $hole bo&y o" the so"t *i3ture $ill gr &u lly rise n& "ill N n& so*eti*es e%en o%er"lo$O the p n8 0hen not in %ie$ by the househol&, it $ill be $ell to co%er the p n $ith cloth, on ccount o" &ust n& ro chesL but it *ust be obser%e& th t so"t n& $ r* be&li(e rr nge*ent $ill thus be "or*e&, n& i" the " *ily c t shoul& choose to * (e it her restingFpl ce, the *i3ture $ill not rise. A"ter this subst nce is su""iciently light n& spongy, it *ust be t (en out o" the p n n& $or(e& up into portions $eighing "e$ poun&s e ch. 'ut it *ust Hnot be e tenH in this con&ition, "or it $oul& be neither p l t ble nor $holeso*e. -t shoul& be put in nother p n n& pl ce& in the o%en. )hen Ni" there be "ire in the sto%e or r ngeO it $ill be soon h r&ene& n& &rie& by the ction o" the he t, n& $ill be "it to be e tenFFpro%i&e& the "oregoing con&itions h %e been per"ectly un&erstoo&. 0hen brought to the t ble, it shoul& be cut in slices n& spre & $ith *ol sses, jelly, butter, or honey, n& it $ill be "oun& Kuite &eKu te to the relie" o" or&in ry hunger. A " *ily $hich h s once use& this prep r tion $ill ne%er be content $ithout it. 6o*e persons h %e it t e%ery *e l. PBN#5-N2@@? h s re & $ith gre t ple sure recently publishe& boo(, by #A)5A4-N2 '22#524, n& her sister Ers. 6)?02, the object o" $hich is to te ch ingenious "ol(s ho$ to * (e or&in ry rticles o" househol&

"urniture in their leisure hours. ?ne rticle not *entione& by these l &ies is reco**en&e& by PBN#5-N2@@? to the ttention o" ll econo*ic l " *ilies. -t h %ing been obser%e& th t it is highly use"ul pr ctice to pro%i&e "or the regul r recurrence o" *e ls, be&ti*e n& other househol& epochs, n instru*ent $hich sh ll in&ic te the hour o" the & y $ill be o" the gre test &% nt ge. 6uch one * y thus be * &e on r iny & ys or in the long $inter e%enings. Procure so*e thin bo r&s n& construct s* ll bo3. -" it c n be * &e pointe& t one en&, $ith t$o little to$ers to it, so *uch the better. E (e gl ss &oor to it, n& p ste upon the lo$er p rt o" this picture representing scene in 6p nish Ger* ny. P int rose just un&er the scene. )hen get lot o" br ss cogF$heels, n& put the* together insi&e o" the bo3. Arr nge the* so th t they sh ll "it into e ch other n& $r p string roun& one o" the*, to the en& o" $hich lu*p o" le & or iron shoul& be tt che&. )hen put piece o" tin, $ith the hours p inte& thereon, on the upper p rt o" the bo3, behin& the &oor, n& get t$o long bits o" thin iron, one shorter th n the other, n& connect the*, by *e ns o" hole in the *i&&le o" the tin, $ith the cogF$heels insi&e. )hen shut the &oor, n& i" this pp r tus h s been properly * &e, it $ill tell the ti*e o" & y. Any thing *ore con%enient c nnot be i* gine&, n& the cost o" the br ss, by the poun&, $ill not be *ore th n "i"teen cents, $hile the $oo&, the tin, n& the iron * y be h & "or bout ten cents. -n the shops the co*plete& rticle $oul& be %ery *uch *ore costly. -n his ,5ints, PBN#5-N2@@? l$ ys &esires to re*e*ber the peculi r nee&s o" the l &ies, n& $ill no$ tell the* so*ething th t he is sure $ill ple se the*. )hey h %e ll "oun&, in the course o" their shopping, th t it is e3cee&ingly &i""icult to procure t the &ry goo&s stores, ny sort o" " bric $hich is so $o%en s to "it the "igure, n& they *ust h %e "reKuently e3perience& the necessity o" cutting their purch ses into % riouslyFsh pe& pieces n& " stening the* together g in by *e ns o" thre &. 5ere is n &*ir ble pl n "or cco*plishing this object. ) (e piece o" "ine steel $ire n& sh rpen one en& o" it. No$ bore hole in the other en&, in $hich insert the thre &. -" the e&ges o" the cloth re no$ pl ce& together, n& the $ire is "orce& through the*, the oper tor $ill "in&, to her &elight n& surprise, th t the thre & $ill re &ily "ollo$ it. -" the $ire is thus p sse& through the stu"", b c($ r& n& "or$ r&, gre t * ny ti*es, the e&ges $ill be "ir*ly unite&. -t $ill be necess ry, on the occ sion o" the "irst puncture, to "or* h r& con%olution t the "ree en& o" the thre &, so s to pre%ent it p ssing entirely through. )his *etho& $ill be "oun& *uch *ore con%enient th n the pl n o" punching holes in the stu"" n& then stic(ing the en&s o" the thre & through the*. -n the l tter c se, the thre & is l*ost cert in to curl up, n& c use gre t nnoy nce. / / / / /

+ies -r e. )he Phil &elphi H+ yH, on ccount o" the i**ense success o" PBN#5-N2@@?. / / / / /

6porting Iuery. 0 s the "ight bet$een the ,blon&es, n& 6)?42. o" #hic go / / / / / 1 ir "ightP

Prospect o"

6hort 0 ter 6upply Ne3t 6u**er.

A con%ention o" *il( &e lers *et this $ee( t #roton 1 lls to pre%ent the &ulter tion o" *il( by #ity &e lers. / / / / /

@A)26) 14?E 0A65-NG)?N. #o**issioner Pieg n, o" Eont n , sub*its the outline o" tre ty $ith the -n&i ns, $hich e*br ces the "ollo$ing pro%isions, Nthe e*br cing o" pro%isions being strictly in ch r cter9O 1. No in" nt un&er three *onths o" ge, n& no ol& * n o%er one hun&re& n& ten, to be (ille& by either p rty in b ttle. All $o*en to be (ille& on sight. 0here the s* llFpo3 is r ging, the "iel& to be le"t to the 6* llFPo3. :. Presents to -n&i ns to consist chie"ly o" r*s, **unition, n& $his(y. 3. @iKuorFsellers n& postles to be encour ge& on eKu l ter*s. =. A* teur sports*en to be $ rne& g inst (illing -n&i ns &uring the bree&ing se son. ;. Iu (ers n& V-N#2N) #?@@.24 to be ssigne& to &uty t 0 shington. 6. 1our *onths' notice to be gi%en o" ny inten&e& tt c( on c *p. 0hite

7. -n sc lping l &y, the rights o" property in $ ter" ll n& s$itch to be s cre&ly reg r&e&. 8. +ecl r tions o" lo%e N&uring c *p ignO to be sub*itte& in $riting.

7. )he usu l trocities to be obser%e& by both p rties. 10. 5ostilities to ter*in te $hen the l st -n&i n l ys &o$n his to* h $(, Nto t (e &rin(,O unless sooner shot by his $hite brethren, or re*o%e& to ne$ reser% tion by the s* llFpo3. Action on this tre ty is e3pecte& to t (e pl ce in bout ten ye rs. <-llustr tion9 4A)524 P246?NA@. HAr&ent @o%er.H ,)52N, 05., ?58 05., +? .?B 6#?4N E. 5AN+P, H.oung @ &y.H ,- 5AV2 N? 1AB@) )? 1-N+ 0-)5 .?B4 5AN+, 'B) - H&oH ?'A2#) )? .?B4 122).,> A +-6)-NGB-652+ V-6-)?4. -) is no$ settle& th t P-2442 '?NAPA4)2, $ho h s been sentence& by the 5igh #ourt o" )ours to le %e 1r nce, is co*ing to Ne$F.or( $ith the intention o" opening pistolFg llery in p rtnership $ith 42++. the 'l c(s*ith. As the Prince is (no$n to h %e ,polishe& o"", t le st "our *en $ith his re%ol%er, his reception by the occup nts o" ,Eur&erer's 'loc(, n& other " *ous loc lities o" the city $ill &oubtless be %ery

enthusi stic. A suite o" p rt*ents is no$ being "itte& up "or his cco**o& tion in 2 stF5ouston 6treetFF)he roo*s re %ery t ste"ully &ecor te& $ith portr its o" the l te l *ente& '-@@. EB@@-GAN n& other celebr te& (nights o" the trigger. )he Prince, it is un&erstoo&, $ill &rop his title on his rri% l here, n& enter society s pl in P2)24 '?NAPA4)2FFthus 2nglishing P-2442, bec use it is 1rench "or stone, n& he thin(s th t his e3ploits entitle hi* to t (e r n( in Ne$F.or( s 'ric(. / / / / / #hic(en's @i"e. 5A)#52).

)he 'eginning n& 2n&ing o" / / / / /

)he 'est 2n%elope "or / / / /

6$eet Note. ,#ANA4. l i&., /

0?EAN, PA6) AN+ P4262N). +4. @?4+, in lecture l tely &eli%ere& by hi* in 'oston, on P5-@-PPA, the *other o" the '@A#C P4-N#2, N$ho $ s $hite $o* n,O tol& bout AAN2, #ountess o" E?N)1?4), Nyou ll (no$ $ho HsheH $ s,O n& ho$ 6he once &e"en&e& "ortress n& &e"ie& ph l n3 $ith e*inent success. ?" her the lecturer s i&, ,#l & in co*plete r*or, she stoo& "ore*ost in the bre ch., 6he &i& th t, &i& she, this AAN2 o" ol&P )ut, sir8 th t's nothing to our *o&ern AAN26, cro$&s o" $ho* re no$ ye rning to st n& ,"ore*ost in the breeches., / / / / /

A 'ill th t the .oung +e*ocr cy #oul&n't 6ettle. '-@@ )022+. / #ool. 2NG@AN+ h s / / / 'le ( house, but Ne$F.or( h s / / 'leec(er street. / / / /

A 6?4?6-AN -EP4?EP)B. ?ne o" the sisters o" 6orosis, t the l st *eeting o" the club, $ s &eli%ere& o" the "ollo$ing touching ,-*pro*ptu on so*e be uti"ul bouKuets o" "lo$ers9, ,0ith hungry eyes $e gl nce& &o$n )he t ble nicely spre &L ?ur ppetites $ere %ery (een, An& not one $or& $ s s i&, ,)ill o" su&&en ,?hs8, n& ,Ahs8, G %e to(en o" &elight,

As, "ro* * gic "lo$erFbe&. 'right bu&s ppe re& in sight. ,E y this s$eet thought suggest the $ y -n $hich to spen& li"e's hoursL An& $e en&e %or e%ery & y )o sc tter "r gr nt "lo$ers., )he "irst %erse re*in&s us not little o" se%er l ol&en nursery rhy*es o" pr n&i l n& con%i%i l ch r cter, o" $hich the *ost pro*inent is th t rel ting to little AA#C 5?4N24, $ho s t in corner e ting #hrist* s pie. 'ut e%en he is not &escribe& s h %ing ,hungry eyes,, though there is s* ll &oubt but th t he h & goo& ppetite, n& $ s ,hungry o' the sto* ch., -t is ple s nt to (no$ th t the t ble $ s nicely spre &, though not s ,(een ppetites, $oul& h %e &e* n&e&, $ith bre & n& butterL but, s the subject c lls "or, $ith "lo$ersFF"oo& o" %ery proper ch r cter "or hungry eyes to "ee& upon. Nor is it ny $on&er th t those o" the sisterhoo& $ho $ent to the t ble e3pecting to "in& so*ething *ore subst nti l th n "lo$ers set be"ore the*, shoul& t "irst sight h %e been un ble to utter one $or&. An& only, "ter their "irst stonish*ent n& &is ppoint*ent $ s o%er, the * gic l letters ?'s n& 4's, $hich, $e * y presu*e, $ s short $ y o" c lling "or ?l& 4u*, to restore their &rooping spirits, though our poetess, $ith $o* n's per%erseness, $oul& h %e us belie%e they $ere inten&e& s ,to(ens o" &elight., ?" the l st %erse $e c n only s y th t it is n e%i&ent pl gi ris* o" the $ellF(no$n ju%enile poe*, co**encing, ,5o$ &oth the little busy bee -*pro%e e ch shining hour, An& g ther honey ll the & y 1ro* e%ery opening "lo$er8, 0e con"ess, though, th t $e re un ble to &isco%er the ,s$eet thought, th t is to ,suggest the $ y, ,-n $hich to spen& li"e's hours8, Eoreo%er, $e belie%e it $oul& be tireso*e n& *onotonous to be occupie& ,e%ery & y, in sc ttering ,"r gr nt "lo$ers,, e%en i" $e $ere cert in th t the lo%ely *e*bers o" 6orosis $oul& reg r& the* $ith ,to(ens o" &elight., ,0e reg r& this -*pro*ptu s " ilure, n& c ll upon A@-#2, n& P52'2, n& #2@-A, n& other tune"ul *e*bers o" the 6orosis #lub to co*e to the rescue o" their un"ortun te sisterFFthe perpetr tor o" the bo%e %erses., / / / / /

6uggesti%e. ?ur sheri""'s initi lsFFA.?.'. / / / / /

5o$ to 4ise 2 rly.

@ie $ith your he & to the NyOe st. / / / / /

Iuery "or ' rney 0illi *s. -s the ,2*er l& 4ing, / / / / 1eni n #ircleP /

Not +uring @ent. -) is h r&ly prob ble th t Gener l G4AN) $ill &is*iss 1-65 "ro* the # binet &uring @ent. )52 42A@ 26)A)2 ?1 0?EAN. +2A4 PBN#5-N2@@?9 0e $oul& not "or the H0orl&HFFno, nor e%en "or PBN#5-N2@@?FFc st ny repro ches upon the %igorous *o%e*ent * &e in these l tter & ys to "in& the re l est te o" $o* nL but $hy, tell us $hy, shoul& $e "in& enliste& in this c use t present, s *e*bers o" the % rious H6orosisFtersH, so * ny single sisters $ith pretensions to youthP <-llustr tion9 )52 )?B46 ?1 E46. A-11C-N6. H)ourH 1.FF652 62A4#526 1?4 A EAN.> 0e h %e l$ ys loo(e& upon the ch *pions o" $o* n's righteousness, those $ho belie%e in the H"eeF* le bsoluteH s the re l est te o" $o* n, s princip lly * rrie& $o*en, $hose house(eeping h s pro%e& " ilure, Ne3cept in the single ite* o" hot $ ter,O n& cert in l &ies $ho h %e li%e& to * ture ge $ithout re"erence to *en, n& $ho* no * n $oul& t (e e%en $ith the best o" re"erence. )here surely *ust be so*ething $rong, so*e$here, $hen those in the younger $ l(s o" ge t (e on this r*or. 0here is the nee&P 0hy shoul& they $ho h %e ne%er h & their young li%es blighte& by husb n& linger p thetic lly o%er the tyr nny o" the sterner se3P -nste & o" she&&ing ll these te rs o%er other people's husb n&s, they ought r ther to rejoice th t they h %e been sp re& such in"lictions in the p st, n& gi%e e3cee&ing gre t th n(s th t they re beyon& & nger o" such in the "uture. <-llustr tion9 H)ourH :.FF652 62A4#526 1?4 A 1-42. ,)5242'6 6?E2)5-N' A 6-NG2-N'8,> )here * y be other young $o*en Ni" - * y so spe (O $ho re so he rtFbro(en bec use o" the oppression o" their se3, s $i%es, so &isguste& $ith the st te * tri*oni l un&er the present constitution o" society, th t they $oul& not * rryFFoh8 no. No$, $e ll re*e*ber the cogent re son $hy Aohn re"use& to p rt (e o" his e%ening rep st, n& $e ssure these young persons th t they h %e nothing $h te%er to "e r. )he & nger is p st, n& they re s "e beyon& the possibility o" per &%enture.

)hey re not the (in& th t *en &e%our. An& yet $e c n not help "eeling pity "or the*L their e3perience h s been HtryingH, but in % inL they (no$ $h t it is ,to su""er n& be strong,F*in&e&L they h %e le rne& ,to l bor n& to $ it,, n& it is $ellL "or in ll prob bility they $ill $ it "or so*e ti*e. -t * y be th t the poor cre tures re ""licte& by the thought th t Hperh psH they * y be c lle& upon to * (e $ rning e3 *ples o" the*sel%es, n& * rryL n& th t Hperh psH the * n they * rry * y be tyr nt, n&FFbut the contingency is too re*ote. 6o*e tell us th t their youth"ul r&or is to uphol& the st n& r& o" $o* n's *ission9 they $ nt to $or(. 0ell, ll $e c n s y isFFHgo itH8 "or un&er the circu*st nces, $ith no one to $or( "or the*, the best possible thing they c n &o is to $or( "or the*sel%es. 'ut coul&n't they &o *ore, or t le st s *uch, $ithout so *uch noiseP -" they only h & plenty to &o, n& not so *uch sp re ti*e to t l( bout $h t they re going to &o, $oul&n't they be better o"", n& poor "r il * n be the g iner therebyP -" they coul& only resol%e upon such course, n& stic( to it, &on't you thin( they $oul& recei%e *ore i&, * teri l n& *or lP E ny $oul& gl &ly contribute o" their subst nce in such c use, $ith o%er"lo$ing he rtsL n& the $orl& o" * n $ill gl &ly gu r ntee to those $ho %o$ their &eter*in tion not to * rry, entire i**unity "ro* ny te*pt tion in th t &irection. As to the restFFthose $e ( cre tures $ho H$illH be s tis"ie& $ith goo& husb n&s n& bro & ho*eF*issionsFFthey (no$ no betterL they $ill continue to *o%e in their li*ite& spheres, benighte& but h ppy, n& e%ery thing $ill be s tis" ctory. @ h H st $yers tell us th t since the st tutes o" 18=8, $o* n's Hre l est teH s been $ithin her o$n controlL $e t (e bro &er %ie$9 $e thin( it l$ ysH h s been $ithin her o$n control by %irtue o" th t ol& "irst tute gi%en to our gentle *other, 2V2. / / / / /

AN ?@+ 'A-@2. P4A#)-)-?N24. -n 2ngl n& they h %e n institution c lle& the ?l& ' iley. -t &e lt "ro* ti*e i**e*ori l in such Kueer ni* ls s ,"ourF"oote& recogniG nces,, n& in such strong ssist nce to justice s ,str $ b il, ""or&s. )he courtFroo* o" the ?l& ' iley * y be c lle& historic l % t o" cri*e. Bntil recently, Ne$F.or( $ s ?l& ' ileyFless. No$ &etecti%es go bout the streets singing n ir $hich re*in&s one "orcibly o" the tune c lle& ,Bn"ortun te Eiss 'A-@2.,, only th t it is Eister 'A-@2. they h %e *isse&. ?l& 'A-@2. is re lly li(e A?5N G-@P-N in t$o respectsL ll ru*ors bout hi* begin by c lling hi* , citiGen o" cre&it n& reno$nL, n& they gener lly en& by re"erring to hi* s * n $ho $ s gone to ,&ine tFF$hereP, ?ur Ne$F.or( ?l& 'A-@2. h s &is ppe re&. 2ither the 1B@@24)?N e rthKu (e h s s$ llo$e& hi* up, or he h s gone to the un(no$n l n& to $hich *ost 6piritu l *e&iu*s *igr te. )here ne%er $ s gre ter 6piritu l *e&iu*

th n ?l& 'A-@2.. 5e h s h & spirits on the br in &uring se%er l ye rs p st. 5e thro%e on spirits. 5e h & only to r p on c s(s o" spirits, n& greenb c(s $oul& rustle there"ro* li(e tr iling g r*ents out o" the 6piritF$orl&. 5e h & ssist nt *e&iu*s in ll the 1e&er l o""icers. An& no$ the Kuestion s(e& o" #o**issioner +2@AN?, N$ho, by the $ y, in this respect $oul& gl &ly beco*e +2@AFyesO is ,# nst thou c ll 'spirits "ro* the % sty &eepP' n& i" thou c nst, $here is ?l& 'A-@2.P, ' n(er #@206 is one o" his sureties, but he o$ns no #le$s to his princip l's $here bouts. +o not PBN#5-N2@@?'6 subjects ll (no$ th t $his( broo*s s$eep cle n, n& th t no broo* s$ept cle ner the Auge n st bles o" 1e&er l plun&erers th n th t $retche& ?l& 'A-@2.'6 $his(y broo*P )here is, ho$e%er, n ol& pro%erb $hich cl i*s th t in&ustrious broo*s soon $e r out. 'ut 'A-@2. is unli(e broo*, in th t no one c n "in& h n&le to his $here bouts. PBN#5-N2@@? h s he r& gre t &e l bout the pr ctice o" the ?l& ' iley in @on&on. 5e thin(s it li(ely th t so long s the A&*inistr tion continues to protect 1e&er l plun&erers, n& to co%er their tr c(s by tt c(s g inst llege& city n& 6t te buses, these ?l& ' iley pr ctices recently intro&uce& into the Bnite& 6t tes #ourts n& Bnite& 6t tes proce&ure, $ithin or $ithout re%enue o""ices, *ust soon entitle l rge nu*ber o" 1e&er l o""icers, ll o%er the country, to be h ppily style& ,?l& ' iley Pr ctitioners., / / / / /

A G y .oung Ao(er. )hus sp (e the ol& 4epublic n E chi %el, )5B4@?0 022+, since, to 0.5. 620A4+, the sly ol& "o3 $ith the ,little bell., ,)022+ 'l $in., ,)$ee&leF&ee8, retorte& 620A4+. ,0h t &'ye *e n by th tP, ,- *e n,, rejoine& )5B4@?0, ,th t his n *e, ). 022+, is i&entic l $ith one th t erst$hile loo*e& l rgest in the so%ereignty o" the 6t te o" Ne$F.or(., 620A4+ s*ile&. P5-@A+2@V-NG6. ,Eother8 *other8, scre *e& little girl "ro* bo%e st irs to her * tern l p rent in the p rlor. ,Eother, -'%e been crying e%er so long, n& 5ANNA5 $on't p ci"y *e8, An& no$ PBN#5-N2@@? notices th t it is not only little girls $ho ct in this ch r*ing * nnerL "or the 5on. 0-@@-AE +. C2@@2., o" Phil &elphi , h s just scre *e& o%er the #ongression l b nisters th t he *ust be p ci"ie&, or he $ill no longer ser%e the goo& people o" the 1ourth +istrict o" Pennsyl% ni . )here"ore so*e "i"teen hun&re& o" his constituents h %e $ritten hi* letter, n& h %e s i& to hi*, ,+ t he s ll, &e poo ittyF$itty & rlingF$ rling, h %e his pl ceyF$ cey s longeyF$ongey s he $ nts it, n& the n styF$ sty oneFlegge& sol&iers sh 'n't trouble hi* "or situ tions ny *ore, so they sh 'n't., 6o the poor "ello$ str ightens hi*sel" up, ce ses his sobbing, n& consents to be p ci"ie& n& t (e his three thous n& ye r "or little $hile longer. )his * y &o %ery $ell "or once in $hileL but the 5onor ble 0-@@-AE +. nnounces th t, not only &oes he &esire to be p ci"ie& in reg r& to the people $ho e3pect hi* to get the* situ tions, & y or t$o

but th t he $ nts to be $ith his " *ily "or *ore th n si3 *onths in ye r, n& th t his property "" irs re little *i3e&. No$, $h t i" he shoul& s(, ne3t ti*e, th t his " *ily sh ll be ssigne& p rt*ents in the # pitol, n& th t he sh ll be put on the Gr nt # tegory, n& be presente& $ith n est te by his gr te"ul constituentsP An& suppose he shoul& &ecl re th t he $oul& ser%e no *ore unless Gener l @?GAN shoul& be inclu&e& *ong the nu*ber o" those "ro* $hose i*portunities he is to be &e"en&e&P )he goo& -rish bloo& o" 0-@@-AE +. h s l$ ys boile& t the soun& o" the slog n, "or it gener lly *e ns "ight, n& he $ ntsFFp ci"ying. PBN#5-N2@@? respect"ully presents his con&olences to the people o" the 1ourth +istrict o" Pennsyl% ni , n& hopes th t they $ill h %e h ppy ti*e o" it $ith 0-@@-AE +. 5e h s lso notice& th t the Phil &elphi ns re h %ing li%ely n& brotherly &ispute o%er their ne$ public buil&ingsL they &on't (no$ $here to put the*. Eost o" the citiGens re %ery *uch oppose& to &oing ny thing on the sKu reL th t is to s y, -n&epen&ence 6Ku re, $here the citiGens ssert their "ree&o* by tre &ing &o$n ll the gr ss, n& * (ing *u&F"l t o" $h t $ s inten&e& to be tur"y l $n. 6o*e "ol(s $ nt the buil&ings on P2NN 6Ku reFFso c lle& bec use it is split in the *i&&le, n& ns$ers its inten&e& purposes only on p per. 'ut the goo& Iu (ers h te to inter"ere $ith the rights o" the bl c(s, $hether they be *en or $o*en, n& so * ny o" the l tter * (e this sKu re their bi&ing pl ce e%ery su**er, th t it $oul& see* li(e %iol tion o" the spirit o" the 1i"teenth A*en&*ent to &isturb the*. 'ut there is no &oubt th t the goo& Phil &elphi ns $ill h %e their ne$ buil&ings so*e & y, "or they re %ery enterprising. 0itness the &isposition o" one o" their le &ing *en, ,6lushy, 6E-)5 by n *e, $ho $ nts "i"ty thous n& &oll rs $ith $hich to open n %enue "ro* the +el $ re to 6i3th street, b sing his cl i*s upon the " ct th t such %enue $ill le & to 1 ir*ount P r(8 No$, s the ne rest point o" the p r( is t$o *iles n& h l" "ro* 6i3th street, the %igor o" the sche*e n& the "oreseeing ch r cter o" the projectors re $orthy o" *etropolis. PBN#5-N2@@? is "urther*ore &elighte& to see th t son o" P2NN h s &eci&e& the gre t Kuestion o" the Pope's in" llibility, $hich so %e3es our ?2cu*enic l "ello$Fcre tures. P?P2 h s been behe &e& t 5 rrisburg, n& o" course there is no "urther nee& to &iscuss his in" llibility. 0hen * n loses his he &, he is " llible. )o be sure, the c se $ s only one o" picture o" G4AN) n& his Gener ls, $hich hung in the 6t te @ibr ry, n& in $hich P?P2'6 he & $ s p inte& out, n& Go%ernor G2A4.'6 substitute&L but the ct sho$s, on the p rt o" the &herents o" the le &enFlegge& go%ernor, he &Fstrong &eter*in tion to procee& to e3tre*ities $hich h s gi%en rise to the gr %est pprehensionsL but PBN#5-N2@@? hopes "or the best. -t is e3pecte& th t the @egisl ture $ill soon co*pel the inh bit nts o" the #ity o" 1r ternites to sen& their chil&ren to school, $hether they li(e it or not. )his is cert inly progression, n& PBN#5-N2@@? no$ loo(s con"i&ently "or$ r& to l $ co*pelling ll Phil &elphi ns to $ sh their p %e*ents t$ice & yL to h %e $hite * rble "rontFsteps N$ithout r ilingsO to ll their housesL to buil& s i& houses entirely o" re& bric(, $ith green shuttersL to * (e their si&e$ l(s o" si*il r bric(s, l i& une%enly, to git te p ssersFby n& so pre%ent &yspepsi , n& th t e ch house sh ll h %e t le st one little gutter running o%er its p %e*ent. / / / / /

,@ost t 6e .,

'?B#-#AB@) $hen he $rote the pl y. / / / / /

@2))24 14?E A 14-2N+. 14-2N+ PBN#5-N2@@?9 )hee is right $elco*eL but thee shoul& loo( upon this s city o" 1rien&s, n& not pl ce it in thy $ic(e& p ges, but r ther in thy Goo& 'oo(sFF ll the *ore since thee cl i*s to e3 lt the goo& things pert ining to pen n& pencil, n& this is the gre t #ity o" Penn n& Pennsyl% ni . -" thee shoul& co*e this $ y ne3t su**er, to rur liGe, thee *ight behol& our s$ollen 6chuyl(ill, n& s y, 2nough8 )hee *ight see our #ity 1 thers, n& s y, Goo&8 +oubtless thee h s he r& o" our butterP 0ell, thee *ight then t ste it, n& lso s y, Goo&8FFi" thee li(es. -t is che p. )hee $ill un&erst n& *e, "rien&, th t it is che p to s y ,Goo&, n& goo& to s y ,#he p., -" thee $ill but t l( ,pl in l ngu ge,, thee * y circul te "reely in our streets, n& behol& our horses n& &ogs rubbing noses g inst the "ount insL n y, re"reshing the*sel%es there t by the sight n& soun& o" little $ ter8 #ruelty to Ani* ls is Pre%ente&FFbut thee (no$s thisL "or h s thee not thy '24G5P )hee &oes $ith HoneH '24G5, but $e h %e t$oFFPittsburg n& 5 rrisburgFF n&, *oreo%er, pro%erb $hich s ys, ,2%ery * n thin(eth his o$n goose 60ANN, -" thee nee&s, $e c n sp re thee 5 rrisburg, n& trust to the l $s o" Pro%i&ence. 'ut, "rien& PBN#5-N2@@?, i" thee co*es here, thee *ust be c re"ul $h t thee &oes. -" thee &oes HnothingH, thee * y be restr ine&. )hri"t ccor&s not $ith i&leness. 0e per*it none but o""ici l corner loungers n& ,&e & be tsL, n&, h %ing %ery 1?J "or E yorFF$hose police re sh rp s steel tr psFFthee co*es into & nger, unless thee be 4epe ter. )rue, thee *ight &isguise thysel" in liKuor n&FF s "rien& 1o3 t (eth noneFFesc pe. )his epistle is $ritten out o" (in&ly reg r& "or thee, n& bec use the 6pirit *o%eth *e to $ish thee $ell n& long li"eL lthough thee * y not li%e long enough to behol& our ne$ Public 'uil&ings, the site o" $hich no * n li%ing c n "oresee. - re* in, thine in pe ce, P5-N2A6 '5?+'4-EE2, P5-@A+2@P5-A, 3& Eonth, :7th, 1870. Eulberry 6treet. / / / / /

#onsol tion "or #onte*pl te& #h nges in the # binet. )here re s goo& 1ish in the se s e%er $ere c ught. / / / / /

4e%els in the Presi&ent's E nsion. )he 'l c( * n in the 0hite house. / / / / /

Nothing @i(e @e ther. A le therF&e ler in the ,6$ *p, $rites to us, s(ing $hether $e c nnot &*inister goo& le thering to the pro$lers $ho in"est th t &istrict t night. 0e &on't (no$. 5 & r ther not inter"ere. 6uppose the poor thie%es "in& goo& 5i&ingFpl ces there. @et the le therist gu r& his pre*ises $ith goo&FsiGe& 'l c(FF n& t n. / / / / /

,4 ising # in., )he 6outhern p pers nnounce th t c neFpl nting is gener lly "inishe&, $hich is *ore th n c n be s i& in this section, $here it loo(s s though the c ne $ s bout to usurp the pl ce o" the pen. 0e re not surprise&, ho$e%er, to be in"or*e& th t not h l" s *uch c ne h s been pl nte& in the 6outh this ye r s there $ s l st se son, o$ing to the " ct, no &oubt, th t the Go%ern*ent h s gone into the business o" ,r ising # in, so e3tensi%ely in th t section. / Goo& "or / / / /

,5orse @ ugh.,

0h t is the &i""erence bet$een the le &ing HeKuestrienneH t the #ircus n& 4?6A '?N52B4P )he one is (no$n s the ,1 ir 5orse$o* nL, the other, s the ,5orse 1 ir 0o* n., / / / / /

A +r $n ' ttle. Any "ight th t gets into the illustr te& p pers. / / / / /

A 6uggestion. -t is propose& to tr nsport p ssengers by *e ns o" the pneu* tic tunnel. -n %ie$ o" the & *pness o" this subterr ne n $ y, $oul& it not be proper to c ll it the 4heu* tic tunnelP

)52 BE'42@@A. N#?N#@B+2+.O -t h s been suggeste& th t shoul& select p rty "ro* the 1eeFjee -sl n&s, $ho ne%er be"ore h & $ n&ere& "ro* their o$n &elight"ul ho*e, be thro$n into @on&on, they *ight i**e&i tely erect the copperFcolore& "l g, or $h te%er their n tion l ensign *ight be, n& t (e possession o" th t populous loc lity by right o" &isco%ery. 6o, in li(e * nner, shoul& you le %e your u*brell $here it $oul& be li(ely to be &isco%ere&FFs y in rest ur nt, or e%en in your o$n h llFFthe "ortun te n&

enterprising e3plorer $ho shoul& h ppen to &isco%er it $oul& h %e in his " %or the nine points o" the l $ th t co*e $ith possession, n& the re* ining points by right o" &isco%eryFF goo& thing "or &e lers in u*brell s, but b & "or th t s* ll portion o" the gener l public not &&icte& to petty l rceny. +-#C2N6, in one o" his #hrist* s stories, tells us o" n u*brell th t * n trie& to get ri& o"9 he g %e it $ yL he sol& itL he lost itL but it in% ri bly c *e b c(L &espite his *o t strenuous e3ertions, li(e b & HincubiH, it re* ine& upon his h n&s. )his str nge inci&ent &oes not co*e $ithin our present tre tiseL it is o" the supern tur l, n& $e re see(ing to $rite the n tur l history o" the u*brell . )he * n $ho, h s n u*brell th t h s gro$n ol& in his ser%ice is curiosityFFso is the u*brell . -" * n borro$ n u*brell , it is not e3pecte& th t he $ill e%er return itL he is polite n& re"ine& *en&ic nt. -" * n len& n u*brell , it is un&erstoo& th t he h s no "urther use "or itL he is generous &onor $hose right h n& (no$s not $h t his le"t h n& &oethFFneither &oes his le"t h n&. A re"or* $ith reg r& to u*brell s h s l tely been tte*pte&. A %ery e3pressi%e n& ingenious st n& h s been p tente&, in $hich i" n u*brell be once i*p le& there is no ch nce o" its b&uction e3cept by the h n&s o" its right"ul o$ner. A "rien& o" ours, $ho o$ne& such one, pl ce& ll his u*brell s in its ch rge, n& $ent his $ y joy"ully $ith the (eys in his poc(et. +uring his bsence, " cetious burgl r c lle& n& re*o%e& u*brell s, st n&, n& ll. ?ur "rien& conclu&es th t it is che per to len& u*brell s by ret il. +espite the pp rent se%erity o" these re* r(s, there * y be *uch ro* nce connecte& $ith the u*brell . E ny young * n i**erse& in lo%e h s blesse& the u*brell th t it h s been his pri%ilege to c rry o%er the he & o" cert in young l &y c ught in sho$er. -n such c se the u*brell * y be the *e ns o" ce*enting he rts. )$o young he rts boun& together by n u*brell FFthin( o" it, ye &e lers in poetic l rh pso&ies, n& grie%e th t the &isco%ery $ s not yours8 5o$ * ny gree ble ch ts h %e t (en pl ce bene th the u*brell 8 ho$ * ny Hcon"essio * ntisH h s scen&e& $ith s$eet s %or into the &o*e o" the u*brell n& consecr te& it "or e%er8 )he ro* nce llu&e& to * y be spoile& i" there be gre t &isp rity in height. -" the l &y be %ery t ll n& you be %ery short, Nso th t you c n't ""or& to ri&e in n o*nibus,O you $ill be pt to spoil ne$ h tL n& i", on the other h n&, the l &y be %ery short n& you be %ery t ll, you $ill prob bly ruin spring bonnet n& bre ( o"" the * tch. Ag in, i" you shoul& h ppen to c rry n u*brell o" the % st blue styleFFto your o$n &isgust n& the *use*ent o" the *ultitu&eFF n&, un&er such circu*st nces, you *eet p rticul r l &y "rien&, your best course $ill be to p ss r pi&ly by, screening yoursel" "ro* obser% tion s *uch s possible. -t $oul& lso be $($ r& shoul& the & y be $in&y, n&, s you &% nce $ith $inning s*ile to o""er n sylu* to the Hstric(en &e r,H the u*brell shoul& blo$ insi&e out.

)he poet h s r ise& the u*brell still higher by * (ing it the sy*bol o" the * rri ge tie. 5e s ys, ,Aust s to big u*brell -s the h n&le $hen 'tis r ining. 6o unto * n is $o* n. )hough, the h n&le be rs the bur&en, ')is the top (eeps ll the r in o""L )hough the top gets ll the $etting, ')is the h n&le still supports it. 6o the top is goo& "or nothing -" there isn't ny h n&leL An& the c se hol&s H%ice %ers H., All $ill ppreci te the &elic te p thos o" the si*ile. 6pe (ing o" si*iles re*in&s us th t there is one on 'ro &$ y. An enterprising *erch nt h s "or his sign n A*eric n e gle c rrying n u*brell . -* gine the A*eric n e gle c rrying n u*brell 8 As $ell i* gine AB@-B6 #A26A4 in shootingFj c(et n& NAP?@2?NFboots. )he sign $ s put up in $ r ti*es, n& $ s, o" course, inten&e& s 6ign o" the ti*es, sKu lls being pre% lent n& u*brell s nee&e&. No$ th t the sKu lls re o%er, let us hope th t the u*brell * y spee&ily co*e &o$n. Aust here $e close ours. <-llustr tion9 A@A68 P??4 #B'A8 HEessrs. 1ish n& 6u*nerH. ,@2) 524 6)A. ?B) -N )52 #?@+.,> / / / / /

,-roning +one 5ere., #AP)A-N 2.42'6 con&uct h s r ise& the -re o" the $hole ci%iliGe& $orl&. / 4ight to / / / /

@etter.

)52 #ollector o" the )hirtyFsecon& +istrict is ch rge& $ith h %ing co**itte& l rceny s ' ilee. <-llustr tion9 )52 +26#2N) ?1 )52 G42A) EA66A#5B62))6 14?G BP?N )52 N206PAP24 1@-26.> <bl n( p ge> AN ?@+ '?. )? )52 .?BNG ?N26. <-llustr tion $ith letter ')'> )oF& y -'* si3tyFnineFF n ?l& 'oy. 'ut, bless you8 - $ s three ti*es s ol&FF- thought so thenFF$hen - entere& on *y nineteenth ye r. - tell you, boysFFbut perh ps you (no$ it lre &yFFth t the ol&est "igure $e e%er re ch in this $orl&, the point t $hich $e c n loo( o%er the he & o" E2)5B62@A5 s e sy s you c n sKuint t the pretty girls, is t eighteen n& nineteen. 2%ery bo&y else roun& bout th t ti*e *ounts to little, n& less, n& nothing t ll. 0h t's the ,ol& * n,FFyour " ther, t "ortyF"i%eFFbut n ol& "ogy $ho &oesn't un&erst n& things t llP ?" course notL ho$ coul& he be e3pecte& toP 5e &i&n't h %e the *o&ern

&% nt ges. 5e &i&n't go to school t "i%e, the & ncing c &e*y t se%enL nor &i& he gi%e stunning birth& y p rties t nineFFnot he. 5e &i&n't $e r P ris (i&Fglo%es in the nursery, le rn to s$e r t the t ilor t ten, s*o(e n& ,s$ell, t t$el%e, n& "lirt t @ong 'r nch, Ne$port, or 6 r tog t thirteen. )he truth isFFyou thin( soFFthe ?l& E n $ s brought up ,slo$., An&, to tell the truth, you h & *uch r ther not be seen $ith hi* outsi&e the house. .ou re ,one o" the boys, no$. - $ s, "i"ty ye rs since. A long ti*e go, th tL but -'%e li%e& long enough to see n& (no$ th t - $ s gre t "ool then. .ou'll co*e to th t, i" you &on't run to see& be"ore. - see no$ th t $h t - then thought $ s s* rtness, $ s *ere s*o(eL n& it $ s gre t &e l o" s*o(e $ith the s* llest Ku ntity o" "ire. )he people thought *ounte& to nothing, n& $ho* - sy*boliGe& $ith cipher, $ere *erely re"lections o" *y o$n s* ll, &&le& br in. -, too, thought the ol& * n slo$, Hp sseH, stupi&. - too( hi* "or *u"". 5e *ust h %e (no$n - $ s t$ice th t. 0h t &oes one o" the boys t nineteen c re "or &%iceP H-H &i&n'tFFHyouH &on't. -t $ent in t the right e r n& out o%er the le"t shoul&er. ?l& gent s i& he'& been thereL - s i& - $ s going. &i& go. 6o &i& his *oney. Ey t lentFFi" th t's $h t you c ll itFF$ s centri"ug l, not centripet l. - $ s r &ic l outF n&Fouter, s to "un&s. - * &e lots o" "rien&sFFyou shoul& h %e seen the*. )hey s$ r*e&FF $hen there $ s ny thing in *y poc(et. )hey le"t *e lone in solitu&e t other ti*es. At t$entyFnine - got pretty $ell long in li"e. 'ut - "in& - &i& not (no$ so *uch s t nineteen. - h & seen so*ething o" the $orl&, n& lso so*ething o" *ysel". )he *ore - s $ n& stu&ie& the l tter in&i%i&u l, the less - thought o" hi*. - beg n sincerely to belie%e he $ s hu*bug. At thirtyFnine, - (ne$ he $ sL or r ther h & been. 'y th t ti*e he h & begun to *en&FFh & heP 5e h & * rrie&, n& there $ s c ll "or *en&ing, eKu lly s to $ ys, *e ns, n& g r*ents. 1ro* th t hour - culti% te& in &i""erent "iel&s. Ey $il& o ts $ere ll Hr (e&H in. - $ s getting $ y "ro* nineteen %ery r pi&lyFFh ppily rece&ing "ro* the boy o" Hth tH perio&. Ers. '4?0NG422N behel& * n &e%ote& to &o*estics n& the & ilies. )he clubs - le"t behin& *eFFt$ice $ee(. - $ s t ho*e e rlyFFin the *orning. - (ept c re"ul $ tch o" *y goings n& co*ingsFFso &i& *y curious neighbors. - h & *y " *ily roun& *eFF lso sheri""s n& tr &esFpeople. - stoo& toler bly $ell in the co**unityL "or - $ s str ight in those ti*es e%en $hen in str its. 'ut there $ s one st n& - ne%er &i& li(e to t (eFF ny$here in sight o" *y t ilors. )hey $ere ungr te"ul. - Hg %eH the* ny *ount o" p tron ge, n& they turne& on *e n& $ nte& *e to p y "or it. )h t's the $ y o" the $orl&. -t $ nts *uch, n& it $ nts it longL n& $hen its bills co*e in, it is "oun& to be the l tter &i*ensions $ith n e*ph sis. 0ell, boys, $hen you get out o" the nineteens, you $ill begin to le rn so*ething. 1irst o" ll, th t you &on't (no$ *uch o" ny thing. )h t's the beginning o" $is&o*, though t$enty is pretty $ell on to begin t goo& school. .ou $ill le rn th t "rogs re not so l rge s eleph nts, n& th t g sFb g is sure to en& in coll pse. .ou $ill le rn th t the gre test "ool is he $ho thin(s he sees such in e%erybo&y else. .ou $ill le rn th t ll $o*en re HnotH ngels, nor ll people ol&er th n yoursel" ,ol& "ogies., .ou $ill see th t hu* nityFFor its best typeFFis not * &e o" eKu l p rts o" ssur nce, t$entyF"i%e cent cig rs, ?t r& punches, s$ llo$Ft il co ts, n& "l sh je$elryL n& th t the ch nces, in the proportion o" nine to one, re th t ,one o" the boys, t nineteen is one o" the noo&lest o" noo&les. )ruly,

A242E-A5 '4?0NG422N, HAn ?l& 'oy o" 6i3tyFnineH. / / / / /

)52 -N+-AN. -n&i ns $ere the "irst inh bit nts o" this country. ,@o8, $ s the "irst, only, n& origin l borigin l. 5is st tue * y be seen outsi&e o" l*ost ny cig rFstore. 5is &escen& nts re still c lle& ,@o$,, though o"ten o%er si3 "eet in height. )he -n&i n is gener lly re&, but in ti*e o" $ r he beco*es ,yeller., 5e li%es in the "orest, n& is o"ten ,up tree., -n&i ns belie%e in ghosts, n& $hen the 6pirit *o%es the*, they *o%e the 6pirits. NN.'. )hey h %e no e3cise l $.O )hey h %e n objection to croo(e& p ths, pre"erring to t (e e%ery thing ,str ight., Although "on& o" ru*, they &o not possess the 6pirit o" the ol& 4u*Funs. )hey re &e"icient in ll *et ls e3cept br ss. )his they h %e in l rge Ku ntities. )he -n&i n is %ery bene%olentL n& belie%ing th t ,une sy lies the he & th t $e rs cro$n,, he o"ten sc lps his "rien&s to llo$ the* to sleep better. )his is touching in the e3tre*e. 5e is lso %ery hospit ble, o"ten tre ting his c pti%es to hot 6t (e. )his is lso touchingFFespeci lly to the c pti%e. 5e is %ery ingenious in in%enting ne$ *o&es o" loco*otion. 4i&ing on r il is one o" these. )his is &one "ter &inner, in or&er to i& the &igestion, lthough they o"ten ,settle your h sh, in &i""erent $ y. -n&i ns re in&epen&ent, n& c n ,p &&le their o$n c noes., -t is %ery picturesKue to see n -n&i n, $ho is little ele% te&, in )ight c noe $hen the $ ter is 5igh. NNo llusion to @?NG12@@?0'6 ,5igher$ ter, is inten&e&.O -n&i ns re pretty goo& shots, o"ten shooting r pi&s. )heir i* is correctL but s Eiss #APB@2) obser%es, ,0h t's in n i*P, NAns$er in our ne3t.O )hey re lso s(il"ul $ith the longFbo$. )his &oes not, ho$e%er, in&ic te th t they t (e n rro$ %ie$ o" things. Not t ll. 6o*eti*es, $hen re&uce& by " *ine, they li%e on rro$Froot. 6o*eti*es they &ip the points o" their rro$s in per"u*e, "ter $hich they Nthe rro$s, not the -n&i nsO re 6cent. )h t this " ct $ s (no$n to Er. 65AC26P2A42 is sho$n by his line, ,Arro$s by ny other n *e $oul& s*ell s $he t., 0h t is *e nt by the llusion to $he t is not Kuite cle rL but it prob bly re"ers to ol& 4ye. An -n&i n * y be c lle& the 'o$ i&e l o" * n. An& then, g in, he * y not. -t is b & h bit to c ll n *es. )he 0estern people h %e gi%en up the 'o$, but still ret in the 'o$ie. ,5 ng up the "i&&le n& the bo$,, N'.4?N.O Perh ps it is rro$ing to their "eelings. Perh ps it is not. )he -n&i n is &i""erent "ro* the Girl o" the Perio&. 5e h s ,t$o strings to his bo$,, $hile she h s t$o be u3 ,on string., / / / / /

#AB62 AN+ 2112#). 0hen the H+ ily )ro*boneH $ rns the P?P2 o" 4o*e th t his course is preju&ici l to the interests o" true # tholics, the %ener ble prel te &oubtless &opts ne$ policy "orth$ith. 0hen the H2%ening 6l sherH in"or*s NAP?@2?N th t unless he concili tes the people o" 1r nce his &yn sty $ill be o%erthro$n, the 2*peror &oubtless t once con"ers $ith his Einister o" 6t te concerning the &%ice thus pro""ere&. 0hen the HEorning PontoonH $ rns V-#)?4-A th t her persistent seclusion is & * ging to the c use o" the throne, 5er Gr cious E jesty, $ithout &oubt, ch nges her h bits o" li"e inst nter. 0hen the H6un& y 'lo$pipeH

s gely in"or*s '-6EA4#C th t he is blun&erer, the gre t &iplo* tist is prob bly thro$n into con%ulsions by the pp lling intelligence. 0hen the H0ee(ly G s*eterH coolly ccuses the #G r o" 4ussi o" insincerity n& &oubleF&e ling, th t potent te &oubtless $rites pri% te note to the e&itor, &e"en&ing his honor n& policy. 0hen the HGri&ironH &%ises V-#)?4 2EEANB2@ to be less rigi& in his &iplo* cy, or he $ill regret it, beyon& Kuestion V.2., l r*e& n& ch grine&, re%erses his policy in ccor& nce $ith the &%ice ten&ere&. 0hen the H+ ily Pu*p(inH in"or*s G4AN) th t the people re &is ppointe& in hi*, he si*ply s*o(es. / / / / /

Very 1ishy8 An 2nglish e3ch nge spe (s o" the 2*peror o" 4ussi Eust $e in"er "ro* this th t he is #G rF&ineP <-llustr tion9 4A)524 A 5A4+ 5-). H2*ily, Nin con"lict $ith the ne$ P rson.OH ,)5A) 1A65-?N6 EA. '2 #A44-2+ )? 2J)42E26, - A+E-)L 'B) 0?E2N, A) @2A6), )4. )? +-6P@A. HtheirH P542N?@?G-#A@ +2V2@?PE2N)6 )? )52 '26) A+VAN)AG2.> / / / / / s , Kueer "ish.,

5-G5 #5B4#5 AN+ @?0 #5B4#5. 0e re "reKuently s(e& $h t is the &i""erence bet$een 5igh #hurch n& @o$ #hurchP 0e inKuire& o" @o$ #hurch* n "or his &e"inition o" 5igh #hurch* n.

0ell, s i& he, 5igh #hurch* n is FFFF0ell, he is FFFF0ell, - shoul& s y he $ s FFFF0ell, h ng *e, he is FFFF 5igh ?l& Ph risee. 0e ne3t inKuire& o" 5igh #hurch* n $h t * &e brother @o$ #hurch* nP

0ell, he is FFFF0ell, - s y he is FFFF0ell, so*e people c ll hi* FFFF .es, he is FFFF0ell, he is & rne& @o$ Ph risee. 0e hope our e""orts in getting t the truth re e*inently s tis" ctory to ll intereste&, s they re to us. / / / / /

A 6e son ble 5int. ?ne o" the correspon&ents spe (s o" being ushere& into the ugust presence o" the Presi&ent. April presence $oul& h %e been the *ore ppropri te e3pressionFFnot to s y 1irst o" April presence. / / / / /

,)he @ong, @ong, 0e ry + y., )he Phil &elphi H+ yH. / / / / /

02A)524 P4?P52#-26 1?4 EA.. About the "irst o" the *onth loo( out "or sKu lls n& & *p $e ther. )he sun's r ys * y be $ r*, but the bee"ste ( $ill be col&. )here $ill be *ore or less clou&y & ys throughout the *onthFFespeci lly *ore. -" the *ornings re not "oggy, they $ill be cle rFFth t is, i" the l* n cs re not steepe& to the co%ers in &eceit. -" $e prophesy ple s nt $e ther, n& it shoul& pro%e stor*y n& &is gree ble, you c n h %e re&ress by c lling t the o""ice o" PBN#5-N2@@?. / / / / /

G422@2. ?N 'A-@2.. )he H)ribuneH e3tenu tes the &e" lc tions o" #ollector 'A-@2., on the groun& th t ,he "ought the cro$&, Nother re%enue &e" ultersO ,Ge lously, e""ecti%ely, persistently,, etc. 6uppose th t Er. G422@2., $hile pursuing his $il& c reer in the &ire pl ces o" the city, shoul& " ll in $ith g ng o" pic(poc(ets, n& get hustle&. 6uppose th t strong "ello$ c *e long n& &ro%e $ y the thie%es. 6uppose th t the strong "ello$ then ,$ent through, Er. G422@2., n& e se& hi* o" his purse, $ tch, n& * gni"icent &i *on& je$elry. 0oul& Er. G422@2. e3tenu te the outr ge bec use the strong "ello$ h & pre%iously ,"ought the cro$& Ge lously, e""ecti%ely, persistently,P / / / / /

# li"orni ' n( 4ing. )he # li"orni ' n( $ent b c( on the greenb c(s. #ongress, being not so green, $ent b c( on the # li"orni ' n( 4ing. -t $ s not 4ing o" the true *et l. / / / / /

-n Vino, etc. 0ine *erch nts shoul& ne%er &%ertise. ,Goo& 0ine nee&s no Push., / / / / /

-N)2426)-NG )? '?N2F'?-@246. #o*p r ti%e osteology h s e%er been " %orite stu&y $ith PBN#5-N2@@? in his lighter hours. 5e lo%es to co*p re broile& bone $ith &e%ille& bone, n& thin(s the* both goo&L but he " ils to hit upon n &eKu te co*p rison "or the boile& bones th t poison the ir o" cert in city loc lities $ith their concentr te& stenches. 0hy &on't the 5e lth -nspectors * (e &escent upon the boilers o" bones, n& 'one their boilersP / / / / /

,Aersey @ightning, )h t *ost o" the soFc lle& "oreign $ines sol& here re * &e in Ne$FAersey, is pro%e& by the strong 'ergenF&y "l %or possesse& by the*. / / / / /

6utro the +oreNrO. 6utro, h %ing bore& #ongress to gr nt hi* roy lty on ll the ore t (en out o" the #o*stoc( lo&e, no$ proposes to bore the Ne% & *ount ins. 5e s ys there re lo &s o" sil%er in th t lo&e. )he princip l *et l thus " r sho$n by 6B)4? is n ti%e br ss. 6B)4B? s(s only the @etter o" the l $FFthe roy lFF). / Iuery. +oes it "ollo$ th t electionP / / / 142A4 ch rter $ill secure / / 1reer *unicip l / / / /

'??C N?)-#26. A 'A))@2 ?1 )52 '??C6. 2&ite& n& publishe& by GA-@ 5AE-@)?N. Ne$ .or(9 5B4+ D 5?BG5)?N. A regul r eKuinocti l G il goes $hirling n& te ring through tin le %es o" this s* rt boo(. -ts i* is to ri&&le n& rip up the syste* by $hich cert in publishing houses crush uthors, n& &e"r u& the* o" their proper &ues. )he boo( is $ritten $ith spirit, n& h s been issue& in %ery ttr cti%e "or* by the 4i%ersi&e Press. 5AN6 '42))EANN -N #5B4#5, 0-)5 ?)524 N20 'A@@A+6. 'y #5A4@26 G. @2@AN+. Phil &elphi 9 ).'. P2)246?N D '4?)5246. Er. @2@AN+, so $ell (no$n s one o" the *ost le rne& o" our Ger* n schol rs, h s * &e speci lty o" the ch r cter (no$n in this country s ,+utch* n., )he little %olu*e un&er notice, $hich h s been %ery t ste"ully set "orth by Eessrs. P2)246?N, cont ins *uch *using * tter, couche& in th t Kueer co*poun& o" Ger* n n& 2nglish in the * nu" cture o" $hich Er. @2@AN+ e3cels. / / / / /

0e re in&ebte& to Eessrs. GB4N2. D 6?N "or nu*ber o" photogr phs o" public ch r cters, e3ecute& in the best * nner o" the rt. )he ,*ugs, issue& by Eessrs. GB4N2. re Kuite eKu l, i" not superior, to th t *ost celebr te& o" ll *ugs, the ,5oly Gr il., #?N+2N62+ #?NG4266. 62NA)2. <-llustr tion $ith letter 'A'> Action in #ongress h s not been %ery li%ely o" l te. -t is @entL n& the e3hil r ting sort o" entert in*ent pro%i&e& by the ,high reKuie*, o" 6BEN24, or the $il& $ rbling o" +4AC2, is consi&ere& to be unse son ble. )he 6en te is not " ster, though 6en tor 6BEE24'6 tongue goes " ster th n ny bo&y else's in itL nor yet pr yer, though 6en tor .A)26 is un&eni bly Pr irie in his or toryL but it is hu*ili tion. As

@or& A65'B4N5AE $ell re* r(e& $hen he s $ it in its "resh heyF& y, $e * y repe t in its ol& s ltFh yF& y, ,'Pon *ee sole, uno, it is pu&&ingFhe &e& lot o" &u""ers., PBN#5-N2@@? "in&s nothing to * (e his $ee(ly bstr ct n& brie" chronicle o" this sylu* "or el&erly n& uninteresting lun tics bout $ithout * (ing it too $e (ly. -n the l ngu ge o" 'ishop P?))24, $hen s(e& by the 4e%. +r. +-J $h t he $oul& &o in the e%ent o" he rt turning up, ,-'ll p ss, toFF )52 5?B62, $hich ne%er " ils to *use n& instruct. Er. #?J h s been * (ing shoc(ing speech bout the t ri"". Er. #?J re* r(e& th t he once thought there $ s nothing li(e it. 'ut - h %e been tr %elling bout since, he s i&, $ith su**erF*ote in *y o$n buc( eye in se rch o" 0inter 6unbe *s in *y #orsic n brother's. - h %e been in #orsic , n& o" #orsic n "in& p r llel o" the l titu&e o" this t ri"" in the leg en&s o" the robbers, by $hich - &o not *e n the n(les o" the 1orty )hie%es, $ho* - h & the ple sure o" seeing in co*p ny $ith *y ,constituents o" the 6i3th #ongression l +istrict o" the #ity o" Ne$F.or(., 0ell, then, there $ s robber in #orsic o" the n *e o" P2@2G 5-GG-N6, $ho "oun& th t his business in the 4obbin 4e&nest line $ s su""ering "ro* the opposition o" se%er l other robbers in the neighbor n& robbin' hoo&, $ho ,$ent through, his %icti*s, to use n e3pressi%e phr se co**on *ong *y constituents, be"ore he h & his ch nce. P2@2G thereupon $ent to the priest o" the p rish, $ho ssesse& the sins o" the robbers o" th t %icinity, n& o""ere& hi* h l" the procee&s o" his "uture cri*es i" he $oul& incre se his t ri"" o" pen nces on the opposition "ir*s. )he priest &re$ up sche&ule o" the 0hole +uties o" E n. -t $ s pr ctic lly prohibitory on *ur&ers, n& robberies $ere ssesse& "ro* si3ty to eighty per cent H & % lore*H. )he other robbers re*onstr te&. )he priest s i& he $oul& protect his p rishioners. P2@2G is no$ %ery *uch respecte&, n& o$ns n iron n& log rolling est blish*ent. )he other robbers $ere &ri%en out o" the business. )h t, Er. #?J s i&, $ s the origin o" the Protecti%e ) ri"". Er. C2@@2. $ishe& to (no$ ho$ *uch 'ritish Gol& Er. #?J h & recei%e& "or his in" *ous h r ngue. As "or hi*, he $ s boun& to protect his constituents NEr. #?J, ,P rishionersL, n& l ughter on the +e*ocr tic, or other, si&e o" Er. C2@@2.'6 *outh.O As to the ch rge th t he $ s behin& the ge, it $ s bsur&. 2%ery Phil &elphi n (ne$ th t nobo&y coul& be behin& the Age. 5e &%oc te& the principle e3presse& by the Pennsyl% ni n b r&, .ou tic(le *e n& -'ll tic(le you. Er. @?GAN s i& the r*y ought to be re&uce&L n& he tre te& $ith scorn Gener l 6524EAN'6 inti* tion th t it ought not to be re&uce&. Gener l 6524EAN h & once tol& hi* th t there $ s E jorFGener l $ho* the r*y coul& sp re. 5e N@?GANO $ s E jorFGener l t the ti*e. 5e &i& not (no$ $ho* Gener l 6524EAN *e nt. 5e &i& not see the use o" the regul r r*y, or o" 0estFPoint. -n his 6t te * n coul& get long just s $ell $ithout (no$ing ny thingL n& $h t $ s the sense o" te ching o""icersP )he *ore they (ne$, the *ore they $ nte& to (no$. Gi%e the* n inch, n& they $oul& t (e n ell. 5e &i&n't (no$ $h t n ell n ell $ s, n& he &i&n't $ nt to. 5e $ s $illing to pro%i&e st "", but not crutch.

Er. 6@?#BE s i& he hope& it $ s not unp rli *ent ry to obser%e th t the gentle* n $ho prece&e& hi* &i&n't (no$ $h t he $ s t l(ing bout. )he 1rench st "" is l rger th n our st "". 6o is the 'ritish Bnite& 6er%ice #lub. 6o is the -rish shillel gh. -" the re&uctions propose& $ere c rrie& ,out,, the st "" $oul& stic( t nothing. )he r*s o" the ser%ice *ight get on $ithout st "", but ho$ bout the legs. / / / / /

Allure*ents o" the Perio&. No%elty n& n (e&ness re the ele*ents to $hich *o&ern * n gers o" pl ys n& sho$s chie"ly loo( "or success. A ne$ song, the n *e i" $hich it is unnecess ry to gi%e, h s brought "resh " *e n& rene$e& "ortune to the proprietors o" celebr te& *instrel the tre. @egs h %e contribute& their *ight to "ill the co""ers o" so*e o" our le &ing the tric l * n gersFFlegs o" the "e*inine gen&er, $ith *uch &ispl y bout the*, but no &r pery. )hus it $ill be seen th t Ne$ +itty in the one c se, n& Nu&ity in the other, h %e t (en the gre t public by the "oreloc( n& le& it to $here the *instrels gesticul te, n& the legs n& "ootlights Kui%er. An& no$ the ,lo$er ni* ls, re touche& by the $hi* o" the perio&, le &ing ttr ction on the bills o" the #ircus being n eKuestri n per"or* nce $ith ,"our n (e& horses., / 6 rtori l. A )A.@?4 c rrie& through the Ee3ic n $ rL +4AP24 $rites the history o" the ci%il $ r. +r pers n& ) ylors such s these un&erst n& ho$ to *en& n tion l 're ches. / / / / / / / / /

A 1 t l )echnic lity. ,0i**ing, h %e their rights in 0yo*ingL but then 0yo*ing c n ne%er beco*e ,0o*ing, )erritory. An& $h t's to pre%ent itP ., &on't you seePFFth t letter $on't let her. / / / / /

'4?A+'4-E )? A'?4-G-N2. 1rien& P-2GAN8 $ith the $ rFp int on thy chee(, - * thy "rien&L pr y listen, then, to *eFF N y, &o not sc lp *e8FF* y 1rien& not spe (P Put up thy (ni"e9 - &r $ no (ni"e on thee. 1rien& P-2GAN8 c n thee count the "orest le %esP 1or e%ery le ", thee counts P le 1 ce too8 1ull * ny stro(es the 4e& E n no$ recei%es9 'ut, P-2GAN "rien&, $h t c n the 4e& E n &oP )he 6* llFPo3 n& the 1e%er stri(e hi* &o$nL )he 0hite E n is his "oe9 he c nnot li%e8

1or the Gre t 6pirit tells hi*, $ith "ro$n, All *en sh ll perish th t $ill not "orgi%e8 )he P le 1 ce h s been hereP thy chil& is (ille&P 'ut little sc les re h nging to thy belt8 6 y, $hen thy " ther's he rt $ith $r th $ s "ille&, +i& not thee (no$ ho$ thy 0hite 'rother "eltP No$, P-2GAN "rien&8 thee h s enough o" $ r8 'ury the h tchet, n& thy rro$s bre (L 0 it "or the 5 ppy 5unting Groun&s " rFF A 4eser% tion th t they c nnot t (e8

)he @ test "ro* Alb ny. 'AllFF?.C. till +ece*ber. ///// Bp n& +o$n. )he l*ost uni%ers l cry, ,+o$n $ith the t 3es8, is inconsistent in one sense, bec use i" t 3es $ere +o$n, they $oul& cert inly be e3tre*ely light. / / / / /

4unning n& 4ei&Fin. An& no$ EA.N2 42-+ is nnounce& s h %ing lecture on '.4?N. At this r te $e sh ll soon h %e '.4?N'6 *e*ory e*b l*e& in 6to$eF4ei& gre tness. / / / / /

Goo& 4o *ing # tholics. )he 6isters o" #h rity. A V-6-) )? ,6524-+AN'6 4-+2., P5-@A+2@P5-A, E rch :6, 1870. +2A4 PBN#5-N2@@?9 ) (ing *y $ y long #hestnut 6treet "e$ & ys since, - "oun& *y progress rreste& t )enth 6treet by gre t current o" hu* nity, th t s$ept $ith resistless "orce into the entr nce to the Ac &e*y o" 1ine Arts. -, too, entere&, n&, p ssing roun& the " *ili r group o" the ,#ent urs n& @ pith e,, $hich st n&s bene th the &o*e, $ s hurrie& bre thlessly on$ r& by the throng, until - "oun& *ysel" " ce to " ce $ith th t Hche"F&'oeu%reH o" *o&ern rt, ). 'B#5ANAN 42A+'6 p inting o" ,6524-+AN'6 4i&e.,

Gi%e the reins to your i* gin tion, no$, N little horseFt l( is ppropri te here,O n& behol& one thous n& *en n& $o*en, o" re"ine& n& culti% te& t stes, &oing te r"ul ho* ge to the genius o" the gre t Poet sterFFp r&on *e, Er. ).'.4., PoetF rtist $ s $h t - *e nt to h %e s i&. 1ro* these *y critic l orbs no$ $ n&ere& to the p intingL "ro* the p inting to PBG5, Nthe stute ,engineer, o" the ,sho$,,O n& then to the p inting g in. ,0h t &r $ing8, re* r(e& -. NPBG5 s*ile&, n& gl nce& ppro%ingly t the u&ience.O ,)here is *uch "ree&o* n& bol&ness in it,, continue& -. ,-t is %ery bro &, rich in color, n&FF, ,-n $or&,, interrupte& "rien& o" *ine, $hose gr n&" ther $ s 1rench* n, ,"ull o" HchicH8, NPBG5 blushe&.O A&*ir ble n& truth"ul, in&ee&, is the e3pression i*p rte& by the rtist to the "leet Gener l $ho su&&enly bec *e " *ous by being )$enty Eiles $ y "ro* the Post o" +uty8 )he "l shing eyeL the closeFcut *ilit ry style o" the h irL the "ierce *oust cheL the ro$ o" three buttons * r(ing e3 lte& gr &eL the %igorous yet gr ce"ul *o%e*ent o" the s$or&F r*, n& the c p &is ppe ring in the &ist nce, in&ic ti%e o" the re* r( ble ti*e * (ing by the ,horsen* n,FF ll these re &*ir ble points in the picture, n& $orthy o" being closely stu&ie& by the stu&ent o" Art. As - g Ge&, shoc(Fhe &e& young * n, $ith %ery re& nose, $ho* - t once recogniGe& s stu&ent o" the @i"e #l ss, sneeringly obser%e& th t the ,"lourish o" the s$or& s*elt little o" the "ootFlights., NArtists re e%er je lous.O -t is e sy to see th t the cle%er p inter o" ,6524-+AN'6 4i&e, h s *e ning in the "lourish o" the s bre. -t in&ic tes th t his "leet hero uses the $e pon, not to ,"right the souls o" "e r"ul &%ers ries,, but to cceler te $ith "reKuent $h c(s the spee& o" his heroic ch rger. )he horse h s obser% ble points, too, n& especi lly one th t *ight be c lle& by the super"ici l critic ," ulty &r $ing., - re"er to the e3tr or&in ry "oreFshorteningFFi" the e3pression is in this c se llo$ bleFFo" th t p rt o" the ni* l $hich e3ten&s "ro* the s &&le b c($ r&. -n this, g in, there is touch o" n ture th t genius only c n i*p rt. 1or $h t is *ore concei% ble th n th t the hin&er p rts o" the heroic stee& *ight h %e been cut $ y by n unluc(y sl sh $ith the e&ge o" the s breP )here is prece&ent "or this. 2%ery schoolboy c n rec ll si*il r cci&ent $hich be"ell the horse o" EBN#5AB62N s he & she& bene th the &escen&ing portcullis. An&, s "ro* th t " *ous stee&'s hin&FKu rters there spr ng n rborescent shelter, so, lso, s result o" 6524-+AN'6 ,scrub r ce,, &o l urels sh &e th t hero's bro$s. Ey %ie$s o" the c use o" this "oreFshortening re en"orce& $hen - st te th t there is "ine t*ospheric e""ect bout the horse's t il, $hich see*s to in&ic te th t it $ s consi&er bly in the re r. )here c n be no gre ter tribute to the po$ers o" the rtist, or the $orth o" the heroic ,horsen* n,, th n the cro$&s $hich & ily, in these hereto"ore silent n& h llo$e& precincts, ,$ (e the echoes $ith soun&s o" pr ise., .on&er is ,+e th on the P le 5orse., As - g Ge&, +e th s*ile& $ith ppro% l t ,6524-+AN'6 4i&e,, n& the stony "igure o" G24EAN-#B6 ,le nt upon his s$or& n& $ipe& $ y te r.,...

6u&&enly pistolFshot r ng through the % ulte& isles, n&, *i& the shouts o" *en n& shrie(s o" ""righte& $o*en, - scert ine& th t & ring rebel, None 2A4@.,O *o%e& by the $on&rous "i&elity o" the picture, h & &r $n re%ol%er, n& "ire& t the ,counter"eit present*ent, o" the * n $ho h & hu*ble& hi* t 0inchester. A*i& the con"usion, 0inchester8, * nly %oice shoute&, ,)hree cheers "or the 5ero o"

,)h t's 0right8, yelle& the shoc(Fhe &e& young * n $ith the re& nose.... )hen - le"t the scene, pon&ering s - $ent, ,0h t * nner o" p inter is this, $ho c n so &e"tly li*n the "e tures o" hero s to &r $ te rs "ro* his $orshippers n& bullets "ro* his "oesP, An&, s - pon&ere&, th t bstruse conun&ru* o" #5B4#5, the rtist, c *e to *y *in&9 ,0h t i", "ter ll, 42A+, your brush shoul& ste l the l urels "ro* your penP, ,0h t,, in&ee&P #54?E?. <-llustr tion9 #5A4@2., 05? 5A6 5A+ 5-6 5A-4 +42662+ A) )52 'A4'24'6, 65?06 5-6 @-))@2 '4?)524, 0-)5 )52 A-+ ?1 )52 #4B2)F6)AN+, 5?0 -) -6 +?N2.> A @ong @oo(Fout. )he &o*e on the ne$ courtFhouse is e3pecte& to be co*plete& by +o*es& y. / / / / /

Appropri te. @ester 0 ll c( h s his ,) yleure, tr %elling $ith hi* &uring his ,st rring, trip. / / / / /

,P@2A62 )52 P-G6., 1oreign Pig, $e obser%e, "urnishes topic just no$ "or $riters in the & ily p pers. -4?NFic lly spe (ing, pig, in the sense re"erre& to, *e ns lu*p o" *et lL but the H0orl&H o" E rch :6th h s n cci&ent l, though none the less curious, ,crossFre &ing,, $hich brings "oreign pig &irectly into cont ct $ith &o*estic. -t s ys, Nthe H0orl&H, not the pig.O ,Protecte& "oreign pig in Ne$F.or(, M3:., Precisely on "ollo$ing. line $ith this, in the ne3t colu*n, ppe rs the

,0h t bet$een hogs n& police*en, &run(en $o*en re being r pi&ly e3ter*in te& in Phil &elphi ., )he H0orl&'sH crossFre &ing is c pit l one, bringing the pigs together nicely, n& suggesting the "ollo$ing re* r(s9

,Protecte& "oreign pig in Ne$F.or(, M3:,, %ery ptly pplies to the g ngs o" i*porte& burgl rs n& ru""i ns o" ll sorts $ho run riot in our *i&st, n& $ho c n gener lly insure the ,protection, o" the police by H&ouceurH so p ltry e%en s M3:. 6uch hybri&s s Phil &elphi &run(en $o*en, ,bet$een hogs n& police*en,, *ust be e3tre*ely &is gree ble objects, n& $e re gl & to le rn th t they re ne rly e3tinct. 5ere $e re *uch $orse o"". 4o$&y ch r cters, th t * y $ell be co*p re& to ,hogs,, but re not o"ten to be seen ,bet$een police*en,, re " r too plenti"ul in Ne$F.or(, n& the sooner they re ,e3ter*in te&, the better. / 'y / / / /

'roo*. ch nge o"

N ss u street is in such "ilthy con&ition s to suggest its n *e to N use 6treet. / / / / /

4 &ic l A*es. )o be Eilit ry #o** n&er, n& then Bnite& 6t tes 6en tor "ro* Eississippi. A.). 6te$ rt D #o. 5AV2 ?P2N2+ )52-4 6)?42, #?V24-NG )52 2N)-42 6IBA42 '?BN+2+ '. '4?A+0A., 1ourth A%enue, Ninth n& )enth 6treets, AN+ A42 +A-@. 42P@2N-65-NG A@@ )52 VA4-?B6 6)?#C6 0-)5 2@2GAN) N?V2@)-26, -*porte& n& 6electe& 23pressly "or the ?cc sion. / / / / /

A.). 6te$ rt D #o. 5AV2 ?P2N2+ ; # ses 23tr Iu lity H142N#5 P@A-+ 'A42G26,H ?nly :; cents per . r&. A@6? 142N#5 AN+ -4-65 P?P@-N6, PA4-6 EA+2 6-@C 1?B@A4+6 AN+ 'A42G2 +426626, 6?E2 V24. 2@2GAN). @ &ies' P risFE &e 5 ts, 'onnets, 1e thers, 1lo$ers, etc. '4?A+0A., 1ourth A%e., Ninth n& )enth 6ts. / / / / /

23tr or&in ry ' rg ins -N #A4P2)6. A.). 6te$ rt D #o. A42 ?1124-NG

; 1r *e 2nglish 'russels t M: per . r&. ) pestry 2nglish 'russels t M1.;0 per .&. Vel%ets t M:.;0 n& M:.7; per . r&. 4oy l 0iltons t M:.;0 n& M3 per . r&. EoKuettes n& A3*insters t M3.;0 n& M=. -NG4A-N6, )5422FP@.6, 2tc., A) G42A) 42+B#2+ P4-#26. 2@2GAN) N?V2@)-26 42#2-V2+ '. 2V24. 6)2AE24. '4?A+0A., 1ourth A%enue, n& )enth 6treet. / / / / /

H)he t$o gre t objects o" le rner's *bition ought to be to spe ( "oreign l ngu ge i&io* tic lly, n& to pronounce it correctlyL n& these re the objects $hich re *ost c re"ully pro%i&e& "or in theH EA6)24. 6.6)2E. )he E stery o" @ ngu gesL ?4, )52 A4) ?1 6P2AC-NG @ANGBAG26 -+-?EA)-#A@@.. '. )5?EA6 P42N+24GA6), H -. 5 n&F'oo( o" the E stery 6eries. --. )he E stery 6eries. 1rench. ---. )he E stery 6eries. Ger* n. -V. )he E stery 6eries. 6p nish.H P4-#2 ;0 #2N)6 2A#5. H1ro* Pro"essor 2.E. G ll u&et, o" the N tion l +e " Eute #ollege.H ,)he results $hich cro$ne& the l bor o" the "irst $ee( $ere so stonishing th t he "e rs to &et il the* "ully, lest &oubts shoul& be r ise& s to his cre&ibility. 'ut this *uch he &oes not hesit te to cl i*, th t, "ter stu&y o" less th n t$o $ee(s, he $ s ble to sust in con%ers tion in the ne$lyF cKuire& l ngu ge gre t % riety o" subjects., 14?E )52 2NG@-65 P4266. ,)he principle * y be e3pl ine& in lineFFit is "irst le rning the l ngu ge, n& then stu&ying the gr ** r, n& then le rning Nor trying to le rnO the l ngu ge.,FFHEorning 6t rH. ,0e (no$ th t there re so*e $ho h %e gi%en Er. Pren&erg st's pl n tri l, n& &isco%ere& th t in "e$ $ee(s its results h & surp sse& ll their e3pect tions.,FFH4ecor&H. ,A $ee('s p tient tri l o" the 1rench E nu l h s con%ince& us th t the *etho& is soun&.,FFHP pers "or the 6chool* sterH. ,)he si*plicity n& n tur lness o" the syste* re ob%ious.,FFH5er l&H N'ir*ingh *.O ,0e (no$ o" no other pl n $hich $ill in" llibly le & to the result in re son ble ti*e.,FFHNor"ol( Ne$sH. 14?E )52 AE24-#AN P4266.

,)he syste* is s ne r s c n be to the one in $hich t l(.,FFH)roy 0higH.

chil& le rns to

,0e $oul& &%ise ll $ho re bout to begin the stu&y o" l ngu ges to gi%e it tri l.,FFH4ochester +e*ocr tH. ,1or 2urope n tr %ellers this %olu*e is in% lu ble.,FFH0orcester 6pyH. 2ither o" the bo%e %olu*es sent by * il "ree to ny p rt o" the Bnite& 6t tes on receipt o" price. +. APP@2)?N D #?., Publishers, 70, 7:, n& 7= Gr n& 6treet, Ne$F.or(. / / / / /

42+ A6 A 4?62 -6 652. H)hir& 2&ition.H +. APP@2)?N D #?., 70, 7:, AN+ 7= Gr n& 6treet, 5 %e no$ re &y the )hir& 2&ition o" 42+ A6 A 4?62 -6 652. 'y the Author o" ,#o*eth up s 1lo$er.,

1 Vol. 8%o. P per #o%ers, 60 cents. 1ro* the Ne$F.or( H2%ening 23pressH. ,)his is truly ch r*ing no%elL "or h l" its contents bre the the %ery o&or o" the "lo$er it t (es s its title., 1ro* the Phil &elphi H-nKuirerH. ,)he uthor c n n& &oes $rite $ellL the &escriptions o" scenery re p rticul rly e""ecti%e, l$ ys gr phic, n& ne%er o%erstr ine&., +.A. D #o. h %e just publishe&9 A 62A4#5 1?4 0-N)24 6BN'2AE6 -N )52 4-V-24A, #?46-#A, A@G-246, AN+ 6PA-N. 'y 5on. 6.6. #o3. -llustr te&. Price, M3. 42P)-@26 AN+ '-4+69 A P?PB@A4 A##?BN) ?1 )52-4 VA4-?B6 ?4+246, 0-)5 A +26#4-P)-?N ?1 )52 5A'-)6 AN+ 2#?N?E. ?1 )52 E?6) -N)2426)-NG. 'y @ouis 1iguier. -llustr te& $ith 307 $oo&Fcuts. 1 %ol. 8%o. M6. 5242+-)A4. G2N-B69 AN -NIB-4. -N)? -)6 @A06 AN+ #?N62IB2N#26. 'y 1r ncis G lton. 1 %ol. 8%o. M3.;0. 5AN+F'??C ?1 )52 EA6)24. 624-26 ?1 @2A4N-NG @ANGBAG26. -. )52 5AN+F'??C ?1 )52 EA6)24. 624-26. --. )52 EA6)24. 624-26, 142N#5. ---. )52 EA6)24 624-26, 6PAN-65. Price, ;0 cents e ch. 2ither o" the bo%e sent "ree by * il to ny &&ress on receipt o" the

price. / / / / /

'B4#5'6 Eerch nt's 4est ur nt n& +-N-NGF4??E, 310 '4?A+0A., '2)022N P2A4@ AN+ +BAN2 6)422)6. H're (" st "ro* 7 to 10 A.E.H H@unch n& +inner "ro* 1: to 3 P.E.H H6upper "ro* = to 7 P.E.H E.#. 'B4#5 o" Ne$F.or(. A. 6)?0, o" Al b * . 5.A. #A4)24, o" E ss chusetts. / / / / /

52N4. -. 6)2P52N6, A4)-6), No. 160 1ulton 6treet, N20F.?4C. / / / / /

-*port nt to Ne$s&e lers8 A@@ ?4+246 1?4 PBN#5-N2@@? 0ill be supplie& by ?B4 6?@2 AN+ 2J#@B6-V2 AG2N)6, A*eric n Ne$s #o. N20F.?4C. / / / / /

A. N-#C-N6?N '2G6 )? ANN?BN#2 )? )52 14-2N+6 ?1 ,PBN#5-N2@@?, 426-+-NG -N )52 #?BN)4., )5A), 1?4 )52-4 #?NV2N-2N#2 52 5A6 EA+2 A44ANG2E2N)6 '. 05-#5, ?N 42#2-P) ?1 )52 P4-#2 ?1

AN. 6)AN+A4+ '??C PB'@-652+, )52 6AE2 0-@@ '2 1?40A4+2+, P?6)AG2 PA-+. P rties &esiring # t logues o" ny o" our Publishing 5ouses c n h %e the s *e "or$ r&e& by inclosing t$o st *ps. ?11-#2 ?1 PBN#5-N2@@? PB'@-65-NG #?., 83 N ss u 6treet. <P.?. 'o3 :783.> PBN#5-N2@@?. AP4-@ 16, 1870. <-llustr tion9 A@A4E-NG APPA4-)-?N ?1 6A#52E )022+, )? A #?EE-))22 ?1 )52 .?BNG +2E?#4A#.. HN#o**issioner Ec@e n $ s the only one o" the "ugiti%es our Artist coul& c tch, the rest h %ing % nishe& roun& the corner.OH> / / / / /

5 rper's Perio&ic ls. E g Gine. 0ee(ly. ' G r. 6ubscription Price, M= per ye r e ch. M10 "or the three. An 23tr #opy o" either the EAGAQ-N2, 022C@., or 'AQA4 $ill be supplie& gr tis "or e%ery #lub o" 1i%e 6ubscribers t M= e ch, in one re*itt nceL or 6i3 #opies "or M:0. / / / / /

5A4P24'6 #A)A@?GB2 E y be obt ine& gr tuitously on pplic tion to 5 rper D 'rothers person lly, or by letter, inclosing si3 cents in post geFst *ps. 5A4P24 D '4?)5246, Ne$F.or(. / / / / /

'?0@-NG G422N 6AV-NG6F'ANC 33 '4?A+0A., N20F.?4C. / / / / /

?pen 2%ery + y "ro* 10 A.E. to 3 P.E. / / / / /

+eposits o" ny su*, "ro* )en #ents to )en )hous n& +oll rs, $ill be recei%e&. / / / / /

6i3 Per #ent -nterest, 1ree o" Go%ern*ent ) 3. / / / / /

-N)2426) ?N N20 +2P?6-)6 #o**ences on the "irst o" e%ery *onth. 52N4. 6E-)5, Presi&ent. '22V26 '. 62@E26, 6ecret ry. 0A@)24 4?#52, Vice Presi&ents. 2+0A4+ 5?GAN. / / / / /

PBN#5-N2@@?9 )24E6 )? #@B'6. / / / / /

02 ?1124 A6 P42E-BE6 1?4 #@B'6 1-46)9 +ANA '-#C1?4+'6 PA)2N) 1AE-@. 6P-NN24, )he *ost co*plete n& &esir ble * chine e%er yet intro&uce& "or spinning purposes. 62#?N+9 '-#C1?4+'6 #4?#52) AN+ 1AN#. 0?4C EA#5-N26. )hese be uti"ul little * chines re %ery " scin ting, s $ell s use"ulL n& e%ery l &y shoul& h %e one, s they c n * (e e%ery concei% ble (in& o" crochet or " ncy $or( upon the*. )5-4+9 '-#C1?4+'6 AB)?EA)-# 1AE-@. CN-))24. )his is the *ost per"ect n& co*plete * chine in the $orl&. -t (nits e%ery thing. 1?B4)59 AE24-#AN 'B))?N5?@2, ?V2462AE-NG, AN+ 620-NGFEA#5-N2. )his gre t co*bin tion * chine is the l st n& gre test i*pro%e*ent on ll "or*er * chines. No. 1. $ith "inely "inishe& ?ile& 0 lnut ) ble n& #o%er, co*plete, price, M7;. No. :, s *e * chine $ithout the button hole p rts, etc., price, M60. 02 0-@@ 62N+ )52 1 *ily 6pinner, price, M8, "or = subscribers n& M16. No. 1 #rochet, , 8, , = , , 16. , : , , 1;, , 6 , , :=. , 1 Auto* tic Cnitter, 7: nee&les, , 30, , 1: , , =8. , : , , 8= , , 33, , 13 , , ;:. No. 3 , , 100 nee&les, price M37, "or 1; subscribers n& M60. , = , , : cylin&ers 1 7: nee&les O, =0, , 16 , , 6=. 1 100 nee&lesO No. 1. A*eric n 'uttonhole n& ?%erse *ing E chine, price, M7;, "or :0 subscribers n& M1:0. No. 1. A*eric n 'uttonhole n& ?%erse *ing E chine, $ithout buttonhole p rts, etc., price M60, "or :; subscribers n& M100.

+escripti%e #ircul rs ?" ll these * chines $ill be sent upon pplic tion to this o""ice, n& "ull instructions "or $or(ing the* $ill be sent to purch sers. P rties getting up #lubs pre"erring c sh to pre*iu*s, * y &e&uct se%entyF"i%e cents upon e ch "ull subscription sent "or "our subscribers n& up$ r&, n& "ter the "irst re*itt nce "or "our subscribers * y sen& single n *es s they obt in the*, &e&ucting the co**ission. 4e*itt nces shoul& be * &e in PostF?""ice ?r&ers, ' n( #hec(s, or +r "ts on Ne$F.or( #ityL or i" these c nnot be obt ine&, then by 4egistere& @etters, $hich ny postF* ster $ill "urnish. #h rges on *oney sent by e3press *ust be prep i&, or the net *ount only $ill be cre&ite&. +irections "or shipping * chines *ust be "ull n& e3plicit, to pre%ent error. -n sen&ing subscriptions gi%e &&ress, $ith )o$n, #ounty, n& 6t te. )he post ge on this p per $ill be t$enty cents per ye r, p y ble Ku rterly in &% nce, t the pl ce $here it is recei%e&. 6ubscribers in the 'ritish Pro%inces $ill re*it t$enty cents in &&ition to subscription. All co**unic tions, re*itt nces, etc., to be &&resse& to9 PBN#5-N2@@? PB'@-65-NG #?EPAN. P.?. 'o3 :783. No. 83 N ss u 6treet, Ne$F.or(.

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