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FLIM SCRIPT
The technique of writing
For the screen

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"Excellent" he replied, "I,ve taken out a comma". When she
Came in with the afternoon tea she asked how the work was going.
"very well in deed," wild answered,"I,v put that comma bak again".
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ACTION:

(1 : (2 .
ADAPTATION:

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.
ANGLE:

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ANGLE SHOT:

: .
ANTI CLIMAX:

: .
- .
APERTURE:

:
.
ARC:

: .
ARCHTECT:

: .
ART- DIRECTOR:

:
.
ASSEMBLE:

: .

-54-

ASSISTANT DIRECTOR:

: . .
ATMOSPHERE:

(1 : "" (2 .
... " ".
BABY:

: .
BABY SPOT:

"BABY" :
BACK LIGHTING:

: .
BACK PROJECTION:

:
. .
- .

.
BIG CLOSE UP:

: .. .
.
BEN STICK:

:
. .
BLIMP:

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.
BOOM:

:

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BOOTH:

: .

.
BOX OFFICE:

-55-

 : .

.
BRIDGING TITLE:
CONTINUITY TITLE :
BUSINESS:

: .
.
CAMERA:

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.
35 .
. .
CAMERA ANGLE:

: . -
.
.
CAMERA MAN:

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.
CAMERA SET- UP:

: . "
".
CAMERA SHY:

: .
CAMERA WISE:

: .
CHANGING BAG:

:

.
CHEAT:

:
.
CHE MICAL FADE:

-56-

 :

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CLAPPERS:

:
-
.
CLIMAX:

: . .
CLOSE- MEDIUM SHOT:

: .. .
CLOSE SHOT:

: .
CLOSE UP:

: . .
.
COLOUR:

(1 : .
(2 . ATMOSPHERE
COMMENTARY:

: .
COMPOSITE SHOT:

: .
DOUPLE EXPOSURE :
DOUPLE PRINTING
SPLIT SCREEN
CONSTRUCTIN FORE MAN:

: .
100 .
CONTINUITY:

:
. "" "" "".
CONTINUITY GIRL:

-57-

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.
- .
CONTINUITY TITLE:

.
CONTINUITY WRITER:

: .
COSTUME DESIGNER:

: .
. .WORD RBBE
COSTUME PLOT:

: .... .
CRANE SHOT:

CREDIT TITLE:

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) .
( .
.
CROSS- CUT:

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.
CROUD:

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" " "" "" " ".
.
CUT:

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CUT BACK:

-58-

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CUTTER:

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CUTTING:

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CUTTING- BENCH:

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.
DIALOGUE:

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DIALOGUE FILM:

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DIRECTOR:

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)(.
DISSOLVE:

: LAB DISSOLVE
- .
.MIX
DISTANT SHOT:

" " " . .

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)(
.

)(
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.
.

)(

-59-

 :
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DOLLY:
TRACK AND TROLLY
DOLLY SHOT:

: .
DOUBLE:

:
.
DOUBLE EXPOSURE:
: . DOUBL PRINTING
DOUBLE PRINTING:

: .
DUNNING PROSSES:

: )
( .
)
(.
DUBBING:

: . .
) (POST- SYNCHRONISATION
DUPE

:
.

.
EDITOR:

: .
EXTERIOR:

.
EXTRAS:

: .. .
EXTRA SCENES:

:
. " ".

-60-

FADE- IN:

: .
FADE OUT:

: .
FEATURE:

:
.
FEATURE PLAYER:

:
) .(STAR
FILM:

(1 : (2 .
(3 . (4 .
" " " ".
FILM BIN:

:
.
FILM CEMENT:

:
- .
FILM HORSE:

: .
.
FILTER:

: .
FLASH:

: .
FLASH- BACK:

: )(.

)( " . ":

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. ) .(

-61-

FLAT:

)( : .
FLOAT:

: .
.
FLOODS:

: .
FLOOR:

: "" " " "

- "
. .
FLOOR SECRETARY:
CONTINUITY GIRL
FOCUSINING BOARD:

:
.
FRAME:

: . .
FUULL- SHOT:

: .
GADGET BOX:

:
- .
GAFFER:

GAG:

: .
GAG MAN:

: )(.
GATE:

: ."
. .
GAUSE:

:
.

-62-

GLASS SHOT:

:
)(.
GUBO:

: . ((NAGGER
GRANDING:

:
.
GRIPPS:

)( : .
GUIDE- TRACK:

: .
.
GYRO:

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.
.
HEAVY:

: .
INKLE:

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INSERT:

)(

INTERIOR:

: .

.
IRIS:

:
. JRIS IM
. )(.

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) ( -

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-63-

JOINING:

: .
JUNK:

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.
.
LAB:

: .
LAB- DISSOLVE:
DISSOLVE
LAPSE:

: .
LIBRARY SHOT:

: -
.
LIMITS:

: .
LINE- UP:

:
.
LOCATION:

: .
LOCATION MANAGER:

:
"
".
LONG SHOT:

: .
.
LOT:
: PALAZZO

LOUD SPEAKER:
) JRIS IM .

-64-

 :
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MAGAZINE:

: .
MAINTITLE:

: .
MAKE UP ARTIST:

)( : .
MARRIED PRINT:

:
.
MASK:

:
.
.
MATTE:

)( :

.
MEDIUM CLOSE- UP:

: .. .
.
MEDIUM LONG SHOT:

: .. . .
.
MICROPHONE:

: .MIKE .
MID SHOT:

.MEDIUM SHOT
MIKE:
MICRO PHONE
MIX:
MIXER

" " .

-65-

MIXER:

:
.
.
MONTAGE:

:
EDITTING " ..

.
MOVINING SHOT:

.TRACKING SHOT- DOLLY-T ROLLY- TRUCK

MOVIOLA:

: .
MUSIC DEPARTMENT:

:
.
MUTE:

: . .SOUND TRACK
NEGATIVE:

: .
NIGGER:

:
.
NONFLAM:

: .
NUMBER BOARD:

: .
. .

.
ONE TURN- ONE PICTURE:

- :
- - .
.
OPERATOR:

-66-

 (1 :
(2 . .
.
OPTICAL PRINT:

: .

.
ORTHO- CHRO MATIC:

:
.
" - .
ORTHO- STOCK
ORTHOCHRO MATIC
OVER- PRINT:

)( :
.
PAN:

:
.
.
PANCHRO MATIC:

: - .
.
PANORAMA:

. PAN
PAN- STOCK:

.PANCHROMATIC
PARALLEL ACTION:

: .
.CROOSS CUT
PERFORATION:

)( " ".

-67-

 :
.
.
PHOTOGRAM:

: .FRAME " ".

PLANT:

: )(.
PLATES:

: .
.BACK PROJETION
PLAY BACK:

:
)( .
.
POSITIVE:

: .
POST- SYNCHRONISE:

: .
PRINT:

: .
PROCESS:

: .
PROCESS SHOT:

: .
PRODUSER:

:
. .
PRODUCTION MANAGER:

: .
PROGRAM PICTURE:

: .
PROECTOR:

: .

)( " " )(

-68-

PROJECTIONIST:

: .OPERATOR
PROPERTY MAN:

:
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...( . .
PROPS:

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PRO PERTY PLOT:

: .
QUICKLE:

:
.
RECORDER:

:
.
RECORDIST:

: - .
.
REEL:

: )35( )95
16( 400.
RELEASE:

: .DISTRIPUTION
RENTER:

: .DISTRIPUTER
RESEARCH DEPARTMENT:

: .
.
RETAKE:

.
REVERSIBLESTOCK:

:
.
ROAD SHOW:

-69-

 : ....
.
ROLL:

: . .
RUNNING TIME:

: .
RUSHES:

.
S.A. (SEXAPPEAL):

.
SAFE:

: .
.
SAFETY- FILM:

: .NON FLAM
SCENE:

: .
SCENARIO:

: . " "

.
.
SCENARIO EDITOR:

)( :
.
SCENARIO WRITER:

: .

)( " " . "

. .

. ""
" ."

-70-

SCENARIST:

.SCENARIO WRITER :
SCREEN CREDIT:

: .CREDIT TITLE
SCREEN WRITER:

: .
SCRIPT:

: .SCENARIO
SCRIPT GIRL:

"" : .CONTINUITY GIRL

SEQUENCE:

: .
" ".
SET:

:
.
SET DRESSER:

: ...
.
SET UP:

:
: . CAMERA SET- UP
SHOOT:

: .
SHOOTING SCRIPT:

: .SCENARIO
SHOT:

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-71-

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1995

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-72-

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-73-

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1500 5000 .
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TAKE- UP:

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TANK SHOT:

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8 59 16

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-74-

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-75-

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-76-

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-77-