that has been decorated with gold or silver, brilliant colors, or elaborate designs or miniature pictures. With the advent of the printing press, the art of creating illuminated manuscripts largely disappeared, since these ornate and beautiful volumes were expensive and time consuming to produce when compared with printed material.
Differences between Romanesque and Gothic Manuscripts
Romanesque Manuscript Gothic Manuscript ~ Gothic figures are more animated, and had much more depth while with Romanesque manuscripts the figures are at and more distorted, the feet are turned to the side, but the body is at, similar to Egyptian heiroglyphs. ~ Gothic manuscripts have a realistic background while Romanesque have flat surfaces for backgrounds. Illuminated Manuscript ~ The people in Gothic are stacked up and overlapping with more perspective while the figures in Romanesque are majorly not overlapping and hence giving less depth. What writing instruments were used? The writing instruments used were: ~ Reed pen- Egyptian pens were made from the Juncus Maritimus plant that grew on the banks of the Nile river. Egyptian writers chose thin, sharp reeds and shaped them for use as a precise writing tool. The scribe cut the ends of the reeds to allow the reed material to absorb the ink pigment (like a paint brush), and moistened the reed with water before dipping it into the ink to write.
~ Quill- A quill pen is a writing implement made from a molted flight feather (preferably a primary wing-feather) of a large bird. Quills were used for writing with ink before the invention of the dip pen, the metal-nibbed pen, the fountain pen, and, eventually, the ballpoint pen. The hand-cut goose quill is still used as a calligraphy tool, however rarely because many papers are now derived from wood pulp and wear down the quill very quickly. It is still the tool of choice for a few professionals and provides an unmatched sharp stroke as well as greater flexibility than a steel pen.
~ Dip Pen- A dip pen or nib pen usually consists of a metal nib with capillary channels like those of fountain pen nibs, mounted on a handle or holder, often made of wood. Other materials can be used for the holder, including bone, metal and plastic, while some pens are made entirely of glass. What writing surfaces were used? Parchment is a thin material made from hide; often calfskin, sheepskin or goatskin, and often split. The most common use was as a material for writing on, for documents, notes, or the pages of a book, codex or manuscript. It is distinct from leather in that parchment is limed but not tanned; therefore, it is very reactive to changes in relative humidity and is not waterproof. Finer-quality parchment is called vellum but paper was used for some manuscripts, especially those of a secular nature. Also Papyrus was used.
Who produced the illuminated manuscripts and who were their clients and what purpose did these manuscripts serve? These were created in monasteries by monks. The main purpose of illuminated manuscripts was to preserve religious teachings. They recorded the Gospels from the Bible as well as prayers to be recited. As well, they were a way to preserve classical literature. The purpose was mainly didactic, or instructional, but the writers, often monks, used ornamental drawings to illustrate the messages and to embellish the writings. Until printing was developed in the fifteenth century, illuminated manuscripts were the only books available. They kept alive both the art of illustration and Western civilization in general during a time when Europe and parts of the former Roman Empire were being plundered. During this time, the monasteries were all that stood between civilization and utter chaos. The objects were considered as sacred, and were often lavishly and beautifully decorated in order to reflect what was considered to be the beauty of their sublime contents.
What was the connection between the manuscripts of Timbuktu and the manuscripts of Medieval Europe? Like Latin was used for European medieval manuscripts, Arabic was the "African Latin" and was used in the Timbuktu manuscripts. Until the sixteenth century, Timbuktu was a flourishing city that attracted Islamic scholars and students for instruction at the Sankore mosque, an institution often compared to medieval European universities. But the importance of Timbuktu declined as a result of various local and international factors, including a shift in trade patterns between West Africa and Europe. These manuscripts influenced the manuscripts in Europe when they were carried over or traded.
Medieval Graphic Arts Land Marks The Lindisfarne Gospel Holy Island has a very special place in history as the birthplace of the Lindisfarne Gospels, among the most celebrated illuminated books in the world. According to an inscription added in the 10th century at the end of the original text, the manuscript was made in honour of God and of St. Cuthbert by Eadfrith, Bishop of Lindisfarne, who died in 721. Eadfrith played a major part in establishing Cuthbert's cult after his relics had been raised to the altar of the monastery church on 20th March, 698, the eleventh anniversary of his death. The Gospels may have been made in honour of that event.
The Book of Kells The Book of Kells is celebrated for its lavish decoration. The manuscript contains the four Gospels in Latin based on a Vulgate text, written on vellum (prepared calfskin), in a bold and expert version of the script known as "insular majuscule". The place of origin of the Book of Kells is generally attributed to the scriptorium of the monastery founded around 561 by St Colum Cille on Iona, an island off the west coast of Scotland. In 806, following a Viking raid on the island which left 68 of the community dead, the Columban monks took refuge in a new monastery at Kells, County Meath. It was stolen in the 11th century, at which time its cover was torn off and it was thrown into a ditch. The cover, which most likely included gold and gems, has never been found, and the book suffered some water damage; but otherwise it is extraordinarily well-preserved.
The Toledo Bible The sumptuous Bible made for Louis IX the Saint has been known for centuries under the name of Biblia rica (rich Bible) for its luxury decoration. It was transferred to Toledo during the lifetime of the King (12261270) where 8 folios were taken out for unknown reasons in the 16th century and rebound separately in leather. They have been kept in the Pierpont Library in New York since 1906.
Books of Hours Books of hours are often characterized as the bestseller of the Middle Ages. As a genre, they certainly enjoyed enormous, even unprecedented popularity, becoming the prayer book of the laity, monarchs and merchants, lords and ladies, alike. Its popularity, however, was restricted to certain parts of Europe: primarily France, England and the Netherlands. Elsewhere in Europe, for example, in German-speaking lands, Central Europe and even Italy and Spain, where other types of prayer books retained their dominance, it remained relatively rare.
The Klosterneuburg Altar Verdun Altar, an important work of Romanesque enamel art (sunk enamel) on gilded copperplates, made in 1181 by order of provost Wernher of Klosterneuburg by the Lorraine enamel artist and goldsmith Nikolaus von Verdun (b. before 1150 Verdun, d. after 1205) as paneling for a pulpit parapet; after fire damage (1330), the 51 enamel panels were reassembled in 1331 to form a wing altar in three parts for the provost Stephans von Sierndorf, and 6 panels were restored in the style of the 12th century. At the same time 4 panel paintings by the artist were added to the rear sides of the Verdun altar; these are the oldest specimens of panel painting in Central Europe; the extensive inscriptions on the frame provide information on how the enamel panels were made and completed and what they depict: pictures from the Old and the New Testament representing the entire history of the Salvation.
The Unicorn in Captivity The seven individual hangings known as "The Unicorn Tapestries," are among the most beautiful and complex works of art from the late Middle Ages that survive. Luxuriously woven in fine wool and silk with silver and gilded threads, the tapestries vividly depict scenes associated with a hunt for the elusive, magical unicorn. The style of the tapestry is known as mille-fleurs. Translated to mean "thousand flowers," the technique involves embroidering numerous flowers and plants in the background. "The Unicorn in Captivity" may have been created as a single image rather than part of a series of seven. It is estimated that 15,000 people were involved in weaving the series. The book of Durrow The Book of Durrow is a 7th-century illuminated manuscript gospel book in the Insular style. It was probably created between 650 and 700, in either Durrow or Northumbria in Northern England, where Lindisfarne or Durham would be the likely candidates, or on the island of Iona in the Scottish Inner Hebrides. The subject has been intensely debated by scholars for many decades, but without any common consensus emerging. Like the Book of Kells, if it was not always in Ireland it was taken there, perhaps by monks fleeing the Viking attacks on Britain, and was certainly at Durrow Abbey by 916. It is the oldest extant complete illuminated Insular gospel book, for example predating the Book of Kells by over a century. The text includes the Gospels of Matthew, Mark, Luke and John, plus several pieces of prefatory matter and canon tables. Its pages measure 245 by 145 mm and there are 248 vellum folios. It contains a large illumination programme including six extant carpet pages, a full page miniature of the four evangelists' symbols, four full page miniatures, each containing a single evangelist symbol, and six pages with significant decorated initials and text. It is written in majuscule insular script (in effect the block capitals of the day), with some lacunae.
Romanesque Building Main Features Stone was cut with precision. Walls were initially solid but the walls and shell keeps designed in the Romanesque architecture style were hollow and distributed the weight of the stones. The use of the Roman arch led to the stone being supported in the middle by the arch construction. The stone used was extremely heavy. The weight of the ceilings would tend to buckle the walls outward and large piles of stone would be stacked along the wall in intervals to buttress (or support) the walls from pushing outward. These piles of stones became features of Romanesque Architecture and buttresses were introduced to the basic design and a major characteristic of Romanesque architecture. The window openings of Romanesque Architecture castles had to be small to keep the strength of the walls strong. The wheel, or rose window, therefore appeared and became a feature of the Romanesque. The Vault is the most important structural developments and characteristics of Romanesque architecture were the vault. The vault was developed to enable the construction of stone roofs - wooden roofs were an obvious fire hazard. They were two main types of vaults, Barrel vaults and Groin vaults. Barrel or Tunnel Vaults consisted of a continuous surface of semicircular or pointed sections resembling a barrel or tunnel which has been cut in half lengthwise. Groin Vault was produced by the intersection, at right angles of two barrel vaults. The arches of groin vaults were either pointed or round.
Tum Collegiate Church, Poland
Early Gothic Building Main Features This style began in 1140 and was characterized by the adoption of the pointed arch and transition from late Romanesque architecture. To heighten the wall, builders divided it into four tiers: arcade (arches and piers), gallery, triforium, and clerestorey. To support the higher wall builders invented the flying buttresses, which reached maturity only at High Gothic during the 13th century. The vaults were six ribbed sexpartite vaults.
Grand, Tall Designs, Which Swept Upwards With Height and Grandeur The Pointed Arch The Gargoyles of Gothic Architecture
High Gothic Building Main Features A series of four discrete horizontal levels or stories in the cathedral's interior were evolved, beginning with a ground-level arcade, over which ran one or two galleries (tribune, triforium) to support outward thrust from arches, over which in turn ran an upper, windowed story called a clerestory. The columns and arches used to support these different elevations contributed to the severe and powerfully repetitive geometry of the interior.
Basilica of St. Denis, Paris, France. Sainte Chapelle, Paris, France. Late Gothic Building Main Features By the late Gothic period, the buildings' flying buttresses (the support systems that allowed the soaring heights) enabled the cathedral walls to contain more and more stained glass windows, which became exquisitely detailed images of the life of Christ and other Biblical themes. The late Gothic style extended its characteristic flame-like window tracery into other parts of the building in the form of stone screens. The move was towards larger rectangular windows and elaborate, fan-shaped vaults.