British Forum for Ethnomusicology

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Source: British Journal of Ethnomusicology, Vol. 11, No. 2 (2002), pp. 157-160
Published by: British Forum for Ethnomusicology
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BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL. 1 1/ii 2002 157
Index of articles
by author,
volumes
1-11
(1992-2002)
Baily, John, "Learning
to
perform
as a
research
technique
in
ethnomusicology",
10/ii:85-98
Baily, John,
"The
Naghma-ye
kashal of
Afghanistan",
6:117-63
Ballantine, Christopher, "Joseph
Shabalala:
chronicles of an African
composer",
5:1-38
Bithell, Caroline, "Polyphonic
voices:
national
identity,
World Music and the
recording
of traditional music in
Corsica",
5:39-66
Brown, Katherine,
"Reading
Indian music:
the
interpretation
of
seventeenth-century
European travel-writing
in the
(re)construction
of Indian music
history,
9/ii:1-34
Buchanan,
Donna
A., "Soccer, popular
music,
and national consciousness in
post-state-socialist Bulgaria,
1994-96",
11/ii: 1-27
Buisman, Frans,
"Melodic
relationships
in
pibroch",
4:17-39
(erratum, 5:187)
Cannon,
Roderick
D.,
"What can we learn
about
piobaireachd?",
4:1-15
Chou, Chiener, "Learning processes
in the
nanguan
music of
Taiwan",
11/ii:81-124
Clayton, Martin, "Ethnographic
wax
cylinders
at the British
Library
National Sound Archive: a brief
history
and
description
of the
collection",
5:67-92
Clayton, Martin,
"Introduction: towards a
theory
of musical
meaning (in
India and
elsewhere)",
10/i:1-17
Clayton,
Martin,
"Two
gat
forms for the
sitar:
a case
study
in the
rhythmic
analysis
of North Indian
music",
2:75-98
Cottrell,
Stephen,
"Music as
capital:
deputizing among
London's freelance
musicians",
11/ii:61-80
Dawe, Kevin,
"Bandleaders in Crete:
musicians and
entrepreneurs
in a Greek
island
economy",
7:29-50
Dawe, Kevin,
"The
engendered lyra: music,
poetry
and manhood in
Crete",
5:93-112
Durain, Lucy,
"Birds of Wasulu: freedom of
expression
and
expressions
of freedom
in the
popular
music of southern
Mali",
4:101-34
Eisentraut, Jochen,
"Samba in Wales:
making
sense of
adopted
music",
10/i:85-105
Eydmann, Stuart,
"The concertina as an
emblem of the folk music revival in the
British
Isles",
4:41-9
Farrell, Gerry,
"The
early days
of the
gramophone industry
in India:
historical,
social and musical
perspectives",
2:31-53
Farrell,
Gerry.
"The Senia
style
of sitar
playing
in
contemporary
India",
11/ii:29-60
Frigyesi,
Judit,
"The Jewish service in
Communist
Hungary:
a
personal
journey",
11 /i: 141-57
Gourlay,
Kenneth
A.,
"Blanks on the
cognitive map: unpredictable aspects
of
musical
performance",
2:1-30
Gray,
Catherine,
"Compositional
techniques
in Roman Catholic church
music in
Uganda",
4:135-55
Gray, Catherine,
"The
Ugandan lyre
endongo
and its
music",
2:117-42
Gray, Nick,
"'Sulendra': an
example
of
petegak
in the Balinese
gender wayang
repertory",
1:1-16
Hagedorn,
Katherine
J., "Long day's
journey
to
Rinc6n:
from
suffering
to
resistance in the
procession
of San
Lazaro/Babalh
Ayd",
11/i:43-69
Harris,
Rachel and
Norton,
Barley,
"Introduction: ritual music and
Communism", 1
I/i:
1-8
158 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL. 11/ii 2002
Harris,
Rachel and
Dawut, Rahila,
" Mazar
festivals of the
Uyghurs:
music,
Islam
and the Chinese
State", 11/ i: 101-18
Hesselink, Nathan, "Kouta and karaoke in
modem
Japan:
a
blurring
of the
distinction between
Umgangsmusik
and
Darbietungsmusik",
3:49-61
Ho, Edward,
"Aesthetic considerations in
understanding
Chinese literati musical
behaviour",
6:35-49
Hosokawa, Shuhei, "Singing
contests in the
ethnic enclosure of the
post-war
Japanese-Brazilian community",
9/i:95-118
Hughes,
David
W.,
"No nonsense: the
logic
and
power
of acoustic-iconic mnemonic
systems",
9/ii:93-120
Hughes,
David
W.,
"Thai music in
Java,
Javanese music in Thailand: two case
studies",
1:17-30
Jang,
Yeonok,
"P'ansori
(Korean
narrative
song) performance style:
audience
responses
and
singers' perspectives",
10/ii:99-121
Jones,
Stephen,
"Chinese ritual music under
Mao and
Deng",
8:27-66
Kert6sz
Wilkinson,
Ir6n,
"Genuine and
adopted songs
in the Vlach
Gypsy
repertoire:
a
controversy re-examined",
1:111-36
Knudsen,
Jan
Sverre,
"Dancing
cueca 'with
your
coat on': the role of traditional
Chilean dance in an
immigrant
community",
10/ii:61-83
Kouwenhoven, Frank,
"Meaning
and
structure
- the case of Chinese
qin
(zither) music",
10/i:39-62
Kruger,
Jaco, "Playing
in the land of God:
musical
performance
and social
resistance in South
Africa",
10/ii:
1-36
Lanier, S.C.,
"
'It is
new-strung
and shan't
be heard': nationalism and
memory
in
the Irish
harp tradition", 8:1-26
Lau, Frederick, "Forever Red: the invention
of solo dizi music in
post-1949
China",
5:113-31
Lewisohn, Leonard,
"The sacred music of
Islam: Sama ' in the Persian Sufi
tradition",
6:1-33
Li, Lisha,
"Mystical
numbers and
Manchu traditional music: a
consideration of the
relationship
between shamanic
thought
and musical
ideas",
2:99-115
Lima
Neto,
Luiz
Costa,
"The
experimental
music of Hermeto Paschoal e
Grupo
(1981-93):
a musical
system
in the
making",
9/i: 119-42
Lucas,
Maria
Elizabeth,
"Gaucho musical
regionalism",
9/i:41-60
Lucia, Christine,
"Abdullah Ibrahim and
the uses of
memory",
11/ii: 125-43
McCann,
May,
"Music and
politics
in
Ireland: the
specificity
of the folk revival
in
Belfast",
4:51-75
Mackinlay,
Elizabeth "Music for
dreaming:
Aboriginal
lullabies in the
Yanyuwa
community
at
Borroloola,
Northern
Territory",
8:97-111
Menezes
Bastos,
Rafael Jose
de,
"The
origin
of 'samba' as the invention of
Brazil
(why
do
songs
have
music?)",
8:67-96
Morcom, Anna,
"An
understanding
between
Bollywood
and
Hollywood?
The
meaning
of
Hollywood-style
music
in Hindi films", 10/i:63-84
Nooshin, Laudan,
"The
song
of the
nightingale: processes
of
improvisation
in
dastgah Segah (Iranian
classical
music)",
7:75-122
Norton,
Barley,
"'The Moon Remembers
Uncle Ho': the
politics
of music and
mediumship
in northern
Vietnam",
11/i:71-100
Pegg,
Carole, "Mongolian
conceptualisations
of overtone
singing
(xiiiimii)", 1:31-54
BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.1 1/ii 2002 159
Pegg,
Carole, "Ritual, religion
and
magic
in
West
Mongolian (Oirad)
heroic
epic
performance",
4:77-99
Pennanen,
Risto
Pekka,
"The
development
of chordal
harmony
in Greek rebetika
and laika
music,
1930s to
1960s",
6:65-115
Plemmenos,
John
G.,
"The active listener:
Greek attitudes towards music
listening
in the
Age
of
Enlightenment",
6:51-63
Radford, Katy,
"Drum rolls and
gender
roles in Protestant
marching
bands in
Belfast",
10/ii:37-60
Ramnarine,
Tina
Karina,
"'Indian' music
in the
diaspora:
case studies of
'chutney'
in Trinidad and in
London",
5:133-53
Ramnarine,
Tina
Karina,
"'Brotherhood of
the boat': musical
dialogues
in a
Caribbean
context",
7:7-28
Reily,
Suzel
Ana,
"Introduction:
Brazilian
musics, Brazilian identities",
9/i: 1-10
Reily,
Suzel
Ana,
"Musical
performance
at
a Brazilian
festival",
3:1-34
Reily,
Suzel
Ana,
"The
ethnographic
enterprise:
Venda
girls'
initiation schools
revisited",
7:51-74
Rice, Timothy,
"Reflections on music and
meaning: metaphor, signification,
and
control in the
Bulgarian
case",
10/i: 19-38
Ritter, Jonathan,
"Siren
songs:
ritual and
revolution in the Peruvian
Andes",
11/i:9-42
Stobart, Henry, "Flourishing
horns and
enchanted tubers: music and
potatoes
in
highland
Bolivia",
3:35-48
Stobart, Henry
and
Cross, Ian,
"The Andean anacrusis?
Rhythmic
structure and
perception
in Easter
songs
of Northern
Potosi, Bolivia",
9/ii:63-92
Stock, Jonathan, "Contemporary
recital
solos for the Chinese
two-stringed
fiddle
erhu", 1:55-88
Stokes,
Martin
H.,
"The media and reform:
the saz and elektrosaz in urban Turkish
folk
music",
1:89-102
Swanwick, Keith,
"Music education and
ethnomusicology",
1:137-44
Tan, Hwee-San, "Saving
the soul in Red
China: music and
ideology
in the
Gongde
ritual of merit in
Fujian",
11/ i:119-140
Tian, Qing
and Tan Hwee
San,
"Recent
trends in Buddhist music research in
China",
3:63-72
Tingey,
Carol, "Auspicious
women,
auspicious songs: mangalini
and their
music at the court of
Kathmandu",
2:55-74
Tingey,
Carol,
"Musical instrument or ritual
object?
The status of the kettledrum in
the
temples
of central
Nepal",
1:103-9
Travassos, Elizabeth,
"Ethics in the
sung
duels of north-eastern Brazil: collective
memory
and
contemporary practice",
9/i:61-94
Ulh6a,
Martha
Tupinambai
de,
"Masica
romantica in Montes Claros: inter-
gender
relations in Brazilian
popular
song",
9/i: 11-40
Um, Hae-kyung, "Listening patterns
and
identity
of the Korean
diaspora
in the
former
USSR", 9/ii:121-42
Widdess, Richard,
"Festivals of
dhrupad
in
northern India: new contexts for an
ancient
art",
3:89-109
Wiggins,
Trevor, "Techniques
of variation
and
concepts
of musical
understanding
in Northern
Ghana",
7:123-48
Woodfield, Ian, "Collecting
Indian
songs
in
18th-century
Lucknow:
problems
of
transcription",
3:73-88
Youssefzadeh,
Ameneh "The situation of
music in Iran since the Revolution: the
role of official
organizations".
9/ii:35-61
160 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.1 1/ii 2002
Index of countries as
major
article
themes, volumes
1-11
(1992-2002)
Afghanistan:
6:117
(Baily), 10/ii:85
(Baily)
Australia: 8:97
(Mackinlay)
Bali: 1:1
(Gray)
Bolivia: 3:35
(Stobart),
9/ii:63
(Stobart
&
Cross)
Brazil: 3:1
(Reily),
8:67
(Bastos), Special
issue 9/i: 1
(Reily),
11
(Ulh6a),
41
(Lucas),
61
(Travassos)
95
(Hosokawa), 119 (Neto),
10/i:85 (Eisentraut)
British Isles: 4:41
(Eydmann),
5:133
(Ramnarine),
10/i:85
(Eisentraut)
Bulgaria:
10/i: 19
(Rice),
I
1/ii:1
(Buchanan)
Chile: 10/ii:61
(Knudsen)
China: 1:55
(Stock),
3:63
(Tian),
5:113
(Lau),
6:35
(Ho),
8:27
(Jones),
10/i:39
(Kouwenhoven), I 1/i
(Harris
and
Dawut),
11/i
(Tan)
Corsica: 5:39
(Bithell)
Crete: 5:93
(Dawe),
7:29
(Dawe)
Cuba: 11/i
(Hagedorn)
France: see Corsica
Ghana: 7:123
(Wiggins)
Greece: 6:51
(Plemmenos),
6:65
(Pennanen);
see also Crete
Hungary:
1: 111
(Kertdsz-Wilkinson),
11/i
(Frigyesi)
India: 2:31
(Farrell),
2:75
(Clayton),
3:73
(Woodfield),
3:89
(Widdess),
5:133
(Ramnarine),
9/ii:1
(Brown),
10/i:1
(Clayton),
10/i:63
(Morcom),
1 1/ii:28
(Farrell)
Indonesia: see
Bali,
Java
Iran: 6:1
(Lewisohn),
7:75
(Nooshin),
9/ii:35
(Youssefzadeh)
Ireland: 4:51
(McCann),
8:1
(Lanier),
10/ii:37
(Radford)
Japan:
3:49
(Hesselink),
9/ii:93
(Hughes)
Java: 1:17
(Hughes)
Kenya: 10/i:
107
(Barz)
Korea: 10/ii:99
(Jang)
Mali: 4:101
(Durin)
Mongolia:
1:31
(Pegg),
4:77
(Pegg)
Nepal:
1:103
(Tingey),
2:55
(Tingey)
Norway:
10/ii:61
(Knudsen)
Peru: 11/i (Ritter)
Scotland: 4:1
(Cannon),
4:17
(Buisman)
South Africa: 5:1
(Ballantine),
7:51
(Reily),
10/ii:1
(Kruger),
11/ii:125 (Lucia)
Taiwan: 11/ii:81
(Chou)
Thailand: 1:17
(Hughes)
Trinidad: 5:133
(Ramnarine),
7:7
(Ramnarine)
Turkey:
1:89
(Stokes)
Uganda:
2:1
(Gourlay),
2:117
(Gray),
4:135
(Gray)
United
Kingdom:
1:137
(Swanwick),
4:51
(McCann),
5:67
(Clayton),
1 1/ii:61
(Cottrell);
see also British
Isles,
Scotland
USSR: 9/ii:121
(Um)
Vietnam: 11/i
(Norton)