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Disclaimer: This post is due to a major contribution from Humairah (blogging here). Any mistakes, of
course, are mine.
We have already discussed the ﻣﺎﺿﻰof the نﺎق صverb. In this post, Insha Allah, I will discuss the
ﻣﹹﻀﺎﺭﹺﻉpatterns for the same and we will see how some conjugations undergo ﺗﹷﻌﻠﹻﻴﻞ.
In the ﻣﹹﻀﺎﺭﹺﻉof the نﺎق صverb, 6 conjugations do not have ﺗﹷﻌﻠﹻﻴﻞsince they rhyme with their ﺻﺤﻴﺢ
counterparts. These are conjugations number 2,5,6,8,11, and 12 i.e. the 4 duals and the 2 plural
feminines. For example, the set of these 6 conjugations from the ﻳﹷﺮﹾﻣﹻﻲﹾtable will rhyme with
ﻳﹷﻀﹿﺮﹺﺏﹸwhereas the set of these 6 conjugations in the ﻳﹷﺮﹾﺿٰﻰtable will rhyme with ﻳﹷﺴﹿﻤﹷﻊﹸ.
Below, I will give the complete listing of the ﻣﹹﻀﺎﺭﹺﻉfor 3 نﺎق صverbs:
If you remember, the edge rule for a نﺎق صverb states that “any ﻻﻡposition ( ﻭi.e. occurring at the edge
of a word) preceded by a ﻛﹷﺴﹿﺮﹶﺓwill change to “ ﻯ. However, look at the cases of ﻳﹷﺮﹾﺿﹷﻴﹷﺎﻥﹺor
ﺗﹷﺮﹾﺿﹷﻴﹷﺎﻥﹺor ﺗﹷﺮﹾﺿﹷﻴﹿﻦﹶ. They all have ﻭat the ﻻﻡposition since we know that the base letters in
the ﻳﹷﺮﹾﺿٰﻰtable are ﺭ ﺽand ﻭ. Thus the first example should have been ﻳﹷﺮﹾﺿﹷﻮﹶﺍﻥﹺbecause the ﻭis
not preceded by a ﻛﹷﺴﹿﺮﹶﺓ. However, it is changing to a ﻯ. On top of this, we have also stated that
that there is no ﺗﹷﻌﻠﹻﻴﻞin this conjugation. To address this anomaly we say that since the final form of
the verb is still rhyming with its ﺻﺤﻴﺢcounter part i.e. ﻳﹷﻔﹿﻌﹷﻼﹶﻥﹺ, therefore there has only been a
change of a letter rather than a full blown ﺗﹷﻌﻠﹻﻴﻞ. To explain the change of the letter (i.e. ﻭto ) ﻯwe
state a rule which deals with a ﻭor ﻯoccurring beyond the third position in a نﺎق صverb. This rule can
If a ﻭcomes in the fourth position or later in a word and it is not preceded by a ﺿﹷﻤﳲﺔor a ﺳﹷﺎﻛﹻﻦ
them.
First conjugation : In the case of ﻳﹷﺪﹾﻋﹹﻮﹾit was actually ﻳﹷﺪﹾﻋﹹﻮﹸrhyming with ﻳﹷﻨﹿﺼﹹﺮﹸ. The final
ﺿﹷﻤﳲﺔwas awkward on ﻭand was dropped. In the case of ﻳﹷﺮﹾﻣﹻﻲﹾthis was actually ﻳﹷﺮﹾﻣﹻﻲﹸ. Again,
the ﺿﹷﻤﳲﺔwas dropped since it was awkward on the ﻯ. For the case of ﻳﹷﺮﹾﺿٰﻰthe original was
ﻳﹷﺮﹾﺿﹷﻮﹸ. The ﻭis at the fourth position so change it to ﻯaccording to the “Fourth position or beyond
rule”. This leave us with ﻳﹷﺮﹾﺿﹷﻰﹸwhich has a ﻯwhich is ﻣﹹﺘﹷﺤﹷﺮﱢﻙand is preceded by a ﻓﹷﺘﹿﺤﺔso
this is changed to ﺍaccording to the Simple Change to Alif rule , giving us ﻳﹷﺮﹾﺿٰﻰ
Third Conjugation: Here ﻳﹷﺪﹾﻋﹹﻮﹾﻥﹶwas originally ﻳﹷﺪﹾﻋﹹﻮﹸﻭﹾﻥﹶ. The ﺿﹷﻤﳲﺔon the ﻭwas dropped
which leaves us with two ﻭwhich are ﺳﹷﺎﻛﹻﻦ. Thus, one of these ﻭis dropped giving us ﻳﹷﺪﹾﻋﹹﻮﹾﻥﹶ
The above process can actually be encompassed in a two step rule which states that: “Whenever there
is a ﻻﻡposition ﻭor ﻯpreceded by a ﺿﹷﻤﳲﺔor a ﻛﹷﺴﹿﺮﹶﺓ, make the ﻭor the ﻯas ﺳﹷﺎﻛﹻﻦ. Now, if
the ﻭor ﻯis preceded by an appropriate short vowel and followed by an appropriate long vowel (see
here for this discussion) then drop this ﻭor ﻯ.” This rule also takes care of the 9th conjugation of
For the ﻳﹷﺮﹾﺿٰﻰtable, the third conjugation was originally ﻳﹷﺮﹾﺿﹷﻮﹸﻭﹾﻥﹶrhyming with ﻳﹷﺴﹿﻤﹷﻌﹹﻮﹾﻥﹶ.
The ﻭwas changed (according to the Fourth position rule) to ﻯsince it is preceded by a ﻓﹷﺘﹿﺤﺔgiving
to an ﺍusing the Simple Change to Alif rule , the introduction of which results in gathering of two
10th Conjugation : The starting point for this conjugation was ﺗﹷﺪﹾﻋﹹﻮﹺﻳﹿﻦﹶrhyming with ﺗﹷﻨﹿﺼﹹﺮﹺﻳﻦﹶ.
The ﻛﹷﺴﹿﺮﹶﺓis inappropriate before the ﻭso the ﻛﹷﺴﹿﺮﹶﺓwas moved to the letter before it. This
resulted in gathering of two ﺳﹷﺎﻛﹻﻦletters. The ﻭwas dropped, leaving us with ﺗﹷﺪﹾﻋﹻﻴﹿﻦﹶ. This
transformation is governed by the following general rule: “If a ﻭis preceded by a ﺿﹷﻤﳲﺔand followed
by a ﻯ, the preceding letter is made ﺳﹷﺎﻛﹻﻦand the vowel on ﻭis transferred to the preceding letter.
Then the ﻭchanges into a ﻯand falls off due to gathering to two ﺳﹷﺎﻛﹻﻦletters”
In the case of ﺗﹷﺮﹾﻣﹻﻴﹿﻦﹶthis was originally ﺗﹷﺮﹾﻣﹻﻴﹻﻴﹿﻦﹶrhyming with ﺗﹷﻀﹿﺮﹺﺑﹿﻦﹶ. The ﻛﹷﺴﹿﺮﹶﺓ
was inappropriate on the ﻯso the ﻛﹷﺴﹿﺮﹶﺓwas dropped, leaving us with two ﺳﹷﺎﻛﹻﻦletters. Thus,
The 10th conjugation in the ﻳﹷﺮﹾﺿٰﻰtable was originally ﺗﹷﺮﹾﺿﹷﻮﹺﻳﹿﻦﹶrhyming with ﺗﹷﺴﹿﻤﹷﻌﹻﻴﹿﻦﹶ.
The ﻭis changed to ﻯaccording to the Fourth position or beyond rule. This leaves us with
ﺗﹷﺮﹾﺿﹷﻴﹷﻴﹿﻦﹶ. Again, one of the ﻯis dropped due to the gathering of two ﺳﹷﺎﻛﹻﻦletters giving us
ﺗﹷﺮﹾﺿﹷﻴﹿﻦﹶ
Almost of these rules can also be applied when constructing the passive conjugations for the ﻣﹹﻀﺎﺭﹺﻉ
of the نﺎق صverb. In some future post I will Insha Allah try to list all the rules governing ﺗﹷﻌﻠﹻﻴﻞ. Until
then, hopefully, this introduction will come in handy for the students of Classical Arabic.